Wooden O Program[1]

* Part of the Seattle Outdoor Theater Festival
Fri, July 10, 7:00 p.m.
Issaquah Community Center Open Space, Issaquah
Sat, July 11, 2:00 p.m.
Luther Burbank Park Amphitheatre, Mercer Island
Sun, July 12, 7:00 p.m.
Volunteer Park,* Seattle
Wed, July 15, 7:00 p.m.
Lynndale Park Amphitheater, Lynnwood
Thu, July 16, 7:00 p.m.
Fri, July 17, 7:00 p.m.
Angle Lake Park, SeaTac
Sat, July 18, 7:00 p.m.
Pine Lake Park, Sammamish
Sun, July 19, 3:00 p.m.
Edmonds City Park, Edmonds
Wed, July 22, 6:30 p.m.
Steel Lake Park, Federal Way
Thu, July 23, 7:00 p.m.
Fri, July 24, 7:00 p.m.
Sat, July 25, 7:00 p.m.
Sun, July 26, 2:00 p.m.
Seattle Center, Seattle
Wed, July 29, 7:00 p.m.
Richmond Beach Community Park, Shoreline
Thu, July 30, 7:00 p.m.
Fri, July 31, 7:00 p.m.
Sat, Aug 1, 7:00 p.m.
Sun, Aug 2, 2:00 p.m.
Allen York Park, Bonney Lake
Thu, July 9, 7:00 p.m.
Fri, July 10, 7:00 p.m.
Sat, July 11, 2:00 p.m.
Volunteer Park,* Seattle
Sun, July 12, 7:00 p.m.
Thu, July 16, 7:00 p.m.
Fri, July 17, 7:00 p.m.
Sat, July 18, 7:00 p.m.
Sun, July 19, 3:00 p.m.
Animal Acres Park, Lake Forest Park
Wed, July 22, 7:00 p.m.
Thu, July 23, 7:00 p.m.
Fri, July 24, 7:00 p.m.
Angle Lake Park, Sea Tac
Sat, July 25, 7:00 p.m.
Pine Lake Park, Sammamish
Sun, July 26, 6:00 p.m.
Seattle Center, Seattle
Fri, July 31, 7:00 p.m.
City Hall Open Space, Redmond
Sun, Aug 2, 7:00 p.m.

Glorious Summer
For me, my job consists of thinking and dreaming about summer all year long. By fall
(or even earlier) I’m picking plays for the next summer’s outdoor season. In December
and January, dates for performances are being determined and directors and
designers hired. Spring brings auditions and by May, the entire Wooden O company
is in place and rehearsals start June. In many ways, I’m lucky: my summer never seems
to end. A brief break at the end of August and the whole cycle starts again.
Now here we are and summer has really come. There are some years when you think
it might not ever arrive. Where was summer as the lengthy election cycle ground
through the fall? As Washington Mutual became Chase? As the city was paralyzed by
December’s snow and holiday travel plans up were ended by impassable ice covered
roads? Or as the world’s first flu pandemic in forty years spread out of Mexico? Summer
couldn’t come soon enough!
Yet summer is here. For sixteen years, I have been sustained through the tumultuous and
tedious with the expectation of summer’s inevitable return and its gift of light, warmth
and our collective impulse to venture out to spend time together in the parks.
All of us are pleased to be a part of what makes your summer worth looking forward
to. We hope that our performances add to your “summer boost” as it sustains you
through next fall and gives you something to dream about in the winter and spring.
We get to think about summer all year round; we hope our efforts do a little of the
same for you.
— George Mount,
Director of Outdoor and Touring Performances
WELCOME FROM THE artistic DIRECTOR
Sponsors:
Mercer Island
Arts Council

richard iiiBy William Shakespeare | Directed by Stephanie Shine
Scenic Designer Craig Wollam
Costume Designer Janessa Jayne Styck
Sound Designer M. Elizabeth Eller
Fight Choreographer Deborah Fialkow
Dance Choreographer Jennifer Havlin

In order of appearance
Richard George Mount*
Clarence/Edward/Ely/Oxford Carter Rodriquez
Brakenbury/Margaret/1stMessenger Kimberly White
Hastings/3rd Messenger/Blunt Jose Rufino
Anne/Ratcliffe Chiara B. Motley
Elizabeth/Norfolke Annie Lareau
Gray/1st Murderer/Bishop/Richmond Tim Gouran
Rivers/Mayor/Tyrrel/Sherrif/Brandon Jon Lutyens
Dorset/2nd Murderer Damian Peterson
Buckingham/Berkley Mike Dooly
Stanely/Duchess Karen Nelsen
Catesby/Tressel Patrick Allcorn
Young York/Page Leah Russell
Young Elizabeth/Young Prince/2nd Messenger Calleigh Shine
Stage Manager Sarah Dale Rice
Production Assistant Amanda Stoddard
Properties Designer Marleigh Driscoll
Technical Direction Seattle Scenic Studios
*Member of Actors’Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The taking of pictures or the making of recordings of any kind during the performance is strictly prohibited.
DESIGN TEAM
CAST
PRODUCTION STAFF

the taming of
the shrewBy William Shakespeare | Directed by Aimée Bruneau
Scenic Designer Craig Wollam
Costume Designer K.D. Schill
Sound Designer Robertson Witmer
Fight Choreographer Deborah Fialkow
Dance Choreographer Jennifer Havlin
Original Music Composer Barbara Lamb
Stage Manager/Assistant Director Miller Freeman IV*
In order of appearance
Hortensio John Ulman
Widow/Phyllis Sophia Villaneuva
Lucentio Brian Claudio Smith
Tranio Samara Lerman
Biondello/Sugarsop Carol Thompson
Mama Baptista Minola Karen Jo Fairbrook
Kate Minola Kelly Kitchens*
Bianca Minola Angela DiMarco
Gremio/Walter Keith Dahlgren
Petruchio David Quicksall*
Grumio David S. Hogan
Pedant/ Soldier/Joseph/Priest David Gassner
Vincentio/Curtis Bill Higham
Production Assistant Miranda C. Pratt
Properties Designer Katie Joyce
Technical Direction Seattle Scenic Studios
*Member of Actors’Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The taking of pictures or the making of recordings of any kind during the performance is strictly prohibited.
DESIGN TEAM
CAST
PRODUCTION STAFF

Cell phones and pagers are disruptive to actors and audiences. Please turn them off
or leave them with the site manager before the performance.
Sound and video recordings are prohibited during the performance.
Please be courteous to your fellow patrons and refrain from smoking in the audience.
If you wish to smoke, please do so outside the perimeter of the audience area.
Reservations
All Wooden O productions are free and open to the public. You will not need
reservations or tickets but we do recommend arriving at least 20 minutes before the
start of the show to secure a good spot on the lawn.
What to bring
We recommend bringing a blanket or a chair. If you do bring a chair, we ask that you
sit towards the back of the audience area so as not to block the view of those sitting
on the ground.You are more than welcome to bring food to the venue, but we do ask
that you pack out everything that you brought to the park.
Rain or Shine?
Summer weather in the Northwest can be unpredictable, but we believe the show must go on. Please be prepared whether it
means sun block and drinking water or jackets, blankets, raingear and umbrellas. If an audience is willing to sit in the rain, the
show will go on. If the rain develops into thunder and lightning, we will cancel the show.
Contact Us
Phone Numbers
Ticket office: (206) 733-8222
Admin. offices: (206) 733-8228
Fax: (206) 733-8202
Ticket Office Summer Hours
Tuesday-Friday: 12 Noon to 4PM
Mailing Address
Seattle Shakespeare Company
PO Box 19595
Seattle, WA 98109
www.seattleshakespeare.org
for everyone’s enjoyment

The Taming of the Shrew
Mama Baptista, of the Padua Trailer Park, has two daughters: Katherina and Bianca.
Because of Kate’s ornery disposition, her Mama has declared that Bianca can’t get
married until Kate also has a ring on her finger. In order to get closer to the younger
and kinder Bianca, Lucentio and his buddyTranio comes up with a scheme to become
her tutor.
Petruchio swaggers in to the trailer park to visit his friend Hortensio (also a suitor to
Bianca). Motivated by the fact that Kate has a lifestyle far better than his, Petruchio
resolves to woo her.
To everyone’s surprise, Petruchio claims that he finds Kate charming. A marriage is
quickly arranged and Petruchio immediately sets out to“tame”Kate in his own unique
way. From showing up late to his own wedding to contradicting everything she says,
Petruchio tries to exhaust Kate into meekness. Things only get worse for Kate when
she has to set up a home in Petruchio’s “man shack”in the woods.
With Kate now married, Lucentio wins Bianca’s heart and Hortensio settles for the rich
widow. At a celebration for Bianca and Lucentio, Petruchio wagers that he has the most
obedient wife of all the men there. Does he win the bet? Kate lets him know.
Richard III
The House of Lancaster has been defeated in war and the House of York is now in
power. Determined to gain the throne now held by his brother Edward, Richard
convinces Edward that their brother Clarence has committed treason. Edward orders
Clarence to be imprisoned in the tower.
Still seeking to strengthen his ties to the throne, Richard woos Lady Anne, the grieving
fiancéeofthePrinceofWaleswhomRichardkilledinbattle.RichardconvincesHastings
and Buckingham that the reigning King’s wife, Elizabeth of York, is responsible for the
imprisonment of Clarence. Richard hires murderers to have Clarence put to death.
A sickly King Edward dies after learning of Clarence’s death. His young son the Prince,
heir to the throne, is summoned to take his father’s place. Richard and Buckingham
have the prince’s guardian, Rivers, excused and offer to protect the young Prince in
the tower. Rivers is executed and the Prince is now under Richard’s power.
Hastings expresses distaste for Richard’s desire to take the crown. Richard tricks him
into pronouncing his own death. Buckingham convinces the people that the Prince
is illegitimate, and thus Richard is finally offered the crown.
Richard orders Buckingham to kill the Prince. Buckingham refuses and he is denied
his earldom. Buckingham flees, attempting to join Richard’s enemy, Richmond. He
fails and is captured and executed. Lady Anne dies of a mysterious cause and Richard
offers himself as husband to his niece, Elizabeth of York.
Richard and Richmond’s armies meet at Bosworth Field. Richard is defeated. Richmond
accepts the crown and marries Elizabeth of York to end the discord between the
Yorks and the Landcasters.
Synopses of the plays

Patrick Allcorn
(Catesby/Tressel, Richard III)
Patrick is excited to be back for
a third summer with Wooden O.
He was previously seen as Charles
and Silvius in As You Like It and as
Salerio in The Merchant of Venice.
He was seen last fall indoors with
Seattle Shakespeare Company as
Westmoreland and The Douglas in
Henry IV Parts I and II, also directed
by Stephanie Shine. He has also
performed in Shakespeare plays with
Taproot, Greenstage, and Balagan.
Keith Dahlgren
(Gremio/Walter, Shrew)
Keith considers himself fortunate
to be in his fifth show for Wooden
O Theatre, including playing Peter
Quince in A Midsummer Night’s
Dream and the two Duke Brothers
in As You Like It. Other roles include
Lord Northumberland and Bardolph
in Henry IV at Seattle Shakespeare
Company, Arthur in End Days at
Seattle Public Theater, and Pozzo
in Waiting for Godot at Second
Story Repertory Theatre. Keith is
currently the Managing Director
for Seattle Public Theater. He has
been involved in the Puget Sound
theatre community since 1978,
after graduating from Whitman
College. He was the General
Manager of Village Theatre at the
Everett Performing Arts Center
for five years and the Managing
Director and a founding member
of Unexpected Productions. He has
acted and directed with over twenty
companies in the Puget Sound area,
CAST BIOGRAPHIES
Patrick
Allcorn
including Bellevue Civic Theatre,
Exchange Theatre, New City Theatre,
Renton Civic Theatre, Seattle
Children’s Theatre, Tacoma Actors
Guild, and Village Theatre. Keith has
served on the board of directors
for Theatre Puget Sound, as well as
Bellevue Civic Theatre and Seattle
Scenic Studios.
Angela DiMarco
(Bianca Minola, Shrew)
Angela was last seen as Cecily Cardew
in The Importance of Being Earnest
at Village Theatre. Angela will next
perform with Intiman Theatre as Ann
Rutledge in Abe Lincoln in Illinois. A
few of Angela’s favorite past roles
are Pamela Avery in So Many Words
with Theater Schmeater and Harper
in ReAct’s production of Angels in
America: Perestroika. Other Northwest
Theatres she has worked with are
Seattle Public Theater, Tacoma Actors
Guild, Annex Theatre, Live Girls!
Theatre and Spokane Interplayers.
Angela is married to actor David S
Hogan (Grumio).
Mike Dooly
(Buckingham/Berkley, Richard III)
This is Mike’s first time performing
with Wooden O and he feels
extremely blessed and privileged to
get to be part of such a powerhouse
of an ensemble. Mike recently played
Iago in Othello, Larry in Closer, and
Elvis in Picasso at the Lapin Agile, all at
the Balagan Theatre on Capitol Hill.
Karen Jo Fairbrook
(Mama Baptista Minola, Shrew)
Karen Jo is ecstatic her dreams of
treading the Seattle Shakespeare
Company boards, and working with
Aimée Bruneau, are coming true in this
fabulous Wooden O summer company.
She was recently in So Many Words
and Mamet, Schmamet at Theater
Schmeater, 14/48 The World’s Quickest
Theatre Festival, and Annex’s Tuesday.
Her other favorite roles include Daisy
in Daisy In The Dreamtime, Kate in Old
Times, Penny in You Can’t Take It With
You, Rosalind in As You Like It, and
Kentucky Ghosts. Karen Jo teaches at
Bellevue College where she directed
her adaptation of Romeo and Juliet
and works regularly with the WA State
Thespian Society adjudicating and
leading dialect workshops.
David Gassner
(Pedant/Soldier/Joseph/Priest, Shrew)
David received his M.F.A. from U.C. San
Diego’s ProfessionalTheatreTraining
Program. He’s appeared locally in Death
ofaSalesman at CHAC and TheIntelligent
DesignofJennyChow at Seattle Public
Theater. He played the Librarian in the
Northern California premiere of Glen
Berger’s UnderneaththeLintel and has
appeared at Milwaukee Repertory
Theatre and San Diego Repertory
Theatre. He currently serves as Artistic
Director ofTheater Schmeater, where
he’s directed Kvetch,TheMandrake,West
Coast premieres of Maria/Stuart and The
AmericanPilot, and the world premiere of
MametSchmamet! He shares his home
with his lovely wife Jackie.
Tim Gouran
(Gray/1st Murderer/Bishop 1/
Richmond, Richard III)
Tim is happy to return to Wooden O
and Seattle Shakespeare Company
after playing Prince Hal in Henry IV.
Other Seattle Shakespeare Company
productions include A Midsummer
Keith
Dahlgren
Karen Jo
Fairbrook
David
Gassner
Angela
DiMarco
Mike
Dooly

Tim
Gouran
Bill
Higham
Annie
Lareau
Samara
Lerman
Night’s Dream, Swansong, The Tempest
and Macbeth. He has worked with
Seattle Children’s Theatre (100
Dresses, The Secret Garden, Charlotte
Doyle, Hamlet, The Shakespeare
Stealer, The Wrestling Season), ACT
(A Christmas Carol, Stuff Happens,
Fuddy Meers, Young Playwright’s
Project) and Seattle Public Theater
(A Wedding Story, Of Mice and Men).
Other theatres credits include Seattle
Repertory Theatre, Book-It Repertory
Theatre, Theater Schmeater, Annex
Theatre, and Washington Ensemble
Theatre, where he is a proud artistic
collaborator. He recently appeared
in the television series Leverage with
Oscar winner Timothy Hutton. His
voice can be heard on many video
games and commercials.
Bill Higham
(Vincentio/Curtis, Shrew)
Bill is ecstatic about being in his first
Wooden O production with such
a stellar collection of veterans and
fellow first-timers. He has worked with
Seattle Shakespeare Company, Theater
Schmeater, Seattle Public Theater,
Village Theatre, Seattle Repertory
Theatre, Seattle Opera and others.
Favorite roles include Polonius in
Hamlet, Nym in Henry V, 2nd
Guard in
Julius Caesar, Robert in Proof, Grandpa
in You Can’t Take It With You, and the
Innkeeper in Falstaff. He also has
appeared on Northern Exposure, Perry
Mason, and Father Dowling and a
couple of movies including Preston Tylk
and Talent for the Game.
David S. Hogan
(Grumio, Shrew)
David rejoins Seattle Shakespeare
Company’s Wooden O, after
appearing last summer as Puck in A
Midsummer Night’s Dream. Recently,
he played Lucius and Bassianus
in Titus (Washington Ensemble
Theatre), Ishmael in Moby-Dick,
or the Whale (Book-It Repertory
Theatre), Antony in Julius Caesar
(Seattle Shakespeare Company),
and Puck in A Midsummer Night’s
Dream (Seattle Opera Young Artists
Program). He has also performed
with Seattle Repertory Theatre,
Village Theatre, Theater Schmeater,
Repertory Actors Theatre, and Arts
West. He is a recipient of a Seattle
Times Footlight Award. David is
married to Angela DiMarco.
Kelly Kitchens
(Kate Minola, Shrew)
Kelly is tickled pink to return to
Wooden O Theatre where she
appeared as Titania/Hippolyta in A
Midsummer Night’s Dream, Hermione
in The Winter’s Tale, Princess of
France in Love’s Labour’s Lost, and
Olivia in Twelfth Night. With Seattle
Shakespeare Company, Kelly was
most recently seen as Nerissa in
The Merchant of Venice and Portia in
Julius Caesar. Kelly received her B.A in
Theatre and English from Vanderbilt
University and her M.F.A. in Acting
from the University of Texas at Austin.
She is married to Jim Gall, a husband
for her turn.
Annie Lareau
(Elizabeth/Norfolke, Richard III)
Annie is thrilled to return to Wooden
O. Recent favorite roles include:
Ántonia in My Ántonia and Maggie
Jones in Plainsong (Book-It Repertory
Theatre), and Nadia in The Vertical
Hour (ArtsWest). Other roles with
Seattle Shakespeare Company and
Wooden O include Bawd in Pericles,
Kate in Kate and Isabel and the Queen
in Cymbeline. She has performed with
Syracuse Stage (New York), The Court
Theatre (New Zealand), Jennetta
Cochran Theatre (London), The
Schollschberg (Amsterdam), Berkshire
Theatre Festival (Massachusetts), and
Belfry Theatre (British Columbia.)
as well as The Empty Space, Annex
Theatre, Spokane Interplayers, New
City and Theater Schmeater. Annie
holds a BFA from Syracuse University
and a Masters in Arts Education from
David S.
Hogan
Kelly
Kitchens

Jon
Lutyens
Chiara B.
Motley
Damian
Peterson
David
Quicksall
Harvard University. She is the proud
single mother of a feisty four-year-
old daughter.
Samara Lerman
(Tranio, Shrew)
Samara is delighted to be back in the
parks with Wooden O where she was
last seen as Nerissa in The Merchant
of Venice. Favorite roles include
Debbie in Even Cowgirls Get the Blues
(Book-It), Sylvia in The Game of Love
and Chance (Harlequin Productions),
Viola in Twelfth Night (Centerstage)
and Anna Karenina (Atlas Theatre).
Regionally Samara has performed
with Shakespeare Santa Cruz and the
Napa Valley Shakespeare Festival.
Jon Lutyens
(Rivers/Mayor/Tyrrel/ Sheriff/Brandon,
Richard III)
Jon is very glad to return for a
fourth Wooden O summer. He was
seen last year as Francis Flute in
A Midsummer Night’s Dream and
previously in The Merry Wives of
Windsor and As You Like It. Indoors
this season, he appeared at Seattle
Shakespeare Company in Henry
IV and in the Seattle premiere of
The History Boys at ArtsWest. Jon
dedicates this performance to his
grandfather, who is finally getting to
see him on stage.
Chiara B. Motley
(Anne/Ratcliffe, Richard III)
Chiara is delighted to be returning
to Wooden O this summer as Lady
Anne in Richard III. Previous local roles
include Sally in A Wedding Story (Seattle
Public Theater), Belle in A Christmas
Carol (ACT), Helena in A Midsummer
Night’s Dream (Wooden O), and Anne
in Persuasion (Book-It Repertory
Theatre). Other favorites include
Savage in Savage in Limbo, Charlotte
in Don Juan and Hillaria in Restoration
Comedy. She graduated from Stanford
University with a B.A. in Drama and has
also worked with Theatre de la Jeune
Lune in Minneapolis.
George
Mount
Karen
Nelsen
wooden o Cabaret!
Featuring the Fabulously Talented Casts of
richard iii & the taming of the shrew
Tuesday, July 28 at 7:30 p.m.
Center House Theatre in the Seattle Center
Tickets: $20
Call 206-733-8222 or visit www.seattleshakespeare.org
Come Back Indoors for One Night Only

Carter
Rodriquez
Jose
Rufino
Carol
Thompson
George Mount
(Richard, Richard III)
George recently directed Seattle
Shakespeare Company’s production
of The Tempest. He is the founding
Artistic Director of Wooden O. Roles for
Wooden O include Shylock, Hamlet,
Caliban and Benedick. As a director
for Wooden O, his credits include
Romeo and Juliet, Julius Caesar, The
Tempest, The Two Gentlemen of Verona,
A Midsummer Night’s Dream and Much
Ado About Nothing. He has performed
in numerous theatres in the Seattle
area including Book-It Repertory
(Snow Falling on Cedars, Waxwings,
My Ántonia), ACT (A Christmas Carol),
Taproot (The Comedy of Errors),
Strawberry Theatre Workshop (The
Water Engine), and Seattle Shakespeare
Company (The Comedy of Errors, The
Taming of the Shrew). He is the Director
of Outdoor and Touring Performance
for Seattle Shakespeare Company, a
position that includes artistic direction
for Wooden O.
Karen Nelsen
(Stanley/Duchess, Richard III)
Karen’s previous appearances with
Wooden O and Seattle Shakespeare
Company includes: Hamlet (Gertrude),
Henry V (various), The Winter’s Tale
(Paulina), The Taming of the Shrew
(Baptista), The School for Scandal (Mrs.
Candor), Wild Oats (Amelia), and
Hamlet (Player Queen). She recently
appeared in When the Messenger is
Hot (Mom) for Theater Schmeater, I
Do, I Do! (Agnes) for Bellevue Civic, The
Sweetest Swing in Baseball (Rhonda/Dr.
Gilbert) for ArtsWest and Seattle Public
Theater, and Under the Mantle of Stars
(Mistress) for Harlequin Productions.
In recent years Karen had the pleasure
of working on The Importance of Being
Earnest, Souvenir, Long Day’s Journey
into Night and Mrs. Warren’s Profession
all at the late Actor’s Rep. Karen is a
graduate of the UW’s PATP.
Damian Peterson
(Dorset/2nd Murderer, Richard III)
Damian is a recent graduate of Seattle
University and is excited to be involved
in his first production with Wooden
O. At Seattle University he appeared
in The Three Sisters (Andrei), As You
Like It (Orlando), and Romeo and Juliet
(Romeo) directed by Stephanie Shine.
He has also worked with Strawberry
Theatre Workshop (The Life of Galileo),
Island Stage Left (The Comedy of Errors),
Freehold (Othello) and most recently
played Jason in Theatre Machine’s
Medea. He will be doing the puppet
show Bloody Henry in the fall and is
currently producing his own puppet
show to be performed in the spring.
David Quicksall
(Petruchio, Shrew)
Dave is thrilled to be back performing
Shakespeare in its natural element
— the outdoors! You may recognize
Dave as the Prince from last year’s
production of Romeo and Juliet.
Dave was last seen on the Seattle
Shakespeare Company’s main stage
as Brutus in Julius Caesar. Most
recently, Dave appeared as the
Marquis in Seattle Children’s Theater’s
production of A Tale of Two Cities.
Dave’s work as a writer and director
was visible this past winter at Book-It
Repertory Theatre where he directed
his critically acclaimed adaptation of
Moby-Dick. Dave’s original adaptation
of Don Quixote has recently been
published by Dramatic Publishing.
Carter Rodriquez
(Clarence/Edward/Ely/Oxford, Richard III)
Carter is an actor, musician, and
visual artist. He has performed with
Book-It Repertory Theatre, Capitol
Hill Arts Center, The New Amerikan
Theatre, Edge Theatre Ensemble,
The Community Theatre and others.
He originated the role of Boy in the
award winning play The Agreement in
the last Fringe Festival. Favorite roles
include: Clove from Endgame, The
Cook from Mother Courage, and Victor
Jara from El Sueno Antes de la Muerte.
Carter is currently a teacher for the
Prison Theatre Residency Program at
the Men’s Correctional Complex in
Monroe, Washington. He is grateful for
the opportunity to work with Wooden
O and this exceptional cast.
Jose Rufino
(Hastings/3rd Messenger/Blunt,
Richard III)
This is Jose’s second show with
Seattle Shakespeare Company. He
holds his B.A. from Temple University
and his MFA from University of
Washington Professional Acting
Training Program. Some of his
credits include Othello with Seattle
Shakespeare Company, Blood in
Mojo and the Sayso, Lucious in Jesus
Hopped the A Train, Orlando in As
You Like It, Harlequin in The Game of
Love and Chance, and four characters
in The Water Children. While at
Temple, Jose played Fielding in
August Wilson’s Jitney which was
a part of Wilson’s festival at Penn
State. Jose is married to AmyDawn
Rufino. These performances are
dedicated to the late Sally and
Roberto Josephson.
Leah
Russell
Brian Claudio
Smith
Calleigh
Shine

John
Ulman
Sophia
Villaneuva
Leah Russell
(Young York/Page, Richard III)
Leah is happy to be returning toWooden
O for her second year in a row as an
intern in one of her favorite Shakespeare
plays. Leah’s interest in acting was
sparked by participating in many of
the productions put on by Seattle
Shakespeare Company’s educational
programs. She recently graduated
from Skyline High School and plans on
attending Cornish College of the Arts in
the fall to pursue a career in acting.
Calleigh Shine
(Young Elizabeth/Young Prince/2nd
Messenger, Richard III)
Calleigh is going into her junior year
her at Garfield High School where
she recently appeared as Beatrice
in Much Ado About Nothing. Her
Wooden O credits include Jessica in
The Merchant Of Venice and Moth in
Shakespeare Uncork’d’s A Midsummer
Night’s Dream. She has appeared in
numerous school productions as well
as Seattle Shakespeare Company’s
Short Shakes productions. She
writes for her school newspaper, The
Messenger, and is now a cheerleader.
Brian Claudio Smith
(Lucentio, Shrew)
Brian makes his Wooden O debut in
The Taming of the Shrew. His Seattle
Shakespeare Company credits
include Aragon in The Merchant of
Venice, Cléante in The Miser, Henry IV,
The School for Scandal, Romeo and
Juliet, and As You Like It. Most recently
Brian played Andrew Rally in I Hate
Hamlet at SecondStory Repertory.
He had the privilege of working with
renowned playwright Israel Horovitz
on the premier of Sins of the Mother at
Harlequin Productions. Other Harlequin
credits include Puck in A Midsummer
Nights Dream, Mercutio in Romeo and
Juliet, Macbeth, Under a Mantle of Stars,
Ladies of the Camellias, The Game of Love
and Chance, and 12th
Night of Stardust.
Carol Thompson
(Biondello/Sugarsop, Shrew)
Carol will graduate from Cornish College
of the Arts next spring where she is
studying OriginalWorks. She appeared
at Cornish in the new works TheBanand
theBambies and ComfortMewithApples.
She also appeared at Cornish as Angie
in TopGirls directed by Aimée Bruneau.
She recently finished work as Assistant
Director on the ensemble-generated
project MoreThingsinHeavenandEarth
and on the comedy show StarWarsin
aNutshell with Fruition Productions.
Carol is a co-founder, co-director, and
member of the improv comedy group
Improvolution. She is thrilled to work
withWooden O and counts herself very
lucky to be working with Aimée again.
John Ulman
(Hortensio, Shrew)
John began his acting career performing
in the Kern Shakespeare Festival. He
went on from there to receive his B.A.
degree in drama from UC Irvine. John
has performed at the Edinburgh Fringe
Festival in Scotland. He has also toured
nationally in several productions with
CaliforniaTheatre Center. Locally, John
has been seen in ArtsWest’s TheVertical
Hour, CHAC’s God’sCountry, Book-It
RepertoryTheatre’s Bud,NotBuddy,My
Ántonia, and NightFlight, and Seattle
Shakespeare Company’s AMidsummer
Night’sDream,CyranodeBergerac andAll’s
WellTheEndsWell.When he’s not acting,
John works as a photographer.
Sophia Villaneuva
(Widow/Phyllis, Shrew)
This is Sophia’s first show with Wooden
O, and she could not be more excited
about it! Sophia attended Highline
Community College and graduated
with an emphasis in Drama. She
appeared in several shows while
attending Highline including Earth &
Sky, The Trial, and Heartbreak House. She
was fortunate enough to make her
directing debut last spring in Medusa’s
Tale. She also received the Program
Contributions Award for her time spent
at Highline.
Kimberly White
(Brakenbury/Margaret/Messenger,
Richard III)
Kimberly has worked with
Shakespeare’s plays for the past 20
years as coach, teacher, director,
producer and actor. Other credits
include University of Washington,
Freehold Studio, University of
British Columbia, Otterbein College
(Columbus, OH), Harvard University,
Korean University of the Arts,
Shakespeare & Company, Seattle
Children’s Theatre, Lake Tahoe
Shakespeare Festival, and Sun Valley
Shakespeare Festival (Co-Founder
& Artistic Director, 2000-2004). Last
November Kimberly worked with
Maryland Shakespeare on a workshop
production of Richard III. She taught at
Antioch/Freehold this past summer.
She is honored to have been script/
voice coach on the award-winning
documentary“The Corporal’s Boots”as
well as for Gerard Schwartz’ “Musically
Speaking”CD series. She is a graduate
of California Institute of the Arts and a
Designated Linklater Voice Teacher.
Mikel Ann Oswalt D.V.M
Licensed Veterinarian since 1973
(206) 232-6205 · www.homepetvet.com
Can’t Send Red Rover
Right Over?
Kimberly
White

Aimée Bruneau
(Director, Shrew)
Aimée, a proud actor alumnus with
Wooden O (Hamlet, Julius Caesar and
Henry V), is delighted to be directing
for Wooden O/Seattle Shakespeare
Company this summer. Aimée is an
actor, director, teacher and student of
theater depending on the moment.
She earned her MFA in Acting
from the American Conservatory
Theater and her BA in Theatre Arts
from Virginia Tech. Aimée has been
telling tales in Seattle for more than
a decade, and has worked with a
wide variety of theater companies,
academic institutions, and in some
shady backrooms and basements in
Chicago, San Francisco, Savannah, and
in the deep south of France.
Marleigh Driscoll
(Props Designer, Richard III)
Marleigh is more than usually
delighted to continue as part of the
Wooden O family for her seventeenth
show in a row. She has happily
worked on Othello, The Taming of the
Shrew, Tempest, both As You Like It’s,
Henry V, Much Ado About Nothing,
Love’s Labours Lost, Julius Caesar,
Macbeth, Twelfth Night, Hamlet,
Merchant of Venice, Merry Wives of
Windsor, Midsummer Night’s Dream,
and Romeo and Juliet. Marleigh has a
Master’s in Architecture, has been a
stage manager and assistant director
for Book-It Repertory Theatre, worked
with the Flying Karamazovs at ACT,
and was with Seattle Shakespeare
Company for nine seasons.
M. Elizabeth Eller
(Sound Designer, Richard III)
Elizabeth is happy to join the
Wooden O folks after many seasons
with Seattle Shakespeare Company.
She is a director and sound designer,
and peddles her wares in theaters all
around the greater Seattle area. Her
most recent work includes a sound
design of Seattle Public Theater’s
Of Mice and Men and directing At
Sea, which appeared in Death/Sex
production
BIOGRAPHIES
Kelsey Hopper, Chloe Mollis-McBride, David Hogan, Carly Hutchinson, and Leah Russell in
AMidsummerNight’sDream. Photo by Erik Stuhaug.
Call 206-733-8228 x. 212 or email education@seattleshakespeare.org
Openings stillavailable — sign up
today!
Production Intensive: “The Taming of the Shrew”
July 20–August 8 (Performances August 7 and 8)
Students spend three weeks designing and building their own sets and costumes,
learning performance skills, and rehearsing a produciton of The Taming of the Shrew.

at Balagan Theatre. Elizabeth will
be spending most of her summer
outdoors with Wooden O’s Richard III
and Balagan Theatre, with whom she
is directing The Taming of the Shrew
at the Fremont Troll.
Miller Freeman IV
(Stage Manager/Assistant Director, Shrew)
Miller is honored to return as stage
manager for The Taming of the Shrew
in addition to his responsibilities
as Production Manager for Seattle
Shakespeare this season. Other
Seattle Shakespeare productions
for which he has served as stage
manager include: Romeo and Juliet,
A Midsummer Night’s Dream (both of
them Wooden O shows), Henry IV, All’s
Well That Ends Well, The Miser, Pericles,
The School for Scandal, Chamber
Macbeth, Much Ado About Nothing,
and Romeo and Juliet. Miller has
also worked as stage manager for a
host of shows in Seattle, including
Cinderella, A Love Story with the Sound
of Motown, Summer Rhapsody: The
Reunion, and Uncle Willy’s Chocolate
Factory produced by the Langston
Hughes Performing Arts Center at
Seattle Repertory Theatre, Rebecca
and Waxwings with Book-it Repertory
Theatre, and a number of shows at
Theater Schmeater and the University
of Washington including the graduate
acting program’s PATP Showcase tour.
Miller’s interest in theatre began as a
student at Johns Hopkins University.
While there, he acted in several shows
and then served as Director for the
production of Taming of the Shrew
after which he decided that his true
interest in theatre lay backstage.
Jennifer Havlin
(Dance Choreographer, Shrew &
Richard III)
Ms. Havlin received a degree in Dance
and Choreography while taking her
pre-med classes. She’s choreographed
and performed nationally and locally.
Her past Seattle Shakespeare Company
productions include The Tempest,
All’s Well that Ends Well, Much Ado
About Nothing, and As You Like It. She
volunteers for Seattle area high schools
choreographing their musicals and
modern dance productions.
Sarah Dale Rice
(Stage Manager, Richard III)
Sarah is excited to be back with
Wooden O. She hopes you did not
catch a glimpse of her at last year’s
production of A Midsummer Night’s
Dream. Sarah has recently gone unseen
at Seattle Opera’s A Midsummer Night’s
Dream, Elektra, Gianni Schicchi and The
Enchanted Child; Intemountain Opera’s
La Boheme; Taproot Theatre’s Big River,
The God Committee, and Seven Keys to
Baldpate; and Village Theatre’s stage
reading of The Last Starfighter and
Sacagawea. She hopes to continue to
go unnoticed at theatres around the
Northwest. Sarah thanks her family and
David for all of their support.
Seattle Scenic Studios
(Technical Direction)
Seattle Scenic Studios’mission is to
serve the region’s non-profit arts and
cultural organizations and introduce,
inspire and train the next generation
of technical theatre artists. Our

clients include Seattle Public Theater,
ReAct, Youth Theatre Northwest,
Civic Light Opera, Wing Luke Asian
Museum, Book-It Repertory Theatre,
Eastside Musical Theatre, Centerstage,
BrownBox, Broadway Bound,
Spectrum Dance Theater, Studio East,
Bainbridge KidiMu, Tacoma Children’s
Museum, The Bruce Lee Exhibit for
Inter*Im and Bellevue Opera to name a
few. Their education program currently
works with the Bush School, Summit,
Roosevelt HS, Bothell HS, Olympic
View, and Northwest School. Their
education and production programs
are supported in generous part by
4Culture, Mayor’s Office of Arts and
Culture Affairs, andThe Boeing Company.
K.D. Schill
(Costume Designer, Shrew)
K.D. has had the honor of designing
and procuring costumes for
some of the finest, most talented
theatre directors, film directors,
choreographers, musicians, actors,
writers, dancers and artists in Seattle.
And for this she is grateful beyond
measure. This is her first show for
Wooden O and her fourth with the
wonderful director Aimée Bruneau.
Stephanie Shine
(Director, Richard III)
This fall Stephanie starts her 12th
season as Artistic Director of Seattle
Shakespeare Company where she
has directed Henry IV, All’s Well that
Ends Well, The Comedy of Errors,
Swansong by Patrick Page, Cyrano de
Bergerac, the lauded all-male Taming
of the Shrew, Measure For Measure,
Richard II, Wild Oats, Hamlet, Henry
V, Romeo and Juliet, A Midsummer
Night’s Dream, and Henry IV, pt 1.
Her other directorial credits include,
The Comedy of Errors for Colorado
Shakespeare Festival, I Am of Ireland
(which she also conceived and
adapted), and A Christmas Memory
for Book-It Repertory Theatre, Love’s
Labors Lost for Cornish College of the
Arts, A Christmas Carol (also adapted)
for Bainbridge Performing Arts, and
the award-winning one-woman
Marilyn Monroe Biopic, Marilyn:
Forever Blonde, which is currently
touring across the nation. A well-
known actress in the Northwest,
she has performed for the Seattle
Repertory Theatre, ACT, The Empty
Space, Seattle Children’s Theatre,
Book-It Repertory Theatre, and
Tacoma Actors Guild, as well as
several theatres across the nation
including both the Oregon and New
Jersey Shakespeare Festivals. Her
Shakespearean roles include Juliet,
Rosalind, Lady Macbeth, Beatrice,
Regan, Feste, Kate, Bianca, Dionyza,
The Princess of France, Hero, and
Perdita. Stephanie is a graduate
of the University of Washington’s
Professional Actor Training Program
and the very proud mother of Conor
and Cahilan Shine. She recently
directed Romeo and Juliet for Seattle
University and When the Messenger is
Hot for Theater Schmeater.
Janessa Jayne Styck
(Costume Designer, Richard III)
Janessa is a graduate of Illinois
Wesleyan University in Bloomington,
Illinois. During her time at Wesleyan
she interned at the acclaimed
Glimmer Glass Opera in upstate
New York. She also placed second
at the 2006 South Eastern Theatre
Conference Costume Design
Competition. Since her relocation
to Seattle in 2007, Janessa has been
honored to design for such theatre
companies as Book-It Repertory
Theatre, Seattle Musical Theatre, and
Youth Theatre Northwest. Janessa
is delighted to design her first show
for Wooden O and is looking forward
to working with Snoqualmie Fall
Forest Theater on their upcoming
production of Oklahoma.
Robertson Witmer
(Sound Designer, Shrew)
Rob’s work with Seattle Shakespeare
Company includes sound design
for The Tempest, playing accordion
for The Servant of Two Masters, and
composing music for A Midsummer
Night’s Dream in the parks last
summer. Recent onstage appearances
also include Seven Brides for Seven
Brothers at The 5th Avenue Theatre
and The “Awesome”Cycle at ACT. His
work as a sound designer includes
The Mistakes Madeline Made for
Washington Ensemble Theatre, The
Adding Machine for New Century
Theatre Company; End Days, War
Party, and Stop Kiss for Seattle Public
Theater. Rob performs with several
local bands, including the Toucans
steel drum band and the absurdist
garage art-pop band, “Awesome”.
Craig B. Wollam
(Scenic Designer, Shrew & Richard III)
Craig is enjoying working with
Wooden O and Seattle Shakespeare
Company again. A freelance scenic
and lighting designer, Craig’s
work has been seen at Seattle
Public Theater, Intiman Theatre,
Seattle Opera, Centerstage, Seattle
Repertory Theatre, Book-It Repertory
Hana Lass and Michael Place in RomeoandJuliet. Photo by John Ulman.

George Mount, Director of Outdoor
and Touring Performances
See Cast biographies
Michelle Traverso, Education Director
As Education Director at Seattle
Shakespeare Company, Michelle
supervises matinees, workshops, Short
Shakes, Camp Bill, residencies, and
professional development through
Bringing Theatre into the Classroom
(BTiC) with partners Seattle Repertory
www.seattleshakespeare.org/education or 206-733-8228 x 212
twelfth night
December, 2009
A beguiling comedy of romantic adventures
and misdirected love
henry v
January, 2010
A saga of inspired leadership and triumph
against all odds
hamlet
March–April, 2010
A poetic drama about the costs of pursuing justice
thetwo gentlemen
ofverona
April–May, 2010
Acomictaleofwanderinghearts
Pre-show workshops & post-show discussions also available.
Still only $10 per seat!
Our productions can satisfy
Washington State EALRs in Reading,
Writing, Communications, Social
Studies, and Arts.
Stephanie Shine, Artistic Director
See Production biographies
John Bradshaw, Managing Director
Entering his seventh season with
Seattle Shakespeare Company, John
is a graduate of the University of
Washington and has spent nearly his
entire career as part of the Seattle
theatre community. Prior to joining
Seattle Shakespeare Company,
he was Managing Director at The
Empty Space Theatre; Director of
Endowment and Planned Giving
at Seattle Repertory Theatre; and
General Manager and Development
Director for Kirkland Performance
Center. At Seattle Children’s Theatre,
he was part of the development
staff during the capital campaign to
build the Charlotte Martin Theatre.
As a student stage manager at UW,
he had the pleasure of working
with a very talented young actress
named Stephanie Shine on several
productions, including Shakespeare’s
The Taming of the Shrew.
key staff BIOGRAPHIES
Theatre, Village Theatre, Seattle
Children’s Theatre, Spectrum Dance
Theater, Civic Light Opera, ArtsWest,
Bellevue Opera, Wing Luke Art
Museum, The Bruce Lee Exhibit
for Inter*Im, React, Youth Theatre
Northwest, and Attic Theatre here
in Washington. Out of town, Craig
has designed for Arizona Theatre
Company, Chicago Theatre Center,
Atlanta’s 14th Street Theatre,
Boston’s Lyric Theatre, Dance
Theatre Workshop of New York,
The Colony in Miami, Zephyr Los
Angeles, and Actor’s Playhouse New
York. Recent projects include Retreat
from Moscow for ArtsWest; Halcyon
Days for Seattle Public Theater;
The Sweetest Swing in Baseball
for Seattle Public Theater and
ArtsWest; Cinderella for Centerstage;
Youth Theatre Northwest’s Pippin;
and Magic Flute and Carmen
with Bellevue Opera. Craig is co-
founder and Technical Director of
Seattle Scenic Studios, a nonprofit
serving non-profits and education
throughout western Washington.
Theatre, Book-It Repertory Theatre, and
Seattle Children’s Theatre. As an Equity
Stage Manager, Michelle has worked
for The Bathhouse Theatre, Seattle
Children’s Theatre, and The 5th Avenue
Theatre. She is a Washington State
certificated teacher and Mom to Brian
and Alex Traverso.

“Give me your hands, if we be
friends…”
$5,000 and up
4Culture
Susan Herring, In Honor of Her Late Mother
The Norcliffe Foundation
U. S. Bancorp Foundation
“To be or not to be…”
$1,000–$4,999
Anne & Mary Arts and Environmental
Education Fund at the Greater Everett
Community Foundation
City of Issaquah and the Issaquah Arts
Commission
Raney, Grace and Robert Cumbow
Harold and Mary Frances Hill
John and Ellen Hill
Mercer Island Community Foundation
Mary Pigott
“Tomorrow and tomorrow…”
$500–$999
Captain Paul S. Bloch and Sherilyn G. Bloch
Charlotte and Michael Buschmohle/
Applause! Associates
Chistopher G. Dowsing of Morrow,
Kessler & Dowsing
Ellen Lackermann and Neal Stephenson
Mercer Island Rotary
“The quality of mercy…”
$200–$499
Anonymous (1)
Lori Church and Mark Pursley
Neal Fuller
Lisa Hager and Karl Divoky
Carolyn Iblings
Mary Metastasio
Joni Ostergaard and Will Patton
Yvette and James Waters
Leora Wheeler
“A muse of fire…”
$100–$199
Anonymous (1)
Bank of America Matching Gift Fund
Thomas and Rosaline Bird
Mary W. Brucker
George and Sharilyn Carroll
Jay Causey
Elizabeth Hardisty
Mike Hatmaker and Ruby Okada
Barbara and Paul Heneghan
Hidagard Protection Society
Sharelle Howard
Trudi Jackson and William R. Price III
Kristin Jamerson
Kirk Jones
Mary Anne and Chuck Martin
Henry Matthews and Susan Platt
Patrick McKee
Chris Mellinger and Thomas Greenwood
Jocelyn and Michael Miller
Richard and Karin Miller
Bryan Morrison
Edmond Mount and Joan Dorian
Karen Nelsen
Allen Nelson Family
Karen Neyman
Anita Althoff Nordstrom
Martha and Martin O’Donnell
Richard and Jean Page
Kit and Bill Phillips
Colin and Janice Ricketts
Paula Russell
Shelly Sundberg
Jessica Wagoner
Richard and Catherine Wakefield
James and Yvette Waters
Jay Weinland
Lin and Judith Wilson
Dan and Judy Witmer
“The food of love…”
Up to $99
Anonymous (1)
Boeing Gift Matching Program
Rosemarie and Edward Authier
Sally Bartow and Patrick McKee
John and Nancy Bates
Mamata and Jayant Bhopatkar
Helen and John Bigelow
Libbie Bradley
Elizabeth Bull
Meryl and Helen Carson
Amanda Cohn and Koji Yugawa
Beth Cooper
David Copley and Steven Chapman
John and Carol Crothers
Patrick Danneker
Kay Lee Dart
Sabrina MacIntyre and Thomas Delfeld
Stephanie Derke
Michelle Downey-Magee and Dail Magee Jr.
Barbara and Rober Erickson
Audrey Fellinge
Laura Ferri and Michael Loggins
Barbara Fritzemeier
Cheryl Gagne
Debra Gruber
Margaret and Tom Hartley
Adam Hasson
William Hochberg
Jacqueline and Lawrence Houston
Kristi Hudson
Debra and David Johnson
Jeffrey and Cheryll Jones
Cindy B. Katz
Renee S. Katz, PhD, PLLC
Elizabeth Kennedy and Robert Kechley
Diane L. Kennish
Nancy Krueger
Scott H. Kruize
Steven and Lee Elder LaCroix
Mary Reeves Leber
Barry and Mary Lloyd
David and Nancy Lundsgaard
Jennifer V. Mack
Mary March and Michael R. Leathers
Elaine Mathies
Judith E. McAllister, MSW
Xenia McGowan
Theresa and Paul McLain
Ellen McLees
Michelle Medrano
Avril Meehan
Mary Menard and Stephan Ahnert
Tami and Joe Micheletti
Microsoft Matching Gift Fund
Judith A Mitchels
C. Mitton
Christina Mollis
Nancy Nelson
Jane Pemberton and Fernando Garcia-Duarte
Lynn Perkins
Stephen and Marlene Perkins
Ann Markee Pierson
Kate Randall
Robert and Kathleen Reynolds
Elizabeth Robertson
Beth and Kenneth Rosen
17th
Earl of Oxford
Nany Snapp
Todd and Aubrey Stefan
Nancy Talley
Mary Thomas
Gertrud Tobiason
Eric and Heather Tuininga
SC and Pamela Van Swearingen
Julie Vergeront and Robert Wallach
Jeff and Norma Villarreal
Kathleen Walden
Laura Wang
Suzanne Elise Way
Carol A. Zimmerman
CONTRIBUTORS
We appreciate the support of all the generous donors who contribute to make it possible
for Wooden O and Seattle Shakespeare Company to bring free Shakespeare to our region’s parks.
The following list represents combined gifts made between May 1, 2008 and June 17, 2009
on behalf of Wooden O.

CONSULTING DOCTOR
Dr. Mary Weiss, Swedish
Physicians Providence Clinic
TEACHING ARTISTS (2007-08)
Noah Benezra
Cara Anderson
Don Darryl Rivera
Gordon Carpenter
Anne Conte
Eveline Darroch
Austin Farwell
Jessica Hatlo
Kelly Kitchens
Jon Lutyens
Taylor Maxwell
Gavin McLean
Vanessa Miller
George Mount
Erin Murray
Brandon Petty
Don Darryl Rivera
Leilani Saper
Stephanie Shine
M. J. Sieber
Paul Morgan Stetler
Amy Thone
Michelle Traverso
Katjana Vadeboncoeur
Richard Ziman
Phil Miller, President
Leslie Vogl, Vice President
John Bodoia, Treasurer
Barbara Hebenton Fielden, Secretary
Emily Evans, Immediate Past President
BOARD MEMBERS
David C. Allais
Edwin S. Green
Roberta Greenwood
Jane Harris Nellams
Barbara Peterson
Pamela Ottaviano Rhodes
Nicole E. Dacquisto Rothrock
Paula Russell
Judith Shulman
Dan Tierney
Jeanne C. Wintz, Ph.D.
ADVISORY BOARD
Kenneth Alhadeff
Cecile Delafield
Dan Drais
Donald Frothingham
Slade Gorton
Harry P. Hosey
Gaelynn McGavick
Sarah Merner
Jane Mills
Meg Pageler Mourning
Richard Rhodes
Pat Walker
Doug Walker
Steven M. Wells
ARTISTIC STAFF
Neil Freeman, Text Consultant
John Langs, Associate Artist
George Mount, Director of Outdoor and Touring
Performances
Amy Thone, Casting Director
EDUCATION
Michelle Traverso, Education Director
Erin Murray, Education Associate
PRODUCTION
Miller Freeman IV, Production Manager
Pete Rush, Costume Shop Manager
MARKETING
Jeff Fickes, Communications Director
Thea Roe, Graphics and Marketing Assistant
FRONT OF HOUSE
Susanna Pugh, Audience Services/House
Manager
BOX OFFICE
Rebecca Price, Box Office Manager
Melinda Beck, Box Office Associate
Maya Malan-Gonzalez, Box Office Associate
DEVELOPMENT
Beth Amsbary, Development Manager
OPERATIONS
Bernie McIlroy, Technology Overlord
Kathy Hsieh, Bookkeeper
Stephanie Shine, Artistic Director | John Bradshaw, Managing Director
STAFF BOARD OF DIRECTORS
Lyssa Browne, Betsy Schwartz, and Chad Jennings in
AsYouLikeIt.

OTHELLO
Intiman Theatre presents
Theatre for a New Audience’s Production of
By William Shakespeare
Directed by Arin Arbus
JULY 2 – AUGUST 2
Intiman Theatre at Seattle CenterStraight from New York
this production is
“Blazing across the stage”
for a limited run.
- The New York Times Frank P Wartenburg/Photolibrary
TICKETS
206.269.1900 | www.intiman.org
Trust No One

Subscribe to the 2009–2010 Season Today
Seattle Shakespeare Company’s arresting productions and intimate theatre thrust you into the heartbeat of the
action. Join us for a year of Shakespeare like no other!
Complete 4-Play SeasonTicket Packages Start at $54!
One of the Best Entertainment Values in Town
Call 206-733-8222 or Order Online: SeattleShakespeare.org
All titles, dates and artists subject to change. Photo Credits: Charles Leggett in The Merchant of Venice, photo by Ken Holmes. Jennifer Sue Johnson and John Bogar in The Turn of the Screw, photo by John Ulman;
Katjana Vadeboncoeur in The Servant of Two Masters, photo by John Ulman; David Pichette in Henry IV, photo by John Ulman; Carolyn Marie Monroe and Michael Winters in The Tempest, photo by John Ulman.
Dec 3–27, 2009
Directed by Stephanie Shine
The two gentlemen
of verona
Mar18–Apr11,2010
Directed by Marcus Goodwin
Apr15–May9,2010
Directed by Russ Banhamhenry vA saga of inspired leadership and a band of brothers who triumph against all odds.
Jan 7–31, 2010
Directed by Sheila Daniels
A comic tale with moony, misguided guys, resourceful gals, and a funny bit with a dog!
electraA riveting drama of a daughter’s sworn vengeance.
A beguiling comedy of romantic adventures and misdirected love.
Twelfth Night

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