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Narrative and the gift of the future
Corinne Squire
Centre for Narrative Research
University of East London
http://www.uel.ac.uk/cnr/index.htm
http://www.chila-kumari-burman.co.uk/
Drucilla Cornell, Derrida: the gift of the future: the
future is:
an other already with us...the mark we leave on the
world we share will be inseparable from those infinite
appeals made to us and how we responded when we
were called.
Jacques Derrida, Taste for the Secret:
A simple phrase takes its meaning from a given context,
and already makes its appeal to another one in which it
will be understood; but, of course, to be understood it has
to transform the context in which it is inscribed. As a
result, this appeal, this promise of the future, will
necessarily open up the production of a new context,
wherever it may happen. The future is not present, but there
is an opening onto it; and because there is a future, a context
is always open. What we call opening of the context is
Judith Butler, Giving an account of oneself:
Only in the face of (such) a query or attribution from an other -
‘Was it you?’’(who did this) –do any of us start to narrate
ourselves, or find that, for urgent reasons, we must become self-
narrating beings...narrative capacity constitutes a precondition
for giving an account of oneself and assuming responsibility for
one’s actions through that means. (11-12)
The irrecoverability and foreclosure of the referent is the very
condition of possibility for an account of myself, if the account
is to take narrative form. The irrecoverability of the original
referent does not destroy narrative; it produces it ‘in a fictional
direction’, as Lacan would say (37)
Jacques Derrida,Taste for the secret:
If a right to the secret is not maintained, we are in a
totalitarian state... the autobiographical is the locus of the
secret... the autobiographical genre is always overreached
by the autobiographical itself
You are here:
Visual autobiographies in East London
4 workshops, interviews and an exhibition: 18 participants
Workshops. exhibition
M2
F6

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Zgifkls jkc netherlands_2

  • 1. Narrative and the gift of the future Corinne Squire Centre for Narrative Research University of East London http://www.uel.ac.uk/cnr/index.htm http://www.chila-kumari-burman.co.uk/
  • 2.
  • 3. Drucilla Cornell, Derrida: the gift of the future: the future is: an other already with us...the mark we leave on the world we share will be inseparable from those infinite appeals made to us and how we responded when we were called. Jacques Derrida, Taste for the Secret: A simple phrase takes its meaning from a given context, and already makes its appeal to another one in which it will be understood; but, of course, to be understood it has to transform the context in which it is inscribed. As a result, this appeal, this promise of the future, will necessarily open up the production of a new context, wherever it may happen. The future is not present, but there is an opening onto it; and because there is a future, a context is always open. What we call opening of the context is
  • 4. Judith Butler, Giving an account of oneself: Only in the face of (such) a query or attribution from an other - ‘Was it you?’’(who did this) –do any of us start to narrate ourselves, or find that, for urgent reasons, we must become self- narrating beings...narrative capacity constitutes a precondition for giving an account of oneself and assuming responsibility for one’s actions through that means. (11-12) The irrecoverability and foreclosure of the referent is the very condition of possibility for an account of myself, if the account is to take narrative form. The irrecoverability of the original referent does not destroy narrative; it produces it ‘in a fictional direction’, as Lacan would say (37)
  • 5. Jacques Derrida,Taste for the secret: If a right to the secret is not maintained, we are in a totalitarian state... the autobiographical is the locus of the secret... the autobiographical genre is always overreached by the autobiographical itself
  • 6. You are here: Visual autobiographies in East London 4 workshops, interviews and an exhibition: 18 participants
  • 8. M2
  • 9. F6