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The Sa dne s s
 Co l l e c t o r
       By Merlinda Bobis


           A REPORT


美雪月岡
MERLINDA BOBIS
(November 25, 1959 – present)
• Writer, performer, academic
• Born in Tabaco, Albay
• Completed her BA at Aquinas
  University (Legaspi City)
• Got her post-graduate degree in
  University of Santo Tomas and
  University of Wollongong
  (Australia)
• Senior lecturer at the University
  of Wollongong
A WA R D S
• “Rita‟s LuLLaby” (play)
  - Awgie for Best Radio Play (1998)
  - International Prix Italia (1998)
• “white tuRtLe” (1999; short story
  collection)
  - Stele Rudd Awards for the best
  collection of Australian Short
  Stories (2000)
  - Philippine National Book Award
  (2000)
• “banana heaRt summeR” (2005;
A WA R D S
• Daragang Magayon Cantata (2007)
  - Australian Classical Music Award
  (Best Vocal/Choral Work of the
  Year)
• Gawad Pambansang Alagad ni
  Balagtas (2006)
• Manunulat ng Pilipinas (2006)

(
    http://www.merlindabobis.com.au/a
MO S T
DI SCUSSED
T OP I CS
Feminism
Nationalism
Social issues
(e.g.
displacement, migration)
S U MMA R Y
The story tells about
 Rica‟s pRobLems whiLe
 growing up with her
 father only because her
 mother honors an
 overseas contract as a
 domestic helper.
to diveRt the chiLd‟s
 attention, her father
 creates a story about
F I GURE S OF
S P E E C“big Lady”
 Apostrophe –
               H
 Hyperbole – “so she can be saved
  fRom buRsting.”
 Hyperbole and Metonymy – “she
  onLy comes to eat youR sadness.”
  (sadness = tears)
 Metaphor – “she Likes
  sadness, it‟s food.”
 Simile – “she‟s sad, Like heR
I MA G E R Y
  Auditory

  Visual

  Gustatory
S Y MB O L I S MS
 The Sadness Collector/Bed
 time story
 – ouR “souRce of comfoRt”
  – Separating reality from
 fantasy
 “she can‟t take you away fRom
 me”
 – Referring to custody
„LegaL‟
Personal
Interpretation

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The Sadness Collector by Merlinda Bobis (report)

  • 1. The Sa dne s s Co l l e c t o r By Merlinda Bobis A REPORT 美雪月岡
  • 2. MERLINDA BOBIS (November 25, 1959 – present) • Writer, performer, academic • Born in Tabaco, Albay • Completed her BA at Aquinas University (Legaspi City) • Got her post-graduate degree in University of Santo Tomas and University of Wollongong (Australia) • Senior lecturer at the University of Wollongong
  • 3. A WA R D S • “Rita‟s LuLLaby” (play) - Awgie for Best Radio Play (1998) - International Prix Italia (1998) • “white tuRtLe” (1999; short story collection) - Stele Rudd Awards for the best collection of Australian Short Stories (2000) - Philippine National Book Award (2000) • “banana heaRt summeR” (2005;
  • 4. A WA R D S • Daragang Magayon Cantata (2007) - Australian Classical Music Award (Best Vocal/Choral Work of the Year) • Gawad Pambansang Alagad ni Balagtas (2006) • Manunulat ng Pilipinas (2006) ( http://www.merlindabobis.com.au/a
  • 5. MO S T DI SCUSSED T OP I CS Feminism Nationalism Social issues (e.g. displacement, migration)
  • 6. S U MMA R Y The story tells about Rica‟s pRobLems whiLe growing up with her father only because her mother honors an overseas contract as a domestic helper. to diveRt the chiLd‟s attention, her father creates a story about
  • 7. F I GURE S OF S P E E C“big Lady”  Apostrophe – H  Hyperbole – “so she can be saved fRom buRsting.”  Hyperbole and Metonymy – “she onLy comes to eat youR sadness.” (sadness = tears)  Metaphor – “she Likes sadness, it‟s food.”  Simile – “she‟s sad, Like heR
  • 8. I MA G E R Y  Auditory  Visual  Gustatory
  • 9. S Y MB O L I S MS  The Sadness Collector/Bed time story – ouR “souRce of comfoRt” – Separating reality from fantasy  “she can‟t take you away fRom me” – Referring to custody „LegaL‟