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Women Empowerment In India:
Bouquets And Beautiful Women In
             Saree
           By Devika Mittal
Woman, an object?
• One of the most typical topics for research on media and
  advertisement has emerged to be the commercialization or
  objectification of women.
• Women being the eye candy with the main task of smiling,
  dancing or being caught by the villain, the axe revolution or
  the “oomph” factor to sell a mango drink has filled pages
  after pages.
• Women are being depicted mainly as a show piece, they are
  in a subservient position; the ‘liberated’ men and women
  would argue which is true and should be condemned.
• However, is this objectification restricted only to
  advertisements or the auto expo?
Saree clad beauties
• Any programme would involve selection of some tall, long-
  haired and beautiful girls to be dressed in sarees for the guest
  of honour ceremony and to present the bouquets
• It was definitely an honour for someone to be even
  considered for it.
• Here, I must mention that saree is seen as formal attire for
  women in India, the politics of it would be discussed later in
  the piece.
• Girls, more specifically beautiful girls in sarees to receive the
  guests, present bouquets or to move around are a
  widespread phenomenon in North India but as a student
  trained to be sceptical and question everything, it disturbs
  me a lot.
Politics with it?
• Saree is the dominant attire but there are many different
  traditional types of attire in India including salwar suit but the
  one that draws a thin line between being graceful and
  sensuous has been chosen.
• It does not mean that i condemn saree, i personally like it a
  lot but the way it is generally donned especially by young
  girls, it is a more sensuous than attractive.
• It is to note that a programme, if it has enough content,
  should not require people to look attractive in order to draw
  attention; formal or smart attire should be enough.
• Any dress can be formal if it is not too attractive but graceful
  enough. A saree can be that but we must ask, why only
  saree?
What is formal and what is not?
• Such programmes also have men in the formal Indian wear,
  again with the same politics of cultural dominance involved; a
  sherwani or kurta is selected.
• However, while men are also expected to dress in a formal
  way, it is still the women dazzling in sarees to handover the
  bouquets and make short but more appearances on the stage
  to say a line or two.
• It will be them who would be asked to accompany the guests.
• Men and women in their traditional attires do represent the
  tradition but why are women, more than men, expected to
  represent this culture often in sensuous attire?
So many WHYs
• Why can’t a man handover the bouquet instead?
• Why can’t he handle the not-so-important tasks on the
  stage?
• Why are women dressed in the traditional attire given more
  visible but often subservient tasks?
Beauty or brains?
• Yes, women do get “empowered” as they are making
  appearances, they are getting noticed but at what cost?
• Beauty is a gem, it is not a crime.
• Do you want people to look at you, rather than hear what you
  have to say?
• I would like to conclude with what Prof. Pankaj K. Jha, my
  teacher in my graduation college had remarked, “When it
  comes to representing culture, we often push our women in
  front. But when it comes to challenging it, men come forward.
  We (women) need to make the choice.”
• Read more on Youth Ki Awaaz at http://bit.ly/Z7fGDz

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Women empowerment in india

  • 1. Women Empowerment In India: Bouquets And Beautiful Women In Saree By Devika Mittal
  • 2. Woman, an object? • One of the most typical topics for research on media and advertisement has emerged to be the commercialization or objectification of women. • Women being the eye candy with the main task of smiling, dancing or being caught by the villain, the axe revolution or the “oomph” factor to sell a mango drink has filled pages after pages. • Women are being depicted mainly as a show piece, they are in a subservient position; the ‘liberated’ men and women would argue which is true and should be condemned. • However, is this objectification restricted only to advertisements or the auto expo?
  • 3. Saree clad beauties • Any programme would involve selection of some tall, long- haired and beautiful girls to be dressed in sarees for the guest of honour ceremony and to present the bouquets • It was definitely an honour for someone to be even considered for it. • Here, I must mention that saree is seen as formal attire for women in India, the politics of it would be discussed later in the piece. • Girls, more specifically beautiful girls in sarees to receive the guests, present bouquets or to move around are a widespread phenomenon in North India but as a student trained to be sceptical and question everything, it disturbs me a lot.
  • 4. Politics with it? • Saree is the dominant attire but there are many different traditional types of attire in India including salwar suit but the one that draws a thin line between being graceful and sensuous has been chosen. • It does not mean that i condemn saree, i personally like it a lot but the way it is generally donned especially by young girls, it is a more sensuous than attractive. • It is to note that a programme, if it has enough content, should not require people to look attractive in order to draw attention; formal or smart attire should be enough. • Any dress can be formal if it is not too attractive but graceful enough. A saree can be that but we must ask, why only saree?
  • 5. What is formal and what is not? • Such programmes also have men in the formal Indian wear, again with the same politics of cultural dominance involved; a sherwani or kurta is selected. • However, while men are also expected to dress in a formal way, it is still the women dazzling in sarees to handover the bouquets and make short but more appearances on the stage to say a line or two. • It will be them who would be asked to accompany the guests. • Men and women in their traditional attires do represent the tradition but why are women, more than men, expected to represent this culture often in sensuous attire?
  • 6. So many WHYs • Why can’t a man handover the bouquet instead? • Why can’t he handle the not-so-important tasks on the stage? • Why are women dressed in the traditional attire given more visible but often subservient tasks?
  • 7. Beauty or brains? • Yes, women do get “empowered” as they are making appearances, they are getting noticed but at what cost? • Beauty is a gem, it is not a crime. • Do you want people to look at you, rather than hear what you have to say? • I would like to conclude with what Prof. Pankaj K. Jha, my teacher in my graduation college had remarked, “When it comes to representing culture, we often push our women in front. But when it comes to challenging it, men come forward. We (women) need to make the choice.”
  • 8. • Read more on Youth Ki Awaaz at http://bit.ly/Z7fGDz