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َ‫د‬ُ‫ﻟﯿﻠ‬‫ﻚ‬َ‫ﻣ‬ِ ‫اﻟﺸﺎ‬‫ﻞ‬ْ‫ﻸ‬ِ ‫ﻟ‬‫ﻛﺴ‬‫ــــ‬‫ء‬ْ ‫ﺎ‬
‫ﻓﻲ‬‫ﺑﺮﻧﺎﻣﺞ‬‫ﺛﺮي‬‫دي‬‫ﺳﺘﻮدﯾﻮ‬‫ﻣﺎﻛﺲ‬
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‫ھﺬه‬‫اﻟﺼﻔﺤﺔ‬‫َﻛﺖ‬ ‫ﺮ‬ِ ُ‫ﺗ‬‫ﻓﺎرﻏﺔ‬ً‫ﻤﺪا‬ْ ‫ﻋ‬
‫ﻣﻘـــــــــــــــــــــــــــﺪﻣﺔ‬
‫ﺑﺴﻢ‬‫ﷲ‬‫اﻟﺮﺣﻤﻦ‬‫اﻟﺮﺣﯿﻢ‬
‫اﻟﺤﻤﺪ‬‫رب‬‫اﻟﻌﺎﻟﻤﯿﻦ‬‫واﻟﺼﻼة‬‫واﻟﺴﻼم‬‫ﻋﻠﻰ‬‫ﺳﯿﺪﻧﺎ‬‫ﷴ‬‫وﻋﻠﻰ‬‫اﻟﮫ‬‫وﺻﺤﺒﮫ‬‫اﺟﻤﻌﯿﻦ‬
‫ﺑﻌﺪ‬‫اﻻﻧﺘﮭﺎء‬‫ﻣﻦ‬‫ﻛﺘﺎﺑﻲ‬‫اﻻول‬‫ﻣﻦ‬‫ﺳﻠﺴﻠﺔ‬)‫دﻟﯿﻠﻚ‬‫اﻟﺸﺎﻣﻞ‬‫ﻟﻼﻛﺴ‬‫ــــ‬‫ﺎء‬‫ﻓﻲ‬‫ﺑﺮﻧﺎﻣﺞ‬‫ﺛﺮي‬‫دي‬‫ﺳﺘﻮدﯾﻮ‬‫ﻣﺎﻛﺲ‬(‫ﻗﺮرت‬‫ان‬‫اﻋﻤﻞ‬‫ﺑﺠﮭﺪ‬‫ﻟﺘﻘﺪﯾﻢ‬‫اﻟﻜﺘﺎب‬
‫اﻟﺜﺎﻧﻲ‬‫ﻣﻦ‬‫ھﺬه‬‫اﻟﺴﻠﺴﻠﺔ‬‫ﺣﺘﻰ‬‫ﻻ‬‫ﯾﻀﯿﻊ‬‫ﻋﻠﻰ‬‫اﻟﻘﺎرئ‬‫ﺗﻮاﺻﻠﮫ‬‫ﻓﻲ‬.‫اﻟﻔﮭﻢ‬
‫و‬‫ﻛﺘﺎﺑﻲ‬‫اﻻول‬‫ﻟﻤﻦ‬‫ﻗﺎم‬‫ﺑﺎﻻطﻼع‬‫ﻋﻠﯿﮫ‬‫ﻛﺎن‬:‫ﺑﻌﻨﻮان‬
‫دﻟﯿﻠﻚ‬‫اﻟﺸﺎﻣﻞ‬‫ﻟﻼﻛﺴ‬‫ــــ‬‫ﺎء‬‫ﻓﻲ‬‫ﺑﺮﻧﺎﻣﺞ‬‫ﺛﺮي‬‫دي‬‫ﺳﺘﻮدﯾﻮ‬‫ﻣﺎﻛﺲ‬
‫اﻟﻜﺘﺎب‬‫اﻻول‬‫....اﻻﺳﺎﺳﯿﺎت‬
‫واﻟﺬي‬‫ﺟﺎء‬‫ﻟﺸﺮح‬‫وﺗﻮﺿﯿﺢ‬‫اﻻﺳﺎﺳﯿﺎت‬‫ﻓﻲ‬‫ﻣﻮﺿﻮع‬‫اﻻﻛﺴﺎء‬‫ﺑﻤﺎ‬‫ﻓﻲ‬‫ذﻟﻚ‬‫ﺷﺮح‬‫ﻋﺪة‬‫ﻣﻔﺎھﯿﻢ‬...‫ﻣﻨﮭﺎ‬‫اﻟﺨﺎﻣﺔ‬,,‫اﻟﻤﺎدة‬‫اﻟﺨﺮﯾﻄﺔ‬‫واﻟﻤﻈﻠﻞ‬‫وﻛﺬﻟﻚ‬
‫ﺷﺮح‬‫اھﻢ‬‫اﻟﺼﻔﺎت‬‫اﻟﻔﯿﺰﯾﺎﺋﯿﺔ‬‫اﻟﺘﻲ‬‫ﺗﺨﺺ‬‫اﻟﻤﻮﺿﻮع‬‫ﻣﺜﻞ‬‫اﻻﻧﻜﺴﺎر‬,‫واﻻﻧﻌﻜﺎس‬‫وﺗﻄﺮق‬‫اﻟﻜﺘﺎب‬‫اﻟﻰ‬‫ﺗﻌﺮﯾﻒ‬‫ﻣﻔﺼﻞ‬‫ﻟﻠﻤﻨﺎطﻖ‬‫اﻟﺘﻲ‬‫ﯾﺘﻢ‬‫ﻓﯿﮭﺎ‬‫ﺻﻨﻊ‬
‫اﻟﺨﺎﻣﺎت‬‫وﺗﺼﻔﺤﮭﺎ‬‫وﻏﯿﺮ‬‫ذﻟﻚ‬‫ﺑﺸﻜﻞ‬‫ﯾﻤﮭﺪ‬‫ﻟﻔﮭﻢ‬‫ﻣﻮﺿﻮع‬‫اﻻﻛﺴﺎء‬.‫ﻛﻜﻞ‬
‫اﻣﺎ‬‫ﻛﺘﺎﺑﻲ‬‫اﻟﺜﺎﻧﻲ‬‫اﻟﺬي‬‫اﻗﺪﻣ‬‫ﮫ‬‫ﻟﻜﻢ‬‫اﻟﯿﻮم‬‫ﻓ‬‫ﮭﻮ‬‫ﺑﻌﻨﻮان‬:
‫اﻟﻜﺘﺎب‬‫اﻟﺜﺎﻧﻲ‬‫....اﻟﻤﻮاد‬
‫واﻟﺬي‬‫ﺳﺎﻗﻮم‬‫ﻓﯿﮫ‬‫ﺑﺸﺮح‬‫اﻧﻮاع‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﺎﺗﻲ‬‫ﻣﻊ‬‫ﺑﺮﻧﺎﻣﺞ‬‫ﺛﺮي‬‫دي‬‫ﻣﺎﻛﺲ‬‫اﻻﺻﺪار‬2016.‫ﺑﺎﻟﺘﻔﺼﯿﻞ‬
‫ھﺬا‬‫اﻟﺸﺮح‬‫ﺳﯿﻜﻮن‬‫)وﻛﻤﺎ‬‫ﻋﻮدﺗﻜﻢ‬‫ﻓﻲ‬‫ﻛﺘﺎﺑﻲ‬(‫اﻻول‬‫ﻣﺪﻋﻤﺎ‬‫ﺑﺎﻟﺼﻮر‬‫اﻟﺘﻮﺿﯿﺤﯿﺔ‬‫واﻟﺠﺪاول‬‫ﺑﻤﺎ‬‫ﯾﺨﺪم‬.‫اﻟﻔﻜﺮة‬
‫اﺗﻤﻨﻰ‬‫ﻟﻜﻢ‬‫اﻟﻔﺎﺋﺪة‬‫اﻟﻘﺼﻮى‬‫ﻣﻦ‬‫اﻟﻜﺘﺎب‬‫وان‬‫اﻛﻮن‬‫ﻗﺪ‬‫ﺗﻤﻜﻨﺖ‬‫ﻣﻦ‬‫ﺷﺮح‬‫اﻟﻤﻮﺿﻮع‬‫واﯾﺼﺎل‬‫اﻟﻔﻜﺮة‬‫اﻟﺘﻲ‬‫ارﯾﺪ‬‫ﺑﺎﻟﺸﻜﻞ‬.‫اﻟﻤﻄﻠﻮب‬
‫ﺗﻨﻮﯾــــﮫ‬:
‫ﻣﺎ‬‫اﻗﻮم‬‫ﺑﺸﺮﺣﮫ‬‫ﻓﻲ‬‫ﺳﻠﺴﻠﺔ‬‫ﻛﺘﺒﻲ‬‫ھﺬه‬,‫ھﻮ‬‫ﺷﺮح‬‫ﺑﺼﻮرة‬‫ﻋﺎﻣﺔ‬‫ﻟﻤﻮاﺿﯿﻊ‬‫ﺗﺘﻌﻠﻖ‬‫ﺑﺎﻟﻤﻮاد‬‫ﻓﻲ‬‫ﺑﺮﻧﺎﻣﺞ‬‫ﺛﺮي‬‫دي‬‫ﺳﺘﻮدﯾﻮ‬‫ﻣﺎﻛﺲ‬,‫ﻟﮭﺬا‬‫ﻓﮭﻲ‬‫ﺗﺘﻮاﻓﻖ‬‫ﻣﻊ‬
‫ﻛﻞ‬‫اﺻﺪارات‬‫ھﺬا‬,‫اﻟﺒﺮﻧﺎﻣﺞ‬‫وﻟﻜﻦ‬‫ھﺬا‬‫ﻻ‬‫ﯾﻤﻨﻊ‬‫ﻗﯿﺎﻣﻲ‬‫ﺑﺎﻟﺘﺪﻗﯿﻖ‬‫ﻛﻠﻤﺎ‬‫ﻗﺎﻣﺖ‬‫ﺷﺮﻛﺔ‬‫اوﺗﻮدﯾﺴﻚ‬‫ﺑﺎﺻﺪار‬‫ﻧﺴﺨﺔ‬‫ﺟﺪﯾﺪة‬‫ﻣﻦ‬.‫اﻟﺒﺮﻧﺎﻣﺞ‬
‫ﻓ‬‫ﻌﻨﺪﻣﺎ‬‫ﺑﺪات‬‫ﺑﺘﺎﻟﯿﻒ‬‫ھﺬا‬‫اﻟﻜﺘﺎب‬‫ﻛﻨﺖ‬‫اﻋﻤﻞ‬‫ﻋﻠﻰ‬‫اﻻﺻﺪار‬2014‫ﻣﻦ‬,‫اﻟﺒﺮﻧﺎﻣﺞ‬‫و‬‫ﻻن‬‫ﺷﺮﻛﺔ‬‫اوﺗﻮدﯾﺴﻚ‬‫ﻟﻢ‬‫ﺗﻌﻤﻞ‬‫ﺗﻌﺪﯾﻼت‬‫ﺟﻮھﺮﯾﺔ‬‫ﻋﻠﻰ‬
‫ﻣﻮﺿﻮع‬‫اﻟﻤﻮاد‬‫ﻓﻲ‬‫اﻻﺻﺪارﯾﻦ‬2015‫و‬2016,‫اﻟﺘﺎﻟﯿﯿﻦ‬‫ﻟﺬﻟﻚ‬‫ﻗﻤﺖ‬‫ﺑﺎﺟﺮاء‬‫اﻟﺘﺤﺪﯾﺜﺎت‬‫واﻟﺘﻌﺪﯾﻼت‬‫وذﻟﻚ‬‫ﺑﺎﻋﺎدة‬‫ﺻﯿﺎﻏﺔ‬‫اﻟﻤﻮﺿﻮع‬‫ﺑﻤﺎ‬‫ﯾﺘﻮاﻓﻖ‬
‫ﻣﻊ‬‫اﻻﺻﺪار‬2016.
‫واﻻن‬‫وﺑﻌ‬‫ﺪ‬‫اﺻﺪار‬‫اﻟﻨﺴﺨﺔ‬2017)‫وﻻﻧﻲ‬‫ﻻ‬‫اﻣﻠﻜﮭﺎ‬(‫ﻓﻠﻘﺪ‬‫ﻗﻤﺖ‬‫ﺑﺎﻻﻋﺘﻤﺎد‬‫ﻋﻠﻰ‬‫اﻟﺒﺤﺚ‬‫ﻓﻲ‬‫اﻻﻧﺘﺮﻧﺖ‬‫ﻟ‬‫ﻤﺮاﺟﻌﺔ‬‫اﻟﺘﻌﺪﯾﻼت‬‫اﻟﺘﻲ‬‫اﺟﺮﺗﮭﺎ‬‫اﻟﺸﺮﻛﺔ‬
‫ﻋﻠﻰ‬‫ﻗﺴﻢ‬‫اﻟﻤﻮاد‬‫ﻓﻮﺟﺪت‬‫ﺑﺎن‬‫اﻟﺘﻌﺪﯾﻞ‬‫اﻻﺳﺎﺳﻲ‬‫ھﻮ‬‫اﺿﺎﻓﺔ‬‫ﻧﻮع‬‫ﺟﺪﯾﺪ‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫ﺗﺤﺖ‬‫اﺳﻢ‬...‫اﻟﻤﻮاد‬‫اﻟﻔﯿﺰﯾﺎﺋﯿﺔ‬)PHYSICAL MATERIAL,(
‫وھﺬا‬‫اﻟﻨﻮع‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫ﻟﻦ‬‫ﯾﻜﻮن‬‫ﻣﺸﻤﻮﻻ‬‫ﺑﺎﻟﺸﺮح‬‫ﻓﻲ‬‫ھﺬا‬‫اﻟﻜﺘﺎب‬,‫ورﺑﻤﺎ‬‫ﺳﺎﻓﺮد‬‫ﻟﮫ‬‫ﺷﺮﺣﺎ‬‫ﻣﻨﻔﺼﻼ‬‫ﻋﻠﻰ‬‫ﺷﻜﻞ‬‫ﻣﻠﺤﻖ‬‫ﯾﺼﺪ‬‫ر‬‫ﻻﺣﻘﺎ‬‫ان‬‫ﺷﺎء‬‫ﷲ‬
‫اﻟﻤﮭﻨﺪﺳﺔ‬:‫ﻧﻮرا‬‫اﻟﺼﺎﯾﻞ‬
‫ﺑﺎﻟﻜﺘﺎب‬ ‫اﻟﻌﻤﻞ‬ ‫ﻛﯿﻔﯿﺔ‬
‫ﺷﺮح‬‫ﻟﻜﯿﻔﯿﺔ‬‫اﻟﻌﻤﻞ‬‫ﺑﮭﺬا‬‫اﻟﻜﺘﺎب‬:
‫ﻛﻤﺎ‬‫ﺗﻌﺮف‬‫ﻓﺎن‬‫واﺟﮭﺔ‬‫ﺑﺮﻧﺎﻣﺞ‬3‫دي‬‫ﺳﺘﻮدﯾﻮ‬‫ﻣﺎﻛﺲ‬)‫وﻛﻤﺎ‬‫ھﻲ‬‫اﻏﻠﺐ‬‫اﻟﺒﺮاﻣﺞ‬‫اﻟﺤﺎﻟﯿﺔ‬‫اﻟﺘﻲ‬‫ﻧﺘﻌﺎﻣﻞ‬‫ﻣﻌﮭﺎ‬(‫ﯾﻮﻣﯿﺎ‬‫ھﻮ‬‫ﺑﺮﻧﺎﻣﺞ‬‫ذا‬‫واﺟﮭﺔ‬‫ﺑﺎﻟﻠﻐﺔ‬
,‫اﻻﻧﻜﻠﯿﺰﯾﺔ‬‫ﻓﻠﻮﺿﻊ‬‫ﻛﺘﺎب‬‫ﯾﺸﺮح‬‫ھﺬه‬‫اﻟﻮاﺟﮭﺔ‬‫ﺑﺸﻜﻞ‬‫ﻣﻔﮭﻮم‬‫ﻛﺎن‬‫ﻣﻦ‬‫اﻟﻀﺮوري‬‫ان‬‫اﺗﺒﻊ‬‫اﺳﻠﻮب‬‫ﻣﻌﯿﻨﺎ‬‫ﻓﻲ‬‫ﺗﺮﺟﻤﺔ‬‫اﻟﻤﺼﻄﻠﺤﺎت‬‫اﻻﻧﻜﻠﯿﺰﯾﺔ‬‫ﻟﮭﺬا‬
.‫اﻟﺒﺮﻧﺎﻣﺞ‬
‫وﺑﻌﺪ‬‫اﻟﺒﺤﺚ‬‫ﻓﻲ‬‫اﻻﻧﺘﺮﻧﺖ‬‫واﻟﺘﻔﻜﯿﺮ‬‫ﺗﻮﺻﻠﺖ‬‫اﻟﻰ‬‫ﻣﺎﯾﻠﻲ‬:
‫ھﻨﺎك‬‫طﺮﯾﻘﺘﯿﻦ‬‫اﺗﺒﻌﺘﮭﺎ‬‫ﻟﻜﺘﺎﺑﺔ‬‫اﻟﻤﺼﻄﻠﺢ‬‫اﻻﻧﻜﻠﯿﺰي‬:
I.‫اوﻻ‬:‫اذا‬‫ﻛﺎﻧﺖ‬‫ﺗﺮﺟﻤﺔ‬‫اﻟﻤﺼﻄﻠﻊ‬‫اﻟﺤﺮﻓﯿﺔ‬‫ﺗﻌﺒﺮ‬‫ﻋﻨﮫ‬‫ﺑﺼﻮرة‬‫ﻣﺒﺎﺷﺮة‬‫ﻣﺜﺎل‬‫ذﻟﻚ‬:
MODIFY PANEL
‫ﻣﻤﻜﻦ‬‫ﺗﺮﺟﻤﺔ‬‫اﻟﻤﺼﻄﻠﺢ‬‫اﻟﺴﺎﺑﻖ‬‫ﺑﻜﻠﻤﺔ‬)‫ﻟﻮﺣﺔ‬(‫اﻟﺘﻌﺪﯾﻞ‬‫وھﺬه‬‫اﻟﺘﺮﺟﻤﺔ‬‫واﺿﺤﺔ‬‫وﺗﻌﺒﺮ‬‫ﻋﻦ‬‫اﻟﻤﺼﻄﻠﺢ‬‫ﺑﺼﻮرة‬‫ﻣﺒﺎﺷﺮة‬‫ﻓﻤﻦ‬‫اﻟﻤﻤﻜﻦ‬
‫اﺳﺘﺨﺪاﻣﮭﺎ‬‫ﻓﻲ‬‫اﻟﺸﺮح‬‫ﻓﺘﻜﺘﺐ‬‫ﻛﻤﺎ‬‫ﯾﻠﻲ‬:
‫ﻟﻮﺣﺔ‬‫اﻟﺘﻌﺪﯾﻞ‬)MODIFY PANEL(
II.‫ﺛﺎﻧﯿﺎ‬:‫اﻣﺎ‬‫اذا‬‫ﻛﺎﻧﺖ‬‫اﻟﺘﺮﺟﻤﺔ‬‫اﻟﺤﺮﻓﯿﺔ‬‫ﻟﻠﻤﺼﻄﻠﺢ‬‫ﺻﻌﺒﺔ‬‫اﻟﻔﮭﻢ‬‫وﻻ‬‫ﯾﻤﻜﻦ‬‫اﻻﺳﺘﺪﻻل‬‫ﻣﻨﮭﺎ‬‫ﻋﻠﻰ‬‫اﻟﻜﻠﻤﺔ‬‫اﻻﻧﺠﻠﯿﺰﯾﺔ‬‫ﻣﺜﺎل‬‫ذﻟﻚ‬:
‫ﺳﺎﺧﺬ‬‫ھﺬا‬‫اﻟﻤﺼﻄﻠﺢ‬‫ﻛﻨﻤﻮذج‬‫ﻓﻲ‬‫اﻟﺸﺮح‬:
SLATE MATERIAL EDITOR
1.‫ﻓﻘﻤﺖ‬‫ﺑﺘﺮﺟﻤﺔ‬‫اﻟﻤﺼﻄﻠﺢ‬‫اﻻﻧﻜﻠﯿﺰي‬‫ﻻﻗﺮب‬‫ﻛﻠﻤﺔ‬‫ﺗﻌﻄﻲ‬‫ﻣﻌﻨﻰ‬‫ﺎ‬‫دﻗﯿﻘ‬)‫ﺎد‬‫واﻻﺑﺘﻌ‬‫ﻦ‬‫ﻋ‬‫ﺎت‬‫اﻟﺘﺮﺟﻤ‬‫ﺔ‬‫اﻟﺤﺮﻓﯿ‬‫او‬‫ﺎت‬‫ﺗﺮﺟﻤ‬‫ﻢ‬‫ﺗ‬‫ﺪاوﻟﮭﺎ‬‫ﺗ‬‫ﺮ‬‫ﻋﺒ‬
‫اﻻﻧﺘﺮﻧﺖ‬‫وھﻲ‬‫ﻣﻐﻠﻮطﮫ‬(‫اﺻﻼ‬‫وﺗﻜﻮن‬‫ھﺬه‬‫اﻟﺘﺮﺟﻤﺔ‬‫ﻓﻲ‬‫اول‬‫ﻛﻞ‬‫ﻣﺼﻄﻠﺢ‬:
‫ﻓﺘﺼﺒﺢ‬‫اﻟﺘﺮﺟﻤﺔ‬‫ﻟﻠﻤﺼﻄﻠﺢ‬‫اﻟﺴﺎﺑﻖ‬‫ﻛﻤﺎ‬‫ﯾﻠﻲ‬:
‫ﻣ‬ُ‫ﺪ‬ً ‫ﻌ‬‫ل‬‫اﻟﺨﺎﻣﺎت‬‫اﻟﻤﺘﻘﺪم‬
‫ﻓﻜﻤﺎ‬‫ﺗﺮى‬‫ان‬‫ﻛﻠﻤﺔ‬)EDITOR(‫ﯾﺘﻢ‬‫ﺗﺮﺟﻤﺘﮭﺎ‬ً ‫ﺧﻄﺎ‬‫ب‬‫ﻣ‬ُ )‫ﺮ‬ً ‫ﺤ‬(‫ر‬‫ﻓﻲ‬‫اﻏﻠﺐ‬‫اﻟﺒﺮاﻣﺞ‬,‫ﻟﻜﻦ‬‫ﻓﻲ‬‫اﻟﺤﻘﯿﻘﺔ‬‫ان‬‫ﻛﻠﻤﺔ‬‫)ﺗﺤﺮﯾﺮ‬EDIT‫او‬‫ﻣﺤﺮر‬
EDITOR(‫ﺗﺴﺘﺨﺪم‬‫ﻋﺎدة‬‫ﻓﻲ‬,‫اﻟﻄﺒﺎﻋﺔ‬‫اﻣﺎ‬‫ﻓﻲ‬‫اﻟﺒﺮاﻣﺞ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﺎﻟﺮﺳﻮﻣﺎت‬‫او‬‫اﻟﻜﺮاﻓﻚ‬‫ﻓﺘﻌﻄﻲ‬‫ﻣﻌﻨﻰ‬‫اﻟﺘﻌﺪﯾﻞ‬‫وھﻮ‬‫اﻗﺮب‬‫ﺗﺮﺟﻤﺔ‬.‫ﻟﻠﻜﻠﻤﺔ‬
2.‫ﺛﻢ‬‫اﻛﺘﺐ‬‫ﺑﺠﺎﻧﺐ‬‫ھﺬه‬‫اﻟﺘﺮﺟﻤﺔ‬‫...اﻟﻜﻠﻤﺔ‬...‫اﻻﻧﻜﻠﯿﺰﯾﺔ‬‫ﺑﯿﻦ‬‫ﻗﻮﺳﯿﻦ‬‫...ﻣﻜﺘﻮﺑﺔ‬‫ﺑﺎﻻﺣﺮف‬‫اﻟﻌﺮﺑﯿﺔ‬‫واﻻﻧﻜﻠﯿﺰﯾﺔ‬.
‫ﻓﺘﻜﻮن‬‫اﻟﺠﻤﻠﺔ‬‫ﻛﺎﻣﻠﺔ‬‫ﺑﮭﺬا‬‫اﻟﺸﻜﻞ‬:
‫ﻣﻌﺪل‬‫اﻟﺨﺎﻣﺎت‬‫اﻟﻤﺘﻘﺪم‬‫)ﺳﻠﯿﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬‫ادﯾﺘﻮر‬SLATE MATERIAL EDITOR(
3.‫ﺛﻢ‬‫اﻋﺘﻤﺪ‬‫اﻟﻜﻠﻤﺔ‬‫ﺑﻠﻐﺘﮭﺎ‬‫اﻻﺻﻠﯿﺔ‬‫اﻻﻧﻜﻠﯿﺰﯾﺔ‬‫وﻟﻜﻦ‬‫ﻣﻜﺘﻮﺑﺔ‬‫ﺑﺎﺣﺮف‬‫ﻋﺮﺑﯿﺔ...ﻻن‬‫ھﺬا‬‫ﻣﺎ‬‫ﺳﯿﺘﻢ‬‫اﻟﻌﻤﻞ‬‫ﻋﻠﯿﮫ‬‫ﻻﺣﻘﺎ‬‫ﻓﻲ‬.‫اﻟﺒﺮﻧﺎﻣﺞ‬
‫اي‬‫اﻗﻮم‬‫ﺑﺎﻋﺘﻤﺎد‬‫اﻟﻤﺼﻄﻠﺢ‬‫ﻛﻤﺎ‬‫ﯾﻠﻲ‬:
‫ﺳﻠﯿﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬‫ادﯾﺘﻮر‬
‫اھﺪاء‬‫ﺧﺎص‬
‫ھﺬا‬‫اﻟﻌﻤﻞ‬‫ﻛﻠﻔﻨﻲ‬‫اﻟﻜﺜﯿﺮ‬‫ﻣﻦ‬‫اﻟﻌﻤﻞ‬‫واﻟﺒﺤﺚ‬‫وھﻮ‬‫ﺟﮭﺪ‬‫ﻣﺘﻮاﺿﻊ‬‫اھﺪﯾﮫ‬‫اﻟﻰ‬‫اﺧﻲ‬‫اﻟﻤﺮﺣﻮم‬‫ﻧﺰار‬‫....ﻣﻮاﻟﯿﺪ‬1964‫اﻟﺬي‬‫اﻧﺘﻘﻞ‬
‫اﻟﻰ‬‫رﺣﻤﺔ‬‫ﷲ‬‫ﻋﻨﺪﻣﺎ‬‫اﻧﺘﮭﯿﺖ‬‫ﻣﻦ‬‫ﻛﺘﺎﺑﻲ‬.‫اﻻول‬
‫وﻟﻘﺪ‬‫ﺟﻌﻠﺘﮫ‬‫ﺻﺪﻗﺔ‬‫ﺟﺎرﯾﺔ‬‫ﻋﻦ‬‫روﺣﮫ‬‫اﻟﻄﺎھﺮة‬‫...اﺗﻤﻨﻰ‬‫ﻣﻦ‬‫ﷲ‬‫ان‬‫ﯾﻘﺒﻠﮫ‬‫ﻣﻨﻲ‬‫وﯾﻐﻔﺮ‬‫ﻟﮫ‬‫وﯾﺮﺣﻤﮫ‬‫وﯾﺪﺧﻠﮫ‬‫ﻓﺴﯿﺢ‬
‫ﺟﻨﺘﮫ....اﻣﯿﻦ‬
‫اﺗﻤﻨﻰ‬‫ﻣﻦ‬‫ﻛﻞ‬‫ﻣﻦ‬‫ﻗﺮأ‬‫ھﺬا‬‫اﻟﻜﺘﺎب‬‫ان‬‫ﯾﻄﻠﺐ‬‫ﻟﮫ‬‫اﻟﺮﺣﻤﮫ‬...‫واﻟﻤﻐﻔﺮة‬
‫ﻟﻲ‬ ‫ان‬ ‫اﻟﻠﮭم‬‫ﻓﻘﯾد‬‫ﻓردوﺳك‬ ‫ﻓﻲ‬ ‫ﯾﻧﻌم‬ ‫اﺟﻌﻠﮫ‬ ‫اﻟﻠﮭم‬ ‫ﻓراﻗﮫ‬ ‫ﻣر‬ ‫ﻋﻠﻰ‬ ‫ﯾﺑﻛﻲ‬ ‫ﻗﻠﺑﻲ‬ ‫ﻣﺎزال‬
‫ﻋذاب‬ ‫وﻻﺳﺎﺑﻖ‬ ‫ﺣﺳﺎب‬ ‫ﻏﯾر‬ ‫ﻣن‬ ‫اﻷﻋﻠﻰ‬..
‫اھﺪاء‬...
‫اﻟﻰ‬‫ﻛﻞ‬‫اﺣﺒﺘﻲ‬‫...اھﺪي‬‫ﻛﺘﺎﺑﻲ‬‫ھﺬا‬
‫اﻟﻰ‬‫زوﺟﻲ...اﺑﻨﺘﻲ...واﺑﻨﻲ‬
‫اﻟﻰ‬‫اﻣﻲ‬‫اﻟﻐﺎﻟﯿﺔ‬
‫اﻟﻰ‬‫اﺧﻲ‬‫اﻟﻤﺮﺣﻮم...ﻧﺰار‬
‫ﺷﻜﺮ‬‫ﺧﺎص‬‫وﺗﻘﺪﯾﺮ‬
...‫اﻟﻰ‬‫ﻣﺼﻤﻢ‬‫اﻟﻐﻼف‬
‫ﺷﻜﺮي‬‫اﻟﺨﺎص‬‫ﻟﻤﺼﻤﻢ‬‫اﻟﻐﻼف‬‫اﻟﺬي‬‫ﺻﻤﻤﮫ‬‫ﻟﻲ‬‫ﺑﺪون‬‫ﻣﻘﺎﺑﻞ‬...‫ورﻓﺾ‬‫اﻋﻄﺎﺋﻲ‬...‫اﺳﻤﮫ‬‫وﻟﻢ‬‫ﯾﻄﻠﺐ‬‫اﻻ‬‫اﻟﺪﻋﺎء‬‫ﻟﮫ‬
...‫وﻟﻮاﻟﺪﯾﮫ‬
‫اﻟﻰ‬‫اﻻخ‬‫اﻟﻔﺎﺿﻞ‬‫ﻣﻦ‬‫ﻣﻨﺘﺪى‬....‫ﺗﺮاﯾﺪﻧﺖ‬‫اﻻخ‬‫ﻣﻨﺘﺪى‬‫رﯾﻤﻜﺴﺎت‬
‫وﻓﻘﻚ‬‫ﷲ...وﻏﻔﺮ‬‫ﻟﻚ‬...‫وﻟﻮاﻟﺪﯾﻚ‬
‫ﻢ‬ّ ‫ﮭ‬ُ ‫اﻟﻠ‬‫ارﺣﻢ‬‫واﻟﺪﯾﮫ‬‫واﻏﻔﺮ‬‫ﻟﮭﻢ‬‫وارض‬‫ﻋﻨﮭﻢ‬
ً‫رﺿﺎ‬‫ﺗﺤﻞ‬‫ﺑﮫ‬‫ﻋﻠﯿﮭﻢ‬‫ﺟﻮاﻣﻊ‬‫رﺿﻮاﻧﻚ‬
‫وﺗﺤﻠﮭﻢ‬‫ﺑﮫ‬‫دار‬‫ﻛﺮاﻣﺘﻚ‬
‫ﺻﻮرة‬‫اﻟﻐﻼف‬
‫ﺻﻮرة‬‫اﻟﻐﻼف‬‫ھﻲ‬‫ﺗﻄﺒﯿﻘﻲ‬‫ﻟﺪروس‬‫اﻻخ‬‫اﻟﻔﺎﺿﻞ‬‫)ﻛﻨﺎن‬(‫ﺻﺎﻓﻲ‬‫واﻟﺘﻲ‬‫ﻗﺪﻣﮭﺎ‬‫ﻣﺠﺎﻧﺎ‬‫ﻓﻲ‬‫ﻣﻨﺘﺪى‬)CGWAY(‫ﻓﺠﺰاه‬‫ﷲ‬
‫ﺧﯿﺮ‬‫اﻟﺠﺰاء‬‫وﺟﻌﻠﮭﺎ‬‫ﻓﻲ‬‫ﻣﯿﺰان‬‫ﺣﺴﻨﺎﺗﮫ‬...
‫اﻟﺤﻘﻮق‬‫اﻟﻔﻜﺮﯾﺔ‬‫وﺣﻘﻮق‬‫اﻟﻄﺒﻊ‬‫واﻟﺘﻮزﯾﻊ‬:
‫ﺟﻤﯿﻊ‬‫اﻟﺤﻘﻮق‬‫ﻣﺤﻔﻮظﺔ‬‫ﻟﻠﻤﺆﻟﻔﺔ‬,‫وﻻ‬‫ﯾﺠﻮز‬‫إﻋﺎدة‬‫إﺻﺪار‬‫ھﺬا‬‫اﻟﻜﺘﺎب‬‫أو‬‫أي‬‫ﺟﺰء‬‫ﻣﻨﮫ‬‫أو‬‫ﻧﻘﻠﮫ‬‫ﻓﻲ‬‫أي‬‫ﺷﻜﻞ‬‫أو‬‫ﺑﺄي‬‫وﺳﯿﻠﺔ‬،‫ﺳﻮاء‬‫ﻛﺎﻧﺖ‬‫إﻟﻜﺘﺮوﻧﯿﺔ‬
‫أو‬‫ﻣﯿﻜﺎﻧﯿﻜﯿﺔ‬‫ﺑﻤﺎ‬‫ﻓﻲ‬‫ذﻟﻚ‬‫اﻟﻨﺴﺦ‬‫أو‬‫اﻟﺘﺼﻮﯾﺮ‬‫أو‬‫اﻟﻤﺴﺢ‬‫اﻟﻀﻮﺋﻲ‬‫أو‬‫اﻟﺘﺴﺠﯿﻞ‬‫أو‬‫اﻟﺘﺨﺰﯾﻦ‬‫واﻻﺳﺘﺮﺟﺎع‬،‫ﻛﻤﺎ‬‫ﻻ‬‫ﯾﺠﻮز‬‫ﺗﻌﺪﯾﻞ‬‫اﻟﻤﺎدة‬‫اﻟﻤﻮﺟﻮدة‬‫ﻓﻲ‬
‫اﻟﻜﺘﺎب‬‫)أو‬‫أي‬‫ﺟﺰء‬(‫ﻣﻨﮭﺎ‬‫أو‬‫ﺗﺤﻮﯾﺮھﺎ‬‫أو‬‫اﻗﺘﺒﺎﺳﮭﺎ‬‫ﻟﺨﻠﻖ‬‫ﻋﻤﻞ‬.‫ﺟﺪﯾﺪ‬،‫دون‬‫اﻟﺤﺼﻮل‬‫ﻋﻠﻰ‬‫إذن‬‫ﺧﻄﻲ‬‫ﻣﺴﺒﻖ‬‫ﻣﻦ‬‫اﻟ‬‫ﻤﺆﻟﻔ‬‫ﺔ‬.
‫ﯾﺮﺟﻰ‬‫ﻣﺮاﻋﺎة‬‫ﻣﺎ‬‫ﯾﻠﻲ‬:
-‫ﯾﺠﻮز‬‫اﺧﺘﺰان‬‫ﻧﺴﺨﺔ‬PDF‫ﻣﻦ‬‫اﻟﻜﺘﺎب‬‫ﺑﻐﺮض‬‫اﻟﻘﺮاءة‬‫واﻻطﻼع‬‫واﻻﺳﺘﻔﺎدة‬‫ﺑﺼﻮرة‬‫ﺷﺨﺼﯿﺔ‬.‫ﻓﻘﻂ‬
-‫اﻟﺼﻮر‬‫واﻟﺮﺳﻮم‬‫اﻟﺘﻮﺿﯿﺤﯿﺔ‬‫اﻟﻤﺴﺘﺨﺪﻣﺔ‬‫ﻓﻲ‬‫اﻟﻜﺘﺎب‬‫ﻣﺼﺮح‬‫ﺑﺎﺳﺘﺨﺪاﻣﮭﺎ‬،‫واﻟﺤﻘﻮق‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﺈﻋﺎدة‬‫اﺳﺘﺨﺪاﻣﮭﺎ‬‫ﻣﺤﻔﻮظﺔ‬.‫ﻟﻤﻼﻛﮭﺎ‬
-‫ﻻ‬‫ﯾﺠﻮز‬‫ﺗﻮرﯾﺪ‬‫اﻟﻜﺘﺎب‬ً‫ﺗﻮزﯾﻌﺎ‬‫أو‬ً‫ﺑﯿﻌﺎ‬‫ﻷي‬‫ﻣﻦ‬‫اﻟﺠﮭﺎت‬‫اﻟﺤﻜﻮﻣﯿﺔ‬‫أو‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﺪون‬‫إذن‬‫رﺳﻤﻲ‬‫ﻣﻜﺘﻮب‬‫ﻣﻦ‬.‫اﻟﻤﺆﻟﻒ‬
‫ﻟﻤﺮاﺳﻠﺔ‬‫اﻟﻤﺆﻟﻔﺔ‬‫ﯾﺮﺟﻰ‬‫ارﺳﺎل‬‫اﯾﻤﯿﻞ‬‫ﻋﻠﻰ‬:‫اﻟﺮاﺑﻂ‬
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‫ﻟﻤﺤﺔ‬‫ﺳﺮﯾﻌﺔ‬‫ﻋﻠﻰ‬‫اﻟﻤﺤﺘﻮﯾﺎت‬
‫اﻟﺘﺴﻠﺴﻞ‬‫اﻟﻔﻘﺮة‬‫رﻗﻢ‬‫اﻟﺼﻔﺤﺔ‬
‫اﻟﻘﺴﻢ‬‫اﻻول‬‫ﻣﺎھﻲ‬‫اﻟﻤﻮاد‬‫ووﻣﺎھﻲ‬‫اﻧﻮاﻋﮭﺎ؟‬1
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ً‫ﻻ‬‫او‬‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫واﻟﻤﻮاد‬‫اﻟﻤﺸﺎﺑﮭﮫ‬‫ﻟﮭﺎ‬‫اﻟﺘﻲ‬‫ﻻ‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬‫اﻟﻀﻮء‬‫اي‬‫)ﻧﻮن‬(‫ﻓﻮﺗﻮﻣﺘﺮك‬
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‫اﻟﻔﺼﻞ‬‫اﻟﺨﺎﻣﺲ‬‫ﻣﺎدة‬‫اﻻﻧﻚ‬‫اﻧﺪ‬‫ﺑﯿﻨﺖ‬INK N PAINT143
ً‫ﺛﺎﻧﯿﺎ‬‫اﻟﻤﻮاد‬‫اﻟﻤﺮﻛﺒﺔ‬‫ﻣﻦ‬‫ﻋﺪة‬‫ﻣﻮاد‬‫)ﻛﻮﻣﺒﺎوﻧﺪ‬‫ﻣﺘﯿﺮﯾﺎﻟﺰ‬COMPOUND MATERIALS(
‫اﻟﻔﺼﻞ‬‫اﻟ‬‫ﺴﺎدس‬‫ﻣﺎدة‬‫اﻟﻤﺰج‬BLEND161
‫اﻟﻔﺼﻞ‬‫اﻟﺴﺎﺑﻊ‬‫ﻣﺎدة‬‫اﻟﺘﺮاﻛﺐ‬COMPOSITE171
‫اﻟﻔﺼﻞ‬‫اﻟﺜﺎﻣﻦ‬‫اﻟﻤﺎدة‬‫ذات‬‫اﻟﻮﺟﮭﯿﻦ‬DOUBLE SIDED177
‫اﻟﻔﺼﻞ‬‫اﻟﺘﺎﺳﻊ‬‫اﻟﻤﺎدة‬‫ﻣﺘﻌﺪدة‬‫اﻟﻤﻮاد‬‫اﻟﻔﺮﻋﯿﺔ‬MULTI/SUB-OBJECT184
‫اﻟﻔﺼﻞ‬‫اﻟﻌﺎﺷﺮ‬‫ﻣﺎدة‬‫اﻟﺸﯿﻼك‬SHELLAC197
‫اﻟﻔﺼﻞ‬‫اﻟﺤﺎدي‬‫ﻋﺸﺮ‬‫ﻣﺎدة‬‫اﻟﺠﺰﺋﯿﻦ‬‫اﻻﻋﻠﻰ‬‫واﻻﺳﻔﻞ‬TOP/BOTTOM200
‫اﻟﻤﻼﺣﻖ‬‫اﻟﻤﻠﺤﻖ‬)C(‫و‬)B()‫و‬A(
‫اﻟﻤﺤﺘﻮﯾﺎت‬‫ﺑﺎﻟﺘﻔﺼﯿﻞ‬
‫اﻟﺘﺴﻠﺴﻞ‬‫اﻟﻔﻘﺮة‬‫رﻗﻢ‬‫اﻟﺼﻔﺤﺔ‬
...‫اھﺪاء‬‫ﺷﻜﺮ‬‫ﺧﺎص‬‫وﺗﻘﺪﯾﺮ‬...‫وﺻﻮرة‬‫اﻟﻐﻼف‬
‫ﺻﺪﻗﺔ‬‫ﺟﺎرﯾﺔ‬
‫اﻟﺤﻘﻮق‬‫اﻟﻔﻜﺮﯾﺔ‬‫وﺣﻘﻮق‬‫اﻟﻄﺒﻊ‬‫واﻟﺘﻮزﯾﻊ‬
‫ﻟﻠﺘﻮاﺻﻞ‬‫ﻣﻊ‬‫اﻟﻤﺆﻟﻔﺔ‬
‫ﻣﻘﺪﻣﺔ‬‫اﻟﻜﺘﺎب‬
‫طﺮﯾﻘﺔ‬‫اﻟﻌﻤﻞ‬‫ﺑﺎﻟﻜﺘﺎب‬
‫اﻟﻘﺴﻢ‬‫اﻻول‬‫ﻣﺎھﻲ‬‫اﻟﻤﻮاد‬‫ووﻣﺎھﻲ‬‫اﻧﻮاﻋﮭﺎ‬‫ﻓﻲ‬‫ﺑﺮﻧﺎﻣﺞ‬‫ﺛﺮي‬‫دي‬‫ﺳﺘﻮدﯾﻮ‬‫ﻣﺎﻛﺲ؟‬1
‫اﻟﻤﺨﺘﻠﻔﺔ‬ ‫اﻟﻤﺎﻛﺲ‬ ‫اﺻﺪارات‬ ‫ﻋﻠﻰ‬ ‫اوﺗﻮدﺳﻚ‬ ‫ﺷﺮﻛﺔ‬ ‫اﺟﺮﺗﮭﺎ‬ ‫اﻟﺘﻲ‬ ‫اﻟﺘﻐﯿﯿﺮات‬1
‫واﻧﻮاﻋﮭﺎ‬ ‫اﻟﻤﻮاد‬3
‫اﻟﻤﻮاد؟‬ ‫ﻣﺎھﻲ‬3
‫اﻻﻋﺪادات‬ ‫ﻣﺴﺒﻘﺔ‬ ‫اﻟﻤﻮاد‬4
‫اﻻﻋﺪادات‬ ‫ﻣﺴﺒﻘﺔ‬ ‫ﻟﻠﻤﻮاد‬ ‫اﻟﻮﺻﻮل‬ ‫ﻛﯿﻔﯿﺔ‬4
‫اﻟﺰر‬ ‫ھﺬا‬ ‫ﻋﻠﻰ‬ ‫اﻟﻀﻐﻂ‬ ‫ﻋﻨﺪ‬ ‫ﺗﻈﮭﺮ‬ ‫اﻟﺘﻲ‬ ‫اﻟﻤﻮاد‬ ‫ﻣﺎﻋﺪد‬5
‫اﻟﻤﻮاد‬ ‫اﻧﻮاع‬8
‫اﻟﻤﻮاد‬ ‫ﻻﻧﻮاع‬ ‫ﺗﻌﺮﯾﻔﻲ‬ ‫ﺷﺮح‬9
‫ري‬ ‫اﻟﻤﻨﺘﺎل‬ ‫ﻣﻮاد‬10
‫اﻟﺴﻜﺎﻧﻼﯾﻦ‬ ‫ﻣﺼﯿﺮ‬ ‫ﻣﻊ‬ ‫وﻣﺘﻮاﻓﻘﺔ‬ (‫)ﻓﻮﺗﻮﻣﺘﺮك‬ ‫ﻧﻮع‬ ‫ﻣﻦ‬ ‫ﻣﻮاد‬10
‫ﻟﮭﺎ‬ ‫اﻟﻤﺸﺎﺑﮭﮭﺔ‬ ‫واﻟﻤﻮاد‬ ‫اﻟﻨﻤﻮذﺟﯿﺔ‬ ‫اﻟﻤﺎدة‬(‫ﻓﻮﺗﻮﻣﺘﺮك‬ ‫)ﻧﻮن‬ ‫اﻟﻀﻮء‬ ‫ﺑﺪﻗﺔ‬ ‫ﺗﺘﺎﺛﺮ‬ ‫ﻻ‬ ‫واﻟﺘﻲ‬11
(‫ﻣﺘﯿﺮﯾﺎل‬ ‫)اﻟﻜﻤﺒﺎوﻧﺪ‬ ‫ﻣﻮاد‬ ‫ﻋﺪة‬ ‫ﻣﻦ‬ ‫اﻟﻤﺮﻛﺒﺔ‬ ‫اﻟﻤﻮاد‬12
‫رﻓﺮﻧﺲ‬ ‫اﻻﻛﺲ‬ ‫ﻣﻮاد‬13
‫ﻋﻠﯿﮭﺎ؟‬ ‫اﻟﻌﻤﻞ‬ ‫ﻧﺮﯾﺪ‬ ‫اﻟﺘﻲ‬ ‫اﻟﻤﺎدة‬ ‫ﻧﻮع‬ ‫ﻧﺨﺘﺎر‬ ‫ﻛﯿﻒ‬15
‫اﻟﻘﺴﻢ‬‫اﻟﺜﺎﻧﻲ‬‫ﺷﺮح‬‫ﺗﻔﺼﯿﻠﻲ‬‫ﻻﻧﻮاع‬‫اﻟﻤﻮاد‬16
ً‫ﻻ‬‫او‬‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫واﻟﻤﻮاد‬‫اﻟﻤﺸﺎﺑﮭﮫ‬‫ﻟﮭﺎ‬‫اﻟﺘﻲ‬‫ﻻ‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬‫اﻟﻀﻮء‬‫اي‬‫)ﻧﻮن‬(‫ﻓﻮﺗﻮﻣﺘﺮك‬
‫اﻟﻔﺼﻞ‬‫اﻻول‬‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫او‬‫اﻟﻘﯿﺎﺳﯿﺔ‬STANDARD MATERIALS18
‫ﻣﻘﺪﻣﺔ‬‫...ﻣﺎھﻲ‬‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫او‬‫ﻣﺎدة‬‫اﻟﺴﺘﺎﻧﺪرد؟‬18
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﻠﻤﺎدة؟‬20
‫ﺷﺮح‬‫ﻟﻠﻘﻮاﺋﻢ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﻤﺎدة‬‫اﻟﺴﺘﺎﻧﺪرد‬20
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻻوﻟﻰ‬‫...اﻟﻤﺘﻐﯿﺮات‬‫اﻻﺳﺎﺳﯿﺔ‬‫ﻟﻠﻤﻈﻠﻞ‬22
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻟﺜﺎﻧﯿﺔ...اﻟﻤﺘﻐﯿﺮات‬‫اﻻﺳﺎﺳﯿﺔ‬‫ﻟﻠﻤﻈﻠﻞ‬‫ﺑﻠﻦ‬28
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻟﺜﺎﻟﺜﺔ‬‫...ﻗﺎﺋﻤﺔ‬‫اﻟﺨﺼﺎﺋﺺ‬‫اﻟﻤﺘﻘﺪﻣﺔ‬‫)ﺑﺎراﻣﯿﺘﺮز‬‫ﺗﻌﻜﻲ‬‫ﺗﺤﻜﻢ‬(‫اﻛﺜﺮ‬46
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻟﺮاﺑﻌﺔ‬‫...ﺗﻘﻨﯿﺔ‬‫اﻟﺴﻮﺑﺮ‬‫ﺳﺎﻣﺒﻠﯿﻨﺞ‬‫ﻟﻤﻌﺎﻟﺠﺔ‬‫اﻟﺘﻌﺮج‬57
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻟﺨﺎﻣﺴﺔ‬‫...اﻟﺨﺮاﺋﻂ‬65
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻟﺴﺎدﺳﺔ...ﻗﺎﺋﻤﺔ‬‫اﻟﺮﺑﻂ‬‫ﻣﻊ‬‫اﻟﻤﻨﺘﺎل‬‫ري‬68
‫اﻻﺧﺘﻼﻓﺎت‬‫ﻓﻲ‬‫ﻗﺎﺋﻤﺔ‬‫اﻟﻤﺘﻐﯿﺮات‬‫اﻻﺳﺎﺳﯿﺔ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﻜﻞ‬‫ﻣﻈﻠﻞ‬74
‫اﻟﻔﺼﻞ‬‫اﻟﺜﺎﻧﻲ‬‫ﻣﺎدة‬‫اﻟﺮي‬‫ﺗﺮﯾﺲ‬RAYTRACE82
‫ﻣﻘﺪﻣﺔ‬‫...ﻣﺎھﻲ‬‫ﻣﺎدة‬‫اﻟﺮي‬‫ﺗﺮﯾﺲ‬82
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﮭﺬه‬‫اﻟﻤﺎدة؟‬87
‫ﺷﺮح‬‫اﻟﻘﻮاﺋﻢ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﻤﺎدة‬‫اﻟﺮي‬‫ﺗﺮﯾﺲ‬88
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻻوﻟﻰ..ﻗﺎﺋﻤﺔ‬‫اﻟﺒﺎراﻣﯿﺘﺮز‬‫اﻻﺳﺎﺳﯿﺔ‬‫ﻟﻤﺎدة‬‫اﻟﺮي‬‫ﺗﺮﯾﺲ‬88
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻟﺜﺎﻧﯿﺔ...ﻗﺎﺋﻤﺔ‬‫ﻋﺮض‬‫اﻟﺨﺼﺎﺋﺺ‬‫اﻟﻤﺘﻘﺪﻣﺔ‬111
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻟﺜﺎﻟﺜﺔ...ﻣﺘﺤﻜﻤﺎت‬‫اﻟﺮي‬‫ﺗﺮﯾﺲ‬116
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻟﺮاﺑﻌﺔ...ﻗﺎﺋﻤﺔ‬‫ﻋﺮض‬‫اﻟﺨﺮاﺋﻂ‬120
‫اﻟﻔﺼﻞ‬‫اﻟﺜﺎﻟﺚ‬‫ﻣﺎدة‬‫اﻟﻤﺎت‬‫ﺷﺎدو‬MATTE/SHADOW123
‫ﻣﻘﺪﻣﺔ...ﻣﺎھﻲ‬‫ﻣﺎدة‬‫اﻟﻤﺎت‬/‫ﺷﺎدو؟‬123
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﻠﻤﺎدة؟‬123
‫ﺷﺮح‬‫اﻟﻘﻮاﺋﻢ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﻤﺎدة‬‫اﻟﻤﺎت‬/‫ﺷﺎدو‬124
‫ﺑﻌﺾ‬‫اﻟﺘﻄﺒﯿﻘﺎت‬‫ﺑﺎﺳﺘﺨﺪام‬‫ھﺬه‬‫اﻟﻤﺎدة‬‫وﻛﯿﻒ‬‫ﻧﺴﺘﻄﯿﻊ‬‫اﻻﺳﺘﻔﺎدة‬‫ﻣﻨﮭﺎ‬128
‫اﻟﻔﺼﻞ‬‫اﻟﺮاﺑﻊ‬‫ﻣﺎدة‬‫اﻟﻤﻮرﻓﺮ‬MORPHER MATERIAL135
‫ﻣﻘﺪﻣﺔ‬‫...ﻣﺎھﻲ‬‫ﻣﺎدة‬‫ﺤﻮل‬ّ ‫اﻟﺘ‬‫او‬‫اﻟﻤﻮرﻓﺮ؟‬135
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﮭﺬه‬‫اﻟﻤﺎدة؟‬135
‫ﻗﻮاﺋﻢ‬‫ھﺬه‬‫اﻟﻤﺎدة‬136
‫اﻋﻄﺎء‬‫اﻟﻤﺎدة‬‫ﻟﻠﻨﻤﻮذج‬‫وطﺮﯾﻘﺔ‬‫اﻟﻌﻤﻞ‬‫ﺑﮭﺎ‬139
‫اﻟﻔﺼﻞ‬‫اﻟﺨﺎﻣﺲ‬‫ﻣﺎدة‬‫اﻻﻧﻚ‬‫اﻧﺪ‬‫ﺑﯿﻨﺖ‬INK N PAINT143
‫ﻣﻘﺪﻣﺔ‬‫...ﻣﺎھﻲ‬‫ﻣﺎدة‬‫اﻻﻧﻚ‬‫اﻧﺪ‬‫ﺑﯿﻨﺖ‬143
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﻠﻤﺎدة؟‬145
‫ﺷﺮح‬‫ﻟﻠﻘﻮاﺋﻢ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﻤﺎدة‬‫اﻻﻧﻚ‬‫اﻧﺪ‬‫ﺑﯿﻨﺖ‬146
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻻوﻟﻰ‬146
‫ﻗﺎﺋﻤﺔ‬‫اﻟﺘﺤﻜﻢ‬‫ﻓﻲ‬‫اﻟﻠﻮن‬149
‫ﻗﺎﺋﻤﺔ‬‫اﻟﺘﺤﻜﻢ‬‫ﻓﻲ‬‫اﻟﺤﺒﺮ‬154
ً‫ﺛﺎﻧﯿﺎ‬‫اﻟﻤﻮاد‬‫اﻟﻤﺮﻛﺒﺔ‬‫ﻣﻦ‬‫ﻋﺪة‬‫ﻣﻮاد‬‫)ﻛﻮﻣﺒﺎوﻧﺪ‬‫ﻣﺘﯿﺮﯾﺎﻟﺰ‬COMPOUND MATERIALS(
‫اﻟﻔﺼﻞ‬‫اﻟﺴﺎدس‬‫ﻣﺎدة‬‫اﻟﻤﺰج‬‫ﺑﯿﻦ‬‫ﻣﺎدﺗﯿﻦ‬BLEND161
‫ﻣﻘﺪﻣﺔ‬‫...ﻣﺎھﻲ‬‫ﻣﺎدة‬‫اﻟﻤﺰج‬‫ﺑﯿﻦ‬‫ﻣﺎدﺗﯿﻦ‬‫او‬‫اﻟﺒﻠﯿﻨﺪ‬161
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﻠﻤﺎدة؟‬161
‫ﺷﺮح‬‫اﻟﻘﻮاﺋﻢ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﮭﺬه‬‫اﻟﻤﺎدة‬162
‫اﻟﻘﺎﺋﻤﺔ‬‫اﻻوﻟﻰ‬163
‫ﻣﺜﺎل‬‫ﺗﻮﺿﯿﺤﻲ‬168
‫اﻟﻔﺼﻞ‬‫اﻟﺴﺎﺑﻊ‬‫ﻣﺎدة‬‫اﻟﺘﺮاﻛﺐ‬COMPOSITE171
‫ﻣﻘﺪﻣﺔ‬‫...ﻣﺎھﻲ‬‫ﻣﺎدة‬‫اﻟﺘﺮاﻛﺐ‬‫او‬‫اﻟﻜﻤﺒﻮﺳﺖ‬171
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﻠﻤﺎدة؟‬172
‫ﻛﯿﻒ‬‫ﺗﻌﻤﻞ‬‫ھﺬه‬‫اﻟﻤﺎدة؟‬173
‫ﺷﺮح‬‫اﻟﻘﻮاﺋﻢ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﮭﺬه‬‫اﻟﻤﺎدة‬174
‫اﻟﻔﺼﻞ‬‫اﻟﺜﺎﻣﻦ‬‫اﻟﻤﺎدة‬‫ذات‬‫اﻟﻮﺟﮭﯿﻦ‬DOUBLE SIDED177
‫ﻣﻘﺪﻣﺔ‬‫...ﻣﺎھﻲ‬‫اﻟﻤﺎدة‬‫ذات‬‫اﻟﻮﺟﮭﯿﻦ‬‫او‬‫اﻟﺪوﺑﻞ‬‫ﺳﺎﯾﺪد؟‬177
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﻠﻤﺎدة؟‬178
‫ﺷﺮح‬‫اﻟﻘﻮاﺋﻢ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﮭﺬه‬‫اﻟﻤﺎدة؟‬179
‫ﻣﺜﺎل‬‫ﺗﻄﺒﯿﻘﻲ‬180
‫اﻟﻔﺼﻞ‬‫اﻟﺘﺎﺳﻊ‬‫اﻟﻤﺎدة‬‫ﻣﺘﻌﺪدة‬‫اﻟﻤﻮاد‬‫اﻟﻔﺮﻋﯿﺔ‬‫او‬‫اﻟﻤﻠﺘﻲ‬‫ﺻﺐ‬‫اوﺑﺠﻜﺖ‬MULTI/SUB-OBJECT184
‫ﻣﻘﺪﻣﺔ...ﻣﺎھﻲ‬‫ﻣﺎدة‬‫اﻟﻤﻠﺘﻲ‬‫ﺻﺐ‬‫اوﺑﺠﻜﺖ‬184
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﮭﺬه‬‫اﻟﻤﺎدة؟‬184
‫ﺷﺮح‬‫ﻟﻜﯿﻔﯿﺔ‬‫ﻋﻤﻞ‬‫ھﺬه‬‫اﻟﻤﺎدة‬185
‫درس‬‫ﺗﻄﺒﯿﻘﻲ‬‫ﻟﻤﺎدة‬‫اﻟﻤﻠﺘﻲ‬‫ﺻﺐ‬‫وﺷﺮح‬‫ﻟﻘﻮاﺋﻤﮭﺎ‬187
‫اﻟﻔﺼﻞ‬‫اﻟﻌﺎﺷﺮ‬‫ﻣﺎدة‬‫اﻟﺸﯿﻼك‬SHELLAC197
‫ﻣﻘﺪﻣﺔ...ﻣﺎھﻲ‬‫ﻣﺎدة‬‫اﻟﺸﯿﻼك؟‬197
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﮭﺬه‬‫اﻟﻤﺎدة؟‬197
‫ﻛﯿﻒ‬‫ﯾﺘﻢ‬‫اﻋﻄﺎء‬‫اﻟﻤﺎدة‬‫ﻟﻠﺠﺴﻢ؟‬198
‫ﺷﺮح‬‫ﻟﻠﻘﻮاﺋﻢ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﮭﺬه‬‫اﻟﻤﺎدة‬198
‫اﻟﻔﺼﻞ‬‫اﻟﺤﺎدي‬‫ﻋﺸﺮ‬‫ﻣﺎدة‬‫اﻟﺠﺰﺋﯿﻦ‬‫اﻻﻋﻠﻰ‬‫واﻻﺳﻔﻞ‬TOP/BOTTOM200
‫اﻧﺪ‬ ‫اﻟﺘﻮب‬ ‫او‬ ‫واﻻﺳﻔﻞ‬ ‫اﻻﻋﻠﻰ‬ ‫اﻟﺠﺰﺋﯿﻦ‬ ‫ﻣﺎدة‬ ‫ﻣﻘﺪﻣﺔ...ﻣﺎھﻲ‬‫ﺑﻮﺗﻮم؟‬200
‫اﻟﻤﺎدة؟‬ ‫ﻟﮭﺬه‬ ‫اﻟﻮﺻﻮل‬ ‫ﻛﯿﻔﯿﺔ‬200
‫ﻟﻠﺠﺴﻢ؟‬ ‫اﻟﻤﺎدة‬ ‫اﻋﻄﺎء‬ ‫ﯾﺘﻢ‬ ‫ﻛﯿﻒ‬201
‫اﻟﻤﺎدة‬ ‫ﺑﮭﺬه‬ ‫اﻟﺨﺎﺻﺔ‬ ‫اﻟﻘﻮاﺋﻢ‬ ‫ﺷﺮح‬202
‫؟‬ ‫اﻟﻤﺎدة‬ ‫ھﺬه‬ ‫ﺗﻌﻤﻞ‬ ‫ﻛﯿﻒ‬206
‫اﻟﻤﻼﺣﻖ‬
‫اﻟﻤﻠﺤﻖ‬A‫ﻣﻌﺎﻟﺠﺔ‬‫اﻟﺘﻌﺮج‬ANTIALIASING
‫اﻟﻤﻠﺤﻖ‬B‫ﺗﻘﻨﯿﺔ‬‫اﻟﺮي‬‫ﺗﺮﯾﺲ‬RAYTRACING
‫اﻟﻤﻠﺤﻖ‬C‫ﻗﻨﺎة‬‫اﻟﻔﺎ‬ALPHA CHANNEL
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
1
‫ا‬‫ﻟﻘﺴــــﻢ‬‫اﻻول‬
‫اﻟﻤﻮاد‬‫واﻧﻮاﻋﮭﺎ‬‫ﻓﻲ‬‫ﺑﺮﻧﺎﻣﺞ‬‫ﺛﺮي‬‫دي‬‫ﺳﺘﻮدﯾﻮ‬‫ﻣﺎﻛﺲ‬
‫ﻓﻲ‬‫ھﺬا‬‫اﻟﻔﺼﻞ‬‫ﺳﺎﻗﻮم‬‫ﺑﺸﺮح‬‫ﻣﺎھﻲ‬‫اﻟﻤﻮاد‬‫؟وﻣﺎھﻲ‬‫اﻧﻮاع‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫؟‬‫اﻟﺘﻲ‬‫ﯾﻮﻓﺮھﺎ‬.‫اﻟﺒﺮﻧﺎﻣﺞ‬‫..وھﺬا‬‫اﻟﻔﺼﻞ‬‫ﯾﻌﺘﺒﺮ‬‫ﻣﻘﺪﻣﺔ‬‫ﻟﻤﻮﺿﻮع‬‫اﻧﻮاع‬
‫اﻟﻤﻮاد‬,‫وﯾﻠﯿﮫ‬‫ﺷﺮح‬‫ﺗﻔﺼﯿﻠﻲ‬‫ﻟﻜﻞ‬‫ﻧﻮع‬‫ﻣﻦ‬‫ھﺬه‬‫اﻻﻧﻮاع‬.
‫وﻟﻜﻦ‬‫ﻗﺒﻞ‬‫اﻟﺒﺪء‬‫ﺑﮭﺬا‬‫اﻟﻔﺼﻞ‬....
‫ﺳﺎﺷﺮح‬‫اھﻢ‬‫اﻟﺘﻐﯿﺮات‬‫اﻟﺘﻲ‬‫اﺟﺮﺗﮭﺎ‬‫ﺷﺮﻛﺔ‬‫اوﺗﻮ‬‫د‬‫ﯾ‬‫ﺴﻚ‬‫)ﻓﯿﻤﺎ‬‫ﯾﺨﺺ‬(‫اﻟﻤﻮاد‬‫ﻋﻠﻰ‬‫اﺻﺪارات‬‫اﻟﻤﺎﻛﺲ‬‫اﻟﻤﺨﺘﻠﻔﺔ‬‫ﻣﻦ‬2011‫اﻟﻰ‬2017‫و‬‫ﺗﻮاﻓﻖ‬
‫ھﺬا‬‫اﻟﻜﺘﺎب‬‫ﻣﻊ‬‫اﺧﺮ‬:‫اﺻﺪار‬
‫ﻟﻘﺪ‬‫ﺑﺪات‬‫ﺑﺘﺎﻟﯿﻒ‬‫ھﺬه‬‫اﻟﺴﻠﺴﻠﺔ‬‫ﻣﻦ‬‫اﻟﻜﺘﺐ‬‫ﻓﻲ‬‫ﺳﻨﺔ‬2011,‫و‬‫ﻋﻨﺪﻣﺎ‬‫ﺑﺪأت‬‫ﺑ‬‫ﺎﻋﺪاد‬‫ھﺬا‬‫اﻟﺠﺰء‬‫ﻣﻦ‬‫اﻟﻜﺘﺎب‬‫ﻛﺘﺒﺘﮫ‬‫وﻓﻘﺎ‬‫ﻟ‬‫ﻼﺻﺪار‬2014,‫و‬‫ﺧﻼل‬‫ﻓﺘﺮة‬
‫ﺗﺎﻟﯿﻔﻲ‬‫ﻟﻠﻜﺘﺎب‬‫ﻛﻨﺖ‬‫اﻗﻮم‬‫ﺑﺪراﺳﺔ‬‫اﻟﺘﻐﯿﯿﺮات‬‫واﻟﺘﻌﺪﯾﻼت‬‫ﻛﻠﻤﺎ‬‫ﺻﺪرت‬‫ﻧﺴﺨﺔ‬‫ﺟﺪﯾﺪة‬‫ﻣﻦ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬,‫ﻓﻮﺟﺪ‬‫ت‬‫ﺑﺎن‬‫اﻻﺿﺎﻓﺎت‬‫ﻓﯿﻤﺎ‬‫ﯾﺨﺺ‬‫ﻣﻮﺿﻮع‬
‫ا‬‫ﻧﻮاع‬‫اﻟﻤﻮاد‬‫ﺗﻨﻘﺴﻢ‬‫اﻟﻰ‬‫ﻧﻮﻋﯿﻦ‬:
‫ﺑﻌﻀﮭﺎ‬‫ﺟﻮھﺮ‬‫ي‬‫ﻣﺜﻞ‬‫ﺣﺬف‬‫ﺑﻌﺾ‬‫اﻻﻧﻮاع‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫واﺿﺎﻓﺔ‬‫اﻧﻮاع‬....‫اﺧﺮى‬
‫واﻻﺧﺮ‬‫ﻣﺤﺪود‬‫وﻻ‬‫ﯾ‬‫ﺘﻌﺪى‬‫اﻟﺘﻐﯿﯿﺮ‬‫ﻓﻲ‬‫ﻛﯿﻔﯿﺔ‬‫ﻋﺮض‬‫اﻧﻮاع‬‫اﻟ‬‫ﻤﻮاد‬‫او‬‫طﺮﯾﻘﺔ‬‫ﺗﺠﻤﯿﻌﮭﺎ‬)ً‫وﻓﻘﺎ‬‫ﻟﻤﺠﻤﻮﻋﺎت‬(‫ﻣﻌﯿﻨﺔ‬‫ﻓﻲ‬‫اﻟﺴﻠﯿﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬‫ادﺗﻮر‬‫او‬
‫اﻟﻜﻮﻣﺒﺎﻛﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬.‫ادﺗﻮر‬
‫وﻧﻈﺮا‬‫ﻟﻜﺜﺮة‬‫اﻟﺘﻐﯿﯿﺮات‬‫اﻟﺘﻲ‬‫ﺗﺠﺮﯾﮭﺎ‬‫اﻟﺸﺮﻛﺔ‬‫ﻛﻠﻤﺎ‬‫ﻗﺎﻣﺖ‬‫ﺑﺎﺻﺪار‬‫ﻧﺴﺨﺔ‬,‫ﺟﺪﯾﺪة‬‫وﻻن‬‫ھﺬا‬‫ﺣﺎل‬‫ﻛﻞ‬‫ﺑﺮاﻣﺞ‬,‫اﻟﻜﻤﺒﯿﻮﺗﺮ‬‫ﻓﺴﺎذﻛﺮ‬‫اھﻢ‬‫ھﺬه‬‫اﻟﺘﻐﯿﯿﺮات‬
‫وﻟﯿﺲ‬‫ﻛﻠﮭﺎ‬:
1.‫ﺑﻌﺪ‬‫اﻻﺻﺪار‬2010‫اي‬‫ﻣﻦ‬‫اﻻﺻﺪار‬1120‫اﻟﻰ‬‫اﻻﺻﺪار‬‫اﻟﺤﺎﻟﻲ‬2017,‫ﻗﺎﻣﺖ‬‫اﻟﺸﺮﻛﺔ‬‫ﺑﺤﺬف‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬)PRO
MATERIALS(‫واﺳﺘﺒﺪﻟﺘﮭﺎ‬‫ﺑﺎﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬)AUTODESK MATERIALS(‫اﻟﺘﻲ‬‫ﺗﺆد‬‫ي‬‫ﻧﻔﺲ‬‫اﻟﻐﺮض‬‫اﻟﺬي‬‫ﻛﺎﻧﺖ‬‫ﺗﺆدﯾﮫ‬‫اﻟﻤ‬‫ﻮا‬‫د‬
‫اﻟﻤﺤﺬوﻓﺔ‬ً‫ﺗﻘﺮﯾﺒﺎ‬.
2.‫ﻓﻲ‬‫اﻻﺻﺪار‬2017‫ﺗﻢ‬‫اﺿﺎﻓﺔ‬‫ﻧﻮع‬‫ﺟﺪﯾﺪ‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫وھﻮ‬)PHYSICAL MATERIAL(‫وھﻲ‬‫ﻣﻮﺟﻮدة‬‫ﺿﻤﻦ‬‫ﻣﺠﻤﻮﻋﺔ‬‫اﻟﻤﻮاد‬‫اﻟﻌﺎﻣﺔ‬
)GENERAL.(
‫اﻧﻈﺮ‬‫اﻟﺼﻮرة‬:‫اﻟﺘﺎﻟﯿﺔ‬
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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3.‫ﻓﻲ‬‫اﻻﺻﺪار‬2017‫ﺗﺠﺪ‬‫ﺑﺎن‬‫طﺮﯾﻘﺔ‬‫ﻋﺮض‬‫ﻣﺠﻤﻮﻋﺎت‬‫اﻟﻤﻮاد‬‫ﻓﻲ‬)‫اﻟﻤﺘﯿﺮﯾﺎل‬‫ﻣﺎب‬‫ﺑﺮاوﺳﺮ‬(‫ﻗﺪ‬‫ﺗﻐﯿﺮ‬‫ﺗﻤﺎﻣﺎ‬,‫ﺣﯿﺚ‬‫ﻗﺎﻣﺖ‬‫اﻟﺸﺮﻛﺔ‬
‫ﺑﺘﺠﻤﯿﻊ‬‫اﻟﻤﻮاد‬‫ﺑﻄﺮق‬,‫ﻣﺨﺘﻠﻔﺔ‬‫ﻓﺒﻌﻀﮭﺎ‬‫ﺗﻢ‬‫ﺗﺠﻤﯿﻌﮭﺎ‬‫وﻓﻘﺎ‬‫ﻟﺘﻮاﻓﻘﮭﺎ‬‫ﻣﻊ‬‫اﻟﻤﺼﯿﺮ‬‫ﻓﺘﺠﺪ‬‫ان‬‫اﻟﻤﺠﻤﻮﻋﺔ‬‫اﻟﺘﻲ‬‫ﺗﺘﻮاﻓﻖ‬‫ﻣﻊ‬‫ﻣﺼﯿﺮ‬‫اﻟﺴﻜﺎﻧﻼﯾﻦ‬
‫وﺿﻌﺖ‬‫ﺗﺤﺖ‬‫اﺳﻢ‬)SCANLINE(,‫واﻟﻤﺠﻤﻮﻋﺔ‬‫اﻟﻤﺘﻮاﻓﻘﺔ‬‫ﻣﻊ‬‫اﻟﻤﺼﯿﺮ‬‫ﻣﻨﺘﺎل‬‫ري‬‫ﻗﺪ‬‫وﺿﻌﺖ‬‫ﺗﺤﺖ‬‫اﺳﻢ‬)MENTALRAY(,‫وﺗﻢ‬
‫وﺿﻊ‬‫ﻣﺠﻤﻮﻋﺔ‬‫ﻣﻮاد‬‫اوﺗﻮدﺳﻚ‬‫ﻓﻲ‬‫اﻋﻠﻰ‬,‫اﻟﻘﺎﺋﻤﺔ‬‫ُﺿﯿﻔﺖ‬‫أ‬‫و‬‫ﻣﺠﻤﻮﻋﺔ‬)GENERAL(‫ﻟﺘﺸﻤﻞ‬‫اﻟﻤﻮاد‬‫اﻟﻤﺮﻛﺒﺔ‬)COMPOUND
MATERIALS(‫واﻟﻤﻮاد‬‫اﻟﺠﺪﯾﺪة‬‫ﻣﻦ‬‫ﻧﻮع‬)PHYSICAL MATERIAL(...‫وھﻜﺬ‬
‫ا‬‫اﻧﻈﺮ‬‫اﻟﺼﻮرة‬‫اﻟﺘﺎﻟﯿﺔ‬‫ﻟﻠﺘﻮﺿﯿﺢ‬:
‫ﻣﻼﺣﻈﺔ‬:‫ﺟﻤﯿﻊ‬‫اﻟﺼﻮر‬‫اﻟﺴﺎﺑﻘﺔ‬‫وﺑﺎﻻﺧﺺ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﺎﻻﺻﺪار‬2017,‫ُﺧ‬‫أ‬‫ﺬﺗﮭﺎ‬‫ﻣﻦ‬‫اﻻﻧﺘﺮﻧﺖ‬‫ﻟﻌﺪم‬‫ﺗﻮﻓﺮ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬,‫ﻋﻨﺪي‬‫اﻣﺎ‬‫ﺑﺎﻗﻲ‬‫اﻟﺼﻮر‬‫اﻟﺘﻲ‬
‫ﻓﻲ‬‫ھﺬا‬‫اﻟﻜﺘﺎب‬‫ﻓ‬‫ﺘﺘﺒﻊ‬‫واﺟﮭﺔ‬‫اﻻﺻﺪار‬2016‫ﻣﻦ‬.‫اﻟﺒﺮﻧﺎﻣﺞ‬
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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‫اﻻن‬‫ﻧﺮﺟﻊ‬‫اﻟﻰ‬‫ﻣﻮﺿﻮع‬‫ھﺬا‬‫اﻟﻔﺼﻞ‬‫وھﻮ‬...
)‫اﻟﻤﻮاد‬‫واﻧﻮاﻋﮭﺎ‬‫ﻓﻲ‬‫ﺑﺮﻧﺎﻣﺞ‬‫ﺛﺮي‬‫دي‬‫ﺳﺘﻮدﯾﻮ‬(‫ﻣﺎﻛﺲ‬
‫ﻓﻲ‬‫ﺑﺮﻧﺎﻣﺞ‬3‫دي‬‫ﺳﺘﻮدﯾﻮ‬‫ﻣﺎﻛﺲ‬‫ﻣﻦ‬‫اﻟﻤﻤﻜﻦ‬‫ان‬‫ﺗﻌﻤﻞ‬‫ﻣﺎدة‬‫ﻣﻦ‬‫ﻏﯿﺮ‬‫اﻟﺤﺎﺟﺔ‬‫اﻟﻰ‬‫ﺗﻄﺒﯿﻘﮭﺎ‬‫ﻋﻠﻰ‬‫ا‬‫ﺴ‬‫ﱠ‬ ‫ﻟﻤﺠ‬‫ﻢ‬,‫ﻓﻤﻦ‬‫اﻟﻤﻤﻜﻦ‬‫اﻟﻌﻤﻞ‬‫ﻋﻠﻰ‬‫اﻟﻤﺎدة‬‫وﺗﮭﯿﺌﺘﮭﺎ‬
‫واﻟﺘﻌﺪﯾﻞ‬‫ﻋﻠﯿﮭﺎ‬‫وﺧﺰﻧﮭﺎ...ﻛﻞ‬‫ذﻟﻚ‬‫ﻧﻘﻮم‬‫ﺑﮫ‬‫ﻓﻲ‬‫اﻟﻤﺘﯿﺮﯾﺎل‬‫ادﺗﻮرز‬)MATERIAL EDITORS,(‫ﻓﻜﻤﺎ‬‫ذﻛﺮﻧﺎ‬‫ﻓﻲ‬‫اﻟﺠﺰء‬‫اﻻول‬‫ﻣﻦ‬‫ھﺬه‬
‫اﻟﺴﻠﺴﻠﺔ,ﻓﺎن‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫ﯾﻮﻓﺮ‬‫ﻟﻨﺎ‬‫ﻣﻨﻄﻘﺘﯿﻦ‬‫ﻟ‬‫ﻠ‬‫ﺼﻨﻊ‬‫واﻟﺘﻌﺪﯾﻞ‬‫ﻋﻠﻰ‬,‫اﻟﻤﻮاد‬‫وھﻤﺎ‬‫اﻟﻜﻮﻣﺒﺎﻛﺖ‬‫واﻟﺴﻠﯿﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬:‫ادﺗﻮر‬
(COMPACT MATERIAL EDITOR)‫و‬(SLATE MATERIAL EDITOR)
‫وﻓﻲ‬‫ھﺎﺗﯿﻦ‬‫اﻟﻤﻨﻄﻘﺘﯿﻦ‬‫ﺗﺘﻮﻓﺮ‬‫ﻛﻞ‬‫اﻻﻣﻜﺎﻧﯿﺎت‬‫اﻟﻼزﻣﺔ‬‫ﻟﻌﻤﻞ‬‫اﻟﻤﻮاد‬‫ﻗﺒﻞ‬‫اﻋﻄﺎﺋﮭﺎ‬‫ﻟﻠﻨﻤﺎذج‬‫ﻓﻲ‬.‫اﻟﻤﺸﮭﺪ‬
‫ﻣﺎﺳﯿﺘﻢ‬‫ﺗﻐﻄﯿﺘﮫ‬‫ﻓﻲ‬‫ھﺬا‬:‫اﻟﻔﺼﻞ‬
1.‫ﻣﺎ‬‫ھﻲ‬‫اﻟﻤﻮاد‬‫؟‬
2.‫اﻟﻤﻮاد‬‫ﻣﺴﺒﻘﺔ‬‫اﻻﻋﺪادات‬)PRESET MATERIALS(
3.‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﻠﻤﻮاد‬‫ﻣﺴﺒﻘﺔ‬‫اﻻﻋﺪادات؟‬
4.‫ﻣﺎ‬‫ﻋﺪد‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﻈﮭﺮ‬‫ﻋﻨﺪ‬‫اﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫ھﺬا‬‫اﻟﺰر‬‫؟‬
5.‫اﻧﻮاع‬‫اﻟﻤﻮاد‬)TYPES OF MATERIALS(.
6.‫ﺷﺮح‬‫ﺗﻌﺮﯾﻔﻲ‬‫ﻻﻧﻮاع‬.‫اﻟﻤﻮاد‬
7.‫ﻛﯿﻒ‬‫ﻧﺨﺘﺎر‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬‫اﻟﺘﻲ‬‫ﻧﺮﯾﺪ‬‫اﻟﻌﻤﻞ‬‫ﻋﻠﯿﮭﺎ‬‫؟‬
‫ﻣﺎ‬‫ھﻲ‬‫اﻟﻤﻮاد‬‫؟‬
‫ان‬‫اﻟﻤــﻮاد‬‫ﺗﻀﻔﻲ‬‫درﺟﺔ‬‫ﻛﺒﯿﺮة‬‫ﻣﻦ‬‫اﻟﻮاﻗﻌﯿﺔ‬‫ﻋﻠﻰ‬‫ﻤ‬َ ‫اﻟ‬,‫ﺸﺎھﺪ‬‫ﻓﺎﻟﻤﻮاد‬‫ﺗﺼﻒ‬‫ﻛﯿﻒ‬‫ﯾﺴﺘﺠﯿﺐ‬‫اﻟﺠﺴﻢ‬‫ﻟﻠﻀﻮء‬‫ﺳﻮاء‬‫ﺑﻌﻜﺴﮫ‬‫ﺑﺪرﺟﺎت‬‫ﻣﺨﺘﻠﻔﺔ‬)‫اذا‬‫ﻛﺎن‬
‫ﺟﺴﻤﺎ‬(‫ﻋﺎﻛﺴﺎ‬‫او‬‫ﺗﻤﺮﯾﺮه‬‫ﺑﺪرﺟﺎت‬‫ﻣﺨﺘﻠﻔﺔ‬)‫اذا‬‫ﻛﺎن‬‫ﺟﺴﻤﺎ‬‫ﺷﻔﺎﻓﺎ‬‫او‬‫ﺷﺒﮫ‬‫ﺷﻔﺎف(,او‬‫اﻣﺘﺼﺎﺻﮫ‬‫ﻛﻠﯿﺎ‬‫او‬‫ﺟﺰﺋﯿﺎ‬‫)اذا‬‫ﻛﺎن‬‫ﺟﺴﻤﺎ‬(‫ﻣﻌﺘﻤﺎ‬‫وﻣﻦ‬‫ھﻨﺎ‬
‫ﻧﻼﺣﻆ‬‫اھﻤﯿﺔ‬‫اﻟﻀﻮء‬‫ﻓﻲ‬‫اظﮭﺎر‬‫اﻟﻤﻮاد‬‫وﺗﻔﺎﺻ‬.‫ﯿﻠﮭﺎ‬
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
4
‫وﻟﻘﺪ‬‫ﺷﺮﺣـــــــــﻨﺎ‬‫)ﻓﻲ‬‫اﻟﻜﺘﺎب‬‫اﻻول‬‫ﻣﻦ‬‫ھﺬه‬(‫اﻟﺴﻠﺴﻠﺔ‬‫ﺗﻌﺮﯾﻔﺎ‬‫ﻟﻠﻤﻮاد‬‫اﻟﺘﻲ‬‫ﻧﺴﺘﺨﺪﻣﮭﺎ‬‫ﻻﻋﻄﺎء‬‫ﻣﻈﮭﺮا‬‫ﺣﻘﯿﻘﯿﺎ‬‫ﻟﻠﻨﻤﺎذج‬‫اﻟﺘﻲ‬‫اﻧﺘﮭﯿﻨﺎ‬‫ﻣﻦ‬‫ﺻﻨﻌﮭﺎ‬‫ﻓﻲ‬
‫ﺑﺮﻧﺎﻣﺞ‬3DS MAX‫وﯾﻌﺘﻤﺪ‬‫ﻣﺪى‬‫ﺗﺤﻘﯿﻖ‬‫اﻟﻮاﻗﻌﯿﺔ‬‫ﻣﻦ‬‫ﻋﺪﻣﮭﺎ‬‫ﻓﻲ‬‫ﻣﻈﮭﺮ‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﻛﻤﺎ‬‫ذﻛﺮﻧﺎ‬:
‫ﻋﻠﻰ‬‫ﻣﺪى‬‫ﺗﺎﺛﯿﺮ‬‫اﻟﻀﻮء‬‫ﻓﯿﮭﺎ‬
‫ﻓﻔﻲ‬‫اﻟﻌﺎ‬‫ﻟﻢ‬‫اﻟﺤﻘﯿﻘﻲ‬‫ﯾﻌﺘﻤﺪ‬‫ظﮭﻮر‬‫اﻟﻤﻮاد‬‫ﻋﻠﻰ‬‫طﺮﯾﻘﺔ‬‫ﻋﻜﺴﮭﺎ‬.‫ﻟﻠﻀﻮء‬
‫وﺑﮭﺬا‬‫ﻧﺴﺘﻄﯿﻊ‬‫اﻟﻘﻮل‬‫ﺑﺎن‬‫ﺗﺤﺪﯾﺪﻧﺎ‬‫ﻟﺪرﺟﺔ‬‫دﻗﺔ‬‫ﺗﺎﺛﯿﺮ‬‫اﻟﻀﻮء‬‫ﻓﻲ‬‫اﻟﻤﻮاد‬‫ﺑﺸﻜﻞ‬‫ﯾﺸﺎﺑﮫ‬‫ﻣﺎ‬‫ﻣﻮﺟﻮد‬‫ﻓﻲ‬‫اﻟﻮاﻗﻊ‬‫ﯾﻌﻄﯿﻨﺎ‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬‫اﻟﺘﻲ‬‫ﻧﺮﯾﺪھﺎ‬.
‫وھﺬا‬‫ﺗﺬﻛـــﯿﺮ‬‫ﻟﺘﻌﺮﯾﻒ‬‫اﻟﻤﻮاد‬:‫اﻟﻤــــــــــــﻮاد‬‫ﻓﻲ‬‫ﺑﺮﻧﺎﻣﺞ‬3DS MAX‫ھﻲ‬‫ﻣﻌﻠﻮﻣﺎت‬‫رﻗﻤﯿﺔ‬‫ﻧﻌﻄﯿﮭﺎ‬‫ﻟﺴﻄﺢ‬‫اﻟﻨﻤﻮذج‬‫ﻟﯿﻈﮭﺮ‬‫ﺑﺸﻜﻞ‬‫واﻗﻌﻲ‬‫ﺑﻌﺪ‬
,‫اﻟﺮﻧﺪر‬‫ﻓﯿﻈﮭﺮ‬‫ﺑﻠﻮن‬‫او‬‫ﻟﻤﻌﺎن‬‫اوﻧﺴﺒﺔ‬‫ﺷﻔﺎﻓﯿﺔ‬‫ﻣﻌﯿﻨﺔ‬‫....و‬‫ﻏﯿﺮ‬‫ذﻟﻚ‬‫ﻣﻦ‬‫اﻟﺼﻔﺎت‬‫اﻟﻔﯿﺰﯾﺎﺋﯿﺔ‬,‫وﻣﺎ‬‫ﯾﺴﺎﻋﺪﻧﺎ‬‫ﻋﻠﻰ‬‫اظﮭﺎرھﺎ‬‫ﺑﺸﻜﻞ‬‫ﺟﯿﺪ‬‫ھﻲ‬
‫اﻻﺿﺎءة‬‫اﻟﻮاﻗﻌﯿﺔ‬‫واﻋﺪادات‬‫اﻟﺮﻧﺪر‬.
‫وﻟﻠﺒﺪء‬‫ﺑﺘﺼﻤﯿﻢ‬‫اي‬‫ﻣﺎدة‬,‫ﻓﻤﻦ‬‫اﻟﻤﻤﻜﻦ‬‫اﻻﺳﺘﻔﺎدة‬‫ﻣﻦ‬‫اﻟ‬‫ﻤﻮاد‬‫اﻟﻤﺘﻌﺪدة‬‫اﻟﺘﻲ‬‫ﯾﻮﻓﺮھﺎ‬‫ﻟﻨﺎ‬,‫اﻟﺒﺮﻧﺎﻣﺞ‬‫وھﻨﺎك‬‫ﻣﻮادا‬‫ﻛﺜﯿﺮة‬‫ﯾﻘﺪﻣﮭﺎ‬‫ﻟﻨﺎ‬‫ھﺬا‬‫اﻟﺒﺮﻧﺎﻣﺞ‬
‫ﻧﺴﺘﻄﯿﻊ‬‫اﻟﺘﻌﺪﯾﻞ‬‫ﻋﻠﯿﮭﺎ‬‫ﻟﺘﺤﺎﻛﻲ‬‫اﻟﻮاﻗﻊ‬‫ﺑﺸﻜﻞ‬,‫ﻛﺒﯿﺮ‬‫ﻛﻤﺎ‬‫ﯾﻮﻓﺮ‬‫ﻟﻨﺎ‬‫اﻣﻜﺎﻧﯿﺔ‬‫وﺿﻊ‬ً‫ﻣﺼﺎدرا‬‫ﺿﻮﺋﯿﺔ‬‫ﻣﺨﺘﻠﻔﺔ‬‫ﻓﯿﮭﺎ‬‫ﻣﺘﺤﻜﻤﺎت‬,‫ﻣﺘﻌﺪدة‬‫وﻣﻦ‬‫اﻟﻤﻤﻜﻦ‬
‫اﻟﺘﺤﻜﻢ‬‫ﻓﻲ‬‫درﺟﺔ‬‫ﺗﺎﺛﯿﺮھﺎ‬‫ﺑﮭﺬه‬‫اﻟﻤﻮاد‬‫ﺑ‬‫ﺤﯿﺚ‬‫ﺗﻌﻄﻲ‬‫اﻟﻨﺘﺎﺋﺞ‬‫اﻟﺘﻲ‬‫ﻧﺮﻏﺐ‬,‫ﻓﯿﮭﺎ‬‫وھﺬا‬‫ﻣﺎ‬‫ﺳﻨﻘﻮم‬‫ﺑﺸﺮﺣﮫ‬‫ﻓﻲ‬‫اﻟﻔﻘﺮات‬.‫اﻟﻘﺎدﻣﺔ‬
‫اﻟﻤﻮاد‬‫ﻣﺴﺒﻘﺔ‬‫اﻻﻋﺪادات‬PRESET MATERIALS
‫ﯾﻮﻓﺮ‬‫ﻟﻨﺎ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫اﻧﻮاع‬‫ﻋﺪﯾﺪة‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫اﻟﻤﺼﻤﻤﺔ‬‫ﻣﺴﺒﻘﺎ‬‫)ﻣﺴﺒﻘﺔ‬‫اﻻﻋﺪادات‬PRESET MATERIALS(‫وھﻲ‬‫ﺗﺴﻤﻰ‬‫اﻟﻤﻮاد‬‫اﻻﺳﺎﺳﯿﺔ‬
)BASE MATERIAL(‫وھﺬه‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫اﻟﻤﻤﻜﻦ‬‫اﻻﺧﺘﯿﺎ‬‫ر‬‫ﻣﻨﮭﺎ‬‫وﺗﻄﺒﯿﻘﮭﺎ‬‫ﻋﻠﻰ‬‫اﻟﻨﻤﻮذج‬‫اﻟﺬي‬‫ﻧﺮﯾﺪ‬‫اﻛﺴﺎءه‬‫وذﻟﻚ‬‫ﻟﺘﺴﮭﯿﻞ‬‫اﻟﻌﻤﻞ‬,‫ﻋﻠﯿﻨﺎ‬‫ﻓﺒﺪل‬‫ﻣﻦ‬
‫ﺗﻜﻮﯾﻦ‬‫ﺧﺎﻣﺔ‬‫ﻣﻦ‬‫اﻟﺼﻔﺮ‬‫ﻧﺴﺘﻄﯿﻊ‬‫اﺧﺘﯿﺎر‬‫اﺣﺪ‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫اﻟﻤﺴﺒﻘﺔ‬‫اﻻﻋﺪادات‬‫واﻟﺘﻌﺪﯾﻞ‬‫ﻋﻠﯿﮭﺎ‬‫ﺣﺴﺐ‬‫اﻟﺤﺎﺟﺔ‬,‫ﻟﺬﻟﻚ‬‫وﯾﺼﺒﺢ‬‫اﻟﺘﻌﺪﯾﻞ‬‫ﺳﮭﻼ‬‫ﻻن‬
‫اﻟﺒﺮﻧﺎﻣﺞ‬‫ﯾﻮﻓﺮ‬‫ﻟﻨﺎ‬‫اﻣﻜﺎﻧﯿﺔ‬‫اﻟﺘﺤﻜﻢ‬‫ﻓﻲ‬‫ﺧﺼﺎﺋﺺ‬‫ﺗﻠﻚ‬‫اﻟﻤﻮاد‬‫او‬‫ﻣﺎ‬‫ﯾﺴﻤﻰ‬)PARAMETERS(‫ﺑﻄﺮق‬‫ﻋﺪﯾﺪة‬‫وﻣﺘﻨﻮﻋﺔ‬‫ﻟﺘﺴﮭ‬‫ﯿ‬‫ﻞ‬‫اﺟﺮاء‬‫ھﺬه‬
.‫اﻟﺘﻌﺪﯾﻼت‬
‫ﻣﻦ‬‫اﻟﻤﻤﻜﻦ‬‫اﺳﺘﻌﻤﺎل‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫اﻟﻤﺴﺒﻘﺔ‬‫اﻻﻋﺪادات‬‫ﻣﺒﺎﺷﺮة‬‫ﻋﻠﻰ‬‫اﻟﻨﻤﺎذج‬‫دون‬‫اﻟﺤﺎﺟﺔ‬‫ﻟﻠﺘﻌﺪﯾﻞ‬‫ﻋﻠﯿﮭﺎ,ﻟﻜﻦ‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﯾﻨﻘﺼﮭﺎ‬‫اﻟﻜﺜﯿﺮ‬‫ﻣﻦ‬‫اﻟﻮاﻗﻌﯿﺔ‬
‫ﻓﮭﻲ‬‫ﻟﯿﺴﺖ‬‫ﺳﻮى‬‫ﻗﻮاﻟﺐ‬)TEMPLATES(‫ﺑﺎﻋﺪادات‬,‫اوﻟﯿﺔ‬‫ﻟﺬﻟﻚ‬‫ﻓﺎﻧﺎ‬‫اﻧﺼﺢ‬‫ﺑﺎﻟﺘﻌﺪﯾﻞ‬‫ﻋﻠﯿﮭﺎ‬‫ﻗﺒﻞ‬‫اﺳﺘﺨﺪاﻣﮭﺎ‬‫ﺑﺸﻜﻞ‬.‫ﻧﮭﺎﺋﻲ‬
‫ﻛﯿﻔﯿﺔ‬‫اﻟﻮﺻﻮل‬‫ﻟﻠﻤﻮاد‬‫ﻣﺴﺒﻘﺔ‬:‫اﻻﻋﺪادات‬
‫ﻣﻤﻜﻦ‬‫اﻟﻮﺻﻮل‬‫ﻟﻠﻤﻮاد‬‫اﻟﻤﺴﺒﻘﺔ‬‫اﻻﻋﺪادات‬:‫ﺑﻄﺮﯾﻘﺘﯿﻦ‬
‫اوﻻ‬:‫ﻣﻦ‬‫اﻟﻜﻮﻣﺒﺎﻛﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬‫ادﺗﻮر‬COMPACT MATERIAL EDITOR
‫وذﻟﻚ‬‫ﺑ‬‫ﺎﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫زر‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬TYPE BUTTON‫او‬‫اﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫اﯾﻘﻮﻧﺔ‬‫اﺣﻀﺎر‬‫اﻟﻤﺎدة‬GET MATERIAL
‫ﻣﻦ‬‫ﺷﺮﯾﻂ‬‫اﻻدوات‬‫اﺳﻔﻞ‬‫ﺧﺎﻧﺎت‬‫اﻟﻨﻤﺎذج‬.
‫وھﺬا‬‫ﺳﻮف‬‫ﯾﻔﺘﺢ‬‫ﻧﺎﻓﺬة‬‫ﻣﺘﺼﻔﺢ‬‫اﻟﻤﻮاد‬‫واﻟﺨﺮاﺋﻂ‬‫)اﻟﻤﺘﯿﺮﯾﺎل‬‫ﻣﺎب‬‫ﺑﺮاوﺳﺮ‬MATERIAL/MAP BROWSER(‫وﻣﻨﮫ‬‫ﯾﺘﻢ‬‫ﻋﺮض‬‫ﻗﺎﺋﻤﺔ‬‫ﺑﮭﺬه‬
.‫اﻟﻤﻮاد‬
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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:‫ﺛﺎﻧﯿﺎ‬‫اوﻣﻦ‬‫اﻟﺴﻠﯿﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬‫ادﺗﻮر‬SLATE MATERIAL EDITOR
‫ﺗﻈﮭﺮ‬‫ﻗﺎﺋﻤﺔ‬‫ﺑ‬‫ﮭﺬه‬‫اﻟﻤﻮاد‬‫ﻋﻠﻰ‬‫اﻟﺠﮭﺔ‬‫اﻟﯿﺴﺮى‬‫ﻣﻦ‬‫ھﺬا‬‫اﻻدﺗﻮر‬,‫وذﻟﻚ‬‫ﻋﻨﺪ‬‫ﻓﺘﺤﮫ‬‫ﻻول‬‫ﻣﺮة‬‫و‬‫ﺑﻮﺿﻌﮫ‬,‫اﻻﻓﺘﺮاﺿﻲ‬‫ﻻن‬‫ﻣﺘﺼﻔﺢ‬‫اﻟﻤﻮاد‬‫واﻟﺨﺮاﺋﻂ‬
‫)اﻟﻤﺘﯿﺮﯾﺎل‬‫ﻣﺎب‬‫ﺑﺮاوﺳﺮ‬MATERIAL/MAP BROWSER(‫ﯾﻔﺘﺢ‬‫اوﺗﻮﻣﺎﺗﯿﻜﯿﺎ‬‫ﻋﻨﺪ‬‫ﻓﺘﺢ‬‫اﻟﺴﻠﯿﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬.‫ادﺗﻮر‬
‫اذا‬‫ﻟﻢ‬‫ﺗﺮى‬‫اﻟﺒﺮاوﺳﺮ‬‫ﻓﻤﻦ‬‫اﻟﻤﻤﻜ‬‫ﻦ‬‫ﻓﺘﺤﮫ‬‫ﺑﺎﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫ھﺬه‬‫اﻻﯾﻘﻮﻧﺔ‬
‫ﻣﺎ‬‫ﻋﺪد‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﻈﮭﺮ‬‫ﻋﻨﺪ‬‫اﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫ھﺬااﻟﺰر‬...‫؟‬
‫ﻋﻨﺪﻣﺎ‬‫ﺗﻔﺘﺢ‬‫اﻟﻜﻮﻣﺒﺎﻛﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬‫ادﺗﻮر‬)COMPACT MATERIAL EDITOR(‫ﻻول‬‫ﻣﺮة‬,‫وﻓﻲ‬‫وﺳﻂ‬‫اﻟﻨﺎﻓﺬة‬‫ﺗﻘﺮﯾﺒﺎ‬‫اﻟﻰ‬‫اﻗﺼﻰ‬,‫اﻟﯿﻤﯿﻦ‬‫ﺗﺠﺪ‬ً‫زرا‬
‫ﻣﺴﺘﻄﯿﻞ‬‫اﻟﺸﻜﻞ‬‫,ھﺬا‬‫اﻟﺰر‬‫ھﻮ‬‫اﻟﺰر‬‫اﻟﺨﺎص‬‫ﺑﺎﺧﺘﯿﺎر‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬‫او‬‫ال‬)TYPE BUTTON(‫واﻻﺳﻢ‬‫اﻟﻤﻜﺘﻮب‬‫ﻋﻠﯿﮫ‬‫ﯾﺸﯿﺮ‬‫اﻟﻰ‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬
‫اﻟﻤﻌﺮوﺿﺔ‬‫ﺣﺎﻟﯿﺎ‬‫ﻟﻠﻌﻤﻞ‬,‫وﻓﻲ‬‫ﺣﺎل‬‫اردﻧﺎ‬‫ﺗﻐﯿﯿﺮ‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬‫ﻧﻘﻮم‬‫ﺑﺎﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫ھﺬا‬‫اﻟﺰر‬‫ﻟ‬‫ﻔﺘﺢ‬‫ﻧﺎﻓﺬة‬‫اﻟﻤﺘﯿﺮﯾﺎل‬‫ﻣﺎب‬‫ﺑﺮاوﺳﺮ‬‫واﺧﺘﯿﺎر‬‫ﻣﺎدة‬‫اﺧﺮى‬
‫ﻛﻤﺎ‬‫ذﻛﺮﻧﺎ‬‫ﺳﺎﺑﻘﺎ‬.
‫ﻓﻤﺎھﻲ‬‫اﻟﻜﻠﻤﺔ‬‫اﻟﻤﻜﺘﻮﺑﺔ‬‫ﻋﻠﻰ‬‫ھﺬا‬‫اﻟﺰر‬‫وﻣﺎ‬‫ﻣﻌﻨ‬‫ﺎھﺎ؟‬
‫ﻓﻲ‬‫اﻟﻨﺴﺦ‬‫اﻟﻘﺪﯾﻤﺔ‬,‫ﻟﻠﺒﺮﻧﺎﻣﺞ‬‫ﻧﺠﺪ‬‫ان‬‫اﻟﻜﻠﻤﺔ‬‫اﻟﻤﻜﺘﻮﺑﺔ‬‫ﻋﻠﻰ‬‫ھﺬا‬‫اﻟﺰر‬‫ﺗﺨﺘﻠﻒ‬‫ﺑﺎﺧﺘﻼف‬‫ﻧﺴﺨﺔ‬3DS MAX‫اﻟﺨﺎﺻﺔ‬,‫ﺑﻚ‬‫ﻓﺎذا‬‫ﻛﻨﺖ‬‫ﺗﺴﺘﺨﺪم‬‫اﻟﻨﺴﺨﺔ‬
‫اﻟﺘﻘﻠﯿﺪﯾﺔ‬‫ﻣﻦ‬‫اﻟﻤﺎﻛﺲ‬‫وھﻲ‬)3DS MAX(‫,ﻓ‬‫ﻌﻨﺪ‬‫ﻓﺘﺢ‬‫اﻟﻜﻮﻣﺒﺎﻛﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬‫ادﺗﻮر‬‫ﻻول‬‫ﻣﺮة‬‫ﻓﺎن‬‫اﻟﻤﺎدة‬‫ﻣﻦ‬‫ﻧﻮع‬(‫)ﺳﺘﺎﻧﺪر‬)STANDARD(
‫ﺳﺘﻜﻮن‬‫اﻟﻤﺎدة‬‫اﻟﻤﻔﻌﻠﺔ‬‫ﺣﺎﻟﯿﺎ‬‫وﺳﺘﻈﮭﺮ‬‫اﻟﻜﻠﻤﺔ‬‫ﻋﻠﻰ‬‫ھﺬا‬‫اﻟﺰر‬‫و‬‫اﻣﺎ‬‫اذا‬‫ﻛﻨﺖ‬‫ﺗﻌﻤﻞ‬‫ﻋﻠﻰ‬‫ﻧﺴﺨﺔ‬)3DS MAX DESIGN(
‫واﻟﻤﺨﺼﺺ‬‫ﻟﻌﻤﻞ‬‫اﻻظﮭﺎر‬‫اﻟﻤﻌﻤﺎري‬‫ﻟﻼﺑﻨﯿﺔ‬‫ﺑﺸﻜﻞ‬‫اﺳﺎﺳﻲ‬,‫ﻓﺎن‬‫اﻟﻤﺎدة‬‫اﻟﻤﻔﻌﻠﺔ‬‫ﺑﺎﻟﻮﺿﻊ‬‫اﻻﻓﺘﺮاﺿﻲ‬‫ﺳﺘﻜﻮن‬‫ﻣﺎدة‬‫اﻟﻌﻤﺎرة‬‫واﻟﺘﺼﻤﯿﻢ‬‫وھﻲ‬
‫)اﻻرك‬‫اﻧﺪ‬(‫دﯾﺰاﯾﻦ‬)ARCH&DESIGN(‫وﺳﯿ‬‫ﻈﮭﺮ‬‫اﺳﻢ‬‫ھﺬه‬‫اﻟﻤﺎدة‬‫ﻋﻠﻰ‬‫ھﺬا‬‫اﻟﺰر‬‫ﻋﻨﺪ‬‫ﻓﺘﺢ‬‫اﻟﻜﻮﻣﺒﺎﻛﺖ‬‫ﻣﺘﯿﺮﯾﺎل‬‫ادﺗﻮر‬
‫ﻻول‬‫ﻣﺮة‬.
‫و‬‫ھﻨﺎك‬‫ﺗﻐﯿﯿﺮ‬‫ﻗﺎﻣﺖ‬‫ﺑﮫ‬‫ﺷﺮﻛﺔ‬‫اوﺗﻮدﯾﺴﻚ‬‫ﻓﻲ‬‫اﻻﺻﺪار‬2016‫ﻣﻦ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬,‫وذﻟﻚ‬‫ﺑﺪﻣﺞ‬‫اﻟﻨﺴﺨﺘﯿﻦ‬)3DS MAX(‫و‬)3DS MAX DESIGN(
‫ﻓﻲ‬‫ﻣﻠﻒ‬‫ﺗﺤﻤﯿﻞ‬‫واﺣﺪ‬,‫وﻋﻨﺪﻣﺎ‬‫ﻧﻘﻮم‬‫ﺑﺘﻨﺼﯿﺐ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫وﻓﺘﺤﮫ‬‫ﻻول‬,‫ﻣﺮة‬‫ﻓﺎن‬‫ﻧﺎﻓﺬة‬‫ﺟﺪﯾﺪة‬‫َﺢ‬‫ﺘ‬‫ُﻔ‬‫ﺗ‬‫وﻓﯿﮭﺎ‬,‫ﺧﯿﺎرﯾﻦ‬‫وﻧﺴﺘﻄﯿﻊ‬‫اﺧﺘﯿﺎر‬‫اﻟﻨﺴﺨﺔ‬‫اﻟﺘﻲ‬
‫ﺗﻨﺎﺳﺒﻨﺎ‬‫ﻟﻠﻌﻤﻞ‬‫ﺑﺎﻟﻨﻘﺮ‬‫ﻋﻠﻰ‬‫اﺣﺪى‬,‫اﻟﺨﯿﺎرﯾﻦ‬‫ھﺬه‬‫اﻟﻨﺎﻓﺬة‬‫ﺗﻈﮭﺮ‬‫ﻟﻤﺮة‬‫واﺣﺪة‬‫ﻓﻘﻂ‬‫ﻋﻨﺪ‬‫ﻓﺘﺢ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫ﻻول‬‫ﻣﺮة‬,‫اﻧﻈﺮ‬‫اﻟﺼﻮرة‬:‫اﻟﺘﺎﻟﯿﺔ‬
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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‫ﻓﻌﻨﺪ‬‫اﺧﺘﯿﺎر‬)CLASSIC(‫ﯾﺘﻢ‬‫ﺗﺜﺒﯿﺖ‬‫اﻟﻨﺴﺨﺔ‬)3DS MAX(,‫اﻟﺘﻘﻠﯿﺪﯾﺔ‬‫وﻋﻨﺪ‬‫اﺧﺘﯿﺎر‬)DESIGN(‫ﯾﺘﻢ‬‫ﺗﺜﺒﯿﺖ‬‫ﻧﺴﺨﺔ‬)3DS MAS DESIGN.(
:‫ﻣﻼﺣﻈﺔ‬‫ان‬‫ﻧﺴﺨﺔ‬‫اﻟﻤﺎﻛﺲ‬‫اﻟﺘﻲ‬‫اﺗﺒﻌﮭﺎ‬‫ﻓﻲ‬‫ھﺬا‬‫اﻟﻜﺘﺎب‬‫ھﻲ‬‫اﻟﻨﺴﺨﺔ‬)3DS MAX(.‫اﻟﺘﻘﻠﯿﺪﯾﺔ‬
‫اﻣﺎ‬‫ﻋﺪد‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﻈﮭﺮ‬‫ﻋﻨﺪ‬‫اﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫ھﺬا‬‫اﻟﺰر‬‫ﻓﮭﻮ‬‫ﯾﺘﻐﯿﺮ‬‫وﻓﻘﺎ‬‫ﻟﻼﺻﺪار‬‫اﻟﺬي‬‫ﺗﻌﻤﻞ‬‫ﻋﻠﯿﮫ‬‫و‬‫ﺣﺴﺐ‬‫ﻧﻮع‬‫اﻟﻤﺼﯿﺮ‬)RENDERER(‫اﻟﺬي‬
‫ﺗ‬‫ﺨﺘﺎره‬‫ﻟﺘﺼﯿﯿﺮ‬‫واﺧﺮاج‬,‫اﻟﻤﺸﮭﺪ‬‫ﻓﻜﻞ‬‫ﻣﺼﯿﺮ‬‫ﺗﻈﮭﺮ‬‫ﻣﻌﮫ‬‫اﻧﻮاع‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﺘﻮاﻓﻖ‬,‫ﻣﻌﮫ‬‫ﻻن‬‫اﺧﺘﯿﺎر‬‫ﻣﻮاد‬‫ﻻ‬‫ﺗﺘﻮاﻓﻖ‬‫ﻣﻊ‬‫اﻟﻤﺼﯿﺮ‬‫اﻟﺤﺎﻟﻲ‬‫ﺗﺆدي‬
‫اﻟﻰ‬‫ظﮭﻮرھﺎ‬‫ﺑﻜﻔﺎﺋﺎت‬‫واطﺌﺔ‬‫او‬‫ﺑﺸﻜﻞ‬‫ﻻ‬‫ﯾﺴﺘﻔﯿﺪ‬‫ﻣﻦ‬‫ذﻟﻚ‬‫اﻟﻤﺼﯿﺮ‬‫ﺑﺎﻟﺪرﺟﮫ‬‫اﻟﻤﻄﻠﻮﺑﺔ‬‫او‬‫ﻗﺪ‬‫ﻻ‬‫ﺗﻈﮭﺮ‬‫ﻋﻠﻰ‬‫اﻻطﻼق‬‫)ﺗﻈﮭﺮ‬.(‫ﺳﻮداء‬
‫ﻓﻤﺜﻼ‬:‫ﻋﻨﺪ‬‫اﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫زر‬‫ﻓﻲ‬‫)اﻟﻨﺴﺨﺔ‬3DS MAX 2016(‫ﺗﻀﮭﺮ‬‫ﻧﺎﻓﺬة‬‫اﻟﻤﺘﯿﺮال‬‫ﻣﺎب‬,‫ﺑﺮاوﺳﺮ‬‫وﻻن‬‫اﻟﻤﺼﯿﺮ‬
‫ﺳﻜﺎﻧﻼﯾﻦ‬‫ھﻮ‬‫اﻟﻤﺼﯿﺮ‬‫اﻻﻓﺘﺮاﺿﻲ‬‫ﻟﮭﺬه‬‫اﻟﻨﺴﺨﺔ‬‫ﻓﺎن‬‫ﻣﺠﻤﻮﻋﺔ‬‫اﻟﻤﻮاد‬)MATERIALS(‫ھﻲ‬‫اﻟﺘﻲ‬‫ﺗﻈﮭﺮ‬‫ﻟﻨﺎ‬‫و‬‫ﯾﻨﺪرج‬‫ﺗﺤﺘﮭﺎ‬‫اﻟﻤﺠﻤﻮﻋﺔ‬‫اﻟﻔﺮﻋﯿﺔ‬
‫ﻟﻠﻤﻮاد‬‫)ﺳﺘﺎﻧﺪرد‬STANDARD(‫وﺗﺤﺘﻮي‬‫ﻋﻠﻰ‬)16(‫ﻧﻮع‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫اﻟﻤﺴ‬‫ﺒﻘﺔ‬‫اﻻﻋﺪادات‬‫اﻟﺘﻲ‬‫ﺗﻌﺮض‬‫ﻓﻲ‬‫ھﺬا‬‫اﻟﺒﺮاوﺳﺮ‬‫ﻻﻧﮭﺎ‬‫ﺗﺘﻮاﻓﻖ‬‫ﻣﻊ‬‫ھﺬا‬
,‫اﻟﻤﺼﯿﺮ‬‫وﻻ‬‫ﺗﻈﮭﺮ‬‫ﻣﺠﻤﻮﻋﺎت‬‫اﻟﻤﻮاد‬‫اﻻﺧﺮى‬‫اﻻ‬‫اذا‬‫ﻏﯿﺮﻧﺎ‬‫اﻟﻤﺼﯿﺮ‬‫او‬‫ﻗﻤﻨﺎ‬‫ﺑﺎﺧﺘﯿﺎرھﺎ‬‫ﻟﺘﻈﮭﺮ‬...‫ﻓﻤﺜﻼ‬‫ﻣواد‬)‫اﻟﻣﻧﺗﺎل‬‫ري‬(‫ﻻ‬‫ﺗظﮭر‬‫اﻻ‬‫اذا‬
‫ﻗﻣﻧﺎ‬‫ﺑﺎﺧﺗﯾﺎر‬‫ﻣﺻﯾر‬‫اﻟﻣﻧﺗﺎل‬‫ري‬‫او‬‫اﻟﻛوﯾك‬‫ﺳﻠﻔر‬,‫وﻣﺟﻣوﻋﺔ‬)‫ﻣواد‬‫اوﺗودﺳك‬(‫ﻻ‬‫ﺗظﮭر‬‫اﻻ‬‫اذا‬‫ﻗﻣﻧﺎ‬‫ﻧﺣن‬‫ﺑﺎﺧﺗﯾﺎرھﺎ‬‫ﻣن‬‫ﻗﺎﺋﻣﺔ‬‫ﺧﯾﺎرات‬
‫اﻟﻣﺗﯾ﷼‬‫ﻣﺎب‬‫ﺑراوﺳر‬)MATERIAL MAP BROWSER OPTIONS(...‫وھﻛذا‬....
‫اﻟﺼﻮرة‬‫اﻟﺘﺎﻟﯿﺔ‬‫ﺗﺒﯿﻦ‬‫اﻧﮫ‬‫ﻋﻨﺪ‬‫اﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫زر‬)STANDARD(‫او‬)‫زر‬GET MATERIAL(‫ﺗﻈﮭﺮ‬‫ﻓﯿﮫ‬‫اﻟﻤﻮاد‬)MATERIALS(‫ﻣﻦ‬‫ﻣﺠﻤﻮﻋﺔ‬
‫ﺳﺘﺎﻧﺪرد‬)STANDARD(‫ﻓﻘﻂ‬‫وﺗﺸﻤﻞ‬16‫ﻧﻮع‬‫ﻣﻦ‬:‫اﻟﻤﻮاد‬
‫وھﺬه‬‫ﺻﻮرة‬‫ﺗﺒﯿﻦ‬‫ان‬‫ﺑﻌﺾ‬‫اﻟﻤﺠﻤﻮﻋﺎت‬‫ﺗﻈﮭﺮ‬‫ﺑﺸﻜﻞ‬‫اﻓﺘﺮاﺿﻲ‬‫وﺑﻌﻀﮭﺎ‬‫ﻻﺗﻈﮭﺮ‬‫اﻻﻋﻨﺪﻣﺎ‬‫ﻧﺨﺘﺎرھﺎ‬‫ﻣﻦ‬‫ﻗﺎﺋﻤﺔ‬‫)ﺧﯿﺎرات‬‫اﻟﻤﺘﯿﺮﯾﺎل‬‫ﻣﺎب‬
(‫ﺑﺮاوﺳﺮ‬:
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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‫اﻣﺎ‬ً‫)وﻓﻘﺎ‬‫ﻟﻠ‬‫ﻨﺴﺨﺔ‬20163DS MAX DESIGN(‫ﻓﺎن‬‫اﻟﻤﺼﯿﺮ‬‫اﻻﻓﺘﺮاﺿﻲ‬‫ھﻮ‬‫ﻣﺼﯿﺮ‬‫اﻟﻤﻨﺘﺎل‬‫ري,ﻓ‬‫ﻌﻨﺪ‬‫ﻣﺎ‬‫ﻧ‬‫ﻔﺘﺢ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫ﻻول‬‫ﻣﺮة‬‫ﻓﺎن‬
‫اﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫ھﺬا‬‫اﻟﺰر‬‫ﺳﻮف‬‫ﯾﻌﺮض‬‫ﻣﺠﻤﻮﻋﺔ‬‫اﻟﻤﻮاد‬)MATERIALS(‫واﻟﺘﻲ‬‫ﯾﻨﺪرج‬‫ﺗﺤﺘﮭﺎ‬‫اﻟﻤﺠﻤﻮﻋﺔ‬‫اﻟﻔﺮﻋﯿﺔ‬‫ﻟﻠﻤﻮاد‬
‫)ﺳﺘﺎﻧﺪرد‬STANDARD(‫وﺗﺤﺘﻮي‬‫ﻋﻠﻰ‬)13(‫ﻧﻮع‬‫ﻓﻘﻂ‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫اﻟﻤﺴﺒﻘﺔ‬‫اﻻﻋﺪادات‬‫وﻛﺬﻟﻚ‬‫ﻣﺠﻤﻮﻋﺔ‬‫ﻣﻮاد‬‫اﻟﻤﻨﺘﺎل‬‫ري‬)MENTALRAY
MATERIALS,(‫وﺗﻈﮭﺮ‬‫ﻛﺬﻟﻚ‬‫ﻣﺠﻤﻮﻋﺔ‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬‫اوﺗﻮدﺳﻚ‬)AUTODESK MATERIAL(...
‫اﻟﺼﻮرة‬‫اﻟﺘﺎﻟﯿﺔ‬‫اﻟﺘﻲ‬‫اﺧﺬﺗﮭﺎ‬‫ﻣﻦ‬‫ﻧﺴﺨﺔ‬20163DS MAX DESIGN‫ﺗﻮﺿﺢ‬:‫ھﺬا‬
‫ﻣﺮﺟـــﻊ‬:‫ﻟﻔﮭﻢ‬‫ﻣﻮﺿﻮع‬‫اﻟﻤﺠﻤﻮﻋﺎت‬‫ﯾﺮﺟﻰ‬‫اﻟﺮﺟﻮع‬‫ﻟﻠﻜﺘﺎب‬‫اﻻول‬‫ﻣﻦ‬‫ھﺬه‬‫اﻟﺴﻠﺴﻠﺔ‬‫ﻟﻔﮭﻢ‬‫ھﺬا‬.‫اﻟﺘﺼﻨﯿﻒ‬
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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‫اﻧﻮاع‬‫اﻟﻤﻮاد‬TYPES OF MATERIALS
‫ان‬‫اﻟﻤﻮاد‬‫ﺗﺼﻨﻒ‬‫اﻟﻰ‬‫ﺻﻨﻔﯿﻦ‬‫ﻧﺴﺒﺔ‬‫اﻟﻰ‬‫ﺗﺎﺛﯿﺮ‬‫اﻟﻀﻮء‬‫ﻓﯿﮭﺎ‬‫وھﻤﺎ‬:
‫ان‬‫ﺗﻌﺮﯾﻒ‬‫ﻣﺼﻄﻠﺢ‬)PHOTOMETRY(‫او‬)‫اﻟﻔﻮﺗﻮﻣﺘﺮي‬(‫ھﻮﻋﻠﻢ‬‫ﻗﯿﺎس‬‫اﻟﻀﻮء‬‫وﺧﺎﺻﺔ‬‫)اﻟﺸﺪة‬‫اﻟﻀﻮﺋﯿﺔ‬INTENSITY(‫وھﻲ‬‫ﻣﺎ‬‫ﯾﮭﻤﻨﺎ‬
.‫ھﻨﺎ‬
‫ﻓﺎﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬‫ﻓﻮﺗﻮﻣﺘﺮك‬‫ﻣﺘﯿﺮﯾﺎل‬‫ھﻲ‬‫ﻣﻮاد‬‫ﺗﺆﺛﺮ‬‫ﺑﮭﺎ‬‫اﻻﺿﺎءة‬‫ﻓﯿﺘﻢ‬‫اﺣﺘﺴﺎب‬‫ﻛﺜﺎﻓﺔ‬‫وﺷﺪة‬‫اﻟﻀﻮء‬‫اﻟﺴﺎﻗﻂ‬‫ﻋﻠﯿﮭﺎ‬‫ﺑﺸﻜﻞ‬‫دﻗﯿﻖ‬‫ﺿﻤﻦ‬‫ﺳﻠﺴﻠﺔ‬‫ﻣﻦ‬
‫اﻟﻌﻤﻠﯿﺎت‬‫اﻟﺮﯾﺎﺿﯿﺔ‬,‫وھﺬه‬‫اﻟﺤﺴﺎﺑﺎت‬ُ ‫ﺗ‬‫ﮭ‬ِ ‫ﻈ‬‫ﺮ‬‫ﺻﻔﺎﺗﮭﺎ‬‫اﻟﻔﯿﺰﯾﺎﺋﯿﺔ‬‫ﻣﺜﻞ‬‫اﻟ‬‫ﻠ‬‫ﻤﻌﺎن‬‫وﻗﺎﺑﻠﯿﺔ‬‫ﻋﻜﺲ‬‫اﻟﻤﻮاد‬‫اﻟﻤﺤﯿﻄﺔ‬‫ﺑﮭﺎ‬‫او‬‫درﺟﺔ‬‫ﺷﻔﺎﻓﯿﺘﮭﺎ‬,‫وﻏﯿﺮھﺎ‬‫ﺑﺸﻜﻞ‬
‫دﻗﯿﻖ‬‫وواﻗﻌﻲ‬ُ ‫ﻓﺘ‬‫ﻨ‬ِْ‫ﺘ‬‫ﺞ‬‫ﻣﻮاد‬‫ﺗﺸﺎﺑﮫ‬‫ﻣﺎ‬‫ﻣﻮﺟﻮد‬‫ﻓﻲ‬‫اﻟﻮاﻗﻊ‬‫ﺑﺸﻜﻞ‬‫ﻛﺒﯿﺮ...وﻧﺤﻦ‬‫ﻧﺤﺘﺎج‬‫ﻟﻤﺜﻞ‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﻓﻲ‬‫ﺑﻌﺾ‬‫اﻟﻤﺸﺎھﺪ‬‫اﻟﺘﻲ‬‫ﺗﺘﻄﻠﺐ‬‫اظﮭﺎرا‬‫واﻗﻌﯿﺎ‬
,‫ﻟﻠﻤﻮاد‬‫ﻣﺜﻞ‬‫اﻻظﮭﺎر‬‫اﻟﻤﻌﻤﺎري‬)ARCHITECTURE VISUALIZATION.(
‫اﻣﺎ‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬‫ﻧﻮن‬‫ﻓﻮﺗﻮﻣﺘﺮك‬‫ﻣﺘﯿﺮﯾﺎل‬‫ﻓﮭﻲ‬‫ﻣﻮاد‬‫ﻻ‬‫ﯾﺮاﻋﻰ‬‫ﻓﯿﮭﺎ‬‫دﻗﺔ‬‫اﻻﺿﺎءة‬‫وﻻ‬‫ﯾﺘﻢ‬‫ﺣﺴﺎب‬‫ﺷﺪة‬‫او‬‫ﻛﺜﺎﻓﺔ‬‫اﻻ‬‫ﺿﺎءة‬‫ﻓﻲ‬,‫اﻟﻤﺸﮭﺪ‬‫ﻟﻜﻦ‬‫ھﺬا‬‫ﻻ‬
‫ﯾﻌﻨﻲ‬‫ﺑﺎن‬‫اﻻﺿﺎءة‬‫ﻻ‬‫ﺗﻈﮭﺮ‬‫ﻓﻲ‬‫اﻟﻤﺸﮭﺪ‬‫او‬‫ﻻ‬‫ﺗﺆﺛﺮ‬,‫ﻓﯿﮫ‬‫ﻟﻜﻦ‬‫اﻟﻤﻌﻨﻰ‬‫ﺑﺎﻧﮭﺎ‬‫ﻟﯿﺴﺖ‬‫ﺑﺎﻟﺪﻗﺔ‬‫اﻟﺘﻲ‬‫ﺗﻈﮭﺮ‬‫ﺑﮭﺎ‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬,‫ﻓﻮﺗﻮﻣﺘﺮك‬‫ﻓﺘﻈﮭﺮ‬
‫اﻻﺿﺎءة‬‫وﺗﺎﺛﯿﺮاﺗﮭﺎ‬‫ﻓﻲ‬‫اﻟﻤﺸﮭﺪ‬‫ﻛﺎﻧﻤﺎ‬‫ﻗﺪ‬‫ﺗﻢ‬‫ﺻﺒﻎ‬‫اﻟﻤﺸﮭﺪ‬‫ﺑﺘﺎﺛﯿﺮات‬‫اﻟﻀﻮء‬‫اي‬‫ﻋﺪم‬‫وﺟﻮد‬‫اﻟﻌﻤﻖ‬‫ﻓﻲ‬.‫اﻟﺘﻔﺎﺻﯿﻞ‬
‫ﺗﻨـــــﻮﯾﮫ‬‫.....ان‬‫ﻋﺪم‬‫ﺗﺎﺛﯿﺮ‬‫اﻟﻀﻮء‬‫ﻓﻲ‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬‫)ﻧﻮن‬(‫ﻓﻮﺗﻮﻣﺘﺮك‬‫ﺑﺸﻜﻞ‬‫دﻗﯿﻖ‬‫ﻻ‬‫ﯾﻌﻨﻲ‬‫ان‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﺗﻈﮭﺮ‬‫ﻋﻨﺪ‬‫اﻟﺮﻧﺪر‬‫ﺑﺸﻜﻞ‬
‫ﻏﯿﺮ‬‫ﻣﻨﻄﻘﻲ‬‫او‬‫ﻏﯿﺮ‬,‫ﺣﻘﯿﻘﻲ‬‫ﻟﻜﻦ‬‫ﻣﺎ‬‫ﻧﻘﺼﺪه‬‫ھﻨﺎ‬‫ھﻮ‬‫ﻋﺪم‬‫ﺗﺎﺛﯿﺮ‬‫اﻟﺼﻔﺎت‬‫اﻟﻔﯿﺰﯾﺎﺋﯿﺔ‬‫ﻟﻠﻀﻮء‬‫ﻓﯿﮭﺎ‬‫ﻣﺜﻞ‬‫ﺷﺪﺗﮫ‬‫او‬‫طﺮﯾﻘﺔ‬‫اﻧﺘﺸﺎره‬‫وھﺬا‬‫ﻟﻦ‬‫ﯾﻤﻜﻨﻨﺎ‬
‫ﻣﻦ‬‫ﻋﻤﻞ‬‫ﻣﻮاد‬‫ﺗﺤﺎﻛﻲ‬‫اﻟﻤﻮاد‬‫اﻟﺤﻘﯿﻘﯿﺔ‬‫وﺻﻔﺎﺗﮭﺎ‬‫ﺑﺪﻗﺔ‬‫ﻣﺜﻞ‬‫ﻗﺎﺑﻠﯿﺔ‬‫اﻟﻤﺎدة‬‫ﻋﻠﻰ‬‫اظﮭﺎر‬‫اﻻﻧﻌﻜﺎﺳﺎت‬‫اﻟﻤﻌﻘﺪة‬‫ﻣﺜﻞ‬‫اﻧﻌﻜﺎﺳﺎت‬)ANISOTROPIC
REFLECTION(‫او‬‫اظﮭﺎر‬‫اﻟﺸﻔﺎﻓﯿﺔ‬‫ﺑﺸﻜﻞ‬‫واﻗﻌﻲ‬.
‫ﺑﻌﻜﺲ‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬(‫)ﻓﻮﺗﻮﻣﺘﺮك‬‫واﻟﺘﻲ‬‫ﯾﺘﻢ‬‫ﻓﯿﮭﺎ‬‫اﺣﺘﺴﺎب‬‫اﻟﻀﻮء‬‫ﺑﺪﻗﺔ‬‫وﯾﺘﻢ‬‫ھﺬا‬‫ﺑﺸﻜﻞ‬‫اوﺗﻮﻣﺎﺗﯿﻜﻲ‬‫ﻓﯿﺘﻢ‬‫ﻣﺜﻼ‬‫ﺣ‬‫ﺴﺎب‬‫ﺷﺪة‬‫اﻟﻀﻮء‬‫ﻓﻲ‬
‫اﻟﻤﺼﺪر‬‫اﻟﻀﻮﺋﻲ‬‫ﺑﺸﻜﻠﮫ‬‫اﻟﺤﻘﯿﻘﻲ‬‫وﺗﺨﻒ‬‫ﺷﺪﺗﮫ‬‫ﻋﻨﺪ‬‫ﻗﻄﻌﮫ‬‫ﻣﺴﺎﻓ‬‫ﮫ‬‫ﻣﻌﯿﻨﮫ‬
‫وﻻﻋﻄﺎء‬‫ﺗﺎﺛﯿﺮ‬‫ﻣﺸﺎﺑﮫ‬‫ﻟﮭﺬا‬‫ﻓﻲ‬‫اﻟﻤﻮاد‬)‫اﻟﻨﻮن‬‫ﻓﻮﺗﻮﻣﺘﺮك‬(‫ﻓﻨﺤﻦ‬‫ﻧﺤﺘﺎج‬‫ﻟﻠﺘﻌﺪﯾﻞ‬‫ﻋﻠﻰ‬‫ﺑﻌﺾ‬‫اﻟﻤﺘﺤﻜﻤﺎت‬‫ﯾﺪوﯾﺎ‬‫ﻟﺘﻘﺘﺮب‬‫ﻣﻦ‬‫ﻣﺤﺎﻛﺎة‬‫اﻟﻤﻮاد‬‫ﻓﻲ‬
.‫اﻟﺤﻘﯿﻘﺔ‬‫ﻟﻜﻦ‬‫ﻣﮭﻤﺎ‬‫ﻗﻤﻨﺎ‬‫ﺑﺎﻻﺟﺘﮭﺎد‬‫ﻓﻲ‬‫اﻟﺘﻌﺪﯾﻞ‬‫ﻋﻠﻰ‬‫ﺧﺼﺎﺋﺼﮭﺎ‬‫ﻓﻠﻦ‬‫ﺗﻌﻄﻲ‬‫اﻗﺼﻰ‬‫ﻣﺎ‬‫ﯾﻤﻜﻦ‬‫ﺗﺤﻘﯿﻘﮫ‬‫ﻣﻦ‬‫اﻟﻮاﻗﻌﯿﺔ‬‫ﻛﻤﺎ‬‫ﻓﻲ‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬
)‫ﻓﻮﺗﻮﻣﺘﺮك‬(‫او‬)‫ﻣﻮاد‬‫اﻟﻤﻨﺘﺎل‬‫ري‬(‫اﻟﻤﺼﻤﻤﺔ‬‫ﺧﺼﯿﺼﺎ‬‫ﻟﮭﺬا‬.‫اﻟﻐﺮض‬
‫ﻧﻮن‬‫ﻓﻮﺗﻮﻣﺘﺮك‬
NON PHOTOMETRIC MATERIALS
‫ﻓﻮﺗﻮﻣﺘﺮك‬
PHOTOMETRIC MATERIALS
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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‫ﺗﻘﺴﻢ‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﯾﻮﻓﺮھﺎ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫وذﻟﻚ‬‫ﺣﺴﺐ‬‫اﻻﺻﺪار‬2016‫اﻟﻰ‬‫ﺳﺘﺔ‬‫ﻣﺠﻤﻮﻋﺎت‬‫رﺋﯿﺴﯿﺔ‬:
1.‫ﻣﻮاد‬‫اﻟﻤﻨﺘﺎل‬‫ري‬MENTAL RAY MATERIALS
2.‫ﻣﻮاد‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬)‫اﻟﻀﻮء‬(‫ﻓﻮﺗﻮﻣﺘﺮك‬‫و‬‫اﻟﻤﺘﻮاﻓﻘﺔ‬‫ﻣﻊ‬‫ﻣﺼﯿﺮاﻟﺴﻜﺎﻧﻼﯾﻦ‬
PHOTOMETRIC MATERIALS FOR THE SCANLINE
RENDERER
3.
‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫واﻟﻤﻮاد‬‫اﻟﻤﺸﺎﺑﮭﮫ‬‫ﻟﮭﺎ‬‫اﻟﺘﻲ‬‫ﻻ‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬‫اﻟﻀﻮء‬‫اي‬
‫)ﻧﻮن‬(‫ﻓﻮﺗﻮﻣﺘﺮك‬
STANDARD MATERIAL AND RELATED MATERIALS
(NON-PHOTOMETRIC)
4.‫اﻟﻤﻮاد‬‫اﻟﻤﺮﻛﺒﺔ‬‫ﻣﻦ‬‫ﻋﺪة‬‫ﻣﻮاد‬COMPOUND MATERIALS
5.‫ﻣﺎدة‬‫اﻟﺸﯿﻞ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﺎﻟﺘﻜﺴﺸﺮ‬‫ﺑﯿﻜﻨﻎ‬SHELL MATERIAL FOR TEXTURE BAKING
6.‫ﻣﻮاد‬‫اﻻﻛﺲ‬‫رﻓﺮﻧﺲ‬XREF MATERIAL
‫وﻛﻞ‬‫ﻣﺠﻤﻮﻋﺔ‬‫ﻣﻦ‬‫اﻟﻤﺠﻤﻮﻋﺎت‬‫اﻟﺴﺎﺑﻘﺔ‬‫ﺗﺘﻜﻮن‬‫ﻣﻦ‬‫اﻧﻮاع‬‫ﻣﻌﯿﻨﺔ‬‫ﻣﻦ‬,‫اﻟﻤﻮاد‬‫وﻛﻤﺎ‬‫ذﻛﺮﻧ‬‫ﺎ‬‫ﻓﺎن‬‫ﺗﺮﺗﯿﺐ‬‫اﻟﻤﻮاد‬‫داﺧﻞ‬‫ھﺬه‬‫اﻟﻤﺠﻤﻮﻋﺎت‬‫ﯾﺨﺘﻠﻒ‬‫ﻣﻦ‬
‫اﺻﺪار‬‫اﻟﻰ‬.‫اﺧﺮ‬
‫اﻣﺎ‬‫ﻣﺠﻤﻮﻋﺎت‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﻈﮭﺮ‬‫وﻓﻘﺎ‬‫اﻟﻰ‬‫اﻻﺻﺪار‬2017‫ﻣﻦ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫ﻗﺪ‬‫ﺗﻢ‬‫ﺗﻐﯿﯿﺮ‬‫ﺗﺮﺗﯿﺒﮭﺎ‬‫ﻛﻠﯿﺎ‬‫وھﺬا‬‫ﻣﺎ‬‫وﺿﺤﺘﮫ‬‫ﻓﻲ‬‫اﻟﺠﺪول‬‫اﻟﺘﺎﻟﻲ‬:
1.‫ﻣﻮاد‬‫اوﺗﻮدﯾﺴﻚ‬AUTODESK MATERIALS
2.‫اﻟﻤﻮاد‬‫ذات‬‫اﻻﺳﺘﺨﺪام‬‫اﻟﻌﺎم‬GENERAL MATERIALS
3.
‫ﻣﻮاد‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬‫اﻟﻀﻮء‬)‫ﻓﻮﺗﻮﻣﺘﺮك‬(‫و‬‫اﻟﻤﺘﻮاﻓﻘﺔ‬‫ﻣﻊ‬
‫ﻣﺼﯿﺮاﻟﺴﻜﺎﻧﻼﯾﻦ‬
PHOTOMETRIC MATERIALS FOR SCANLINE
RENDERER
4.‫ﻣﻮاد‬‫اﻟﻤﻨﺘﺎل‬‫ري‬MENTAL RAY MATERIALS
‫وﻣﮭﻤﺎ‬‫ﻛﺎن‬‫اﻻﺻﺪار‬‫اﻟﺬي‬‫ﻧﻤﻠﻜﮫ‬‫ﻓﺎن‬‫اﻟﺘﻐﯿﯿﺮ‬‫ﻟﯿﺲ‬‫ﺟﻮھﺮﯾﺎ‬‫ﻓﻲ‬‫ﻋﻤﻞ‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫او‬‫ﺻﻔﺎﺗﮭﺎ‬‫واﻧﻤﺎ‬‫ﺗﻐﯿﯿﺮ‬‫ﻓﻲ‬‫ﺗﺮﺗﯿﺐ‬‫اﻟﻤﺠﻤﻮﻋﺎت‬‫واظﮭﺎرھﺎ‬‫ﻣﺮة‬
‫واﺧﻔﺎﺋﮭﺎ‬‫ﻣﺮة‬.‫اﺧﺮى‬
‫ﺷﺮح‬‫ﺗﻌﺮﯾﻔﻲ‬‫ﻻﻧﻮاع‬‫اﻟﻤﻮاد‬
‫ﻓﻲ‬‫اﻟﺠﺪول‬‫اﻟﺴﺎﺑﻖ‬‫وﺿﺤﻨﺎ‬‫ﻣﺎ‬‫ھﻲ‬‫اﻧﻮاع‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﺎﺗﻲ‬‫ﻣﻊ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫وﻗﺴﻤﻨﺎھﺎ‬‫وﻓﻘﺎ‬‫ﻟﻠﺠﺪول‬‫اﻟﺴﺎﺑﻖ‬‫اﻟﻰ‬‫ﺳﺘﺔ‬‫ﻣﺠﻤﻮﻋﺎت‬,‫رﺋﯿﺴﯿﺔ‬‫وﻓﯿﻤﺎ‬‫ﯾﻠﻲ‬
‫ﺗﻌﺮﯾﻒ‬‫ﺑ‬‫ﺘﻠﻚ‬‫اﻻﻗﺴﺎم‬‫اﻟﺴﺘﺔ‬‫ﻣﻊ‬‫ﺗﻌﺪاد‬‫ﻟﻤﺠﻤﻮﻋﺎت‬‫ا‬‫ﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﻨﺪرج‬‫ﺗﺤﺖ‬‫ﻛﻞ‬‫ﻗﺴﻢ‬:‫ﻣﻨﮭﺎ‬
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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‫ﻣﻮاد‬‫اﻟﻤﻨﺘﺎل‬‫ري‬MENTAL RAY MATERIALS
‫ﺗﺎﺗﻲ‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﻣﻊ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫وھﻲ‬‫ﻣﺼﻤﻤﺔ‬‫ﺧﺼﯿﺼﺎ‬‫ﻟﺘﺴﺘﺨﺪم‬‫ﻣﻊ‬‫ﻣﺼﯿﺮ‬‫اﻟﻤﻨﺘﺎل‬,‫ري‬‫اي‬‫اﻧﮭﺎ‬‫ﺗﺘﻮاﻓﻖ‬,‫ﻣﻌﮫ‬‫وﻟﮭﺬا‬‫ﻻ‬‫ﺗﻈﮭﺮ‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﻓﻲ‬
‫اﻟﻤﺘﯿﺮﯾﺎل‬‫ﻣﺎب‬‫ﺑﺮاوﺳﺮ‬‫اﻻ‬‫اذا‬‫ﻛﺎن‬‫ﻣﺼﯿﺮ‬‫اﻟﻤﻨﺘﺎل‬‫ري‬‫ھﻮ‬‫اﻟﻤﺼﯿﺮ‬‫اﻟﻤﻔﻌﻞ‬‫)اي‬‫اﻟﺬي‬‫ﻗﻤﻨﺎ‬.(‫ﺑﺎﺧﺘﯿﺎره‬
‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﺗﻌﻤﻞ‬‫وﺗﺘﻮاﻓﻖ‬‫اﯾﻀﺎ‬‫ﻣﻊ‬‫ﻣﺼﯿﺮ‬‫اﻟﻜﻮﯾﻚ‬‫ﺳﻠﻔﺮ‬)QUICKSILVER HARDWARE RENDERER(.
‫وﺗﻨﺪرج‬‫ﺗﺤﺖ‬‫ھﺬا‬‫اﻟﻨﻮع‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫اﻟﻤﺠﻤﻮﻋﺎت‬‫اﻟﺘﺎﻟﯿﺔ‬:
‫ﻣﻮاد‬‫اﻻرك‬‫اﻧﺪ‬‫دﯾﺰاﯾﻦ‬ARCH & DESIGN MATERIAL
‫ﻣﻮاد‬‫اوﺗﻮدﺳﻚ‬AUTODESK MATERIALS
‫ﻣﻮاد‬‫اﻟﻤﻨﺘﺎل‬‫ري‬‫ﻣﺘﯿﺮﯾﺎل‬‫ذات‬‫اﻻﺳﺘﺨﺪام‬‫اﻟﺨﺎص‬
SPECIAL-PURPOSE MENTAL RAY MATERIALS
‫ﻣﻮاد‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬‫اﻟﻀﻮء‬)‫ﻓﻮﺗﻮﻣﺘﺮك‬(‫و‬‫ﻣﺘﻮاﻓﻘﺔ‬‫ﻣﻊ‬‫ﻣﺼﯿﺮاﻟﺴﻜﺎﻧﻼﯾﻦ‬
PHOTOMETRIC MATERIALS FOR THE SCANLINE RENDERER
‫و‬‫ﺗﺸﻤﻞ‬‫ﻛﻞ‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﻌﻤﻞ‬‫ﻣﻊ‬‫ﻣﺼﯿﺮ‬‫اﻟﺴﻜﺎن‬‫ﻻﯾﻦ‬‫وﺗﺘﻮاﻓﻖ‬,‫ﻣﻌﮫ‬‫و‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺎﻟﻀﻮء‬‫ﺑﺸﻜﻞ‬‫دﻗﯿﻖ‬‫اي‬‫اﻧﮭﺎ‬‫ﻣﻮاد‬‫ﻓﻮﺗﻮﻣﺘﺮك‬‫وﻟﻜﻨﮭﺎ‬‫ﻓﻲ‬
‫ﻧﻔﺲ‬‫اﻟﻮﻗﺖ‬‫ﻻ‬‫ﺗﺴﺘﺨﺪم‬‫ﻣﺼﯿﺮ‬‫اﻟﻤﻨﺘﺎل‬‫ري‬,ُ‫ﺗ‬َ‫ﺴﺘ‬‫ﺨﺪم‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﻣﻊ‬‫ﺧﺎﺻﯿﺔ‬‫اﻟﺮادﯾﻮﺳﺘﻲ‬‫ﻋﻨﺪ‬‫اﻟﺮﻧﺪر‬‫واﻟﺘﻲ‬‫ﯾﺘﻢ‬‫ﻓﯿﮭﺎ‬‫اﺣﺘﺴﺎب‬‫ﺷﺪة‬‫اﻟﻀﻮء‬‫ﺑﺸﻜﻞ‬
‫دﻗﯿﻖ‬‫ﻓﺘﻌﻄﻲ‬‫ﻧﺘﺎﺋﺞ‬‫ﻣﺸﺎﺑﮭﮫ‬‫ﻟﻨﺘﺎﺋﺞ‬‫اﺳﺘﺨﺪام‬‫ﻣﺼﯿﺮ‬‫اﻟﻤﻨﺘﺎل‬.‫ري‬
‫وﯾﻨﺪرج‬‫ﺗﺤﺖ‬‫ھﺬا‬‫اﻟﻨﻮع‬‫ﻣﺠﻤﻮﻋﺘﯿﻦ‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫ھﻲ‬:
‫ﻣﺠﻤﻮﻋﺔ‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬ADVANCED LIGHTING OVERRIDE
MATERIAL
‫ﻣﺠﻤﻮﻋﺔ‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﺴﺘﺨﺪم‬‫ﻓﻲ‬‫اﻟﺒﻨﺎء‬‫واﻟﻌﻤﺎرة‬ARCHITECTURAL
MATERIAL
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫واﻟﻤﻮاد‬‫اﻟﻤﺸﺎﺑﮭﮫ‬‫ﻟﮭﺎ‬‫اﻟﺘﻲ‬‫ﻻ‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬‫اﻟﻀﻮء‬‫اي‬)‫ﻧﻮن‬‫ﻓﻮﺗﻮﻣﺘﺮك‬(
STANDARD AND RELATED MATERIAL(NON PHOTOMETRIC)
‫وﺗﺸﻤﻞ‬‫ھﺬه‬‫اﻟﻤﺠﻤﻮﻋﺔ‬‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫ﻣﻦ‬‫ﻧﻮع‬‫ﺳﺘﺎﻧﺪرد‬‫واﻟﻤﻮاد‬‫اﻻﺧﺮى‬‫اﻟﻤﺸﺎﺑﮭﮫ‬‫ﻟﮭﺎ‬‫واﻟﺘﻲ‬‫ﺗﻜﻮن‬‫ﻣﻦ‬‫ﻧﻮع‬‫)ﻧﻮن‬‫ﻓﻮﺗﻮﻣﺘﺮك‬NON
PHOTOMETRIC(‫اي‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﻻ‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺎﻟﻀﻮء‬‫ﺑﺸﻜﻞ‬.‫دﻗﯿﻖ‬
‫واﻟﺴﺒﺐ‬‫ﻓﻲ‬‫ﻛﻮﻧﮭﺎ‬‫ﻣﺘﺸﺎﺑﮭﺔ‬‫وﺗﻨﺪرج‬‫ﺗﺤﺖ‬‫ﻧﻔﺲ‬‫اﻟﻨﻮع‬‫ﻛﻤﺎ‬‫ذﻛﺮﻧﺎ‬,‫ﺳﺎﺑﻘﺎ‬‫ھﻲ‬‫اﻧﮭﺎ‬‫ﻣﻮاد‬‫ﻻ‬‫ﯾﺘﻢ‬‫ﻓﯿﮭﺎ‬‫اﺣﺘﺴﺎب‬‫اﻟﺼﻔﺎت‬‫اﻟﻔﯿﺰﯾﺎﺋﯿﺔ‬‫ﻟﻠﻀﻮء‬‫ﺑﻄﺮق‬
‫دﻗﯿﻘﺔ‬‫ﻋﻨﺪ‬‫اﻟﺮﻧﺪر‬‫ﻣﺜﻞ‬:‫ﺣﺴﺎب‬‫ﺷﺪة‬‫اﻟﻀﻮء‬)INTENSITY(‫وﺗﻨﺎﻗﺺ‬‫ھﺬه‬‫اﻟﺸﺪة‬‫ﻧﺴﺒﺔ‬‫اﻟﻰ‬‫اﻟﻤﺴﺎﻓﺔ‬)ATTENUATION,‫(...وﻏﯿﺮھﺎ‬‫اي‬‫ان‬
‫اﺳﺘﻌﻤﺎﻟﮭﺎ‬‫ﻻ‬‫ﯾﻌﻄﻲ‬‫ﻣﻮاد‬‫ﺗﺤﺎﻛﻲ‬‫اﻟﻮاﻗﻊ‬‫ﻣﻦ‬‫ﻧﺎﺣﯿﺔ‬‫ﺗﺎﺛﯿﺮ‬‫اﻟﻀﻮء‬‫ﻋﻠﯿﮭﺎ‬‫وﻻ‬‫ﯾﺆﺛﺮ‬‫اﻟﻀﻮء‬‫ﻓﻲ‬‫ﺻﻔﺎﺗﮭﺎ‬‫ﺑﺸﻜﻞ‬.‫دﻗﯿﻖ‬
‫وﻟﮭﺬا‬‫اﻟﺴﺒﺐ‬‫ﻓﺎن‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﺗﻜﻮن‬‫ﻣﻨﺎﺳﺒﺔ‬‫ﻻﺳﺘﺨﺪاﻣﮭﺎ‬‫ﻓﻲ‬‫اﻻﻟﻌﺎب‬)GAMES(‫اواﻟﺘﺤﺮﯾﻚ‬‫اﻟﻜﺮﺗﻮﻧﻲ‬)ANIMATION(‫ﻻﻧﮭﺎ‬‫ﺗﻌﻄﻲ‬‫ﻣﻠﻔﺎت‬
‫ﺻﻐﯿﺮة‬‫اﻟﺤﺠﻢ‬‫ﻓﯿﺴﮭﻞ‬‫ﻋﻤﻞ‬‫رﻧﺪر‬‫ﺳﺮﯾﻊ‬‫ﻟﻜﻞ‬‫ﻓﺮﯾﻢ‬)FRAME,(‫اﻣﺎ‬‫اذا‬‫ﻛﻨﺎ‬‫ﻧﻨﻮي‬‫ﻋﻤﻞ‬‫ﻧﻤﺎذج‬‫ﻣﻌﻤﺎرﯾﺔ‬‫ﻣﺜﻼ‬(ARCHITECTURE
VISUALIZATION)‫...ﻓﺎﻻﻓﻀﻞ‬‫اﺳﺘﺨﺪام‬‫ﻣﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬‫ﻓﻮﺗﻮﻣﺘﺮك‬‫واﻟﺘﻲ‬‫ﺗﺎﺧﺬ‬‫ﺑﻌﯿﻦ‬‫اﻻﻋﺘﺒﺎر‬‫ﺣﺴﺎﺑﺎت‬‫ﺷﺪة‬‫اﻟﻀﻮء‬‫وﺗﺎﺛﯿﺮ‬‫ذﻟﻚ‬‫ﻋﻠﻰ‬‫ﺻﻔﺎت‬
.‫اﻟﻤﻮاد‬
‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺗﻨﺪرج‬‫ﺗﺤﺖ‬‫ھﺬه‬‫اﻟﻤﺠﻤﻮﻋﺔ‬‫ھﻲ‬‫ﺧﻤﺴﺔ‬‫اﻧﻮاع‬‫رﺋﯿﺴﯿﺔ‬‫...ﻛﻤﺎ‬‫ﯾﻠﻲ‬:
1.‫اﻟﻣﺎدة‬‫اﻟﻧﻣوذﺟﯾﺔ‬STANDARD MATERIALS
2.‫ﻣﺎدة‬‫اﻟري‬‫ﺗرﯾس‬RAYTRACE
3.‫ﻣﺎدة‬‫اﻟﻣﺎت‬‫ﺷﺎدو‬MATTE/SHADOW
4.‫ﻣﺎدة‬‫اﻟﻤﻮرﻓﺮ‬MORPHER MATERIAL
5.‫ﻣﺎدة‬‫اﻻﻧك‬‫اﻧد‬‫ﺑﯾﻧت‬INK N PAINT
‫ﻛل‬‫ﻣﺎدة‬‫ﻣن‬‫اﻟﻣواد‬‫اﻟﺳﺎﺑﻘﺔ‬‫ھﻲ‬‫ﻣﺎدة‬‫ﻣﻧﻔردة‬‫ﺑﺣد‬‫ذاﺗﮭﺎ‬‫و‬‫ﻟﮭﺎ‬‫ﻣﺗﺣﻛﻣﺎﺗﮭﺎ‬‫اﻟﺧﺎﺻﺔ‬‫ﺑﮭﺎ‬...
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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‫اﻟﻤﻮاد‬‫اﻟﻤﺮﻛﺒﺔ‬‫ﻣﻦ‬‫ﻋﺪة‬‫ﻣﻮاد‬
COMPOUND MATERIALS
‫ﺳﻤﯿﺖ‬‫ھﺬه‬‫اﻟﻤﺠﻤﻮﻋﺔ‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫ﺑﺎﻟﻤﻮاد‬‫اﻟﻤﺮﻛﺒﺔ‬‫ﻻﻧﮭﺎ‬‫ﺑﻌﻜﺲ‬‫اﻟﻤﻮاد‬‫ﻓﻲ‬‫اﻟﻤﺠﻤﻮﻋﺔ‬‫اﻟﺴﺎﺑﻘﺔ‬‫اﻟﺘﻲ‬‫ﺗﻜﻮن‬‫ﻛﻞ‬‫ﻣﺎدة‬‫ﻣﻨﮭﺎ‬‫ﻣﺎدة‬‫ﻣﻨﻔﺮدة‬‫ﺑﺤﺪ‬,‫ذاﺗﮭﺎ‬‫ﻓﻜﻞ‬
‫ﻣﺎدة‬‫ﻣﻦ‬‫ھﺬه‬‫اﻟﻤﻮاد‬‫ﺗﺘﻜﻮن‬‫ﺑﺪورھﺎ‬‫ﻣﻦ‬‫ﻣﺠﻤﻮﻋﺔ‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫ﺗﻌﻤﻞ‬‫ﻣﻊ‬‫ﺑﻌﺾ‬‫ﺑﺸﻜﻞ‬‫ﻣﻌﯿﻦ‬‫ﻟﺘﻨﺘﺞ‬‫اﻟﻤﺎدة‬.‫اﻟﻨﮭﺎﺋﯿﺔ‬
‫وﺗﻨﺪرج‬‫ﺗﺤﺖ‬‫ھﺬه‬‫اﻟ‬‫ﻤﺠﻤﻮﻋﺔ‬‫ﺳﺘﺔ‬‫ﻣﻮاد‬‫ﻣﺮﻛﺒﺔ‬‫وھﻲ‬:
1.‫ﻣﺎدة‬‫اﻟﻣزج‬BLEND
2.‫ﻣﺎدة‬‫اﻟﺗراﻛب‬COMPOSITE
3.‫اﻟﻣﺎدة‬‫ذات‬‫اﻟوﺟﮭﯾن‬DOUBLE SIDED
4.‫اﻟﻣﺎدة‬‫ﻣﺗﻌددة‬‫اﻟﻣواد‬‫اﻟﻔرﻋﯾﺔ‬MULTI/SUB-OBJECT
5.‫ﻣﺎدة‬‫اﻟﺸﯿﻼك‬SHELLAC
6.‫ﻣﺎدة‬‫اﻟﺠﺰﺋﯿﻦ‬‫اﻻﻋﻠﻰ‬‫واﻻﺳﻔﻞ‬TOP/BOTTOM
‫ﻣﺎدة‬‫اﻟﺸﯿﻞ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﺎﻟﺘﻜﺴﺸﺮ‬‫ﺑﯿﻜﻨﻎ‬SHELL MATERIAL FOR TEXTURE BAKING
‫ﺗﺴﺘﺨﺪم‬‫ھﺬه‬‫اﻟﻤﺎدة‬‫ﻣﻊ‬‫ﺟﺴﻢ‬‫ﻟﮫ‬‫ﻣﺎدة‬‫ﻣﻌﯿﻨﺔ‬‫و‬‫ﺗﻢ‬‫ﻋﻤﻞ‬‫ﺗﺴﺸﺮ‬‫ﺑﯿﻜﻨﻎ‬)TEXTURE BAKING(‫ﻟﮭﺬه‬‫اﻟﻤﺎدة‬‫ﻋﻦ‬‫طﺮﯾﻖ‬‫ال‬)RENDER TO
TEXTURE.(
‫واﻟﺘﺴﺸﺮ‬‫ﺑﯿﻜﻨﻎ‬)TEXTURE BAKING(‫...ھﻲ‬‫طﺮﯾﻘﺔ‬‫ﻟﺨﺰن‬‫اﻋﺪادات‬‫اﻻﺿﺎءة‬‫واﻟﻈﻞ‬‫اﻟﻤﺼﺎﺣﺐ‬‫ﻟﮭﺎ‬‫ﻣﻊ‬‫اﻋﺪادات‬‫اﻟﺨﺎﻣﺔ‬‫ﻋﻠ‬‫ﻰ‬‫ﺷﻜﻞ‬‫ﺻﻮرة‬
)IMAGE(‫ﻣﻦ‬‫ﻧﻮع‬)BITMAP,(‫وﺑﺬﻟﻚ‬‫ﻋﻨﺪ‬‫ﻋﻤﻞ‬‫رﻧﺪر‬‫ﻟﻠﺨﺎﻣﺔ‬‫ﯾﺘﻢ‬‫اﺳﺘﺪﻋﺎء‬‫ﺗﻠﻚ‬‫اﻟﺼﻮرة‬‫ﺑﺪﻻ‬‫ﻋﻦ‬‫ﻋﻤﻞ‬‫ﺣﺴﺎﺑﺎت‬‫ﻟﻼﺿﺎءة‬,‫واﻟﻈﻞ‬‫ھﺬه‬
‫اﻟﺤﺴﺎﺑﺎت‬‫اﻟﺘﻲ‬‫ﻗﺪ‬‫ﺗﻜﻮن‬‫طﻮﯾﻠﺔ‬‫وﺗﺆﺧﺮ‬‫ﻣﻦ‬‫زﻣﻦ‬‫اﻟﺮﻧﺪر‬‫ﺑﺸﻜﻞ‬.‫ﻛﺒﯿﺮ‬
‫ﺗﺴﺘﺨﺪم‬‫ھﺬه‬‫اﻟﻄﺮﯾﻘﺔ‬‫ﺑﺎﻟﺪرﺟﺔ‬‫اﻻﺳﺎﺳﯿﺔ‬‫ﻓﻲ‬‫ﻋﻤﻞ‬‫اﻻﻟﻌﺎب‬)GAMES(‫ﻻن‬‫ذﻟﻚ‬‫ﺳﯿﺨﺘﺼﺮ‬‫ﻣﻦ‬‫زﻣﻦ‬‫ﺣﺴﺎب‬‫اﻻﺿﺎءات‬‫ﻣﺮة‬,‫اﺧﺮى‬‫ﻓﯿﻘﻞ‬‫ﺑﺬﻟﻚ‬
‫زﻣﻦ‬,‫اﻟﺮﻧﺪر‬‫وھﻮ‬‫اﺧﺘﺼﺎر‬‫ﻓﻲ‬‫وﻗﺖ‬‫ﻣﮭﻢ‬‫ﺟﺪا‬‫ﺑﺎﻟﻨﺴﺒﺔ‬‫ﻟﻼﻟﻌﺎب‬.
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
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‫ﻣﻼﺣﻈﺔ‬:‫ان‬‫اﻟﻜﻠﻤﺔ‬(‫ﻚ‬ْ ِ‫ﯿ‬َ‫ﺑ‬)‫او‬)BAKE(‫ﺑﺎﻻﻧﺠﻠﯿﺰﯾﺔ‬‫ﺗﺨﺺ‬‫ﻣﺠﺎل‬‫اﻟﻄﺒﺦ‬‫ﺑﺎﻟﺪرﺟﺔ‬‫اﻻﺳﺎﺳﯿﺔ‬‫وﺗﻌﻨﻲ‬‫ﻣﺰج‬‫ﻟﻤﺠﻤﻮﻋﺔ‬‫ﻣﻦ‬‫اﻟﻤﻜﻮﻧﺎت‬‫ﻟﻐﺮض‬
‫ﺧﺒﺰھﺎ‬‫ﻓﻲ‬‫اﻟﻔﺮن,وﻣﻦ‬‫اﻟﺨﻄﺄ‬‫اﻋﺘﻤﺎد‬‫ھﺬه‬‫اﻟﺘﺮﺟﻤ‬‫ﺔ‬‫ﻓﻲ‬‫ﺣﺎﻟﺘﻨﺎ‬,‫ھﺬه‬‫اي‬‫ﺗﺮﺟﻤﺘﮭﺎ‬ً‫ﺣﺮﻓﯿﺎ‬‫اﻟﻰ‬‫اﻟﻠﻐﺔ‬‫اﻟﻌﺮﺑﯿﺔ‬‫اﻟﻰ‬‫)اﻟﺨﺒﺰ‬‫او‬,(‫اﻟﺸﻮي‬‫وﻟﮭﺬا‬
‫ﺳﺎﻛﺘﺐ‬‫اﻟﻜﻠﻤﺔ‬‫ﻛﻤﺎ‬‫ﺗﻠﻔﻆ‬‫ﺑﺎﻻﻧﺠﻠﯿﺰﯾﺔ‬‫ﻋﻠﻰ‬‫اﻟﺸﻜﻞ‬‫اﻟﺘﺎﻟﻲ‬.(‫ﻚ‬ْ ِ‫ﯿ‬َ‫ﺑ‬)
‫ﻛﯿﻒ‬‫ﺗﺴﺘﺨﺪم‬‫ھﺬه‬:‫اﻟﻤﺎدة‬
‫ﻋﻨﺪﻣﺎ‬‫ﻧﺴﺘﺨﺪم‬‫ﺧﺎﺻﯿﺔ‬)RENDER TO TEXTURE(‫ﻟﻌﻤﻞ‬)‫ك‬ْ ِ‫ﯾ‬َ‫ﺑ‬(‫ﻟﺨﺎﻣﺔ‬,‫ﻣﻌﯿﻨﺔ‬‫ﻓﺎﻟﻨﺎﺗﺞ‬‫ﺳﯿﻜﻮن‬‫ﻣﺎدة‬‫ﺟﺪﯾﺪة‬‫ﺗﺴﻤﻰ‬‫ﻣﺎدة‬‫اﻟﺸﯿﻞ‬)SHELL
MATERIAL(‫وھﻲ‬‫ﺗﺘﺎﻟﻒ‬‫ﻣﻦ‬‫ﻣﺎدﺗﯿﻦ‬‫وھﻤﺎ‬:‫اﻟﻤﺎدة‬‫اﻻﺻﻠﯿﺔ‬‫اﻟﺘﻲ‬‫ﺗﻢ‬‫اﺳﺘﻌﻤﺎﻟﮭﺎ‬‫واظﮭﺎرھﺎﻋﻨﺪ‬,‫اﻟﺮﻧﺪر‬‫وﻣﺎدة‬‫ال‬)‫ك‬ْ ِ‫ﯾ‬َ‫ﺑ‬(‫او‬)‫ال‬BAKED
MATERIAL(‫اﻟﺘﻲ‬‫ﯾﺘﻢ‬‫اﻧﺘﺎﺟﮭﺎ‬‫ﺧﻼل‬‫ھﺬه‬‫اﻟﻌﻤﻠﯿﺔ,وﻣﺎدة‬‫ال‬)‫ك‬ْ ِ‫ﯾ‬َ‫ﺑ‬(‫ھﺬه‬‫َﺴﺘﻌﻤﻞ‬‫ﺗ‬‫ﺧﺮﯾﻄﺔ‬‫ﻣﻦ‬‫ﻧﻮع‬)BITMAP(‫ﯾﺘﻢ‬‫ﺧﺰﻧﮭﺎ‬‫ﻓﻲ‬‫اﻟﺬاﻛﺮة‬‫وﯾﺘﻢ‬
‫اﺳﺘﺪﻋﺎﺋﮭﺎ‬‫ﻋﻨﺪ‬.‫اﻟﺤﺎﺟﺔ‬
‫وﻟﮭﺬا‬‫ﻧﺴﺘﻌﻤﻞ‬‫اﻟﺘﻌﺒﯿﺮ‬)‫ك‬ْ ِ‫ﯾ‬َ‫ﺑ‬(‫ﻻن‬‫ھﺬه‬‫اﻟﺨﺮﯾﻄﺔ‬‫ﺗﻜﻮن‬‫ﻣﻮﺻﻮﻟﺔ‬‫و‬‫ﻣﺮﺗﺒﻄﺔ‬‫ﻣﻊ‬‫ذﻟﻚ‬‫اﻟﺠﺴﻢ‬.
‫وﻻ‬‫ﻧﺴﺘﻄﯿﻊ‬‫اﺳﺘﺨﺪام‬‫ھﺬه‬‫اﻟﻤﺎدة‬‫اﻻ‬‫ﻋﻠﻰ‬‫ﺟﺴﻢ‬‫ﻗﺪ‬‫ﺗﻢ‬‫ﻋﻤﻞ‬‫اﻟﺘﺴﺸﺮ‬‫ﺑﯿﻜﻨﻎ‬)TEXTURE BAKING(...ُ‫ﮫ‬‫ﻟ‬
‫ﻣﻮاد‬‫اﻻﻛﺲ‬‫رﻓﺮﻧﺲ‬
XREF MATERIALS
‫ان‬‫ﻣﻮاد‬‫اﻻﻛﺲ‬‫رﻓﺮﻧﺲ‬)XREF MATERIALS(‫ﺗﻨﺪرج‬‫ﺗﺤﺖ‬‫ﻣﺠﻤﻮﻋﺔ‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬,‫ﺳﺘﺎﻧﺪرد‬‫وﺗﺸﺒﮫ‬‫ﻓﻲ‬‫ﻣﻔﮭﻮﻣﮭﺎ‬‫اﻻﻛﺲ‬‫رﻓﺮﻧﺲ‬
‫اوﺑﺠﻜﺖ‬)XREF OBJECT(,‫ﻓﻜﻤﺎ‬‫ان‬‫اﻻﻛﺲ‬‫رﻓﺮﻧﺲ‬‫اوﺑﺠﻜﺖ‬‫ﯾﺴﻤﺢ‬‫ﻟﻨﺎ‬‫ﺑﺎﻻﺳﺘﻌﺎﻧﺔ‬‫ﺑﻨﻤﻮذج‬‫ﻣﻦ‬‫ﻣﻠﻒ‬‫اﺧﺮ‬‫ﻟﻼﺳﺘﻔﺎدة‬‫ﻣﻨﮫ‬‫ﻓﻲ‬‫ﻣﻠﻒ‬‫اﻟﻌﻤﻞ‬,‫ﻓﺎن‬
‫اﻻﻛﺲ‬‫رﻓﺮﻧﺲ‬‫ﻣﺘﯿﺮﯾﺎل‬‫ﻛﺬﻟﻚ‬‫ﺗﺴﻤﺢ‬‫ﻟﻨﺎ‬‫ﺑﺎﻻﺳﺘﻌﺎﻧﺔ‬‫ﺑﻤﺎدة‬‫ﻣﻦ‬‫ﻣﻠﻒ‬‫ﺧﺎرﺟﻲ‬‫ﻟﻨﻄﺒﻘﮭﺎ‬‫ﻋﻠﻰ‬‫اﻟﻨﻤﻮذج‬‫اﻟﺬي‬‫ﻋﻨﺪﻧﺎ‬‫اي‬‫اﻧﮭﺎ‬‫ﺗﻮﻓﺮ‬‫ﻟﻨﺎ‬‫اﻣﻜﺎﻧﯿﺔ‬‫اﺳﺘﺨﺪام‬
‫ﻣﺎدة‬‫ﻣﻄﺒﻘﺔ‬‫ﻋﻠﻰ‬‫ﻧﻤﻮذج‬‫ﻣﻦ‬‫ﻣﻠﻒ‬‫ﺧﺎرﺟﻲ‬‫وذﻟﻚ‬‫ﺑﺎﺣﻈﺎرھﺎ‬‫ﻟﻠﻤﻠﻒ‬‫اﻟﺬي‬‫ﻧﻌﻤﻞ‬‫ﻋﻠﯿﮫ‬‫ﺣﺎﻟﯿﺎ‬‫وﺗﻄﺒﯿﻘﮭﺎ‬‫ﻋﻠﻰ‬‫اﻟﻨﻤﻮذج‬,‫اﻟﺤﺎﻟﻲ‬‫وﯾﺠﺐ‬‫ان‬‫ﻧﻼﺣﻆ‬‫ﺑﺎن‬
‫ا‬‫ﻟﻤﺎدة‬‫ﻻ‬‫ﯾﺘﻢ‬‫اﺳﺘﯿﺮادھﺎ‬‫ﻟﻤﻠﻒ‬‫اﻟﻌﻤﻞ‬‫ﻛﻤﺎ‬‫ﯾﺤﺪث‬‫ﻓﻲ‬‫اﻻﻣﺮ‬‫ﯾﻦ‬)MERGE(‫او‬)EXPORT(‫وﻟﻜﻦ‬‫ﯾﺘﻢ‬‫اﺳﺘﺨﺪام‬‫اﻟﻤﺎدة‬‫وھﻲ‬‫ﻓﻲ‬‫ﻣﻠﻔﮭﺎ‬‫اﻻﺻﻠﻲ‬‫دون‬
‫اﺿﺎﻓﺘﮭﺎ‬‫ﻟﻤﻠﻒ‬.‫اﻟﻌﻤﻞ‬
‫ھﺬه‬‫اﻟﺨﺎﺻﯿﺔ‬‫او‬‫اﻟﻤﺎدة‬‫ﻣﻔﯿﺪة‬‫ﻓﻲ‬‫ﺣﺎل‬‫ﻗﻤﻨﺎ‬‫ﺑﻌﻤﻞ‬‫ﻣﺸﺎرﯾﻊ‬‫ﻣﺘﺸﺎﺑﮭﺔ‬‫واﺣﺘﺠﻨﺎ‬‫اﻟﻰ‬‫ﺗﻜﺮار‬‫اﺳﺘﺨﺪام‬‫ﻧﻔﺲ‬‫اﻟﻤﻮاد‬‫ﻛﻤﺎ‬‫ﻓﻲ‬‫اﻟﻤﺸﺎرﯾﻊ‬‫ا‬‫ﻟﻤﻌﻤﺎرﯾﺔ‬‫ﻓﻨﻘﻮم‬
‫ﻣﺜﻼ‬‫ﺑﺨﺰن‬‫ﻣﺎدة‬‫طﺎﺑﻮق‬‫ﻣﻌﯿﻨﺔ‬‫وﻧﺤﻀﺮھﺎ‬‫ﻛﻠﻤﺎ‬‫اردﻧﺎ‬,‫ﻓ‬‫ﻼ‬‫ﻧﻀﻄﺮ‬‫ﺑﺬﻟﻚ‬‫ﻟﺘﻜﺮار‬‫ﺗﺼﻤﯿﻤﮭﺎ‬.
‫وﻻن‬‫اﻟﻤﺎدة‬‫ﺗﻈﻞ‬‫ﻓﻲ‬‫ﻣﻠﻔﮭﺎ‬‫اﻻﺻﻠﻲ‬,‫ﯾﺒﻘﻰ‬‫ﻣﻠﻒ‬‫اﻟﻌﻤﻞ‬.‫ﺻﻐﯿﺮا‬
‫ﻣﻦ‬‫اﻟﻤﮭﻢ‬‫ﻣﻌﺮﻓﺘﮫ‬‫اﻧﻨﺎ‬‫ﯾﺠﺐ‬‫ان‬‫ﻧﺤﺘﻔﻆ‬‫ﺑﻤﻠﻒ‬‫اﻟﻌﻤﻞ‬‫اﻟﺨﺎص‬‫ﺑﮭﺬه‬‫اﻟﻤﻮاد‬‫ﻓﻲ‬‫ﻣﻜﺎن‬,‫ﻧﻌﺮﻓﮫ‬‫ﻟﯿﺘﻢ‬‫ﺗﻌﺪﯾﻞ‬‫ﻣﺴﺎر‬‫ﺗﻠﻚ‬‫اﻟﻤﺎدة‬)PATH(‫ﺑﺴﮭﻮﻟﺔ‬‫ﻓﻲ‬‫ﺣﺎل‬
‫ﻗﯿﺎﻣﻨﺎ‬‫ﺑﺘﻐﯿﯿﺮ‬‫ﻓﻲ‬‫ﻣﻮاﻗﻊ‬.‫اﻟﻤﻠﻔﺎت‬
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
14
‫ﻣﺪاﺧـــﻠﺔ‬:
‫ﻛﻤﺎ‬‫ﺗﻼﺣﻆ‬‫ﻣﻦ‬‫اﻟﺼﻮرة‬‫اﻟﻤﺠﺎورة‬‫ﻓﺎن‬‫اﻟﺘﻌﺒﯿﺮ‬‫)ﺳﺘﺎﻧﺪرد‬
STANDARD(‫ﯾﺴﺘﺨﺪم‬‫ﻓﻲ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫ﻓﻲ‬‫ﻣﻮﺿﻌﯿﻦ‬‫وھﻤﺎ‬:
‫اﻻول‬:
‫ﯾﺸﯿﺮ‬‫اﻟﻰ‬‫ﻣﺠﻤﻮﻋﺔ‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬‫)ﺳﺘﺎﻧﺪرد‬STANDARD(‫اﻟﺘﻲ‬
‫ﺗﻈﮭﺮ‬‫ﻋﻨﺪ‬‫اﻟﻀﻐﻂ‬‫ﻋﻠﻰ‬‫ھﺬا‬‫اﻟﺰر‬‫وﯾﻨﺪرج‬‫ﺗﺤﺘﮭﺎ‬16
‫ﻧﻮع‬‫ﻣﻦ‬‫اﻟﻤﻮاد‬‫اﻟﻤﺴﺒﻘﺔ‬‫اﻻﻋﺪادات‬‫)وذﻟﻚ‬‫ﺟﺴﺐ‬‫اﻻﺻﺪار‬2011(...
‫واﻟﺜﺎﻧﻲ‬:
‫ﯾﺸﯿﺮ‬‫اﻟﻰ‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬‫)ﺳﺘﺎﻧﺪرد‬STANDARD(‫وھﻲ‬‫)اﻟﻤﺎدة‬
(‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫اﻟﺘﻲ‬‫ﺗﻜﻮن‬‫ﻣﻜﺘﻮﺑﺔ‬‫ﻋﻠﻰ‬‫زر‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬)TYPE
BUTTON(‫وھﻲ‬‫اﻟﻨﻮع‬‫اﻻﻓﺘﺮاﺿﻲ‬)DEFAULT
TYPE(,‫ﻟﻠﺒﺮﻧﺎﻣﺞ‬‫وھﻲ‬‫اﻛﺜﺮ‬‫اﻟﻤﻮاد‬‫اﺳﺘﺨﺪاﻣﺎ‬‫وﺷﯿﻮﻋﺎ‬‫وﺗﻐﻄﻲ‬‫ﺗﻘﺮﯾﺒﺎ‬
‫ﻛﻞ‬‫اﻧﻮاع‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﻧﺤﺘﺎج‬‫ﻟﺼﻨﻌﮫ‬.
‫اﻧﺘﮭﺖ‬...‫اﻟﻤﺪاﺧﻠﺔ‬
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﻛﺗﺎب‬‫اﻟﺛﺎﻧﻲ‬-‫اﻟﻣواد‬
15
‫ﻛﯿﻒ‬‫ﻧﺨﺘﺎر‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬‫اﻟﺘﻲ‬‫ﻧﺮﯾﺪ‬‫اﻟﻌﻤﻞ‬‫ﻋﻠﯿﮭﺎ‬‫؟‬
‫ﻛﻤﺎ‬‫وﺿﺤﻨﺎ‬‫ﺳﺎﺑﻘﺎ‬‫ﻓﺎن‬‫ﻟﻜﻞ‬‫ﻣﺎدة‬‫ﻧﻮع‬,‫ﻣﻌﯿﻦ‬‫وان‬‫اﺧﺘﯿﺎرﻧﺎ‬‫ﻟﻨﻮع‬‫اﻟﻤﺎدة‬‫اﻟﺘﻲ‬‫ﻧﺮﯾﺪ‬,‫ﺗﺼﻤﯿﻤﮭﺎ‬‫ﯾﻌﺘﻤﺪ‬‫ﺑﺎﻟﺪرﺟﺔ‬‫اﻟﺮﺋﯿﺴﯿﺔ‬‫ﻋﻠﻰ‬‫ﻣﺎﻧﺮﯾﺪ‬‫اظﮭﺎره‬‫وﻣﺪى‬
‫دﻗﺔ‬‫اﻻﺿﺎءة‬‫ﻓﻲ‬‫اﻟﻤﺸﮭﺪ‬‫وﻋﻠﻰ‬‫ﻧﻮع‬‫اﻟﻨﻤﻮذج‬‫اﻟﺬي‬‫ﻧﻌﻤﻞ‬‫ﻋﻠﯿﮫ,واﻟﻤﻘﺼﻮد‬‫ﺑﺎﻟﺪﻗﺔ‬‫ﻣﺪى‬‫ﺗﺎﺛﯿﺮ‬‫اﻻﺿﺎءة‬‫ﻓﻲ‬‫ﻣﺎدة‬‫اﻟﻨﻤﻮذج‬‫ﻛﻤﺎ‬‫ﺗﺆﺛﺮ‬‫اﻻﺿﺎءة‬
‫اﻟﻮاﻗﻌﯿﺔ‬‫ﻓ‬‫ﻲ‬‫اﻟﻌﺎﻟﻢ‬‫اﻟﺤﻘﯿﻘﻲ‬.
‫ﯾﻮﻓﺮ‬‫ﻟﻨﺎ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫اﻟﻌﺪﯾﺪ‬‫ﻣﻦ‬‫اﻟﻤﺼﯿﺮات‬‫)اﻟﺮﻧﺪرر‬RENDERER,(‫وھﺬه‬‫اﻟﻤﺼﯿﺮات‬‫ﺗﺨﺘﻠﻒ‬‫ﻋﻦ‬‫ﺑﻌﻀﮭﺎ‬‫اﻟﺒﻌﺾ‬‫ﻓﻲ‬‫طﺮﯾﻘﺔ‬‫اظﮭﺎر‬‫اﻟﺨﺎﻣﺎت‬
‫وﻣﺪى‬‫دﻗﺔ‬‫ﺗﺎﺛﯿﺮ‬‫اﻟﻀﻮء‬,‫ﻋﻠﯿﮭﺎ‬‫ﻛﻞ‬‫ﻧﻮع‬‫ﻣﻦ‬‫ھﺬه‬‫اﻟﻤﺼﯿﺮات‬‫ﯾﺪﻋﻢ‬‫ﻣﻮاد‬‫ﻣﻌﯿﻨﺔ‬‫ﻗﺪ‬‫ﻻ‬‫ﯾﺪﻋﻤﮭﺎ‬‫ﻣﺼﯿﺮ‬,‫اﺧﺮ‬‫ﻟﺬﻟﻚ‬‫ﻓﺎن‬‫ﻣﻦ‬‫اﻟﻀﺮوري‬‫اﺧﺘﯿﺎر‬‫ﻧﻮع‬
‫ا‬‫ﻟﻤﺼﯿﺮ‬‫اﻟﺬي‬‫ﻧﻨﻮي‬‫اﺳﺘﺨﺪاﻣﮫ‬‫ﻗﺒﻞ‬‫اﻟﺒﺪء‬‫ﺑﻌﻤﻞ‬‫اي‬‫ﻧﻤﻮذج‬‫او‬.‫ﻣﺸﮭﺪ‬
‫ﻣﻤﻜﻦ‬‫ﺗﻘﺴﯿﻢ‬‫اﻟﻤﻮاد‬‫وﻧﻮع‬‫اﻟﻤﺼﯿﺮ‬‫اﻟﺬي‬‫ﯾﻔﻀﻞ‬‫اﺧﺘﯿﺎره‬‫ﻣﻌﮭﺎ‬‫اﻟﻰ‬:‫ﻧﻮﻋﯿﻦ‬
1.‫اذا‬‫ﻛﺎﻧﺖ‬‫اﻟﺪﻗﺔ‬‫ﻓﻲ‬‫اﻻﺿﺎءة‬‫)اي‬‫اظﮭﺎر‬‫ﺗﺎﺛﯿﺮ‬‫اﻟﺼﻔﺎت‬‫اﻟﻔﯿﺰﯾﺎﺋﯿﺔ‬‫ﻟﻠﻀﻮء‬‫ﻓﻲ‬‫اﻟﺨﺎﻣﺔ‬‫وﺧﺎﺻﺔ‬‫ﺷﺪة‬(‫اﻻﺿﺎءة‬‫ﻟﯿﺴﺖ‬‫ﻣﮭﻤﺔ‬,‫ﺟﺪا‬
‫ﻓﺎﻻﻓﻀﻞ‬‫اﺳﺘﺨﺪام‬‫ﻣﺼﯿﺮ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫اﻻﻓﺘﺮاﺿﻲ‬SCANLINE RENDERER‫وﺗﺴﺘﺨﺪم‬‫ﻣﻌﮫ‬‫اﻟﻤﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫واﻟﻤﻮاد‬
‫اﻟﻤﺸﺎﺑﮭﮫ‬‫ﻟﮭﺎ‬‫)اﻟﺘﻲ‬‫ﻻ‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬‫اﻟﻀﻮ‬(‫ء‬)STANDARD AND RELATED MATERIAL (NON PHOTOMETRIC
2.‫اذا‬‫ﻛﺎﻧﺖ‬‫اﻟﺪﻗﺔ‬‫ﻓﻲ‬‫اﻻﺿﺎءة‬‫ﻣﮭﻤﺔ‬‫وﻧﺤﺘﺎج‬‫اظﮭﺎر‬‫ﺗﺎﺛﯿﺮ‬‫اﻟﻀﻮء‬‫ﺑﺪﻗﺔ‬‫ﻓﻲ‬‫اﻟﺨﺎﻣﺎت‬‫ﻓﻤﻦ‬‫اﻟﻤﻤﻜﻦ‬‫اﺳﺘﺨﺪام‬‫اﻟﻤﺼﯿﺮات‬‫اﻟﺘﺎﻟﯿﺔ‬:
a(‫ﻣﺼﯿﺮ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫اﻻﻓﺘﺮاﺿﻲ‬SCANLINE RENDERER‫ﺑﺸﺮط‬‫ﺗﻔﻌﯿﻞ‬‫ﺧﺎاﺻﯿﺔ‬‫اﻟﺮادﯾﻮﺳﺘﻲ‬RADIOSITY‫واﺳﺘﺨﺪام‬‫اﻟ‬‫ﻤﻮاد‬‫اﻟﺘﻲ‬
‫ﺗﺨﺺ‬‫اﻟﻌﻤﺎرة‬ARCHITECTURE MATERIALS‫او‬‫ﺣﺘﻰ‬‫اﺳﺘﺨﺪام‬‫ﻣﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬‫ﺳﺘﺎﻧﺪرد‬STANDARD MATERIAL‫ﻟﻜﻦ‬
‫ﺑﺸﺮط‬‫اﺳﺘﺨﺪاﻣﮭﺎ‬‫ﻣﻊ‬‫ﻣﺎدة‬‫ال‬ADVANCED LIGHTING OVERRIDE MATERIAL‫ﻟﻜﻲ‬‫ﻧﺘﻤﻜﻦ‬‫ﻣﻦ‬‫اﻟﺘﺤﻜﻢ‬‫اﻛﺜﺮﻓﻲ‬‫اﻟﺼﻔﺎت‬
‫اﻟﻔﯿﺰﯾﺎﺋﯿﺔ‬‫ﻟﻤﺎدة‬‫اﻟﺴﺘﺎﻧﺪرد‬‫ﻋﻦ‬‫طﺮﯾﻖ‬‫ھﺬه‬.‫اﻟﻤﺎدة‬
b(‫اﺳﺘﺨﺪام‬‫ﻣﺼﯿ‬‫ﺮ‬‫اﻟﻤﻨﺘﺎل‬‫ري‬MENTAL RAY RENDERE‫واﻟﺬي‬‫ﯾﺮاﻋﻲ‬‫اﻟﺪﻗﺔ‬‫ﻓﻲ‬‫اﻻﺿﺎءة‬‫وھﻮ‬‫ﯾﻌﺘﺒﺮ‬‫اﻓﻀﻞ‬‫ﺑﻜﺜﯿﺮ‬‫ﻣﻦ‬‫ﻣﺼﯿﺮ‬
‫اﻟﺒﺮﻧﺎﻣﺞ‬‫اﻻﻓﺘﺮاﺿﻲ‬SCANLINE RENDERER‫ﻣﻦ‬‫ﺣﯿﺚ‬‫اﺿﮭﺎره‬‫ﺑﻌﺾ‬‫اﻟﺘﺎﺛﯿﺮات‬‫اﻟﺘﻲ‬‫ﻻ‬‫ﯾﺴﺘﻄﯿﻊ‬‫اﻟﻤﺼﯿﺮ‬‫اﻻﻓﺘﺮاﺿﻲ‬‫ﻣﻦ‬
,‫ﺗﺤﻘﯿﻘﮭﺎ‬‫وﻟﺘﺤﻘﯿﻖ‬‫اﻓﻀﻞ‬‫ﻧﺘﺎﺋﺞ‬‫ﻣﻊ‬‫ھﺬا‬‫اﻟﻤﺼﯿﺮ‬‫ﯾﻨﺼﺢ‬‫ﺑﺎﺳﺘﺨﺪام‬‫اﺿﺎءة‬‫ﻣﻦ‬‫ﻧ‬‫ﻮع‬‫ﻓﻮﺗﻮﻣﺘﺮك‬‫وﻣﻮاد‬‫ﻣﻦ‬‫ﻧﻮع‬‫ﻣﻨﺘﺎل‬‫ري‬‫ﻣﺘﯿﺮﯾﺎل‬
MENTAL RAY MATERIALS.
‫ﺑﮭﺬا‬‫ﻧﻜﻮن‬‫ﻗﺪ‬‫اﻧﺘﮭﯿﻨﺎ‬‫ﻣﻦ‬‫ھﺬا‬‫اﻟﻔﺼﻞ‬‫وﻓﯿﮫ‬‫ﻗﻤﻨﺎ‬‫رج‬ْ ‫ﺪ‬َ ‫ﺑ‬‫وﺗﻌ‬‫ﺮﯾﻒ‬‫أﻧﻮاع‬‫أﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﯾﻮﻓﺮھﺎ‬‫اﻟﺒﺮﻧﺎﻣﺞ‬‫واﻟﻤﺼﯿﺮات‬‫اﻟﺘﻲ‬
‫ﺗﺘﻮاﻓﻖ‬‫ﻣﻌﮭﺎ‬‫وﻓﻲ‬‫اﻟﻔﺼﻮل‬‫اﻟﻘﺎدﻣﺔ‬‫ﺳﻨﻘﻮم‬‫ﺑﺸﺮح‬‫ﺗﻔﺼﯿﻠﻲ‬‫اﻛﺜﺮ‬‫ﻋﻦ‬‫ﻛﻞ‬‫ﻣﺎدة‬‫وﻣﺎھﻮ‬‫ﻋﻤﻠﮭﺎ‬‫وﺳﯿﺘﻢ‬‫ا‬‫ﻟﺘﺮﻛﯿﺰ‬‫ﻋﻠﻰ‬‫ﻣﻮاد‬
‫اﻟﺴﺘﺎﻧﺪرد‬‫اﻟﺘﻲ‬‫ﺗﺘﻮاﻓﻖ‬‫ﻣﻊ‬‫ﻣﺼﯿﺮ‬‫اﻟﻤﺎﻛﺲ‬‫اﻻﻓﺘﺮاﺿﻲ‬‫)ﺳﻜﺎن‬‫ﻻﯾﻦ‬SCANLINE RENDERER(.
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﺛﺎﻧﻲ‬ ‫اﻟﻛﺗﺎب‬-‫اﻟﻣواد‬
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‫اﻟﻘﺴــــﻢ‬	‫اﻟﺜﺎﻧــــﻲ‬...			
‫ﺷﺮح‬‫ﺗﻔﺼﯿﻠﻲ‬‫ﻻﻧﻮاع‬...‫اﻟﻤﻮاد‬
‫ﺑﻌﺪ‬‫ان‬‫ﻗﻤﻨﺎ‬‫ﺑﺘﻌﺮﯾﻒ‬‫ﻣﺒﺴﻂ‬‫ﻋﻦ‬‫ﻛﻞ‬‫ﻧﻮع‬‫ﻣﻦ‬‫اﻧﻮاع‬‫اﻟﻤﻮاد‬‫ﺳﻨﻌﺮض‬‫ﻓﻲ‬‫ھﺬا‬‫اﻟﻔﺼﻞ‬‫ﺷﺮح‬‫ﺗﻔﺼﯿﻠﻲ‬‫ﻟﺒﻌﺾ‬‫ﻣﻦ‬‫ھﺬه‬‫اﻻﻧﻮاع‬‫وﻟﯿﺲ‬,‫ﻛﻠﮭﺎ‬
‫وﺳﺎﺧﺼﺺ‬‫ﻓﻲ‬‫ھﺬا‬‫اﻟﻜﺘﺎب‬‫ﺷﺮح‬‫ﻟ‬‫ﻤﻮاد‬‫اﻟﻨﻮن‬‫ﻓﻮﺗﻮﻣﺘﺮك‬‫ﻓﻘﻂ‬‫واﻟﺘﻲ‬‫ﺗﺸﻤﻞ‬‫اﻟﻤﻮاد‬‫اﻟﺘﺎﻟﯿﺔ‬:
‫اوﻻ‬:‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫واﻟﻤﻮاد‬‫اﻟﻤﺸﺎﺑﮭﮫ‬‫ﻟﮭﺎ‬‫اﻟﺘﻲ‬‫ﻻ‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬‫اﻟﻀﻮء‬‫اي‬‫)ﻧﻮن‬(‫ﻓﻮﺗﻮﻣﺘﺮك‬‫واﻟﺘﻲ‬‫ﺗﺸﻤﻞ‬
1.‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬STANDARD MATERIALS
2.‫ﻣﺎدة‬‫اﻟﺮي‬‫ﺗﺮﯾﺲ‬RAYTRACE
3.‫ﻣﺎدة‬‫اﻟﻤﺎت‬‫ﺷﺎدو‬MATTE/SHADOW
4.‫ﻣﺎدة‬‫اﻟﻤﻮرﻓﺮ‬MORPHER MATERIAL
5.‫ﻣﺎدة‬‫اﻻﻧﻚ‬‫اﻧﺪ‬‫ﺑﯿﻨﺖ‬INK N PAINT
‫ﺛﺎﻧﯿﺎ‬:‫اﻟﻤﻮاد‬‫اﻟﻤﺮﻛﺒﺔ‬‫ﻣﻦ‬‫ﻋﺪة‬‫ﻣﻮاد‬COMPOUND MATERIALS‫واﻟﺘﻲ‬‫ﺗﺸﻤﻞ‬‫اﻟﻤﻮاد‬‫اﻟﺘﺎﻟﯿﺔ‬:
1.‫ﻣﺎدة‬‫اﻟﻤﺰج‬BLEND
2.‫ﻣﺎدة‬‫اﻟﺘﺮاﻛﺐ‬COMPOSITE
3.‫اﻟﻤﺎدة‬‫ذات‬‫اﻟﻮﺟﮭﯿﻦ‬DOUBLE SIDED
4.‫اﻟﻤﺎدة‬‫ﻣﺘﻌﺪدة‬‫اﻟﻤﻮاد‬‫اﻟﻔﺮﻋﯿﺔ‬MULTI/SUB-OBJECT
5.‫ﻣﺎدة‬‫اﻟﺸﯿﻼك‬SHELLAC
6.‫ﻣﺎدة‬‫اﻟﺠﺰﺋﯿﻦ‬‫اﻻﻋﻠﻰ‬‫واﻻﺳﻔﻞ‬TOP/BOTTOM
‫اﻧﻈﺮ‬‫اﻟﺼﻮرة‬‫اﻟﺘﺎﻟﯿﺔ‬‫وﻓﯿﮭﺎ‬‫ﻗﻤﺖ‬‫ﺑﺘﺎﺷﯿﺮ‬‫ﻛﻞ‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺳﺎﻗﻮم‬‫ﺑﺸﺮﺣﮭﺎ‬‫ﻓﻲ‬‫اﻟﻔﺼﻮل‬:‫اﻟﻘﺎدﻣﺔ‬
‫اﻟﺼﻮرة‬‫اﻟﺘﺎﻟﯿﺔ‬‫ھﻲ‬‫واﺟﮭﺔ‬‫اﻟﻤﺘﯿﺮﯾﺎل‬‫ﻣﺎب‬‫ﺑﺮاوﺳﺮ‬‫ﻟﻼﺻﺪار‬2016‫واﻟﻤﺼﯿﺮ‬‫اﻟﻤﻔﻌﻞ‬‫ھﻮ‬‫اﻟﻤﺼﯿﺮ‬‫اﻻﻓﺘﺮاﺿﻲ‬‫ﻟﻠﻤﺎﻛﺲ‬‫وھﻮ‬‫اﻟﻤﺼﯿﺮ‬
‫)ﺳﻜﺎﻧﻼﯾﻦ‬SCANLINE.(
‫ﻟﻼﻛﺳﺎء‬ ‫اﻟﺷﺎﻣل‬ ‫دﻟﯾﻠك‬‫اﻟﺛﺎﻧﻲ‬ ‫اﻟﻛﺗﺎب‬-‫اﻟﻣواد‬
17
‫واﻻن‬‫و‬‫ﺑﻌﺪ‬‫ان‬‫ﺗﻌﺮﻓﻨﺎ‬‫ﻋﻠﻰ‬‫اﻧﻮاع‬‫اﻟﻤﻮاد‬‫اﻟﺘﻲ‬‫ﺳﻨﺸﺮﺣﮭﺎ‬‫ﻓﻲ‬‫ھﺬا‬‫اﻟﻜﺘﺎب‬,‫ﻧﻨﺘﻘﻞ‬‫ﻓﻲ‬‫اﻟﻔﺼﻮل‬‫اﻟﺘﺎﻟﯿﺔ‬‫اﻟﻰ‬‫ﺷﺮح‬‫ﺗﻔﺼﯿﻠﻲ‬‫ﻟﻜﻞ‬‫ﻣﺎدة‬‫ﻣﻦ‬‫ھﺬه‬‫اﻟﻤﻮاد‬
‫وﺷﺮح‬‫ﻛﻞ‬‫اﻟﻘﻮاﺋﻢ‬‫اﻟﺨﺎﺻﺔ‬‫ﺑﮭﺎ‬‫وﻓﻲ‬‫ﺑﻌﺾ‬‫اﻟﻤﻮاد‬‫ﺳﺎﻗﻮم‬‫ﺑﺎﻋﻄﺎء‬‫اﻣﺜﻠﺔ‬‫ﻋﻠﻰ‬‫طﺮﯾﻘﺔ‬‫اﺳﺘﺨﺪام‬‫ﺗﻠﻚ‬.‫اﻟﻤﺎدة‬
...‫اوﻻ‬
‫اﻟﻤﺎدة‬‫اﻟﻨﻤﻮذﺟﯿﺔ‬‫واﻟﻤﻮاد‬‫اﻟﻤﺸﺎﺑﮭﮫ‬‫ﻟﮭﺎ‬‫اﻟﺘﻲ‬‫ﻻ‬‫ﺗﺘﺎﺛﺮ‬‫ﺑﺪﻗﺔ‬‫اﻟﻀﻮء‬‫اي‬‫)ﻧﻮن‬(‫ﻓﻮﺗﻮﻣﺘﺮك‬
STANDARD MATERIAL AND RELATED MATERIALS (NON-PHOTOMETRIC)
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
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Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
Your complete guide in texturing - Materials
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