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Copyright and Creative
Commons
Melanie T. Kowalski
Emory Open Education Initiative Immersion Training
May 15, 2014
By the end of this session you should…
• Have a basic understanding of copyright
protection
• Know how to seek copyright permission
• Know how to find works licensed under the
Creative Commons
• Know how to apply a Creative Commons
License to your own work
2
Copyright Law - A quick overview
3
What is copyright?
“The Congress shall have Power To….promote the
Progress of Science and useful Arts, by securing
for limited Times to Authors and Inventors the
exclusive Right to their respective Writings and
Discoveries”
US Constitution, Article 1, Section 8
4
What are the “rights” in Copyright?
 The rights of the copyright owner are:
 To reproduce the work
 To prepare derivative works
 To distribute copies of the work
 To publicly perform the work
 To publicly display the work directly or by
telecommunication
 To publicly perform a sound recording by digital
means
5
Original works of authorship fixed in a
tangible medium of expression
What does Copyright Protect?
What doesn’t Copyright Protect?
• Works not protected by copyright include:
– Titles, names, short phrases, slogans
– Facts, news and discoveries
– Ideas, procedures, methods, systems, processes
(however, these may be patentable)
– Works lacking a modicum of originality (e.g. a phone
book in alphabetical order)
– Works created by the U.S. government
– Useful articles (such as clothing)
7
Duration of the Copyright protection
• Copyright law grants exclusive rights to
copyright owners
– Term of copyright is currently life of the author + 70
years
– Copyright notice ( © ) is not required
– When copyright expires, work enters the public
domain
• To maintain balance, © Law has several
exemptions (Ex. Fair Use)
8
Copyright Exemptions
• Classroom Use Exemption – Section 110 (1)
• TEACH Act Exemption – Section 110 (2)
• Fair Use – Section 107
9
Copyright Exemption - Fair Use
 Balancing test, comprised of four factors:
 Purpose and Character
 Nature of the copyright work
 Amount of the use
 Effect on the market or potential market for the
copyrighted work
10
How to Obtain Permission
• Identify the © owner
• Contact the © owner in writing and include:
– Exact material to be used
– Intended use of the material
– Form of publication
For OERs = unrestricted audience for an unlimited time
11
Permissions Help?
12
Bielstein, Susan M. Permissions, a Survival Guide: Blunt Talk about
Art as Intellectual Property. Chicago: U of Chicago, 2006.
When Permission Isn’t Needed
• Work is in the public domain
– US Federal Government document
– Published in US prior to 1923
– Published in a foreign country prior to 1909
• Creative Commons licenses
• When you are the creator and have retained the
rights to re-publish
13
Using Licensed Materials
• Database user agreements (licenses)
– Allows faculty, staff, and students access to content of
databases
– Fine when providing links to Emory students
– Not fine when providing links to non-Emory students
FOR OERS: NO SUBSCRIPTION = NO ACCESS
14
The Creative Commons License
15
What are the Creative Commons?
16
“C-Clones or Creative Commons” by Kristina Alexanderson; This image is being used
under a CC-BY-NC-SA license.
What are the Licenses
17
Attribution
CC-BY
Attribution-NoDerivs
CC-BY-ND
Attribution-ShareAlike
CC-BY-SA
Attribution-
NonCommercial
CC-BY-NC
Attribution-
NonCommercial-
ShareAlike
CC-BY-NC-SA
Attribution-
NonCommercial-No
Derivs
CC-BY-NC-ND
“No Rights Reserved” Public Domain Mark
Applying a CC License to your work
• If your original content, use CC Choose a
License Tool
http://creativecommons.org/choose/
• If remix of content, use OER IPR Support
Creative Commons License Compatibility
Wizards -
http://www.web2rights.com/OERIPRSupport/cre
ativecommons/
18
Creative Commons Exercise
creativecommons.org/choose/
Scenario: I have created a video for my OER textbook. The
video includes original content that I created. I want to
share the video with the world using a Creative Commons
License. I do want people to be able to remix it, quote it, or
create other works with it, as long as they also share their
work openly too. I do not care if someone profits from their
use of the video.
Which CC License should I choose??
19
Searching for CC Licensed Content
search.creativecommons.org
20
Using CC Licensed Content
• Proper Creative Commons attribution should
include:
– The name or user ID of the creator
– The title of the work, if any
– The Creative Commons license under which the
original work is available
– A reproduction of any copyright notices the creator
included
– If you’ve made a derivative work, an identification that
your work is derivative
21
Example:
22
“Moses…” by Giovanni (giopup @ flickr); This image
is being used under a CC-BY-SA license.
Let the Q & A commence!
23

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Emory Open Education Initiative 2014 - Copyright and the Creative Commons

  • 1. Copyright and Creative Commons Melanie T. Kowalski Emory Open Education Initiative Immersion Training May 15, 2014
  • 2. By the end of this session you should… • Have a basic understanding of copyright protection • Know how to seek copyright permission • Know how to find works licensed under the Creative Commons • Know how to apply a Creative Commons License to your own work 2
  • 3. Copyright Law - A quick overview 3
  • 4. What is copyright? “The Congress shall have Power To….promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries” US Constitution, Article 1, Section 8 4
  • 5. What are the “rights” in Copyright?  The rights of the copyright owner are:  To reproduce the work  To prepare derivative works  To distribute copies of the work  To publicly perform the work  To publicly display the work directly or by telecommunication  To publicly perform a sound recording by digital means 5
  • 6. Original works of authorship fixed in a tangible medium of expression What does Copyright Protect?
  • 7. What doesn’t Copyright Protect? • Works not protected by copyright include: – Titles, names, short phrases, slogans – Facts, news and discoveries – Ideas, procedures, methods, systems, processes (however, these may be patentable) – Works lacking a modicum of originality (e.g. a phone book in alphabetical order) – Works created by the U.S. government – Useful articles (such as clothing) 7
  • 8. Duration of the Copyright protection • Copyright law grants exclusive rights to copyright owners – Term of copyright is currently life of the author + 70 years – Copyright notice ( © ) is not required – When copyright expires, work enters the public domain • To maintain balance, © Law has several exemptions (Ex. Fair Use) 8
  • 9. Copyright Exemptions • Classroom Use Exemption – Section 110 (1) • TEACH Act Exemption – Section 110 (2) • Fair Use – Section 107 9
  • 10. Copyright Exemption - Fair Use  Balancing test, comprised of four factors:  Purpose and Character  Nature of the copyright work  Amount of the use  Effect on the market or potential market for the copyrighted work 10
  • 11. How to Obtain Permission • Identify the © owner • Contact the © owner in writing and include: – Exact material to be used – Intended use of the material – Form of publication For OERs = unrestricted audience for an unlimited time 11
  • 12. Permissions Help? 12 Bielstein, Susan M. Permissions, a Survival Guide: Blunt Talk about Art as Intellectual Property. Chicago: U of Chicago, 2006.
  • 13. When Permission Isn’t Needed • Work is in the public domain – US Federal Government document – Published in US prior to 1923 – Published in a foreign country prior to 1909 • Creative Commons licenses • When you are the creator and have retained the rights to re-publish 13
  • 14. Using Licensed Materials • Database user agreements (licenses) – Allows faculty, staff, and students access to content of databases – Fine when providing links to Emory students – Not fine when providing links to non-Emory students FOR OERS: NO SUBSCRIPTION = NO ACCESS 14
  • 15. The Creative Commons License 15
  • 16. What are the Creative Commons? 16 “C-Clones or Creative Commons” by Kristina Alexanderson; This image is being used under a CC-BY-NC-SA license.
  • 17. What are the Licenses 17 Attribution CC-BY Attribution-NoDerivs CC-BY-ND Attribution-ShareAlike CC-BY-SA Attribution- NonCommercial CC-BY-NC Attribution- NonCommercial- ShareAlike CC-BY-NC-SA Attribution- NonCommercial-No Derivs CC-BY-NC-ND “No Rights Reserved” Public Domain Mark
  • 18. Applying a CC License to your work • If your original content, use CC Choose a License Tool http://creativecommons.org/choose/ • If remix of content, use OER IPR Support Creative Commons License Compatibility Wizards - http://www.web2rights.com/OERIPRSupport/cre ativecommons/ 18
  • 19. Creative Commons Exercise creativecommons.org/choose/ Scenario: I have created a video for my OER textbook. The video includes original content that I created. I want to share the video with the world using a Creative Commons License. I do want people to be able to remix it, quote it, or create other works with it, as long as they also share their work openly too. I do not care if someone profits from their use of the video. Which CC License should I choose?? 19
  • 20. Searching for CC Licensed Content search.creativecommons.org 20
  • 21. Using CC Licensed Content • Proper Creative Commons attribution should include: – The name or user ID of the creator – The title of the work, if any – The Creative Commons license under which the original work is available – A reproduction of any copyright notices the creator included – If you’ve made a derivative work, an identification that your work is derivative 21
  • 22. Example: 22 “Moses…” by Giovanni (giopup @ flickr); This image is being used under a CC-BY-SA license.
  • 23. Let the Q & A commence! 23