The document appears to be a shot list or storyboard for a film or video project. It consists of over 100 entries that specify the type of shot, shot number, timing, dialogue, sounds, and camera movements for individual shots. However, it does not provide any context about the overall narrative or subject of the project.
The document appears to be a shot list from a film or video production. It consists of over 100 sequentially numbered shots, each listing the type of shot (likely close-up, wide, etc.), associated dialogue, sounds, and camera movements. The goal is to capture the visual elements, audio, and timing of each shot in the project.
The document describes a storyboard for a teaser trailer consisting of 54 shots with varying timing from 11 to 55 seconds. Many shots contain no dialogue but include unsettling sounds like screams, bangs, and creepy notes. The camera movement is minimal with some shots zooming or moving between objects. The storyboard establishes a mysterious and unsettling tone through sound design and imagery.
This document summarizes the risks and control measures for various filming locations. It identifies hazards such as trips, slips, falls, traffic, sharp edges and poor lighting at a subway location. At an Aldgate East station, risks include stairs, slippery surfaces and busy times. Bricklane hazards are litter, crowds, robbery and busy roads. A London office poses risks from stairs, busy hours and trains. Finally, a house location involves risks from lights, wires, stairs and falling equipment. Control measures aim to reduce risks through measures like cleaning hazards, using additional lighting, avoiding busy times and areas, and safely setting up equipment.
This document provides instruction on close quarters battle (CQB) techniques. It emphasizes that CQB is a direct assault that requires precision to eliminate threats while minimizing collateral damage. Trainees are warned to pay close attention and ask questions, as safety violations will not be tolerated. It outlines terms like sectors of responsibility and room clearing procedures using two or four-man teams.
1) The document outlines zone blocking techniques for an offensive line, including initial steps, blocking areas rather than defenders, and various blocking techniques like combo blocks and traps.
2) It recommends specific drills to practice zone blocking skills like first steps, zone scoops, and slides. Drills should replicate the techniques and skills needed for the upcoming opponent.
3) Effective zone pass protection relies on linemen blocking zones rather than individual defenders, using calls to pass defenders between zones.
The document provides guidance on close quarters battle and room clearing techniques for SWAT teams. It discusses principles like surprise, speed, and violence of action. It outlines procedures for stacking at the entry point, breaching doors, entering and clearing rooms, communicating status updates, handling unknown individuals, and rehearsing tactics. Key rules include never clearing alone, maintaining muzzle awareness, and not stopping movement or scanning until the room is fully cleared.
The document outlines the scene and shot descriptions for a film sequence. It details 12 scenes with multiple shots in each scene. The shots include close-ups, mid shots, and long shots of both the victim and antagonist running, the antagonist cleaning at the victim's flat, and a flashback of the antagonist attacking the victim. Each shot listing includes the shot type, description, corresponding audio, and duration.
This document outlines principles and tactics for close quarters battle (CQB). It discusses the 3 principles of CQB: speed, surprise, and violence of action. It also covers the 8 fundamentals of CQB, initiative based tactics, room clearing procedures and responsibilities, hallway procedures, and other CQB techniques. Emphasis is placed on rehearsal to ensure operators default to their training under stress.
The document appears to be a shot list from a film or video production. It consists of over 100 sequentially numbered shots, each listing the type of shot (likely close-up, wide, etc.), associated dialogue, sounds, and camera movements. The goal is to capture the visual elements, audio, and timing of each shot in the project.
The document describes a storyboard for a teaser trailer consisting of 54 shots with varying timing from 11 to 55 seconds. Many shots contain no dialogue but include unsettling sounds like screams, bangs, and creepy notes. The camera movement is minimal with some shots zooming or moving between objects. The storyboard establishes a mysterious and unsettling tone through sound design and imagery.
This document summarizes the risks and control measures for various filming locations. It identifies hazards such as trips, slips, falls, traffic, sharp edges and poor lighting at a subway location. At an Aldgate East station, risks include stairs, slippery surfaces and busy times. Bricklane hazards are litter, crowds, robbery and busy roads. A London office poses risks from stairs, busy hours and trains. Finally, a house location involves risks from lights, wires, stairs and falling equipment. Control measures aim to reduce risks through measures like cleaning hazards, using additional lighting, avoiding busy times and areas, and safely setting up equipment.
This document provides instruction on close quarters battle (CQB) techniques. It emphasizes that CQB is a direct assault that requires precision to eliminate threats while minimizing collateral damage. Trainees are warned to pay close attention and ask questions, as safety violations will not be tolerated. It outlines terms like sectors of responsibility and room clearing procedures using two or four-man teams.
1) The document outlines zone blocking techniques for an offensive line, including initial steps, blocking areas rather than defenders, and various blocking techniques like combo blocks and traps.
2) It recommends specific drills to practice zone blocking skills like first steps, zone scoops, and slides. Drills should replicate the techniques and skills needed for the upcoming opponent.
3) Effective zone pass protection relies on linemen blocking zones rather than individual defenders, using calls to pass defenders between zones.
The document provides guidance on close quarters battle and room clearing techniques for SWAT teams. It discusses principles like surprise, speed, and violence of action. It outlines procedures for stacking at the entry point, breaching doors, entering and clearing rooms, communicating status updates, handling unknown individuals, and rehearsing tactics. Key rules include never clearing alone, maintaining muzzle awareness, and not stopping movement or scanning until the room is fully cleared.
The document outlines the scene and shot descriptions for a film sequence. It details 12 scenes with multiple shots in each scene. The shots include close-ups, mid shots, and long shots of both the victim and antagonist running, the antagonist cleaning at the victim's flat, and a flashback of the antagonist attacking the victim. Each shot listing includes the shot type, description, corresponding audio, and duration.
This document outlines principles and tactics for close quarters battle (CQB). It discusses the 3 principles of CQB: speed, surprise, and violence of action. It also covers the 8 fundamentals of CQB, initiative based tactics, room clearing procedures and responsibilities, hallway procedures, and other CQB techniques. Emphasis is placed on rehearsal to ensure operators default to their training under stress.
The document provides guidance on close quarters combat (CQC) techniques for military units operating in urban environments. It discusses organizing soldiers into fire teams of 2-4 individuals and clearing buildings in a systematic manner by first moving tactically outside and entering buildings quickly. Key elements of CQC addressed include controlling weapons, clearing hallways, intersections, stairwells, and rooms while maintaining overlapping fields of fire and sectors of responsibility. The document emphasizes speed, violence of action, and surprise to gain control of rooms and eliminate threats during clearing operations.
The document outlines a sequence of 6 shots for a film scene. Shot 1 is a 10 second close up tracking shot following a character as she runs. Shot 2 is a 30-60 second first person zooming shot of a safe space, including ambient sounds of birds and chatter. Shot 3 is a 5-10 second static first person shot as the character stops moving and retracts her arms, with a potential gasp sound effect. Shot 4 and 5 are 5-10 second mid-close shots of the character without sound effects. Shot 6 is a 30 second long shot with potential sound effects of footsteps and panting as the character begins to run again.
The document discusses different tactical room entry methods and techniques for clearing rooms and hallways safely and efficiently as a team. It describes the closed and dispersed stacks for entering a room with a closed door, with the heavy side entering first. Key steps for clearing a room are outlined, such as clearing the doorway, corners, and dominating the room. Techniques are provided for clearing corners using near-far and high-low methods. Methods for quickly clearing hallways and stairs are also reviewed.
This document contains a breakdown of shots and assets needed for a scene showing Casper the friendly ghost walking through a wall. It lists the location, raw footage captured, video and virtual assets, and matte paintings and CGI models required. A description provides details of a long tracking shot of Casper walking down a corridor and fading into the left wall, with the assets needed to composite the shot of Casper phasing through the wall.
The Hypercacher Raid, or Porte de Vincennes siege was a successful hostage rescue mission. It also offered large opportunity for the French Special Police to learn for future practice.
Here are some of my thoughts on the CQB or Close Quarters Battle side of the raid. In all, a success. Their limited entries need work, however.
The document is a storyboard that plans out the shots, angles, dialogue, sounds, camera movements, and timing for a video. Each shot is numbered and includes details about the type of shot, any dialogue or sounds, camera movements if any, and the timing. The storyboard is broken into pages and includes notes for editing.
Close Quarter Battle - A (Thankfully) Changing ParadigmCQB TEAM
Ever thought all those courses you took in Close Quarter Battle just got you hurt? They didn't quite make sense? Buttonhook and hope? Here's a better way.
By Rye from CQB-TEAM.
The preliminary task was the first filming assignment in the student's AS media course. To complete the task, students had to learn about different camera angles and filming rules. The student's group used a match on action cut between shots of the student walking through a door from different perspectives to show continuity. They followed the 180 degree rule by keeping the camera on one side of an imaginary line between characters. Shot/reverse shot technique was also explained, showing characters looking at each other during a conversation.
This document discusses several important editing concepts used in film and television including:
1) Shot reverse shot is used in conversations to cut between characters as they talk and react to one another.
2) Matching involves cutting between shots where one object or action blends into another, such as steam blending into steam.
3) The 180 degree rule is important for continuity and prevents jump cuts by restricting filming to one side of an imaginary line around the action.
4) Match on action cuts between shots where a character reaches for something off screen to the object being reached for.
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
The document outlines the shots and scenes for a movie trailer, beginning with a shot of the antagonist's shoes and slowly panning up their body. It then shows surveillance footage on a wall of people being watched. A girl is seen running and getting dragged away screaming. Quick shots build tension as someone is strangled in their car. Blood is shown splattering on a wall after someone is killed. The antagonist is seen crossing off names on a list except for one. Dialogue in the antagonist's lair is meant to be an enigmatic climax. The trailer is meant to leave audiences wanting more through its quick cuts and shots that don't fully reveal what is happening.
The document provides instructions for three shots featuring characters Aphrodite and Raphaim. Shot 4 is a medium close up of Aphrodite from a low angle to show her superiority as she tells Raphaim he has disappointed her. Shot 5 is a high angle shot of Raphaim kneeling as he asks for forgiveness. Shot 6 continues with Aphrodite from a low angle as she tells Raphaim he must prove himself worthy of forgiveness.
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
This risk assessment identifies potential hazards for the filming of an opening scene near Chester Road on November 13th and 16th. Equipment could break, but the crew will take care when filming and secure equipment. Crew members could get injured by falling, but will pay attention. Theft is possible but unlikely, and the crew will monitor surroundings. A fire could occur outside but is very unlikely. There is a risk of injury from cars on the road, so the crew will pay close attention to oncoming traffic while filming near the road.
This document outlines potential risks and preventative measures for various shots in a film production. It identifies hazards such as actors tripping over equipment, cameras accidentally hitting actors, or props injuring people. Preventative measures include keeping equipment away from actors, holding cameras at angles instead of directly above faces, throwing props short distances without people present, and maintaining a safe distance between actors and equipment. The goal is to film the shots as planned while preventing injuries or equipment damage.
This document discusses potential hazards on a film set and how to mitigate risks. It identifies trip hazards from wires and stairs that could affect the crew and actors. The risks are rated as low, medium or high and responsibilities are assigned to address exposed wires, looking where going on stairs, and moving chairs out of the way before filming. Safety measures need to be taken by the crew to prevent any incidents on set.
Please download this PowerPoint to view the .gifs and embedded videos properly. Estimated ~200mb download.
Close Quarters Battle. Immediate versus Limited Entries by Rye from CQB-TEAM. Enjoy!
This document lists potential risks for a music video shoot and measures to prevent issues. Camera/equipment risks include rain damage, theft, and dropping. Strategies are checking weather, constant supervision, and secure equipment. For performers, skateboarders risks include injury, so pads and helmets will be worn. Dancers risks are injury from poor lighting or surfaces, so lighting and smooth floors will be used. Minor injuries will be treated on site, but serious injuries require immediate hospital transport.
This document outlines potential hazards, risks, and control measures for filming the movie "Beware of your Nightmares". It identifies four main hazards: using an actual knife in scenes, wet floors, shots from high up or near edges, and time pressure rushing to finish. For each hazard, it details who may be at risk and recommends control measures like substituting a fake knife, checking for dry floors, ensuring safe camera handling, and allowing enough time to film without rushing.
This document provides a structural breakdown and plan for a music video in 3 parts. It outlines the approximate duration and visual elements for each verse, pre-chorus, and chorus section. Notes on technical requirements and shots are included. Storyboards and a shot list are mentioned. The production group info lists the actors and their contact details. Location information notes the outdoor areas to be used and studio permission needed.
The document provides guidance on business writing. It discusses why business writing is important, the prerequisites and stages of writing business letters, and elements that make communication effective. It offers tips on tone, delivering bad or negative news, and writing complaints. Specifically, it advises being positive, stating facts, avoiding blame, and offering resolutions when writing complaints.
1) The document discusses integrating basic power quality measurements into existing predictive maintenance procedures to monitor the health of critical equipment and identify potential failures.
2) It recommends measuring voltage levels, sags, harmonics, unbalance, and currents over time at key points to track trends that may indicate degradation.
3) Catching issues early through low-cost power quality monitoring can help prevent nearly half of electrical failures according to industry studies and save on costs of downtime, repairs and replacement equipment.
The document provides guidance on close quarters combat (CQC) techniques for military units operating in urban environments. It discusses organizing soldiers into fire teams of 2-4 individuals and clearing buildings in a systematic manner by first moving tactically outside and entering buildings quickly. Key elements of CQC addressed include controlling weapons, clearing hallways, intersections, stairwells, and rooms while maintaining overlapping fields of fire and sectors of responsibility. The document emphasizes speed, violence of action, and surprise to gain control of rooms and eliminate threats during clearing operations.
The document outlines a sequence of 6 shots for a film scene. Shot 1 is a 10 second close up tracking shot following a character as she runs. Shot 2 is a 30-60 second first person zooming shot of a safe space, including ambient sounds of birds and chatter. Shot 3 is a 5-10 second static first person shot as the character stops moving and retracts her arms, with a potential gasp sound effect. Shot 4 and 5 are 5-10 second mid-close shots of the character without sound effects. Shot 6 is a 30 second long shot with potential sound effects of footsteps and panting as the character begins to run again.
The document discusses different tactical room entry methods and techniques for clearing rooms and hallways safely and efficiently as a team. It describes the closed and dispersed stacks for entering a room with a closed door, with the heavy side entering first. Key steps for clearing a room are outlined, such as clearing the doorway, corners, and dominating the room. Techniques are provided for clearing corners using near-far and high-low methods. Methods for quickly clearing hallways and stairs are also reviewed.
This document contains a breakdown of shots and assets needed for a scene showing Casper the friendly ghost walking through a wall. It lists the location, raw footage captured, video and virtual assets, and matte paintings and CGI models required. A description provides details of a long tracking shot of Casper walking down a corridor and fading into the left wall, with the assets needed to composite the shot of Casper phasing through the wall.
The Hypercacher Raid, or Porte de Vincennes siege was a successful hostage rescue mission. It also offered large opportunity for the French Special Police to learn for future practice.
Here are some of my thoughts on the CQB or Close Quarters Battle side of the raid. In all, a success. Their limited entries need work, however.
The document is a storyboard that plans out the shots, angles, dialogue, sounds, camera movements, and timing for a video. Each shot is numbered and includes details about the type of shot, any dialogue or sounds, camera movements if any, and the timing. The storyboard is broken into pages and includes notes for editing.
Close Quarter Battle - A (Thankfully) Changing ParadigmCQB TEAM
Ever thought all those courses you took in Close Quarter Battle just got you hurt? They didn't quite make sense? Buttonhook and hope? Here's a better way.
By Rye from CQB-TEAM.
The preliminary task was the first filming assignment in the student's AS media course. To complete the task, students had to learn about different camera angles and filming rules. The student's group used a match on action cut between shots of the student walking through a door from different perspectives to show continuity. They followed the 180 degree rule by keeping the camera on one side of an imaginary line between characters. Shot/reverse shot technique was also explained, showing characters looking at each other during a conversation.
This document discusses several important editing concepts used in film and television including:
1) Shot reverse shot is used in conversations to cut between characters as they talk and react to one another.
2) Matching involves cutting between shots where one object or action blends into another, such as steam blending into steam.
3) The 180 degree rule is important for continuity and prevents jump cuts by restricting filming to one side of an imaginary line around the action.
4) Match on action cuts between shots where a character reaches for something off screen to the object being reached for.
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
The document outlines the shots and scenes for a movie trailer, beginning with a shot of the antagonist's shoes and slowly panning up their body. It then shows surveillance footage on a wall of people being watched. A girl is seen running and getting dragged away screaming. Quick shots build tension as someone is strangled in their car. Blood is shown splattering on a wall after someone is killed. The antagonist is seen crossing off names on a list except for one. Dialogue in the antagonist's lair is meant to be an enigmatic climax. The trailer is meant to leave audiences wanting more through its quick cuts and shots that don't fully reveal what is happening.
The document provides instructions for three shots featuring characters Aphrodite and Raphaim. Shot 4 is a medium close up of Aphrodite from a low angle to show her superiority as she tells Raphaim he has disappointed her. Shot 5 is a high angle shot of Raphaim kneeling as he asks for forgiveness. Shot 6 continues with Aphrodite from a low angle as she tells Raphaim he must prove himself worthy of forgiveness.
Shot reverse shot is a technique used in conversations where the camera cuts between one character talking and their reaction, then cuts to the other character and back again. 180 degree rule is important for continuity where the camera must stay on one side of an imaginary line between characters to avoid jump cuts. Match on action cuts between a character reaching for something off screen to the next shot revealing what they reached for.
This risk assessment identifies potential hazards for the filming of an opening scene near Chester Road on November 13th and 16th. Equipment could break, but the crew will take care when filming and secure equipment. Crew members could get injured by falling, but will pay attention. Theft is possible but unlikely, and the crew will monitor surroundings. A fire could occur outside but is very unlikely. There is a risk of injury from cars on the road, so the crew will pay close attention to oncoming traffic while filming near the road.
This document outlines potential risks and preventative measures for various shots in a film production. It identifies hazards such as actors tripping over equipment, cameras accidentally hitting actors, or props injuring people. Preventative measures include keeping equipment away from actors, holding cameras at angles instead of directly above faces, throwing props short distances without people present, and maintaining a safe distance between actors and equipment. The goal is to film the shots as planned while preventing injuries or equipment damage.
This document discusses potential hazards on a film set and how to mitigate risks. It identifies trip hazards from wires and stairs that could affect the crew and actors. The risks are rated as low, medium or high and responsibilities are assigned to address exposed wires, looking where going on stairs, and moving chairs out of the way before filming. Safety measures need to be taken by the crew to prevent any incidents on set.
Please download this PowerPoint to view the .gifs and embedded videos properly. Estimated ~200mb download.
Close Quarters Battle. Immediate versus Limited Entries by Rye from CQB-TEAM. Enjoy!
This document lists potential risks for a music video shoot and measures to prevent issues. Camera/equipment risks include rain damage, theft, and dropping. Strategies are checking weather, constant supervision, and secure equipment. For performers, skateboarders risks include injury, so pads and helmets will be worn. Dancers risks are injury from poor lighting or surfaces, so lighting and smooth floors will be used. Minor injuries will be treated on site, but serious injuries require immediate hospital transport.
This document outlines potential hazards, risks, and control measures for filming the movie "Beware of your Nightmares". It identifies four main hazards: using an actual knife in scenes, wet floors, shots from high up or near edges, and time pressure rushing to finish. For each hazard, it details who may be at risk and recommends control measures like substituting a fake knife, checking for dry floors, ensuring safe camera handling, and allowing enough time to film without rushing.
This document provides a structural breakdown and plan for a music video in 3 parts. It outlines the approximate duration and visual elements for each verse, pre-chorus, and chorus section. Notes on technical requirements and shots are included. Storyboards and a shot list are mentioned. The production group info lists the actors and their contact details. Location information notes the outdoor areas to be used and studio permission needed.
The document provides guidance on business writing. It discusses why business writing is important, the prerequisites and stages of writing business letters, and elements that make communication effective. It offers tips on tone, delivering bad or negative news, and writing complaints. Specifically, it advises being positive, stating facts, avoiding blame, and offering resolutions when writing complaints.
1) The document discusses integrating basic power quality measurements into existing predictive maintenance procedures to monitor the health of critical equipment and identify potential failures.
2) It recommends measuring voltage levels, sags, harmonics, unbalance, and currents over time at key points to track trends that may indicate degradation.
3) Catching issues early through low-cost power quality monitoring can help prevent nearly half of electrical failures according to industry studies and save on costs of downtime, repairs and replacement equipment.
This document summarizes a workshop on stellar formation and evolution held in Rome on June 6, 2012. It discusses the speaker's experience developing real-time software for space instrumentation, including on-board software, ground segment equipment software, and data analysis pipelines. It also outlines the modular approach and use of automation in on-board software design, and tools used for software engineering, testing, and data processing of large astronomy datasets.
The document discusses the evolution of instructional materials design. It notes that effective materials include components like instructional goals that are flexible, up-to-date organized information at an appropriate reading level, effective layout, multidisciplinary content, and skills development. Publishers work to create responsive materials through literature reviews, prototypes, and feedback from teachers. Teacher manuals should be practical, aligned to student materials, cover sufficient content, and provide methods and assessments for student learning. Visual presentation is important, and materials presented across various media can be more effective than conventional instruction when organized systematically. Challenges include controversies over approaches and inaccurate or outdated content. Alignment within student and teacher materials improves learning.
This document provides an overview of key concepts in logistics and supply chain management. It discusses the inputs, processes, and outputs of production, including raw materials, work-in-progress, and finished goods. It also covers outsourcing versus in-house production, different types of buyers and sellers, marketing, distribution networks, types of retail stores, direct marketing, advertising, and e-commerce.
This document provides information and ideas for feeding toddlers healthy and nutritious meals and snacks. It discusses including whole grains, legumes, nuts and seeds, green vegetables, vitamin C foods, vitamin A foods and other fruits and vegetables in toddler diets. Ideas are given for breakfast, lunch and dinner as well as sneaking vegetables into foods and packing nutritious snacks. The importance of involving toddlers in food preparation and offering new foods multiple times is also covered. Overall, the document aims to help parents choose healthy foods and establish good eating habits and nutrition for their toddlers.
The document is a shot list that repeats the same structure of type of shot, shot number, timing, dialogue, sound, and camera movement for multiple entries. It does not contain any other descriptive information.
This storyboard sheet outlines the shots, camera movements, dialogue, and editing details for multiple scenes of a film or video project. Each shot is numbered and includes specifications for the type of shot, camera movement, any dialogue or sound, and the intended length of the shot. The storyboard sheet provides a framework to plan and organize the visuals and audio for a sequence of scenes.
The document describes 17 shots in a film sequence that takes place in a desert. Each shot is categorized by type, number, timing, dialogue, sound, and camera movement. The shots begin with an establishing shot of the deserted desert and follow a character walking forward while pulling something or someone. With each shot, diegetic sounds of footsteps and chains are heard along with non-diegetic Spanish guitar music. Towards the end, the music fades out and the title of the film is revealed.
"Night of the Demons" 2010 Trailer AnalysisAdam Nelson
The document provides a detailed shot log for a trailer of the film "Night of the Demons". It describes 26 shots ranging from close-ups to establishing shots over 1 minute. Most shots are brief, between 0.5-2 seconds. They feature rock music, screams, shouts and snippets of dialogue. The shots depict a Halloween party descending into chaos as supernatural threats emerge.
The document provides a detailed shot log for the trailer of the 2010 film "Night of the Demons". It describes 26 shots ranging from close-ups to establishing shots, with most shots being around 1 second in length. The shots include scenes of partying, screaming, dialogue, and computer generated text. Rock music plays throughout most of the trailer, and camera movements include pans, tilts, and handheld footage. The trailer depicts scenes of chaos and monsters threatening party attendees.
The document describes 16 shots from a film sequence. Shot 1 is a panning shot up a stairwell showing a woman walking as ash falls, with the title superimposed. Shot 2 is an extreme close-up lasting 2 seconds of a man's eyes staring, flashing bright then fading to black. Shots 3-14 show females walking followed by flashbacks of monster snippets over 9 seconds. Shot 15 is a close-up of eyes staring at the camera, fading in and out. Shot 16 is an establishing shot fading in from black of ash falling with the film and town title.
This document discusses different types of camera movements and sounds used in filmmaking. It describes tracking shots, steadicam shots, zoom shots, crane shots, pan shots, and trombone shots for camera movements. It also explains diegetic and non-diegetic sounds, and how music, soundtracks, crescendos, diminuendos, and sforzandos can be used to manipulate the audience's emotions. An example from CSI is given that uses a drone shot, crane shot, and pan shot to increase suspense.
The document describes 40 shots from a film or video with details about the type of shot, dialogue, lighting, camera movements, and timing for each shot. The shots include low angle panning, zooms, handheld footage, arch shots, stills, slow motion, tracking, and panning/zooming. Dialogue suggests the story is about struggling with life and wanting an end to pain, violence, and suffering.
The storyboard document outlines 24 shots to be used in a film trailer. Shot types include establishing shots, close-ups, tracking shots, and text-on-scene shots. Camera movements include zooms, pans, and jumps. Dialogue includes non-diegetic sound effects, ambient noise, and a voiceover. The shots follow a girl running through woods with increasing tension, then cut to text slides with the director/actors/film title before ending on a fade to darkness.
This document outlines the shots, camera movements, sounds, and edits for an 11 shot film. Shot 1 is a black background with no image and piano music. Shot 2 introduces a midshot of a girl writing at a desk as the camera zooms in, accompanied by piano music. Shot 3 shows an over-the-shoulder shot of the girl writing a letter to "Dear Jasmine" as the camera zooms in on the letter. The film consists of mostly long shots following the girl walking in different settings with piano music throughout and builds to a climactic closeup of the letter "Dear Jasmine" as the title of the film.
This document contains a storyboard for 20 shots in a film or video. It describes each shot number, type of shot, camera movements, dialogue, sounds, and length. The shots include black screens, zooms, fades, cuts, close-ups and long shots. They show characters with their eyes closed, laughing and talking, outside scenery, and a character taking a deep breath in shock. Background music, sounds and dialogue move the story along.