More Related Content More from Aural Terrains (13) 2. Notational Signs and Performance Instructions
2
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continuous sound - the starting notes should be sustained while the new ones enter.
consider them as overlappings [ad libitum]
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
vibrato by opening and closing the swell-box pedal fast or tremulant where it is better to obtain similar sound
3. 'Antares
3
for Michael Pelzel
_____________________
TH. CHRYSAKIS
$ = 84-88
16'
III
September-October
2013
L.H.
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14. _ .-:*'``'*:-.__.-:*'``':*'``'*:-.,_,.-:*'``',.-:*'``'*:-.,_,.-:*'``'*:-.,_,.-:*'``'*:-.,_ .-:*'``'*:-.__,.-:*'``'*:-.,_,.-:*' ``'*:-.,_,.-:*'``'*:-.,_ .-:*'`
-.,_,.-:*'``'*:-.,_Ἀστραία,.-:*'``'*:-.,_ .-:*'``'*:-.__,.-:*'`,.-:*'``'*:-.,_,.-:*'``'*:-.,_,.-:*'``'*:-.,_ .-:*'``'*:-.__,.-:*'``'*:-.,_,.-:*' ``'*:-.,
*:-.,_ .-:*'``'*:-.__,.-:*'``'*:-.,_,.-:*'``'*:-.,_,.-:*'``'*:-.,_TH. CHRYSAKIS .-:*'``'*:-.__,.-:*'`
15. Notational Signs and Performance Instructions
2
! circular breathing (whenever possible)
w.v.
!!!!!!!!!!!!!!!
$%%%%%%%
# ## ##
continuous teeth on reed sound
!
p.v.
poco vibrato
pulsing smorzato
same pitch with two different fingerings (bisbigliando)
glissando
'
&
without vibrato
continuous sound
poco
gliss.
" "!" sinuous micro-glissandi
air-tone
imperceptible sound tranformation from air-tone to clear tone
or air-tone to teeth reed tone
!"!"!"!"!"!" oscillato : a slight fluctuation of the pitch upwards and downwards
"!" "!"!"!"" by rapidly changing lip glissando in both directions
!
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* The multiphonics used are taken from the Netti-Weiss saxophone multiphonic charts
16. Ἀστραία / Astraea
3
for the Stockholm Saxophone Quartet
_,.-:*'``'*:-.,_,.-:*'``'*:-.,_,.-:*'``'*:-.,_ .-:*'``'*:-.__,.-:*'``'*:-.,_,.-:*'
``'*:-.,_,.-:*'``'*:-.,_ .-:*'``'*:-.__,.-:*'``'*:-.,_,.-:*'``'*:-.,_,.-:*'``'*:-.,_
.-:*'``'*:-.__,.-:*'`
Rubato q = 90
'``'*:-.__,.-:*'``'*:-.,_,.-:*'``'*:-.,_,.-:*'``'*:-.,_`'*:.,_,.-:*'``'*:-.,_,.-:*'``'*:-.,_ .-:*'``'*:-.__,.-:*'``'*:-.,_,.-:*'``'*:-.,_,.-:*'``'* TH. CHRYSAKIS
:-.,_ .-:*'``'*:-.__,.-:*'``'*:-.,_,.-:*'``'*:-.,_,.-:*'``'*:-.,_ .-:*'``'*:-._'``'*:-.__,.-:July-August 2013
Soprano
Saxophone
Alto
Saxophone
Tenor
Saxophone
Baritone
Saxophone
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al niente !
33. !"#$%& II
for Wilfrido Terrazas
Thanos CHRYSAKIS
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JUNE 2011
35. Notational Signs and Performance Instructions
()))
pulse smorzato
indicates continuous sound
*** ** ***
p.v.
breath pulsations
poco vibrato
w.v. without vibrato
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/0/0
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& breath noise - no pitch
7 poco frullato
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7
4 3 voice
6
5 producing 'pitched' sound while covering the blow hole with the mouth;
jet whistle
&
5 producing 'breath' sound
while covering the blow hole with the mouth;
jet whistle
ordinary tone
circular breathing
less than quarter tone (ascending)
less than quarter tone (descending)
same pitch with two different fingerings
3
36. Performance Setting Instructions
The performance space should be in dark. A small circle of tealight candles surrounds the performer.
Notational Signs and Performance Instructions
!
""" "" " " """
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lower by quarter tone after reaching the note
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mixed breath sound and pitch
w.v.
p.v.
without vibrato
s.v.
slow vibrato
poco vibrato
encircled high notes should prevail when playing a dyad
encircled high notes with a vertical line indicate that they should be less evident in the dyad's mixture
gradual transition (zoom in — zoom out of dyads' high notes)
micro-fluctuations (upwards-downwards)
should have a noisy / breath element in contrast with oscillato
register transitions, using the register key
echotone
!!! !
!! ! !
&'&'&'&'&'&!
'&'&'&'&'&'&!
+ ,
oscillato : a slight fluctuation of the pitch upwards and downwards by rapidly
changing lip glissando in both directions
37. !"#$$% / Fáessa
2
for Jason Alder
TH. CHRYSAKIS
' = 66
Sept-Nov. 2012
Luminous and Serene
Clarinet in Bb
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44. 2
Notational Signs and Performance Instructions
!
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(
! $ ! $!$!
# $ !$ !$ !$
!
"
!"!"!"!"!"!#
"!"!"!"!"!"#
circular breathing (whenever possible)
continuous sound
w.v.
without vibrato
p.v.
poco vibrato
pulsing smorzato
""!" sinuous micro-glissandi
same pitch with two different fingerings (bisbigliando)
glissando
poco
gliss.
mixture of pitch and air (pitch predominates)
aeolic
"
#
++
++
improvise a micro-tonal ornament based
on and ending with the given pitch
poco frullato (stave 21)
micro-fluctuations (upwards-downwards)
should have a noisy / breath element in contrast with oscillato
register transitions, using the register key
* The multiphonics used are taken from the Netti-Weiss soprano saxophone multiphonic chart
oscillato : a slight fluctuation of the pitch upwards and downwards by rapidly
changing lip glissando in both directions
| | | | | | | | | || || || || || || ||||| || || || || || || | | | | | | | | | | |
45. 3
!"#$%&'((' / IDEOGRAMMA
for Ángel Soria Diaz
,,
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Soprano Saxophone $
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q = 85
Rubato
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TH. CHRYSAKIS
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51. Notational Signs and Performance Instructions
2
circular breathing (if possible)
"
#
!
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downwards by rapidly changing lip glissando in both
"!"!"!"!"!
directions
''''''''''''''''''''''''
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! ! ! ! ! !!!
continuous sound
pulse smorzato
breath pulsations
poco vibrato
slow vibrato
without vibrato
p.v.
s.v.
w.v.
Mêtis
&&&&& &&
*
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gradual transition for the highest notes of a dyad:
(zoom out - zoom in or the reverse
movement)
apparitions : airy and unfocused notes
$$/$$$should have a slight noisy / breath element
.$/$$$/ micro-fluctuations (upwards-downwards)
// // / /
The players should face each other in close proximity in
a relatively low lighting stage.
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same pitch with two
different fingerings
CB I
*
CB II
mixture of pitch and breath sound
poco frullato
a u d i e n c e
lower lip bend
or glissando depending the tessitura
embouchure moves the air back in the
instrument while using fixed fingering positions
on the very lowest keys —
producing a grainy haze
#
"
# $
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The encircled highest note of a dyad should
be more evident,
while, those uncircled should be less evident.
%(
%%
(
Alternate between two or more notes in
a quasi-improvisatory kind of tremolo.
internal slow glissando up and down
register transitions,
using the speaker key
$
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part of a dyad) arpegiate upwards or
downwards accordingly.
improvise a micro-tonal ornament based
on and ending with the given pitch
52. 3
!"#$% / Mêtis
for Jason Alder & Chris Cundy
TH. CHRYSAKIS
q = 70
Bass Clarinet
in Bb
I
Bass Clarinet
in Bb
II
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61. Milieu Interieur
I
2
for Chris Cundy
solo bass clarinet in B '
& = 60 (66) Rubato
0
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Thanos CHRYSAKIS
[2011]
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December 2011
66. !!!!
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Notational Signs and Performance Instructions
%$
"
only ever applies to treble clef so
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register transitions,
using the speaker key
system 6: third dyad = left-hand
67. Milieu Interieur II
%
for Chris Cundy
solo contrabass clarinet in B
2
# = 84-87
" ( ))
)
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71. Notational Signs and Performance Instructions
U.C.
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sostenuto pedal notes : after these notes the sostenuto pedal should be depressed
silent notes
scratching the strings with a small object inside the piano in the specific notated areas [fieds]
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playing a roll on a snare-drum with the edge of your fingers.
% %
% &slide the fingers with the palm facing upwards
* plunking the strings inside the piano
*amplification is necessary if played in a big space
72. Perpetual
for Kate Ryder
2
" =80-90
TH. CHRYSAKIS
[2012]
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APRIL-MAY 2012
81. Notational Signs and Performance Instructions
!
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circular breathing wherever possible
breath pulsations
sustained sound
same pitch with two diferrent fingerings
poco vibrato
slow vibrato
without vibrato
ordinary tone
-
+,
caesura
micro-fluctuations (upwards-downwards)
little glissandi
rapid tremolo
mixture of pitch and breath sound. pitch predominance
breath sound. no pitch
encircled notes should prevail when playing a dyad
encircled notes with a vertical line indicate that they should be less evident in the dyad's mixture
poco frullato
pulse smorzato
hollow tones
whistle tones
gradual transition (zoom out — zoom in of dyads' high notes)
normal tremolo
82. VITA MORGANA
2
for Claire Chase & Wilfrido Terrazas
THANOS CHRYSAKIS
JUNE 2012
q = 60
Hovering and Tranquil
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![Notational Signs and Performance Instructions
2
!
continuous sound - the starting notes should be sustained while the new ones enter.
consider them as overlappings [ad libitum]
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
vibrato by opening and closing the swell-box pedal fast or tremulant where it is better to obtain similar sound](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)