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Art Fundamentals
Chapter 1
A
THE VOCABULARY OF
INTRODUCTORY TERMS
THE VOCABULARY OF
INTRODUCTORY TERMS
 Art
 formal expression of
a conceived image
or imagined
conception in terms
of a given medium.
THE VOCABULARY OF
INTRODUCTORY TERMS
 abstraction
 The visual effects derived by
the simplification and/or
rearrangement of the
appearance of natural objects,
or nonrepresentational work
arranged simply to satisfy
artists‘ needs for organization or
expression.
THE VOCABULARY OF
INTRODUCTORY TERMS
 abstraction
 Abstraction is present
in varying degrees in all
works of art, from full
representation to
complete nonobjectivity.
THE VOCABULARY OF
INTRODUCTORY TERMS
 aesthetic, aesthetics
 The theory of the artistic or
the "beautiful"; traditionally a
branch of philosophy, but
now a compound of the
philosophy, psychology,
and sociology of art.
THE VOCABULARY OF
INTRODUCTORY TERMS
 aesthetic, aesthetics
 Aesthetics is no longer solely
confined to determining what is
beautiful in art, but attempts to
 discover the origins of sensitivity to
art forms and
 the relationship between art and other
aspects of culture (such as science,
industry, morality, philosophy, and
religion).
THE VOCABULARY OF
INTRODUCTORY TERMS
 conceptual perception
 Creative vision derived from the imagination.
What you see is not always what you think!
What you see is not always what you think!
THE VOCABULARY OF
INTRODUCTORY TERMS
 content
 The expression,
essential meaning,
significance, or
aesthetic value of a
work of art.
THE VOCABULARY OF
INTRODUCTORY TERMS
 content
 Content refers to the
sensory, subjective,
psychological, or
emotional
properties we feel in a
work of art, as opposed
to our perception of its
descriptive aspects
alone.
THE VOCABULARY OF
INTRODUCTORY TERMS
 craftsmanship
 Aptitude, skill, or
quality workmanship in
the use of tools and
materials.
THE VOCABULARY OF
INTRODUCTORY TERMS
 decorative
(art, line, shape, color, etc.)
 Ornamenting or enriching
but, more importantly in
art, emphasizing the two-
dimensional nature of an
artwork or any of its
elements.
 Decorative art
emphasizes the essential
flatness of a surface.
 descriptive (art)
 A type of art that is
based upon adherence
to actual appearances.
THE VOCABULARY OF
INTRODUCTORY TERMS
 design
 The underlying plan on
which artists base their
total work.
 In a broader sense,
design may be
considered
synonymous with the
term form.
THE VOCABULARY OF
INTRODUCTORY TERMS
 elements of art
Line, shape, value, texture, and color
 The basic ingredients the
artist uses separately or in
combination to produce
artistic imagery.
 Their use produces the
visual language of art.
THE VOCABULARY OF
INTRODUCTORY TERMS
 expression
I. The manifestation
through artistic form of
thought, emotion, or
quality of meaning.
2. In art, expression is
synonymous with the
term content.
THE VOCABULARY OF
INTRODUCTORY TERMS
 form
I. The organization or
inventive arrangement of
all the visual elements
according to the principles
that will develop unity in
the artwork.
2. The total appearance or
organization.
THE VOCABULARY OF
INTRODUCTORY TERMS
 graphic art
1. Two-dimensional art forms,
such as drawing, painting,
making prints, etc.
2. The two-dimensional use
of the elements of art.
3. May also refer to the
techniques of printing as
used in newspapers, books,
magazines, etc.
THE VOCABULARY OF
INTRODUCTORY TERMS
 medium, media (pi.)
 The material(s) and
tool(s) used by the
artist to create the
visual elements
perceived by the
viewer.
THE VOCABULARY OF
INTRODUCTORY TERMS
 naturalism
 The approach to art
that is essentially a
description of things
visually experienced.
 Pure naturalism
would contain no
personal interpretation
introduced by the artist.
THE VOCABULARY OF
INTRODUCTORY TERMS
 negative area(s)
 The unoccupied or empty
space left after the positive
elements have been
created by the artist.
 However, when these
areas have boundaries,
they also function as
design shapes in the total
structure.
THE VOCABULARY OF
INTRODUCTORY TERMS
 nonobjective,
nonrepresentational (art)
 A type of art that is entirely
imaginative and not derived from
anything visually perceived by the
artist.
 The elements, their organization,
and their treatment by the artist
are entirely personalized and,
consequently, not associated by
the observer with any previously
experienced natural objects.
THE VOCABULARY OF
INTRODUCTORY TERMS
 objective (art, shape)
 A type of art that is
based, as near as
possible, on physical
actuality or optical
perception.
 Such art tends to
appear natural or real.
THE VOCABULARY OF
INTRODUCTORY TERMS
 optical perception
 A way of seeing in
which the mind has no
other function than the
natural one of
providing the visual
sensation of object
recognition.
THE VOCABULARY OF
INTRODUCTORY TERMS
 organic unity
 A condition in which the
components of art — that
is, subject, form, and
content — are so vital and
interdependent that they
may be likened to a living
organism.
 A work having "organic
unity“ is not guaranteed to
have "greatness" or
unusual merit.
THE VOCABULARY OF
INTRODUCTORY TERMS
 picture frame
 The outermost limits or
boundary of the picture
plane.
THE VOCABULARY OF
INTRODUCTORY TERMS
 picture plane
 The actual flat surface on
which the artist executes a
pictorial image.
 In some cases, the picture
plane acts merely as a
transparent plane of
reference to establish the
illusion of forms existing in
a three- dimensional
space.
THE VOCABULARY OF
INTRODUCTORY TERMS
 plane
I. An area that is essentially
two- dimensional, having
height and width.
2. A flat or level surface.
3. A two-dimensional
surface having a positive
extension and spatial
direction or position.
THE VOCABULARY OF
INTRODUCTORY TERMS
 plastic (art)
I. The use of the elements of
art to create the illusion of
the third dimension on a
two-dimensional surface.
2. Three- dimensional art
forms, such as
architecture, sculpture,
ceramics, etc.
THE VOCABULARY OF
INTRODUCTORY TERMS
 positive area(s)
 The state in the
artwork in which the art
elements (shape, line,
etc.), or their
combination, produce
the subject —
nonrepresentational or
recognizable images.
THE VOCABULARY OF
INTRODUCTORY TERMS
 realism, Realism (art
movement)
 A style of art that retains
the basic impression of
visual actuality without
going to extremes of detail.
 In addition, realism
attempts to relate and
interpret the universal
meanings that lie beneath
surface appearances.
THE VOCABULARY OF
INTRODUCTORY TERMS
 Representation (al)
(art)
 A type of art in which
the subject is
presented through the
visual art elements so
that the observer is
reminded of actual
objects.
THE VOCABULARY OF
INTRODUCTORY TERMS
 space
 The interval, or
measurable distance,
between points or
images.
THE VOCABULARY OF
INTRODUCTORY TERMS
 style
 The specific artistic
character and dominant
trends of form noted during
periods of history and art
movements.
 Style may also refer to
artists‘ expressive use of
media to give their works
individual character.
THE VOCABULARY OF
INTRODUCTORY TERMS
 subject
I. In a descriptive approach to art,
subject refers to the persons or
things represented, as well as the
artists‘ experiences, that serve as
inspiration.
THE VOCABULARY OF
INTRODUCTORY TERMS
 subject
2. In abstract or nonobjective forms
of art, subject refers merely to the
visual signs used by the artist. In
this case, the subject has little to
do with anything experienced in
the natural environment.
THE VOCABULARY OF
INTRODUCTORY TERMS
 subjective (art,
shape, color, etc.)
 That which is derived
from the mind
reflecting a personal
viewpoint, bias, or
emotion.
THE VOCABULARY OF
INTRODUCTORY TERMS
 technique
 The manner and skill with
which artists use their tools
and materials to achieve
an expressive effect.
 The ways of using media
can have a strong effect on
the aesthetic quality of an
artist's total concept.
THE VOCABULARY OF
INTRODUCTORY TERMS
 three-dimensional
 Possessing the illusion
of dimension of depth,
in addition to having
the dimensions of
height and width.
THE VOCABULARY OF
INTRODUCTORY TERMS
 two-dimensional
 Possessing the
dimensions of height
and width, especially
when considering the
flat surface, or picture
plane.
THE VOCABULARY OF
INTRODUCTORY TERMS
 unity
 The result of bringing
the elements of art into
the appropriate ratio
between harmony and
variety to achieve a
sense of oneness.
THE VOCABULARY OF
INTRODUCTORY TERMS
 volume
 A measurable area of
defined or occupied
space.
THE VOCABULARY OF
INTRODUCTORY TERMS
Art Fundamentals
Chapter 1
Introduction
Part 1
End

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Art fundamentals ch01 introduction part 1 7-10-2017

  • 1. Art Fundamentals Chapter 1 A THE VOCABULARY OF INTRODUCTORY TERMS
  • 2. THE VOCABULARY OF INTRODUCTORY TERMS  Art  formal expression of a conceived image or imagined conception in terms of a given medium.
  • 3. THE VOCABULARY OF INTRODUCTORY TERMS  abstraction  The visual effects derived by the simplification and/or rearrangement of the appearance of natural objects, or nonrepresentational work arranged simply to satisfy artists‘ needs for organization or expression.
  • 4. THE VOCABULARY OF INTRODUCTORY TERMS  abstraction  Abstraction is present in varying degrees in all works of art, from full representation to complete nonobjectivity.
  • 5.
  • 6. THE VOCABULARY OF INTRODUCTORY TERMS  aesthetic, aesthetics  The theory of the artistic or the "beautiful"; traditionally a branch of philosophy, but now a compound of the philosophy, psychology, and sociology of art.
  • 7. THE VOCABULARY OF INTRODUCTORY TERMS  aesthetic, aesthetics  Aesthetics is no longer solely confined to determining what is beautiful in art, but attempts to  discover the origins of sensitivity to art forms and  the relationship between art and other aspects of culture (such as science, industry, morality, philosophy, and religion).
  • 8. THE VOCABULARY OF INTRODUCTORY TERMS  conceptual perception  Creative vision derived from the imagination.
  • 9. What you see is not always what you think!
  • 10. What you see is not always what you think!
  • 11. THE VOCABULARY OF INTRODUCTORY TERMS  content  The expression, essential meaning, significance, or aesthetic value of a work of art.
  • 12. THE VOCABULARY OF INTRODUCTORY TERMS  content  Content refers to the sensory, subjective, psychological, or emotional properties we feel in a work of art, as opposed to our perception of its descriptive aspects alone.
  • 13. THE VOCABULARY OF INTRODUCTORY TERMS  craftsmanship  Aptitude, skill, or quality workmanship in the use of tools and materials.
  • 14. THE VOCABULARY OF INTRODUCTORY TERMS  decorative (art, line, shape, color, etc.)  Ornamenting or enriching but, more importantly in art, emphasizing the two- dimensional nature of an artwork or any of its elements.  Decorative art emphasizes the essential flatness of a surface.
  • 15.  descriptive (art)  A type of art that is based upon adherence to actual appearances. THE VOCABULARY OF INTRODUCTORY TERMS
  • 16.  design  The underlying plan on which artists base their total work.  In a broader sense, design may be considered synonymous with the term form. THE VOCABULARY OF INTRODUCTORY TERMS
  • 17.  elements of art Line, shape, value, texture, and color  The basic ingredients the artist uses separately or in combination to produce artistic imagery.  Their use produces the visual language of art. THE VOCABULARY OF INTRODUCTORY TERMS
  • 18.  expression I. The manifestation through artistic form of thought, emotion, or quality of meaning. 2. In art, expression is synonymous with the term content. THE VOCABULARY OF INTRODUCTORY TERMS
  • 19.  form I. The organization or inventive arrangement of all the visual elements according to the principles that will develop unity in the artwork. 2. The total appearance or organization. THE VOCABULARY OF INTRODUCTORY TERMS
  • 20.  graphic art 1. Two-dimensional art forms, such as drawing, painting, making prints, etc. 2. The two-dimensional use of the elements of art. 3. May also refer to the techniques of printing as used in newspapers, books, magazines, etc. THE VOCABULARY OF INTRODUCTORY TERMS
  • 21.  medium, media (pi.)  The material(s) and tool(s) used by the artist to create the visual elements perceived by the viewer. THE VOCABULARY OF INTRODUCTORY TERMS
  • 22.  naturalism  The approach to art that is essentially a description of things visually experienced.  Pure naturalism would contain no personal interpretation introduced by the artist. THE VOCABULARY OF INTRODUCTORY TERMS
  • 23.  negative area(s)  The unoccupied or empty space left after the positive elements have been created by the artist.  However, when these areas have boundaries, they also function as design shapes in the total structure. THE VOCABULARY OF INTRODUCTORY TERMS
  • 24.  nonobjective, nonrepresentational (art)  A type of art that is entirely imaginative and not derived from anything visually perceived by the artist.  The elements, their organization, and their treatment by the artist are entirely personalized and, consequently, not associated by the observer with any previously experienced natural objects. THE VOCABULARY OF INTRODUCTORY TERMS
  • 25.  objective (art, shape)  A type of art that is based, as near as possible, on physical actuality or optical perception.  Such art tends to appear natural or real. THE VOCABULARY OF INTRODUCTORY TERMS
  • 26.  optical perception  A way of seeing in which the mind has no other function than the natural one of providing the visual sensation of object recognition. THE VOCABULARY OF INTRODUCTORY TERMS
  • 27.  organic unity  A condition in which the components of art — that is, subject, form, and content — are so vital and interdependent that they may be likened to a living organism.  A work having "organic unity“ is not guaranteed to have "greatness" or unusual merit. THE VOCABULARY OF INTRODUCTORY TERMS
  • 28.  picture frame  The outermost limits or boundary of the picture plane. THE VOCABULARY OF INTRODUCTORY TERMS
  • 29.  picture plane  The actual flat surface on which the artist executes a pictorial image.  In some cases, the picture plane acts merely as a transparent plane of reference to establish the illusion of forms existing in a three- dimensional space. THE VOCABULARY OF INTRODUCTORY TERMS
  • 30.  plane I. An area that is essentially two- dimensional, having height and width. 2. A flat or level surface. 3. A two-dimensional surface having a positive extension and spatial direction or position. THE VOCABULARY OF INTRODUCTORY TERMS
  • 31.  plastic (art) I. The use of the elements of art to create the illusion of the third dimension on a two-dimensional surface. 2. Three- dimensional art forms, such as architecture, sculpture, ceramics, etc. THE VOCABULARY OF INTRODUCTORY TERMS
  • 32.  positive area(s)  The state in the artwork in which the art elements (shape, line, etc.), or their combination, produce the subject — nonrepresentational or recognizable images. THE VOCABULARY OF INTRODUCTORY TERMS
  • 33.  realism, Realism (art movement)  A style of art that retains the basic impression of visual actuality without going to extremes of detail.  In addition, realism attempts to relate and interpret the universal meanings that lie beneath surface appearances. THE VOCABULARY OF INTRODUCTORY TERMS
  • 34.  Representation (al) (art)  A type of art in which the subject is presented through the visual art elements so that the observer is reminded of actual objects. THE VOCABULARY OF INTRODUCTORY TERMS
  • 35.  space  The interval, or measurable distance, between points or images. THE VOCABULARY OF INTRODUCTORY TERMS
  • 36.  style  The specific artistic character and dominant trends of form noted during periods of history and art movements.  Style may also refer to artists‘ expressive use of media to give their works individual character. THE VOCABULARY OF INTRODUCTORY TERMS
  • 37.  subject I. In a descriptive approach to art, subject refers to the persons or things represented, as well as the artists‘ experiences, that serve as inspiration. THE VOCABULARY OF INTRODUCTORY TERMS
  • 38.  subject 2. In abstract or nonobjective forms of art, subject refers merely to the visual signs used by the artist. In this case, the subject has little to do with anything experienced in the natural environment. THE VOCABULARY OF INTRODUCTORY TERMS
  • 39.  subjective (art, shape, color, etc.)  That which is derived from the mind reflecting a personal viewpoint, bias, or emotion. THE VOCABULARY OF INTRODUCTORY TERMS
  • 40.  technique  The manner and skill with which artists use their tools and materials to achieve an expressive effect.  The ways of using media can have a strong effect on the aesthetic quality of an artist's total concept. THE VOCABULARY OF INTRODUCTORY TERMS
  • 41.  three-dimensional  Possessing the illusion of dimension of depth, in addition to having the dimensions of height and width. THE VOCABULARY OF INTRODUCTORY TERMS
  • 42.  two-dimensional  Possessing the dimensions of height and width, especially when considering the flat surface, or picture plane. THE VOCABULARY OF INTRODUCTORY TERMS
  • 43.  unity  The result of bringing the elements of art into the appropriate ratio between harmony and variety to achieve a sense of oneness. THE VOCABULARY OF INTRODUCTORY TERMS
  • 44.  volume  A measurable area of defined or occupied space. THE VOCABULARY OF INTRODUCTORY TERMS