This document provides location shots for a film shoot, including establishing shots of a tunnel, lane, church scenery, gas hills, railway, lane opening, houses, and road. The shots are described as reinforcing the urban and rural settings, with dim lighting, street art, and bone-like structures to create an eerie and spooky atmosphere in line with psychological horror conventions. Close-up shots of the tunnel and POV shots are meant to create a sense of panic and danger for the protagonist.
1) The document shows charts depicting the average share of media consumed during a day for various locations and activities.
2) When at home, people spend most of their media day watching TV (62%), followed by using the internet (15%) and listening to the radio (17%).
3) When at work, people spend most of their media day using the internet (45%), followed by listening to the radio (47%) and watching a small amount of TV (5%).
How does your media product represent particular social groupsBilly Christensen
This document provides a textual analysis of a media clip that represents young males in a negative way. The opening shots establish the urban setting and show an unconscious young man dressed sharply in a suit, representing power but also mystery. Throughout, lighting and shots conceal the main character's identity while reinforcing themes of violence, death, and pain. The only character present is this young male, shown dealing with an unknown past through flashbacks. Music and text style contribute to an unsettling tone. In the end, the character's identity is revealed but the clip continues portraying him negatively through its mysterious atmosphere and editing techniques.
The document describes the cardboard digipack used for Animal Collective's album. It uses cardboard and netting instead of plastic to be more eco-friendly and representative of their organic folk music. The cardboard design protects the CD cheaper than plastic would while also allowing for better artwork screening and inclusion of a booklet that further protects the CD and offers extra content like track listings and credits.
How does your media product represent particular social groupsBilly Christensen
This document provides a textual analysis of a media clip that represents young males in a negative way. The opening shot establishes an urban setting and shows an unconscious young man dressed in a suit, representing power but also vulnerability. Throughout the clip, low lighting, shot choices, and a lack of revealed identities maintain an aura of mystery around the main character. Imagery like a bloodied knife in a church suggests his involvement in death and violence. Music and text style reinforce the thriller/horror genre and ominous atmosphere. The sole focus on this apparently antagonistic young male character without any other social groups results in an overall very negative representation.
Rob bencini trends in economic development tennessee basic ed course 042814Rob Bencini
Trends that Economic Developers - new and old - will need to be aware of. It includes some surprises, including the new workplace paradigm and trends related to how they must deal with local leadership who may still be operating in the old economy.
This document provides location shots for a film shoot, including establishing shots of a tunnel, lane, church scenery, gas hills, railway, lane opening, houses, and road. The shots are described as reinforcing the urban and rural settings, with dim lighting, street art, and bone-like structures to create an eerie and spooky atmosphere in line with psychological horror conventions. Close-up shots of the tunnel and POV shots are meant to create a sense of panic and danger for the protagonist.
1) The document shows charts depicting the average share of media consumed during a day for various locations and activities.
2) When at home, people spend most of their media day watching TV (62%), followed by using the internet (15%) and listening to the radio (17%).
3) When at work, people spend most of their media day using the internet (45%), followed by listening to the radio (47%) and watching a small amount of TV (5%).
How does your media product represent particular social groupsBilly Christensen
This document provides a textual analysis of a media clip that represents young males in a negative way. The opening shots establish the urban setting and show an unconscious young man dressed sharply in a suit, representing power but also mystery. Throughout, lighting and shots conceal the main character's identity while reinforcing themes of violence, death, and pain. The only character present is this young male, shown dealing with an unknown past through flashbacks. Music and text style contribute to an unsettling tone. In the end, the character's identity is revealed but the clip continues portraying him negatively through its mysterious atmosphere and editing techniques.
The document describes the cardboard digipack used for Animal Collective's album. It uses cardboard and netting instead of plastic to be more eco-friendly and representative of their organic folk music. The cardboard design protects the CD cheaper than plastic would while also allowing for better artwork screening and inclusion of a booklet that further protects the CD and offers extra content like track listings and credits.
How does your media product represent particular social groupsBilly Christensen
This document provides a textual analysis of a media clip that represents young males in a negative way. The opening shot establishes an urban setting and shows an unconscious young man dressed in a suit, representing power but also vulnerability. Throughout the clip, low lighting, shot choices, and a lack of revealed identities maintain an aura of mystery around the main character. Imagery like a bloodied knife in a church suggests his involvement in death and violence. Music and text style reinforce the thriller/horror genre and ominous atmosphere. The sole focus on this apparently antagonistic young male character without any other social groups results in an overall very negative representation.
Rob bencini trends in economic development tennessee basic ed course 042814Rob Bencini
Trends that Economic Developers - new and old - will need to be aware of. It includes some surprises, including the new workplace paradigm and trends related to how they must deal with local leadership who may still be operating in the old economy.
The document lists various media technologies used in different stages of a project including web browsers, mobile apps, design software, video/photo tools, websites for planning, research, construction, and evaluation. Technologies span from iPhone, iPad, and Android apps to desktop software, online sharing platforms, and traditional media like paper.
The document discusses costume, lighting, and props for an indie/electro music video. It recommends including vintage clothing items like Nike Air Max shoes and t-shirts to appeal to the target audience. For lighting, it suggests using trippy, luminous lighting with a dark background and bright colors to create a mysterious, techno environment characteristic of the electro genre. Props of a baseball bat and golden disc balls are proposed to signify the video as electro.
The document summarizes genre conventions in hip hop, indie rock, and electro/techno music. For hip hop, it notes themes of poverty, struggle, crime/violence, drugs, clothing/wealth, and typical lyrics that discuss changing lifestyles, criminal activities, and poverty. For indie rock, it outlines conventions of love/heartbreak, youth, and friendship. Typical indie rock lyrics portray relationships, mental illness, death, and love/despair. For electro/techno, it states that lyrics are less significant than beats and samples, as the genre focuses more on instrumental aspects than lyrical themes.
The document discusses potential music genres and songs that could be used for a project. It analyzes genres like post-rock, opera, screamo, hip-hop, and dubstep. Specific artists are mentioned for each genre. Several song suggestions are provided, but copyright issues may limit the selection. As alternatives, several uncopyrighted tracks from Freesound.org are proposed that could create atmospheric, violent, or ominous tones for different scenes.
Checklist to avoid accidental plagiarism英文校正エディテージ
The document provides a 10-point checklist for avoiding accidental plagiarism when writing manuscripts. It advises acknowledging the works of others, using quotation marks for verbatim text, keeping verbatim text to a minimum, rewriting content from previous studies in one's own words, citing sources, mentioning if the paper was previously presented, following ideas from previous studies with one's own interpretation, using plagiarism detection software, and emphasizing novelty in the cover letter.
The document describes 6 examples: 1) a gay pride parade with counter-protesters, 2) someone selling eggs being confronted by another claiming they're not organic, 3) a man publicly preaching repentance, 4) someone ignoring a no soliciting sign, 5) people saying crazy things online, 6) a description of the proposed SOPA legislation regarding internet piracy.
The document discusses costume, lighting, and props for an indie/electro music video. It recommends including vintage clothing items like Nike Air Max shoes and t-shirts to appeal to the target audience. For lighting, it suggests using trippy, luminous lighting with a dark background and bright colors to create a mysterious, techno environment characteristic of the electro genre. Props of a baseball bat and golden disc balls are proposed to signify the video as electro.
This document analyzes the music video for "How I Got Over" by The Roots. It uses various cinematic techniques like props, lighting, camerawork and framing to reinforce themes of poverty, crime, violence and racial divides in the urban environment. Key elements include the use of a wheelchair and graffiti to emphasize the impoverished ghetto setting, low lighting for a negative tone, and shots that make the viewer identify with characters struggling against their circumstances.
The document discusses how the creator of a music magazine took inspiration from Esquire magazine in developing their publication. Specifically, they aimed to create a high-quality magazine focused on music like Esquire's focus on style and substance. They also emulated Esquire's use of striking front cover images that dominate the page without much text as a way to attract a loyal, sophisticated audience. Similarly, they took inspiration from TIME magazine's simple, clean covers and followed conventions by having dominance of a front cover image layered over the masthead to attract an audience passionate about the featured artist and their music. Their goal was to establish the magazine's focus on young artists and modern music for a young, modern audience.
This document provides an analysis of the opening trailer for the 2001 film Training Day. It summarizes the key elements of mise-en-scene, camerawork, editing, sound, and textual elements presented in the trailer. The trailer establishes the crime and police genre through its grim setting, low lighting, color palette, and focus on the partnership between veteran detective Alonzo and his new recruit Jake. Fast-paced editing summarizes the full film within the two-minute trailer. Intermittent titles and voiceovers provide plot details while music and sound effects build tension and drama. The trailer ultimately leads viewers to believe Alonzo is the protagonist until a plot twist is revealed in the full movie.
The visual storyboard outlines various shots that will be used to tell the story of a character named Conor awakening in an unknown location and making his way home. It describes opening shots of Conor in a tunnel to establish him and show his confusion. Further shots show Conor from a blurred background to emphasize him against unknown surroundings. Additional shots depict Conor's loneliness and delirium in rural areas to convey that he is lost. A POV shot uses shaky camera movements to create a panicked atmosphere from Conor's perspective. The board concludes with a shot of Conor opening a door, introducing an important setting.
The document provides a textual analysis of the music video for "How I Got Over" by The Roots. It summarizes that the video uses various cinematic techniques to portray themes of poverty, crime, and struggle in an urban environment. This includes the use of low lighting, derelict buildings as a setting, and characters dominated by people of color. Specific shots are described that follow the disabled main character and rapper through the streets from a high angle, reinforcing their vulnerability. The wheelchair prop further emphasizes the theme of poverty and creates sympathy for the character.
Entrepreneurship is the capacity and willingness to develop, organize and manage a business venture along with any of its risks in order to make a profit.
This 4 page physical storyboard document outlines a visual narrative through 4 sequential pages. The storyboard likely depicts key events or scenes in brief form through sketches and notes to help plan out how to film or present an idea visually.
The document lists various media technologies used in different stages of a project including web browsers, mobile apps, design software, video/photo tools, websites for planning, research, construction, and evaluation. Technologies span from iPhone, iPad, and Android apps to desktop software, online sharing platforms, and traditional media like paper.
The document discusses costume, lighting, and props for an indie/electro music video. It recommends including vintage clothing items like Nike Air Max shoes and t-shirts to appeal to the target audience. For lighting, it suggests using trippy, luminous lighting with a dark background and bright colors to create a mysterious, techno environment characteristic of the electro genre. Props of a baseball bat and golden disc balls are proposed to signify the video as electro.
The document summarizes genre conventions in hip hop, indie rock, and electro/techno music. For hip hop, it notes themes of poverty, struggle, crime/violence, drugs, clothing/wealth, and typical lyrics that discuss changing lifestyles, criminal activities, and poverty. For indie rock, it outlines conventions of love/heartbreak, youth, and friendship. Typical indie rock lyrics portray relationships, mental illness, death, and love/despair. For electro/techno, it states that lyrics are less significant than beats and samples, as the genre focuses more on instrumental aspects than lyrical themes.
The document discusses potential music genres and songs that could be used for a project. It analyzes genres like post-rock, opera, screamo, hip-hop, and dubstep. Specific artists are mentioned for each genre. Several song suggestions are provided, but copyright issues may limit the selection. As alternatives, several uncopyrighted tracks from Freesound.org are proposed that could create atmospheric, violent, or ominous tones for different scenes.
Checklist to avoid accidental plagiarism英文校正エディテージ
The document provides a 10-point checklist for avoiding accidental plagiarism when writing manuscripts. It advises acknowledging the works of others, using quotation marks for verbatim text, keeping verbatim text to a minimum, rewriting content from previous studies in one's own words, citing sources, mentioning if the paper was previously presented, following ideas from previous studies with one's own interpretation, using plagiarism detection software, and emphasizing novelty in the cover letter.
The document describes 6 examples: 1) a gay pride parade with counter-protesters, 2) someone selling eggs being confronted by another claiming they're not organic, 3) a man publicly preaching repentance, 4) someone ignoring a no soliciting sign, 5) people saying crazy things online, 6) a description of the proposed SOPA legislation regarding internet piracy.
The document discusses costume, lighting, and props for an indie/electro music video. It recommends including vintage clothing items like Nike Air Max shoes and t-shirts to appeal to the target audience. For lighting, it suggests using trippy, luminous lighting with a dark background and bright colors to create a mysterious, techno environment characteristic of the electro genre. Props of a baseball bat and golden disc balls are proposed to signify the video as electro.
This document analyzes the music video for "How I Got Over" by The Roots. It uses various cinematic techniques like props, lighting, camerawork and framing to reinforce themes of poverty, crime, violence and racial divides in the urban environment. Key elements include the use of a wheelchair and graffiti to emphasize the impoverished ghetto setting, low lighting for a negative tone, and shots that make the viewer identify with characters struggling against their circumstances.
The document discusses how the creator of a music magazine took inspiration from Esquire magazine in developing their publication. Specifically, they aimed to create a high-quality magazine focused on music like Esquire's focus on style and substance. They also emulated Esquire's use of striking front cover images that dominate the page without much text as a way to attract a loyal, sophisticated audience. Similarly, they took inspiration from TIME magazine's simple, clean covers and followed conventions by having dominance of a front cover image layered over the masthead to attract an audience passionate about the featured artist and their music. Their goal was to establish the magazine's focus on young artists and modern music for a young, modern audience.
This document provides an analysis of the opening trailer for the 2001 film Training Day. It summarizes the key elements of mise-en-scene, camerawork, editing, sound, and textual elements presented in the trailer. The trailer establishes the crime and police genre through its grim setting, low lighting, color palette, and focus on the partnership between veteran detective Alonzo and his new recruit Jake. Fast-paced editing summarizes the full film within the two-minute trailer. Intermittent titles and voiceovers provide plot details while music and sound effects build tension and drama. The trailer ultimately leads viewers to believe Alonzo is the protagonist until a plot twist is revealed in the full movie.
The visual storyboard outlines various shots that will be used to tell the story of a character named Conor awakening in an unknown location and making his way home. It describes opening shots of Conor in a tunnel to establish him and show his confusion. Further shots show Conor from a blurred background to emphasize him against unknown surroundings. Additional shots depict Conor's loneliness and delirium in rural areas to convey that he is lost. A POV shot uses shaky camera movements to create a panicked atmosphere from Conor's perspective. The board concludes with a shot of Conor opening a door, introducing an important setting.
The document provides a textual analysis of the music video for "How I Got Over" by The Roots. It summarizes that the video uses various cinematic techniques to portray themes of poverty, crime, and struggle in an urban environment. This includes the use of low lighting, derelict buildings as a setting, and characters dominated by people of color. Specific shots are described that follow the disabled main character and rapper through the streets from a high angle, reinforcing their vulnerability. The wheelchair prop further emphasizes the theme of poverty and creates sympathy for the character.
Entrepreneurship is the capacity and willingness to develop, organize and manage a business venture along with any of its risks in order to make a profit.
This 4 page physical storyboard document outlines a visual narrative through 4 sequential pages. The storyboard likely depicts key events or scenes in brief form through sketches and notes to help plan out how to film or present an idea visually.