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WCT Music &
Expression pt. 1
   Classical vs Romantic
• Classical -- 1750-1800
   • Mozart, Haydn, Beethoven
• Romantic -- 1800-1900
   • Beethoven, Berlioz, Schumann
• Classical -- “classic”, universal, everlasting
• Romantic -- highly personal, supernatural
Classical

• Drama
   • creating & resolving conflict
• Following well-worn paths
   • playing with expectations
Romantic


• Episodic, loosely connected “scenes”
• Storytelling
Joseph Haydn,
Symphony no. 102, iv
       (1795)
A          Rapid stepwise             soft
B    Wide leaps, dotted rhythms      loud
A          Rapid stepwise             soft
C   Wandering melody over drone   loud/soft/loud

A          Rapid stepwise             soft
D      Leaping melody, upward        loud
A          Rapid stepwise             soft
C   Wandering melody over drone   loud/soft/loud

A          Rapid stepwise         soft/loud
A          Rapid stepwise             soft
B    Wide leaps, dotted rhythms      loud
A          Rapid stepwise             soft
C   Wandering melody over drone   loud/soft/loud

A          Rapid stepwise             soft
D      Leaping melody, upward        loud
A          Rapid stepwise             soft
C   Wandering melody over drone   loud/soft/loud

A          Rapid stepwise         soft/loud
A          Rapid stepwise             soft
B    Wide leaps, dotted rhythms      loud
A          Rapid stepwise             soft
C   Wandering melody over drone   loud/soft/loud

A          Rapid stepwise             soft
D      Leaping melody, upward        loud
A          Rapid stepwise             soft
C   Wandering melody over drone   loud/soft/loud

A          Rapid stepwise         soft/loud
Beethoven, Symphony
      no. 5, iii
      (1808)
Theme 1: rising figure         Soft
 A
          Theme 2: repeated note         Loud


 B     Theme 3: rapid, upward-moving     Loud


 A’        Themes 1 & 2, varied          Soft


                                       Gradually
Coda             Theme 1
                                        softer
Theme 1: rising figure         Soft
 A
          Theme 2: repeated note         Loud


 B     Theme 3: rapid, upward-moving     Loud


 A’        Themes 1 & 2, varied          Soft


                                       Gradually
Coda             Theme 1
                                        softer
Theme 1: rising figure         Soft
 A
          Theme 2: repeated note         Loud


 B     Theme 3: rapid, upward-moving     Loud


 A’        Themes 1 & 2, varied          Soft


                                       Gradually
Coda             Theme 1
                                        softer
generic vs personal
    expression
Berlioz, Symphonie
    fantastique
      (1830)
Hector
Berlioz
(1803-69)
Harriet Smithson
Harriet Smithson
Harriet Smithson
Symphonie Fantastique
• I. Reveries, Passions (Largo-Allegro agitatto
  e appassionato assai)
• II. A Ball (Allegro non troppo)
• III. Scene in the Country (Adagio)
• IV. March to the Scaffold (Allegro non
  troppo)
• V. Dream of a witches' Sabbath (Larghetto-
  Allegro)
Symphonie Fantastique
• I. Reveries, Passions (Largo-Allegro agitatto
  e appassionato assai)
• II. A Ball (Allegro non troppo)
• III. Scene in the Country (Adagio)
• IV. March to the Scaffold (Allegro non
  troppo)
• V. Dream of a witches' Sabbath (Larghetto-
  Allegro)
Symphonie Fantastique
• I. Reveries, Passions (Largo-Allegro agitatto
  e appassionato assai)
• II. A Ball (Allegro non troppo)
• III. Scene in the Country (Adagio)
• IV. March to the Scaffold (Allegro non
  troppo)
• V. Dream of a witches' Sabbath (Larghetto-
  Allegro)
Symphonie Fantastique
• I. Reveries, Passions (Largo-Allegro agitatto
  e appassionato assai)
• II. A Ball (Allegro non troppo)
• III. Scene in the Country (Adagio)
• IV. March to the Scaffold (Allegro non
  troppo)
• V. Dream of a witches' Sabbath (Larghetto-
  Allegro)
Symphonie Fantastique
• I. Reveries, Passions (Largo-Allegro agitatto
  e appassionato assai)
• II. A Ball (Allegro non troppo)
• III. Scene in the Country (Adagio)
• IV. March to the Scaffold (Allegro non
  troppo)
• V. Dream of a witches' Sabbath (Larghetto-
  Allegro)
Symphonie Fantastique
• I. Reveries, Passions (Largo-Allegro agitatto
  e appassionato assai)
• II. A Ball (Allegro non troppo)
• III. Scene in the Country (Adagio)
• IV. March to the Scaffold (Allegro non
  troppo)
• V. Dream of a witches' Sabbath (Larghetto-
  Allegro)
Symphonie Fantastique
• I. Reveries, Passions (Largo-Allegro agitatto
  e appassionato assai)
• II. A Ball (Allegro non troppo)
• III. Scene in the Country (Adagio)
• IV. March to the Scaffold (Allegro non
  troppo)
• V. Dream of a witches' Sabbath (Larghetto-
  Allegro)
Symphonie Fantastique
• I. Reveries, Passions (Largo-Allegro agitatto
  e appassionato assai)
• II. A Ball (Allegro non troppo)
• III. Scene in the Country (Adagio)
• IV. March to the Scaffold (Allegro non
  troppo)
• V. Dream of a witches' Sabbath (Larghetto-
  Allegro)
Symphonie Fantastique
• I. Reveries, Passions (Largo-Allegro agitatto
  e appassionato assai)
• II. A Ball (Allegro non troppo)
• III. Scene in the Country (Adagio)
• IV. March to the Scaffold (Allegro non
  troppo)
• V. Dream of a witches' Sabbath (Larghetto-
  Allegro)
• semi-autobiographical
• story determines music
In sum...


• Classical expression -- generalized
• Romantic expression -- personalized

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1010 f11 10-31

  • 1. WCT Music & Expression pt. 1 Classical vs Romantic
  • 2. • Classical -- 1750-1800 • Mozart, Haydn, Beethoven • Romantic -- 1800-1900 • Beethoven, Berlioz, Schumann
  • 3. • Classical -- “classic”, universal, everlasting • Romantic -- highly personal, supernatural
  • 4. Classical • Drama • creating & resolving conflict • Following well-worn paths • playing with expectations
  • 5. Romantic • Episodic, loosely connected “scenes” • Storytelling
  • 6. Joseph Haydn, Symphony no. 102, iv (1795)
  • 7. A Rapid stepwise soft B Wide leaps, dotted rhythms loud A Rapid stepwise soft C Wandering melody over drone loud/soft/loud A Rapid stepwise soft D Leaping melody, upward loud A Rapid stepwise soft C Wandering melody over drone loud/soft/loud A Rapid stepwise soft/loud
  • 8. A Rapid stepwise soft B Wide leaps, dotted rhythms loud A Rapid stepwise soft C Wandering melody over drone loud/soft/loud A Rapid stepwise soft D Leaping melody, upward loud A Rapid stepwise soft C Wandering melody over drone loud/soft/loud A Rapid stepwise soft/loud
  • 9. A Rapid stepwise soft B Wide leaps, dotted rhythms loud A Rapid stepwise soft C Wandering melody over drone loud/soft/loud A Rapid stepwise soft D Leaping melody, upward loud A Rapid stepwise soft C Wandering melody over drone loud/soft/loud A Rapid stepwise soft/loud
  • 10. Beethoven, Symphony no. 5, iii (1808)
  • 11. Theme 1: rising figure Soft A Theme 2: repeated note Loud B Theme 3: rapid, upward-moving Loud A’ Themes 1 & 2, varied Soft Gradually Coda Theme 1 softer
  • 12. Theme 1: rising figure Soft A Theme 2: repeated note Loud B Theme 3: rapid, upward-moving Loud A’ Themes 1 & 2, varied Soft Gradually Coda Theme 1 softer
  • 13. Theme 1: rising figure Soft A Theme 2: repeated note Loud B Theme 3: rapid, upward-moving Loud A’ Themes 1 & 2, varied Soft Gradually Coda Theme 1 softer
  • 14. generic vs personal expression
  • 15. Berlioz, Symphonie fantastique (1830)
  • 17.
  • 21. Symphonie Fantastique • I. Reveries, Passions (Largo-Allegro agitatto e appassionato assai) • II. A Ball (Allegro non troppo) • III. Scene in the Country (Adagio) • IV. March to the Scaffold (Allegro non troppo) • V. Dream of a witches' Sabbath (Larghetto- Allegro)
  • 22. Symphonie Fantastique • I. Reveries, Passions (Largo-Allegro agitatto e appassionato assai) • II. A Ball (Allegro non troppo) • III. Scene in the Country (Adagio) • IV. March to the Scaffold (Allegro non troppo) • V. Dream of a witches' Sabbath (Larghetto- Allegro)
  • 23. Symphonie Fantastique • I. Reveries, Passions (Largo-Allegro agitatto e appassionato assai) • II. A Ball (Allegro non troppo) • III. Scene in the Country (Adagio) • IV. March to the Scaffold (Allegro non troppo) • V. Dream of a witches' Sabbath (Larghetto- Allegro)
  • 24. Symphonie Fantastique • I. Reveries, Passions (Largo-Allegro agitatto e appassionato assai) • II. A Ball (Allegro non troppo) • III. Scene in the Country (Adagio) • IV. March to the Scaffold (Allegro non troppo) • V. Dream of a witches' Sabbath (Larghetto- Allegro)
  • 25. Symphonie Fantastique • I. Reveries, Passions (Largo-Allegro agitatto e appassionato assai) • II. A Ball (Allegro non troppo) • III. Scene in the Country (Adagio) • IV. March to the Scaffold (Allegro non troppo) • V. Dream of a witches' Sabbath (Larghetto- Allegro)
  • 26. Symphonie Fantastique • I. Reveries, Passions (Largo-Allegro agitatto e appassionato assai) • II. A Ball (Allegro non troppo) • III. Scene in the Country (Adagio) • IV. March to the Scaffold (Allegro non troppo) • V. Dream of a witches' Sabbath (Larghetto- Allegro)
  • 27. Symphonie Fantastique • I. Reveries, Passions (Largo-Allegro agitatto e appassionato assai) • II. A Ball (Allegro non troppo) • III. Scene in the Country (Adagio) • IV. March to the Scaffold (Allegro non troppo) • V. Dream of a witches' Sabbath (Larghetto- Allegro)
  • 28. Symphonie Fantastique • I. Reveries, Passions (Largo-Allegro agitatto e appassionato assai) • II. A Ball (Allegro non troppo) • III. Scene in the Country (Adagio) • IV. March to the Scaffold (Allegro non troppo) • V. Dream of a witches' Sabbath (Larghetto- Allegro)
  • 29. Symphonie Fantastique • I. Reveries, Passions (Largo-Allegro agitatto e appassionato assai) • II. A Ball (Allegro non troppo) • III. Scene in the Country (Adagio) • IV. March to the Scaffold (Allegro non troppo) • V. Dream of a witches' Sabbath (Larghetto- Allegro)
  • 30.
  • 32. In sum... • Classical expression -- generalized • Romantic expression -- personalized

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