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Millward Brown: Point of View



The Keys to Brand Success
Strong brands drive the financial performance of many successful companies. How
do brands become strong? By virtue of the relationships that consumers develop
with them.
                                   These relationships are the end result of all the experiences that consumers have with
                                   brands through direct contact, marketing communication, news, or publicity. All of these
                                   experiences contribute to the formation of brand associations that are called upon when
                                   a consumer is considering a purchase. The decision to purchase one brand over another
                                   will depend on the strength and quality of those associations, which determine what an
                                   individual knows, thinks, and feels about a brand.
Gordon Pincott
Chairman, Global Solutions
Millward Brown                     The associations from which brands derive their value are stored in our brains, where
gordon.pincott@millwardbrown.com
                                   they are organized and saved in one of three clusters according to what they relate to:
                                   knowledge, experience, or emotion. Some brands succeed by establishing very strong
                                   associations in just one of those areas, but it is highly desirable for brands to have well-
                                   developed associations across all three. On average, the market shares of brands that have
                                   rich associations in each of the three areas are four percentage points higher than those
                                   of brands with less balanced associations. The essential task of marketing is to create and
                                   strengthen the brand associations that build and support market share.

                                   Which Key Opens the Brand Cupboard?
                                   In his book The Advertised Mind, Erik du Plessis likened brand memories to items
                                   in an overstuffed cupboard, which, when the
                                   door is opened, come tumbling out. When the When the door to one
                                   door to one of our mental brand cupboards is opened, of our mental brand
                                   what falls out is a cascade of brand memories. Those cupboard is opened,
                                   that were most recently accessed will spill out first,
                                                                                          a cascade of brand
                                   followed by a stream of other memories that will
                                   continue to flow until the cupboard door is closed.    memories spills out.

                                   So what key unlocks this cupboard of associations and allows us to retrieve those
                                   memories? And what makes the key easy to use? If brand associations are going to
                                   influence a purchase decision, they need to be accessed quickly. For many brands, the
                                   main key is the brand name — Nescafé, Walmart, Red Bull — whether that name is seen,
                                   heard, or conjured up in your mind.

                                   For an uncomplicated brand with a highly distinctive name, like Facebook, little else may
                                   be needed to unlock brand associations. However, some categories, such as smoking
Millward Brown: Point of View The Keys to Brand Success                                                                               2



cessation products and drain cleaners, include a number                      Starbucks logo would be recognizable even if the Starbucks
of competing brands with similar sounding names. When a                      name were in an unfamiliar script.
brand name is not obviously unique and distinctive, additional
cues help to access the correct associations.                                Color is also a distinct association for some brands: blue for
                                                                             IBM, red for The Economist, gold for Kodak, copper and black
Additional cues will also be needed when the brand name is                   for Duracell. Evidence of the importance of color is apparent
one that has been extended across a number of products. For                  on most grocery store shelves, where the packaging of store
example, the brand key “Dove” will unlock something different                brands invariably copies the color scheme of the leading
than “Dove Shampoo” or “Dove Beauty Bars. ” The key “Toyota”                 brand in the category.
will access different memories than “Toyota Yaris,” and the key
“Tesco” opens a different door than “Tesco Metro.” Managing                  The shape of the packaging can also identify a brand. The
such portfolios of brands is one of the most complex marketing               Toblerone box and the original Coke bottle are two distinctive
tasks, and minimizing confusion is crucial for brand success. If             examples. The shape of the product itself can also be a cue,
associations with an umbrella brand are not clear and distinct               as it is for Volkswagen Beetle or Pringles snacks. A sound
in every context where the brand name appears, it will be                    can be a distinguishing feature for a brand, as it is for Intel.
harder for people to access the most relevant memories.                      Smell and taste can also identify a brand, but at the moment
                                                                             of decision, those sensory associations are rarely available
Visual Cues Can Be Crucial                                                   as triggers. It is interesting that although strong brands often
                                                                             have associations that are multi-sensory, the key to release
Even where a brand name may be distinctive, other cues are
                                                                             those senses is nearly always visual.
also extremely helpful. If it were all just about the name, then
presumably huge sums of money would not be plowed into
                                                                             The Face of the Brand
eye-catching design features such as logos and packaging.
But for many products, these factors are just as important to                In reality, the process of unlocking brand associations is more
brand recognition as the name. For example, brand names                      complex than simply matching up brands with words, shapes,
like Coca-Cola and Kellogg’s are associated with a distinctive               or colors. In many cases it is not the individual elements of
script, and the logos of BMW and BP may be at least as                       a brand’s presentation that are important, but the way these
powerful as the names themselves. The wavy green and white                   work together. Recognizing a brand may be analogous to
                                                                                                      recognizing a face, and research has
                                                                                                      shown that we identify faces not by
                                                                                                      scanning and identifying individual
                                                                                                      elements (eyes, nose, mouth) but
                                                                                                      through recognizing the unique
                                                                                                      combination of features that make up
                                                                                                      the face as a whole.

                                                                                                    The most easily identified “faces”
                                                                                                    unlock the brand cupboard fastest.
                                                                                                    Marmite has its uniquely shaped
                                                                                                    dark brown jar and bright yellow cap.
                                                                                                    Gordon’s Gin is known by its distinctive
                                                                                                    logo and label on its green bottle with
                                                                                                    a white cap (though in some markets
Ad reprinted with the kind permission of Kellogg’s.




                                                      ©2009 Millward Brown
Millward Brown: Point of View The Keys to Brand Success                                                                                                             3



Gordon’s appears in a completely different guise: clear bottle,      and its ability to be associated with that brand. Nor does the
yellow cap, red-and-yellow label). Neuroscientists have a            time when the brand first appears in the execution have any
term for this type of instant recognizability: super-familiarity.    bearing on the branding.
A brand that has become super-familiar to consumers has
a big advantage at the point of purchase when people are             What turns out to be crucial is the integration of the brand into
looking for a brand and drawing upon the brand associations          the idea. In a TV execution, this has to do with the brand being
that have built up through their experience and marketing            central to the creative aspects of the execution. In a print ad, it
activity.                                                            may have more to do with the eye flow through the execution.

So do you know what makes your brand identifiable to
consumers? What is the configuration of features that helps
to unlock the associations? How can you engineer some of
those features into your products to maximize the chances of
recognition? Though these are crucial questions, we suspect

A brand that has become super-familiar to
consumers has a big advantage at the point of
purchase, because memories of that brand will
                                                                     Photo provided with kind permission by Think Eyetracking. The circles depict eye movements that correspond
come to mind faster.                                                 with the cognitive processes occurring in the brain as an ad is viewed.


that most brand marketers are not certain of the answers —           But whatever the ad format is, the brand needs to be relevant
yet it is essential to know these things. If, for instance, you      to the surrounding creativity. A great deal of creative energy
are thinking about changing your brand’s packaging or logo           goes into dramatizing the message of a creative execution;
(perhaps to make it look more modern), you need to be                typically much less effort goes into dramatizing the brand. Yet
aware of the boundaries of your brand’s configurable identity.       the brand is no less important.
If those boundaries are misunderstood or overstepped, you
may jeopardize assets that took years to create.                     The brand name can have an important role in the branding
                                                                     of advertising, but other ways of creating brand identification
Marketing Communications: Stocking the Brand Cupboard                may be even more powerful. Some of the strongest campaigns
                                                                     around the world rely on the use of a consistent device for
The fact that branding is more complicated than it first appears
                                                                     branding. For example, the striding man of Johnnie Walker
comes as no surprise to us, as we have worked for years to
                                                                     allows the brand to be the center of the action without the
help clients understand and perfect the complex task of
                                                                     need for a pack shot. Branding in marketing is about putting
ensuring that marketing communications are well branded. In
                                                                     the brand at the heart of the communications, not necessarily
order for marketing communication to be of value to a brand,
                                                                     in a literal sense but certainly in a dramatic, creative sense.
it must build brand memories and associations — that is, it
must add to the contents of the brand cupboard. Therefore, it
                                                                     Standing Out from the Crowd
needs its own key to gain access.
                                                                     Marketing activity that works from an understanding of the
We have long known that branding communications is not               “face” of the brand is not only more powerfully branded, but it
about putting a pack shot on the end of an execution. An             can highlight and enhance the features that allow the brand
analysis of our database shows that there is no relationship         to be identified at the point of purchase. Toblerone is a classic
between the number of times a brand appears in an ad                 example of this. Not only is the brand instantly identifiable in-




                                              ©2009 Millward Brown
Millward Brown: Point of View The Keys to Brand Success                                                                   4



store, but the triangular mountain-shaped chocolate is played
up throughout their communications.

Thinking about your brand in this way may help you to
better align your out-of-store communication with your in-
store activity. Your communication should help create and
strengthen the link between the brand and its accumulated
associations so that when shoppers encounter the brand at
the point of purchase, those associations will come to mind.
Your in-store activity should take account of the cues that
your advertising has set up in people’s heads in association
with the brand.

Branding is a relatively subtle art that goes well beyond         memories can be quickly and easily accessed. Making it easy
shouting out a brand name or sticking a pack on the end of        for your buyers to identify and use that key is a fundamentally
an ad. What can you do to maximize your branding impact?          important part of the marketing role.
You can make your brand’s face stand out from the crowd.
Creating distinctiveness that can be used both at the point of
sale and in communications will pay rich rewards. Established       To read more about the keys to brand success, visit
                                                                    www.mb-blog.com.
Branding in marketing is about putting the
brand at the heart of the communications, not                       If you liked “The Keys to Brand Success” you may
                                                                    also be interested in ...
necessarily in a literal sense but certainly in a
dramatic, creative sense.                                           Putting the Shopper Back into Marketing
brands need to do this without destroying the recognizable          Whose Brand is it Anyway?
characteristics they already have. New brands need to be            How to Change a Brand’s Name Successfully
genuinely creative and establish their own unique identities.
Understanding the keys that provide access to your brand’s
cupboard is critical to success. It ensures that communication      Share this POV:
memories are properly stored for future use and that those




                                           ©2009 Millward Brown

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Millward brown pov_keystobrandsuccess

  • 1. Millward Brown: Point of View The Keys to Brand Success Strong brands drive the financial performance of many successful companies. How do brands become strong? By virtue of the relationships that consumers develop with them. These relationships are the end result of all the experiences that consumers have with brands through direct contact, marketing communication, news, or publicity. All of these experiences contribute to the formation of brand associations that are called upon when a consumer is considering a purchase. The decision to purchase one brand over another will depend on the strength and quality of those associations, which determine what an individual knows, thinks, and feels about a brand. Gordon Pincott Chairman, Global Solutions Millward Brown The associations from which brands derive their value are stored in our brains, where gordon.pincott@millwardbrown.com they are organized and saved in one of three clusters according to what they relate to: knowledge, experience, or emotion. Some brands succeed by establishing very strong associations in just one of those areas, but it is highly desirable for brands to have well- developed associations across all three. On average, the market shares of brands that have rich associations in each of the three areas are four percentage points higher than those of brands with less balanced associations. The essential task of marketing is to create and strengthen the brand associations that build and support market share. Which Key Opens the Brand Cupboard? In his book The Advertised Mind, Erik du Plessis likened brand memories to items in an overstuffed cupboard, which, when the door is opened, come tumbling out. When the When the door to one door to one of our mental brand cupboards is opened, of our mental brand what falls out is a cascade of brand memories. Those cupboard is opened, that were most recently accessed will spill out first, a cascade of brand followed by a stream of other memories that will continue to flow until the cupboard door is closed. memories spills out. So what key unlocks this cupboard of associations and allows us to retrieve those memories? And what makes the key easy to use? If brand associations are going to influence a purchase decision, they need to be accessed quickly. For many brands, the main key is the brand name — Nescafé, Walmart, Red Bull — whether that name is seen, heard, or conjured up in your mind. For an uncomplicated brand with a highly distinctive name, like Facebook, little else may be needed to unlock brand associations. However, some categories, such as smoking
  • 2. Millward Brown: Point of View The Keys to Brand Success 2 cessation products and drain cleaners, include a number Starbucks logo would be recognizable even if the Starbucks of competing brands with similar sounding names. When a name were in an unfamiliar script. brand name is not obviously unique and distinctive, additional cues help to access the correct associations. Color is also a distinct association for some brands: blue for IBM, red for The Economist, gold for Kodak, copper and black Additional cues will also be needed when the brand name is for Duracell. Evidence of the importance of color is apparent one that has been extended across a number of products. For on most grocery store shelves, where the packaging of store example, the brand key “Dove” will unlock something different brands invariably copies the color scheme of the leading than “Dove Shampoo” or “Dove Beauty Bars. ” The key “Toyota” brand in the category. will access different memories than “Toyota Yaris,” and the key “Tesco” opens a different door than “Tesco Metro.” Managing The shape of the packaging can also identify a brand. The such portfolios of brands is one of the most complex marketing Toblerone box and the original Coke bottle are two distinctive tasks, and minimizing confusion is crucial for brand success. If examples. The shape of the product itself can also be a cue, associations with an umbrella brand are not clear and distinct as it is for Volkswagen Beetle or Pringles snacks. A sound in every context where the brand name appears, it will be can be a distinguishing feature for a brand, as it is for Intel. harder for people to access the most relevant memories. Smell and taste can also identify a brand, but at the moment of decision, those sensory associations are rarely available Visual Cues Can Be Crucial as triggers. It is interesting that although strong brands often have associations that are multi-sensory, the key to release Even where a brand name may be distinctive, other cues are those senses is nearly always visual. also extremely helpful. If it were all just about the name, then presumably huge sums of money would not be plowed into The Face of the Brand eye-catching design features such as logos and packaging. But for many products, these factors are just as important to In reality, the process of unlocking brand associations is more brand recognition as the name. For example, brand names complex than simply matching up brands with words, shapes, like Coca-Cola and Kellogg’s are associated with a distinctive or colors. In many cases it is not the individual elements of script, and the logos of BMW and BP may be at least as a brand’s presentation that are important, but the way these powerful as the names themselves. The wavy green and white work together. Recognizing a brand may be analogous to recognizing a face, and research has shown that we identify faces not by scanning and identifying individual elements (eyes, nose, mouth) but through recognizing the unique combination of features that make up the face as a whole. The most easily identified “faces” unlock the brand cupboard fastest. Marmite has its uniquely shaped dark brown jar and bright yellow cap. Gordon’s Gin is known by its distinctive logo and label on its green bottle with a white cap (though in some markets Ad reprinted with the kind permission of Kellogg’s. ©2009 Millward Brown
  • 3. Millward Brown: Point of View The Keys to Brand Success 3 Gordon’s appears in a completely different guise: clear bottle, and its ability to be associated with that brand. Nor does the yellow cap, red-and-yellow label). Neuroscientists have a time when the brand first appears in the execution have any term for this type of instant recognizability: super-familiarity. bearing on the branding. A brand that has become super-familiar to consumers has a big advantage at the point of purchase when people are What turns out to be crucial is the integration of the brand into looking for a brand and drawing upon the brand associations the idea. In a TV execution, this has to do with the brand being that have built up through their experience and marketing central to the creative aspects of the execution. In a print ad, it activity. may have more to do with the eye flow through the execution. So do you know what makes your brand identifiable to consumers? What is the configuration of features that helps to unlock the associations? How can you engineer some of those features into your products to maximize the chances of recognition? Though these are crucial questions, we suspect A brand that has become super-familiar to consumers has a big advantage at the point of purchase, because memories of that brand will Photo provided with kind permission by Think Eyetracking. The circles depict eye movements that correspond come to mind faster. with the cognitive processes occurring in the brain as an ad is viewed. that most brand marketers are not certain of the answers — But whatever the ad format is, the brand needs to be relevant yet it is essential to know these things. If, for instance, you to the surrounding creativity. A great deal of creative energy are thinking about changing your brand’s packaging or logo goes into dramatizing the message of a creative execution; (perhaps to make it look more modern), you need to be typically much less effort goes into dramatizing the brand. Yet aware of the boundaries of your brand’s configurable identity. the brand is no less important. If those boundaries are misunderstood or overstepped, you may jeopardize assets that took years to create. The brand name can have an important role in the branding of advertising, but other ways of creating brand identification Marketing Communications: Stocking the Brand Cupboard may be even more powerful. Some of the strongest campaigns around the world rely on the use of a consistent device for The fact that branding is more complicated than it first appears branding. For example, the striding man of Johnnie Walker comes as no surprise to us, as we have worked for years to allows the brand to be the center of the action without the help clients understand and perfect the complex task of need for a pack shot. Branding in marketing is about putting ensuring that marketing communications are well branded. In the brand at the heart of the communications, not necessarily order for marketing communication to be of value to a brand, in a literal sense but certainly in a dramatic, creative sense. it must build brand memories and associations — that is, it must add to the contents of the brand cupboard. Therefore, it Standing Out from the Crowd needs its own key to gain access. Marketing activity that works from an understanding of the We have long known that branding communications is not “face” of the brand is not only more powerfully branded, but it about putting a pack shot on the end of an execution. An can highlight and enhance the features that allow the brand analysis of our database shows that there is no relationship to be identified at the point of purchase. Toblerone is a classic between the number of times a brand appears in an ad example of this. Not only is the brand instantly identifiable in- ©2009 Millward Brown
  • 4. Millward Brown: Point of View The Keys to Brand Success 4 store, but the triangular mountain-shaped chocolate is played up throughout their communications. Thinking about your brand in this way may help you to better align your out-of-store communication with your in- store activity. Your communication should help create and strengthen the link between the brand and its accumulated associations so that when shoppers encounter the brand at the point of purchase, those associations will come to mind. Your in-store activity should take account of the cues that your advertising has set up in people’s heads in association with the brand. Branding is a relatively subtle art that goes well beyond memories can be quickly and easily accessed. Making it easy shouting out a brand name or sticking a pack on the end of for your buyers to identify and use that key is a fundamentally an ad. What can you do to maximize your branding impact? important part of the marketing role. You can make your brand’s face stand out from the crowd. Creating distinctiveness that can be used both at the point of sale and in communications will pay rich rewards. Established To read more about the keys to brand success, visit www.mb-blog.com. Branding in marketing is about putting the brand at the heart of the communications, not If you liked “The Keys to Brand Success” you may also be interested in ... necessarily in a literal sense but certainly in a dramatic, creative sense. Putting the Shopper Back into Marketing brands need to do this without destroying the recognizable Whose Brand is it Anyway? characteristics they already have. New brands need to be How to Change a Brand’s Name Successfully genuinely creative and establish their own unique identities. Understanding the keys that provide access to your brand’s cupboard is critical to success. It ensures that communication Share this POV: memories are properly stored for future use and that those ©2009 Millward Brown