2. T A B L E TO F EC O N N T
01
02
03
04
05
i n t r o d u c t i o n
ABSTRACT
PROJECT INTRODUCTION
OBJECTIVES
s i t e i n v e s t i g a t i o n
& c o n t e x t u a l s t u d i e s
SITE INTRODUCTION
HISTORY OF THE SITE
MACRO SITE ANALYSIS
MICRO SITE ANALYSIS
p r o j e c t b a c k g r o u n d
& d e s i g n i n t e n t i o n
PRECEDENT STUDIES
DESIGN INTENTION
SITE RESPONSE
PROGRAMME & PROJECT BRIEF
FORM STUDIES
SPATIAL LAYOUT & CIRCULATION
e n v i r o n m e n t a l
& t e c h n o l o g i c a l s t u d i e s
CLIMATIC STUDIES
STRUCTURAL CONSIDERATIONS
f i n a l d e s i g n
SITE PLAN
FLOOR PLANS
SECTION
ELEVATIONS
4. The final Architectural Design Project is built on the theme āSustaining Humanitiesā, introducing Architecture for people, place
and time. People experience architecture through the sense of place which is built over time. The nation of threading these
three entities together through careful and site specific design, one must learn to understand the historical qualities of the site
as well as its immediate environment, its identity and diversity of the community that inhabits the area. Concepts relating to
sustainability are to be induced within the details of architectural considerations whilst applying suitable technologies for the
design to be realized.
Understanding the site context and the targeted user group is the key to designing site-specific architecture. With that in
mind, site investigations are carried out as a group, both in a marco and micro scale to consider the positive impacts this pro-
posed building might bring to the users. Targeted user groups are drawn out simultaneously with primary design intentions,
along with planning of programmes to reply to this.
A B S T R A C T
i n t r o d u c t i o n
5. I N T R O D U C T I O N
The Culture and Innovation Centre will serve as the Muar Cityās cultural landmark and public activity center. The project calls for
a design that adhare to main criteria, appreciation of city/townās and innovativeness; exhibit the ingenuity and craftmanship
of the people and teach the visitors and the younger about what they need to know about the city.
The cultural and innovation centre in order to adhare with the site, both tangible and intangible factors of the site area to be
explored. From there, the programme and function of the cultural hub can be defined. In conjunction to that, the buildingās
performance, feasibility, sustainability, builldability are to be taken care of as well, to produce a legible design scheme.
With the given brief, the building must not larger than 2000 sq.mts. and not lesser than 1800 sq.mts. built-in a minimum of 3
levels maximum 5 levels which inclued the covered circulation spaces. Basement parking does not count in floor area and level
requirements. Fully open spaces, landscaping and others are not to be included in area calculation.
i n t r o d u c t i o n
P R O J E C T
6. O B J E C T I V E S
01 To design spaces that will effectively to show case and promote the culture of Muar City.
02 To align design, which will create a positive impact to the immediate neighborhood, more engaging and inviting hance,
encourge people to stay and explore.
03 To respect and positively affect site and neighboring places with it is highly engaging design. Where in designed public areas
serves as a platform to engage people thru exhibition, workshop and other type of activities.
04 The architecture or the design can be iconic image to the city and a cultural landmark.
05 To incorporate an element of sustainability and green in design, educating people about the importance of healthy living
and environment. Likewise as a representation of the cityās credibility as the cleanest tourist city in Asean region.
06 Design should comply with pertinent guidelines and regulations. Compliance with buildability, safety and building require-
ments.
07 Design that will incorporate new means of making cultural centers more relevent and enticing for locals of todayās gener-
ation and tourists who visit the country.
i n t r o d u c t i o n
7. 02s i t e i n v e s t i g a t i o n
& c o n t e x t u a l s t u d i e s
8. I N T R O D U C T I O N
Jalan Maharani represents itself as an āAdaptiveā community, a slow and peaceful town just along the river side. It is currently
a R&R stop surrounding with Muar Municipal Council (MPM) at both sides and old shophouses at the opposite of the road. The
site is granted with an excellent view towards the Muar River.
s i t e i n v e s t i g a t i o n & c o n t e x t u a l s t u d i e s
S I T E
9. s i t e i n v e s t i g a t i o n & c o n t e x t u a l s t u d i e s
Kangchu system introduced, allowing the growth
of the inland river edges. The system helps manage
the pepper and gambir plantations.
1830s 1940s
After the World War II, Muar acted as an adminstra-
tive town for the Japanese.
Gambir leaves are used for leather tanning before
chemicals replace its use.
PEPPER
PEPPER
GAMBIR
Rubber replaced gambir to become the most im-
portant crop in Malaya by early 20th century.
CURRENT RUBBER TAPPING
METHOD
1990s
Traffic infrastructure altered due to the bridge. Jalan
Maharani redirected into a one-way road.
Catalyst for change in the town of Muar, as the
bridge allows easy access. Travellers can now head
to their destination without stopping by Muar.
Local craftsmen adapted concept of labour division
from Taiwan which allows mass production of fur-
niture made from rubber wood.
2010s
Muar was awarded Asean Clean Tourist City Stan-
ndard Award 2017.
Royal Town of Johor title displayed at the entrance
of Sultan Ismail Bridge.
H I S T O R Y
10. The newer industrial district across the river (mainly microelectronics facto-
ries) shows that there is a market for skilled workers that are potential con-
sumers in Muar.
Before the bridge was built, Muar was a transit town
where people stay and rest before travelling further. To
take advantage of this, shophouses are built to provide
both commercial and residential purposes.
Due to the economic development, shophouses are often
converted for commercial purposes for both floors.
Shophouses are sometimes renovated to fulfill the own-
ersā needs of increasing spaces. A new floor level may be
introduced to allow spaces for living while the other two
floors are used for commercial purposes.
01
02
03
l a n d u s e
M A R C O S T U D I E S
s i t e i n v e s t i g a t i o n & c o n t e x t u a l s t u d i e s
11. M A R C O S T U D I E S
e d g e s
Micro edges
āvicinity of the siteā
Edges
āperceived boundaryā
Edges
āexpanding boundariesā
s i t e i n v e s t i g a t i o n & c o n t e x t u a l s t u d i e s
12. M A R C O S T U D I E S
d e m o g r a p h i c s
Based on the bar charts, it is clear that the site is mostly dominant by older generation. The younger generation is hardly to be
seen at the site due to the lack of attraction and entertainment facilities at the site.
s i t e i n v e s t i g a t i o n & c o n t e x t u a l s t u d i e s
13. M I R C O S T U D I E S
According to MPM requirements, we are having the setback of the site boundary to be 8m from Jalam Maharani, 6m from Muar
River and both sides of two MPM buildings.
s i t e i n v e s t i g a t i o n & c o n t e x t u a l s t u d i e s
14. M I R C O S T U D I E S
s t r e n g t h & w e a k n e s s
s i t e i n v e s t i g a t i o n & c o n t e x t u a l s t u d i e s
15. M I R C O S T U D I E S
o p p o r t u n i t y & t h r e a t
s i t e i n v e s t i g a t i o n & c o n t e x t u a l s t u d i e s
16. 03p r o j e c t b a c k g r o u n d
& d e s i g n i n t e n t i o n
17. P R E C E D E N T S T U D I E S
The Perez Art Museum Miami rests on a fragile line between the Atlantic Ocean and the densely urban Global
City of Miami, Florida, frequently referred to as āground zeroā for sea level rise.
PEREZ ARTS MUSEUM / HERZOG & DE MEURON
Museum elevated from the ground to address global threat of sea
level rise.
Wind and salt-resistant coconut palms form first line of veg-
etation along the Bay.
Hanging gardens composed of native plants for rainwater
harvesting and nature feel around the museum.
p r o j e c t b a c k g r o u n d & d e s i g n i n t e n t i o n
18. P R E C E D E N T S T U D I E S
PEREZ ARTS MUSEUM / HERZOG & DE MEURON
Outdoor platform reducing sunās impact on building envelope and reducing cost of maintaining indoor artworks.
Elevating the museum protects art from storm surge and allows for
the combined services of parking.
p r o j e c t b a c k g r o u n d & d e s i g n i n t e n t i o n
19. D E S I G N I N T E N T I O N
Jalan Maharani presents itself as an āAdaptiveā community, a slow and peaceful town just along the river side. The site has
become a quiet place with not much happening due to lack of attarction and entertainment facilities.
All cinemas in Muar are no longer in existence as technology has killed their trade, but during those days when entertainment
in Muar town was rare, these cinemas played a significant role in providing Muarians the best entertainment they could yearn
for.
Since there isnāt much art or visual media entertainment left to promote or spark the interest of the younger generation, this
could be a great chance for the cultural innovation centre to play a big role in reviving Muarās root of film art form.
In addition, the innovation in the old film making style helps attract the interest of the younger generation. It gives them a rea-
son to stay within Muarās community and devolop it for the future, recreating a node to help restore Muarās pride and to reinvent
itself as artistic industry to the extent of worldwide.
Usually the āBLACK BOXā canāt be appreciate by the limited user experience, thus having the drive to create a building that helps
to offer a much more extensive experience of cinema.
p r o j e c t b a c k g r o u n d & d e s i g n i n t e n t i o n
20. S I T E R E S P O N S E
s u n p a t h c i r c u l a t i o n
Jalan Maharani is the inly main road that can pass by our
site.
p u l l i n g t h e n o d e f i f t h f a c a d e
Implimentation of fifth facade due to an existing high rise
building in the surrounding context.
s o l i d f a c a d e
The solid facade is oriented against the sunpath to prevent
direct sunlight peneration.
f r o n t a g e
When vehicles pass through, the giant stairs form help to
draw their curiousity, invite them for stroll to the top.
a n g l e d f a c a d e
The angled transperent facade is facing directly to Jalan
Sisi to arract people to the building.
a n g l e d f a c a d e
A full visual interaction from the hotel where response to
the location and its open invitation to anyone to use the
building.
a
n
a
l
y
s
i
s
r
e
s
p
o
n
s
e
p r o j e c t b a c k g r o u n d & d e s i g n i n t e n t i o n
21. P R O G R A M M E
Interactive 3D live digital projection in the room allows the visitors to experience the
advanced technology intergrating with the nature.
Stopmotion uses figurines to film,therefore acting skills are not needed in this field,
which opens up a lot of opportunity to the visitors to get involve in the progress of
stopmotion movie. An amazing hands-on experience for them to remember.
The workshop itself can only be access by specific user, where as the visitors can
have visual interaction with the artist inside.
All of the sculpture are made by the local artist in the workshop and transported
to the gallery with the plateau elevator. Visitors can see the artworks with different
prespective when they are at different level.
This amphitheater gradually sinks down to the basement from the ground floor, it
showcase some of the local creators short films, movies and trailers. Basically, it is
more of a gathering lobby for Muarās community.
The green roof takes form of a giant stairs, it invites for a stroll to the top. This ab-
stract cascade of green forms a delightful background for film recording. Local film
maker or young creator can come to this public roof garden for their own project.
p r o j e c t b a c k g r o u n d & d e s i g n i n t e n t i o n
22. F O R M S T U D I E S
p r o j e c t b a c k g r o u n d & d e s i g n i n t e n t i o n
23. S P A T I A L L A Y O U T
entrance to
basement
parking
A total of 20 car parking lots, 2 service
parking, 2 handicap car parking and 9
motorcycle parking lots are provided in
the basement carpark.
Those intimate spaces are all located
at the basement of the building as well,
such as film production, movie theater,
the dark room and etc.
Ground floor is the public realm to
attarct the visitors by providing multi-
ple entrances, not to mention the dif-
ferent route available to the public, giv-
ing them a calm scenery along the Muar
River.
GF
B
First floor is semi-private area, where
there is a residence accomodation for
the artist right beside the mural work-
shop. The workshop itself can only be
access by specific user, where as the
visitors can have visual interaction with
the artist inside.
1F
p r o j e c t b a c k g r o u n d & d e s i g n i n t e n t i o n
24. S P A T I A L L A Y O U T
Third floor consists of the figurine gal-
lery where the visitors can show off
their work from the stopmotion work-
shop.
Second floor is more open to the visi-
tors, to maintain the transparency of
the building itself. Hence, there is a in-
door garden with seatings and projec-
tions to let the people enjoy the beauty
scenary of the river or the movie.
2F
3F
The vintage cinema on this level is to
give a chance for the younger genera-
tion to experince the past.
4F
On the fifth floor, it is known as the goal
of the building where it is the exhibition
hall of the creators to show off their
outcome as in a documentory form and
also a interaction platform for the visi-
tors and creators. The spiral stairs and
the lifts on this level are accessible to
the rooftop garden.
5F
p r o j e c t b a c k g r o u n d & d e s i g n i n t e n t i o n
25. 04e n v i r o n m e n t a l
& t e c h n o l o g i c a l s t u d i e s
26. C L M A T I C S T U D I E S
The site lacks of urban shelter and therefore the building directly receives sunray drom sunrise and sunset throughout the day.
Furthermore, the concentrated activities of traffic and construction in surrounding creates an urban heat island and threatens
the thermal comfort of users in the site.
l o u v e r s / s u n s h a d i n g s c r e e n s
After studying the solar analysis, the solid facade extrude up to prevent direct sunlight penera-
tion. Also, timber louvers are added at the sides to shade off the sunlight.
c o n s t a n t t e m p e r a t u r e
relatively cool
c a n t i l e v e r
sunblock
s u n l i g h t e x p o s u r e
e n v i r o n m e n t a l & t e c h n o l o g i c a l s t u d i e s
27. The direction of wind flow in the site is most prominent from North East and South East. In order to achieve thermal comfort and
cool the internal temperature of the building while avoiding excessive intake of sunlight, through orientation and allocation of
openings had to be considered upon design process.
C L M A T I C S T U D I E S
w i n d o r i e n t a t i o n
s t a c k v e n t i l a t i o n
The stack effect within the monolithic structure of building was archieved with vertical voids or air-wells to enhance the ventilation of air within the building.
As the breeze of air flows in from the north east, with the help of orientation of inner structure, the air is lead to the central air well, rising up through the
change of temperature whereby the hot air gets replaced with newly flown cool air from outside again.
e n v i r o n m e n t a l & t e c h n o l o g i c a l s t u d i e s
28. S T U C T U R L C O N S IA D E R A T I O N
A B DC E
200MM THK RC SLAB
RETAINING WALL
HARDWOOD FRAME SINGLE LEAF TIMBER
FLUSH DOOR
15MM THK SEAMLESS CLEAR GLASS
150MM THK RC WALL
150 X 400MM RC BEAM
150 X 150MM RC COLUMN
MILD STEEL FRAME DOUBLE LEAF
TEMPERED FRAMELESS GLASS DOOR
FORTH FLOOR LEVEL
THIRD FLOOR LEVEL
+14.00
ROAD LEVEL
FIRST FLOOR LEVEL
GROUND FLOOR LEVEL
BASEMENT 1
SECOND FLOOR LEVEL
FIFTH FLOOR LEVEL
+9.60
ROOF LEVEL
+0.10
BASEMENT 2
Ā±0.00
BASEMENT 3
+17.20
+3.20
-4.60
+6.40
-6.45
+12.80
-3.10
SETBACKBOUNDARY
NO. LUKISAN: NO. HELAIAN:
JUMLAH HELAIAN:
DISEDIAKAN OLEH:
LOT/ PT. NO:
DISEMAK OLEH:
DIPERIKSA OLEH:
TARIKH DISEDIAKAN:
MUKIM/ SEKSYEN:
TARIKH DISEMAK:
TARIKH DIPERIKSA:
PA 120653 (LOT 47 & 48)
LOONG BO LIN
MUKIM BATU
PEMAJU:
ARKITEK:
DATO' MUSTAPHA BUANG
PENGARAH
K/P: 480705-01-5575
Tingkat 12, Menara SMI,
No.6, Lorong P.Ramlee,
50250 Kuala Lumpur,
Malaysia.
T : +603 7665 3388
F : +603 7665 2622
BH REALTY SDN. BHD. CO.
(CO.NO:107179-X)
KEN WONG ARCHITECT
D4-U1-12, Solaris Dutamas
No. 1, Jalan Dutamas 1,
50480 Kuala Lumpur
T: 03-6411 6122
F: 03-6411 6133
E: mailbox@unitone.com.my
TAJUK LUKISAN:
TAJUK:
CADANGAN PEMBANGUNAN PUSAT SENI
KEBUDAYAAN MALAYSIA AWAM 3 TINGKAT.
DI ATAS PA 120653 (LOT 47 & 48),
2A, PERSIARAN HAMPHIRE PARK,
50450 KUALA LUMPUR,
WILAYAH PERSEKUTUAN KUALA LUMPUR.
UNTUK TETUAN:
BH REALTY SDN. BHD.
JABATAN PERANCANGAN INFRASTRUKTUR
DEWAN BANDARAYA KUALA LUMPUR
NOTA:
CONTOH ALAMAT KESELURUHAN PEMBANGUNAN INI ADALAH
MELALUI 2A, PERSIARAN HAMPSHIRE PARK, 50450 KUALA LUMPUR,
WILAYAH PERSEKUTUAN KUALA LUMPUR
(SEPERTI DALAM PELAN YANG DILAMPIRKAN).
A R K I T E K P R O F E S I O N A L
Ar. Wong Tung Ken
No Pendaftaran LAM : A/W 93
L E M B A G A
A R K I T E K
M A L A Y S I A
K/P : 670403-12-5151
11 JULY 2019
"Saya bersetuju untuk bertanggungjawab
sekiranya berlaku kerosakan kepada
bangunan di lot sebelah-menyebelah
akibat daripada kerjkerja dalam
permohonan ini"
Saya memperakui bahawa detail-detail
dalam pelan-pelan ini adalah menurut
kehendak-kehendak Undang-Undang Kecil
Bangunan (Wilayah Persekutuaan Kuala
Lumpur)1985 dan saya setuju menerima
tanggungjawab penuh dengan sewajarnya.
NURAZIZI B. MOKHTAR
PENGARAH
JABATAN PERANCANGAN INFRASTRUKTUR
MAIN BUILDING SECTION B-B'
SKALA: 1:100
2
MB/03-01
LOONG BO LIN
LOONG BO LIN
12 JULY 2019
12 JULY 2019
KEY PLANKP
01 SCALE 1:500
B'B
MAIN BUILDING SECTION B-B'MB
03 SCALE 1:100
BASEMENT
CARPARK
FFL: -3.10
MOVIE THEATER
FFL: -6.45
VR BOOTH
FFL: -3.10
4D EXHIBITION
FFL: +0.10
FIGURINE GALLERY
FFL: -3.10
TOILET
FFL: +0.10
CAFE
FFL: +0.10
TOILET
FFL: +3.20
TOILET
FFL: +6.40
TOILET
FFL: +9.60
TOILET
FFL: +12.80
TOILET
FFL: +14.00
OFFICE
FFL: +3.20
INDOOR
GARDEN
FFL: +6.40
RESIDENCE EXHIBITION
HALL
FFL: +14.00 FW
04
e n v i r o n m e n t a l & t e c h n o l o g i c a l s t u d i e s
29. S T U C T U R L C O N S IA D E R A T I O N
ALUMINUM FRAME 15MM THK CLEAR GLASS
WITH 0.5MM TINTED FILAMENT
1400MM HEIGHT GLASS RAILING TO MANUF'S
DETAIL
150MM THK CONCRETE PLANTER BOX
150MM THK RC CONCRETE WALL TO ENGR'S
DETAIL
150mm x 150mm TIMBER FACADE FIN WITH
WATER PROOFING COATING TO SPECIALIST DETAIL
WINDLOAD & BEARING APPLICATION
150MM THK RC CONCRETE SLAB TO ENGR'S
DETAIL
ALUMINUM FRAME 15MM THK CLEAR GLASS
WITH 0.5MM TINTED FILAMENT
100MM x 100MM STEEL COLUMN TO ENGR'S
DETAIL
CAFE SEATING FURNITURE
150mm x 400mm RC CONCRETE BEAM
TO ENGR'S DETAIL
RC RETAINING WALL TO ENGR'S DETAIL
RC CONCRETE GROUND BEAM AND FOOTING
TO ENGR'S DETAIL
P
L
N
P
L
L
FULL HEIGHT WALL SECTIONFW
04 SCALE 1:40
KEY PLANKP
01 SCALE 1:500
B'B
DD
06
DD
05
e n v i r o n m e n t a l & t e c h n o l o g i c a l s t u d i e s
30. 150mm x 150mm TIMBER FACADE FIN WITH
WATER PROOFING COATING TO SPECIALIST DETAIL
112mm THK RC CONCRETE WITH 19mm THK
PLASTERING ON BOTH SIDES TO ENGR'S DETAIL
METAL DECKING RC CONCRETE
FLOOR TO ENGR'S DETAIL
WINDLOAD & BEARING APPLICATION
10mm THK CORRUGATED METAL DECKING
SHEET TO ENGR'S DETAIL
150mm x 400mm RC CONCRETE BEAM TO
ENGR'S DETAIL
STEEL FRAME GLASS WALL CASEMENT TO
MANUF'S DETAIL
AIR GAP CAVITY
9mm THK TEMPERED GLASS PANEL
METAL STUD
NO. LUKISAN:
DISEDIAKAN OLEH:
LOT/ PT. NO:
DISEMAK OLEH:
DIPERIKSA OLEH:
TARIK
MUKIM
TARIK
TARIK
PA 120653 (LOT 47 & 48)
LOONG BO LIN
MUKI
PEMAJU: ARKIT
DATO' MUSTAPHA BUANG
PENGARAH
K/P: 480705-01-5575
Tingkat 12, Menara SMI,
No.6, Lorong P.Ramlee,
50250 Kuala Lumpur,
Malaysia.
T : +603 7665 3388
F : +603 7665 2622
BH REALTY SDN. BHD. CO.
(CO.NO:107179-X)
KEN
D4-U1
No. 1,
50480
T: 03-6
F: 03-6
E: mai
TAJUK LUKISAN:
TAJUK:
CADANGAN PEMBANGUNAN P
KEBUDAYAAN MALAYSIA AWA
DI ATAS PA 120653 (LOT 47 & 4
2A, PERSIARAN HAMPHIRE PA
50450 KUALA LUMPUR,
WILAYAH PERSEKUTUAN KUA
UNTUK TETUAN:
BH REALTY SDN. BHD.
JABATAN PERANCANGAN I
DEWAN BANDARAYA KU
NOTA:
CONTOH ALAMAT KESELURUHAN PEMBAN
MELALUI 2A, PERSIARAN HAMPSHIRE PAR
WILAYAH PERSEKUTUAN KUALA LUMPUR
(SEPERTI DALAM PELAN YANG DILAMPIRK
L E M B
A R K I T
M A L A Y
11 JU
"Saya bersetuju untuk bertanggungjawab
sekiranya berlaku kerosakan kepada
bangunan di lot sebelah-menyebelah
akibat daripada kerjkerja dalam
permohonan ini"
Saya m
dalam
kehen
Bangu
Lumpu
tanggu
NURAZIZI B. MOKHTAR
PENGARAH
JABATAN PERANCANGAN INFRASTRU
WALL TO FLOOR CONN
SKALA: 1:10
DD/05-04
LOONG BO LIN
LOONG BO LIN
12 JU
12 JU
WALL TO FLOOR CONNECTION DETAILDD
05 SCALE 1:10
S T U C T U R L C O N S IA D E R A T I O N
e n v i r o n m e n t a l & t e c h n o l o g i c a l s t u d i e s
31. NO. LUKISAN:
DISEDIAKAN OLEH:
LOT/ PT. NO:
DISEMAK OLEH:
DIPERIKSA OLEH:
TAR
MUK
TAR
TAR
PA 120653 (LOT 47 & 48)
LOONG BO LIN
MU
PEMAJU: ARK
DATO' MUSTAPHA BUANG
PENGARAH
K/P: 480705-01-5575
Tingkat 12, Menara SMI,
No.6, Lorong P.Ramlee,
50250 Kuala Lumpur,
Malaysia.
T : +603 7665 3388
F : +603 7665 2622
BH REALTY SDN. BHD. CO.
(CO.NO:107179-X)
KE
D4-U
No.
504
T: 0
F: 0
E: m
TAJUK LUKISAN:
TAJUK:
CADANGAN PEMBANGUNAN
KEBUDAYAAN MALAYSIA AW
DI ATAS PA 120653 (LOT 47 &
2A, PERSIARAN HAMPHIRE P
50450 KUALA LUMPUR,
WILAYAH PERSEKUTUAN KU
UNTUK TETUAN:
BH REALTY SDN. BHD.
JABATAN PERANCANGAN
DEWAN BANDARAYA K
NOTA:
CONTOH ALAMAT KESELURUHAN PEMB
MELALUI 2A, PERSIARAN HAMPSHIRE PA
WILAYAH PERSEKUTUAN KUALA LUMPU
(SEPERTI DALAM PELAN YANG DILAMPIR
L E M
A R
M A L
11 J
"Saya bersetuju untuk bertanggungjawab
sekiranya berlaku kerosakan kepada
bangunan di lot sebelah-menyebelah
akibat daripada kerjkerja dalam
permohonan ini"
Say
dala
kehe
Ban
Lum
tang
NURAZIZI B. MOKHTAR
PENGARAH
JABATAN PERANCANGAN INFRASTR
WALL TO ROOF CONN
SKALA: 1:10
DD/06-05
LOONG BO LIN
LOONG BO LIN
12 J
12 J
WALL TO ROOF CONNECTION DETAILDD
06 SCALE 1:10
S T U C T U R L C O N S IA D E R A T I O N
e n v i r o n m e n t a l & t e c h n o l o g i c a l s t u d i e s
