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Treatment:
The trailer will begin with the green classification screen, stating the film's age
rating by the BBFC and it's content to inform its audiences on its themes then
fade to black.
The next scene will be during the day, framing Amy on the phone to her friend
Katie at college against a wall and hearing 'HELP ME!' rapidly after, picturing
the shock and concern on her face. The screen will then fade to black.
Our Production Company animated logo (TBA) will then be shown on the
screen to inform the audience who has produced the film.
The next seen will contrast, being in the evening, showing Adam leaning into
view of the frame, looking at Amy and saying her name. Camera will then move
to frame Adam helping Amy up and explaining he found her out here, Amy
looks dazed and gets up.
A lockdown shot shows Adam helping Amy to walk home into the distance,
becoming a long-shot, then extreme shot, with each frame fading into the next
to conform to the supernatural themes of the genre.
Pan to Amy getting ready in her room the following day, above her is a photo
collage of her and her friends.
Shot of her friend Katie who's in the photos looking okay, acts as a flashback to
Amy and introduces audience to her character.
Camera frames an extreme close-up of one of the photos Amy is holding,
clearly showing her and Katie together to imply the impending disruption.
There is an empty chair at college with a voice over of one of Amy's friends that
ask 'Where's Katie?' to signify the disruption with Katie's absence, possibly
pans away from Amy talking to her friends to act as a point-of-view shot.
This changes to a parallel editing shot of a chair in a house, acting as another
flashback to an unknown location from Amy's memories. Fades to black.
Intertitle: When you can't remember…
then fades to black.
Close-up shot of Amy looking dazed/ disorientated in college after having the
flashback. Fades to black.
Shot of Amy restrained on floor in the house (wearing a white archaic dress?)
noticeably restrained and unconscious, then fades to black.
Establishing shot of the house at night for a couple of seconds, acting as
another flashback for Amy, while introducing the setting to the audience,
without much detail to continue to the employment of enigma codes.
Intertitle: ….you have to go back
Panning shot of Adam and Amy running through the woods at twilight, to
match the change of soundtrack and represent the change in pace of the
climax of the film.
Pan of Amy as a mid-shot alone looking through house, picks up object on shelf
Fast-editing shot 1: TBA
Fast-editing shot 2: TBA
Fast-editing shot 3: TBA
Fast-editing shot 4: TBA
Close up of cult leering into camera, acting as a point-of-view shot from Amy
with a voiceover of Katie (unknown by audience) saying 'So glad you came…'
Film title animation sequence, including hashtag to interact with audience
Shot of Amy scrambling backwards away from the camera as a point-of-view
shot from the Cult which is tracking her.
Last frame is the information block including the production company
information.

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Treatment

  • 1. Treatment: The trailer will begin with the green classification screen, stating the film's age rating by the BBFC and it's content to inform its audiences on its themes then fade to black. The next scene will be during the day, framing Amy on the phone to her friend Katie at college against a wall and hearing 'HELP ME!' rapidly after, picturing the shock and concern on her face. The screen will then fade to black. Our Production Company animated logo (TBA) will then be shown on the screen to inform the audience who has produced the film. The next seen will contrast, being in the evening, showing Adam leaning into view of the frame, looking at Amy and saying her name. Camera will then move to frame Adam helping Amy up and explaining he found her out here, Amy looks dazed and gets up. A lockdown shot shows Adam helping Amy to walk home into the distance, becoming a long-shot, then extreme shot, with each frame fading into the next to conform to the supernatural themes of the genre. Pan to Amy getting ready in her room the following day, above her is a photo collage of her and her friends. Shot of her friend Katie who's in the photos looking okay, acts as a flashback to Amy and introduces audience to her character. Camera frames an extreme close-up of one of the photos Amy is holding, clearly showing her and Katie together to imply the impending disruption. There is an empty chair at college with a voice over of one of Amy's friends that ask 'Where's Katie?' to signify the disruption with Katie's absence, possibly pans away from Amy talking to her friends to act as a point-of-view shot. This changes to a parallel editing shot of a chair in a house, acting as another flashback to an unknown location from Amy's memories. Fades to black. Intertitle: When you can't remember… then fades to black.
  • 2. Close-up shot of Amy looking dazed/ disorientated in college after having the flashback. Fades to black. Shot of Amy restrained on floor in the house (wearing a white archaic dress?) noticeably restrained and unconscious, then fades to black. Establishing shot of the house at night for a couple of seconds, acting as another flashback for Amy, while introducing the setting to the audience, without much detail to continue to the employment of enigma codes. Intertitle: ….you have to go back Panning shot of Adam and Amy running through the woods at twilight, to match the change of soundtrack and represent the change in pace of the climax of the film. Pan of Amy as a mid-shot alone looking through house, picks up object on shelf Fast-editing shot 1: TBA Fast-editing shot 2: TBA Fast-editing shot 3: TBA Fast-editing shot 4: TBA Close up of cult leering into camera, acting as a point-of-view shot from Amy with a voiceover of Katie (unknown by audience) saying 'So glad you came…' Film title animation sequence, including hashtag to interact with audience Shot of Amy scrambling backwards away from the camera as a point-of-view shot from the Cult which is tracking her. Last frame is the information block including the production company information.