This document outlines the concept, storyline, and production elements for a music video inspired by 2000s-era R&B videos. The concept follows a famous couple dealing with the ups and downs of their relationship. Iconic styles, costumes, camera shots, and couples from 2000s videos will be referenced. Moods will be conveyed through different color schemes.
This document provides the concept, storyline, and shot descriptions for a music video summarizing the ups and downs of a relationship. The concept takes place in the 2000s era and utilizes colors, sets, and body language to portray the couple's journey. Key scenes include the couple arriving at an event amidst paparazzi flashes, the woman leaving a voicemail after the man does not come over, and the use of different color schemes to represent the mood of the relationship. Iconic outfits, camera shots, and couples from the 2000s will be referenced throughout the video.
This music video prospectus proposes a concept that transports viewers back to the 2000s era through nostalgic visuals and an emotive love story. Color schemes and iconic elements from 2000s music videos and couples will be incorporated to tell the story of the ups and downs of the main couple's relationship. Wardrobe, camera shots, and sets will reference videos from artists like Bow Wow, Kanye West, and Mario to capture the essence of 2000s aesthetics and fully immerse viewers in the nostalgia.
The video for "Misery Business" by Paramore tells a narrative story of a girl who steals other people's boyfriends getting her comeuppance. Scenes include the band performing, the "stereotypical bitch" girl in a low-cut dress, and Williams singing angrily about revenge. The video garnered Paramore significant publicity and boosted their career in the music industry.
The video for "Misery Business" by Paramore tells a narrative story of a girl who steals other people's boyfriends getting her comeuppance. Scenes include the band performing, the "stereotypical bitch" girl in a low-cut dress, and Williams singing angrily about revenge. The video garnered Paramore significant publicity and boosted their career in the music industry.
This document provides a prospectus for a 2000s-inspired music video. It outlines the concept, treatment, wardrobe, marketing, logistics and production details. The video will tell a nostalgic love story through colorful imagery and references to iconic 2000s aesthetics, couples, and music videos. Production elements like split-screen scenes, paparazzi shots, and salon scenes are described to portray the ups and downs of the relationship.
This document provides a prospectus for a 2000s-inspired music video. It outlines the concept, treatment, wardrobe, marketing, logistics and production details. The video will tell a nostalgic love story through colorful imagery and references to iconic 2000s aesthetics, couples, and music videos. Production will utilize split screens, graffiti backdrops, and memorable scenes recreating looks from that era to transport viewers back in time.
This document provides examples of different types of shots from music videos and asks the student to analyze similar shots from their own music video project. It includes sample shots that show a link between lyrics and visuals, shots that represent how a record company might want their artist portrayed, shots that illustrate the music genre, shots demonstrating intertextual references, camera work, lighting, mise-en-scene, and shots that show the student has watched other music videos. The student is asked to analyze comparable shots from their own video and explain how they meet the described conventions.
This document provides examples of different types of shots from music videos and asks the respondent to analyze similar shots from their own media product. It includes sample shots that show a link between lyrics and visuals, shots that represent how a record company might want their artist portrayed, shots that illustrate the music genre, shots demonstrating intertextual references, camera work, lighting, mise-en-scene, and shots that indicate the respondent has watched other music videos. The respondent is asked to analyze equivalent shots from their own video and discuss how they develop or challenge conventions of the genre.
This document provides the concept, storyline, and shot descriptions for a music video summarizing the ups and downs of a relationship. The concept takes place in the 2000s era and utilizes colors, sets, and body language to portray the couple's journey. Key scenes include the couple arriving at an event amidst paparazzi flashes, the woman leaving a voicemail after the man does not come over, and the use of different color schemes to represent the mood of the relationship. Iconic outfits, camera shots, and couples from the 2000s will be referenced throughout the video.
This music video prospectus proposes a concept that transports viewers back to the 2000s era through nostalgic visuals and an emotive love story. Color schemes and iconic elements from 2000s music videos and couples will be incorporated to tell the story of the ups and downs of the main couple's relationship. Wardrobe, camera shots, and sets will reference videos from artists like Bow Wow, Kanye West, and Mario to capture the essence of 2000s aesthetics and fully immerse viewers in the nostalgia.
The video for "Misery Business" by Paramore tells a narrative story of a girl who steals other people's boyfriends getting her comeuppance. Scenes include the band performing, the "stereotypical bitch" girl in a low-cut dress, and Williams singing angrily about revenge. The video garnered Paramore significant publicity and boosted their career in the music industry.
The video for "Misery Business" by Paramore tells a narrative story of a girl who steals other people's boyfriends getting her comeuppance. Scenes include the band performing, the "stereotypical bitch" girl in a low-cut dress, and Williams singing angrily about revenge. The video garnered Paramore significant publicity and boosted their career in the music industry.
This document provides a prospectus for a 2000s-inspired music video. It outlines the concept, treatment, wardrobe, marketing, logistics and production details. The video will tell a nostalgic love story through colorful imagery and references to iconic 2000s aesthetics, couples, and music videos. Production elements like split-screen scenes, paparazzi shots, and salon scenes are described to portray the ups and downs of the relationship.
This document provides a prospectus for a 2000s-inspired music video. It outlines the concept, treatment, wardrobe, marketing, logistics and production details. The video will tell a nostalgic love story through colorful imagery and references to iconic 2000s aesthetics, couples, and music videos. Production will utilize split screens, graffiti backdrops, and memorable scenes recreating looks from that era to transport viewers back in time.
This document provides examples of different types of shots from music videos and asks the student to analyze similar shots from their own music video project. It includes sample shots that show a link between lyrics and visuals, shots that represent how a record company might want their artist portrayed, shots that illustrate the music genre, shots demonstrating intertextual references, camera work, lighting, mise-en-scene, and shots that show the student has watched other music videos. The student is asked to analyze comparable shots from their own video and explain how they meet the described conventions.
This document provides examples of different types of shots from music videos and asks the respondent to analyze similar shots from their own media product. It includes sample shots that show a link between lyrics and visuals, shots that represent how a record company might want their artist portrayed, shots that illustrate the music genre, shots demonstrating intertextual references, camera work, lighting, mise-en-scene, and shots that indicate the respondent has watched other music videos. The respondent is asked to analyze equivalent shots from their own video and discuss how they develop or challenge conventions of the genre.
The document discusses initial treatment locations for filming a music video. It plans to film establishing shots in London to give the impression the video is set there, while actually filming most scenes locally in Henley-on-Thames. Specific locations mentioned include a high street made to look like London, a school, a park by the river trying to resemble a London garden, Henley's town center avoiding landmarks, and an alleyway for a mock drug deal scene. The goal is to make the locations look like London while benefitting from easier local filming.
The document provides summaries of three music videos:
1) Michael Jackson's "Thriller" from 1984, known for its 14-minute horror-themed video considered one of the greatest of all time.
2) Christina Aguilera's "Dirrty" from 2002, which featured sexually suggestive content and changed her image from "girl next door."
3) Beyonce's "Listen" from 2006 for the film Dreamgirls, a emotional ballad emphasizing the relationship between the sad lyrics and Beyonce's facial expressions.
The document summarizes and analyzes three music videos:
1) Michael Jackson's "Thriller" from 1984, noting its 14-minute runtime and relationship between lyrics and visuals depicting horror themes.
2) Christina Aguilera's "Dirrty" from 2002, which featured sexually suggestive content and changed her image from "girl next door."
3) Beyonce's "Listen" from 2006 for the film Dreamgirls, showing her emotional performance and use of scenes from the film intercut with her choreography.
The music video for Vance Joy's "Riptide" tells a narrative story through illustrative techniques that relate the shots to the lyrics. It features a main male and female character whose relationship develops over the course of the video. While mostly using natural lighting and basic editing, it incorporates characteristics typical of the indie genre through its narrative style, use of colored lighting, camera techniques like panning and zooming, and styling of the performers. It emphasizes the idea of looking by having the characters directly address the audience and using screens to make the audience feel like they are observing the story.
The music video for Vance Joy's song "Riptide" follows many characteristics typical of the indie music genre. It tells a narrative story through illustrative and amplifying techniques that relate the shots to the lyrics. Specific techniques used include natural lighting with shadows, basic cuts for scene changes with occasional fast pans, and styling featuring statement clothing like colorful shirts, fur coats, and the color yellow. The video balances clear storytelling with more abstract shots to link it to the indie genre's tendency toward quirkiness. Overall, the video effectively presents the song's narrative through visuals in a way that aligns with conventions of the indie music genre.
The document provides an analysis of several music videos, summarizing their key elements such as lighting, editing techniques, camera shots and how they relate to the themes and meanings of the songs. Videos discussed include Kanye West's "Love Lockdown", Madonna's "Hung Up", Britney Spears' "Piece of Me" and others. Common techniques analyzed include the use of lighting, camera angles, editing pace and scene composition.
This document provides examples of shots from real music videos that demonstrate different filmmaking techniques. Several shots are provided that show a link between lyrics and visuals, how an artist is represented for their record label, the use of mise-en-scene, lighting, camera work, and intertextual references. The shots are analyzed and described in terms of how they illustrate these various cinematic techniques.
Pitch for the music video "The veronica's everything im not"callison1318
The document outlines a music video pitch for the song "Everything I'm Not" by The Veronicas. It describes the song as a rock/pop song telling the story of getting revenge on an unfaithful boyfriend. The intended audience is teenagers aged 16-20, especially females. The video's visual style will portray an attitude through dark clothing and messy settings to match the song's tone. It will include various scenes of the performers getting revenge on the boyfriend through tactics like posting warnings about him online, trashing his room, and humiliating him.
The document outlines a music video pitch for the song "Everything I'm Not" by The Veronicas. It describes the song as a rock/pop song telling the story of getting revenge on an unfaithful boyfriend. The intended audience is teenagers aged 16-20, especially females. The video's visual style will have an attitude to match the song, using quick cuts, varied camera angles, and outfits/settings to portray a "bitchy feel." It will show the singers getting revenge on the boyfriend in various ways, from posting warnings about him online to trashing his room.
The document outlines a music video pitch for the song "Everything I'm Not" by The Veronicas. It describes the song as a rock/pop song telling the story of getting revenge on an unfaithful boyfriend. The intended audience is teenagers aged 16-20, especially females. The video's visual style will portray an attitude through dark clothing and messy settings to match the song's tone. It will include various scenes of the performers getting revenge on the boyfriend through tactics like posting warnings about him online, trashing his room, and ultimately humiliating him.
1) The music video for "Dusk Till Dawn" by Zayn ft. Sia was released in September 2017 and was directed by Marc Webb.
2) While most pop music videos feature bright colors and high-key lighting during performances, this video uses low-key blue and green lighting during narrative scenes like an interrogation in a warehouse.
3) The video challenges pop music conventions through its crime film narrative involving gangsters but still features Zayn in a suit with a colorful shirt, conforming to typical pop star costuming.
This document provides an in-depth analysis of 4 music videos by Beyoncé in 3 or less sentences per video:
1. "No Angel" shows Beyoncé in a run-down setting with rebellious characters, using imagery to portray the song's theme through cinematography and mise-en-scene.
2. "Flawless" is a performance-based black-and-white video using effects like slow motion across shots in a rustic setting to portray concepts like feminism.
3. "Pretty Hurts" tells a narrative of a beauty pageant through shots of preparation and competition, portraying the mental and physical toll of obsession with beauty.
This document summarizes information about three music video directors - David Wilson, Alexandre Courtes, and Cameron Duddy - and discusses how their work is inspiring for creating a successful music video production. It provides details about some of their notable music videos and awards. It also reviews the Uses and Gratification theory and how it relates to interpreting media. The document concludes that combining images in a split screen like Courtes' "Go Up" video and including dancing scenes could help make the production successful, and filming authentic footage in America will help depict modern life in the country.
This document summarizes information on three music video directors - David Wilson, Alexandre Courtes, and Cameron Duddy - and discusses how their work can provide inspiration. It also provides an overview of the Uses and Gratification theory and how it relates to music videos. The director explores using split screens of American photos in their own music video for "Living in America" based on the video for "Go Up." Dancing scenes may also be included, inspired by successful videos like "Uptown Funk." The conclusion reaffirms showing a realistic modern America without editing out issues.
This document summarizes how the media product uses, develops and challenges conventions of real media forms.
It discusses how shots from the music video illustrate concepts through mise-en-scene, lighting, camera angles and intertextual references to other artists' work. Conventionally, music videos aim to sell the artist through close-ups and positioning them as the focus. However, some shots separate or contrast the male and female artists to reflect the narrative.
Conventions of album packaging, like bold font and band imagery, are employed but developed through additional effects. Inspiration is drawn from The 1975's simplistic yet effective style. Magazine adverts employ typical promotional techniques and inclusion of social media to engage target audiences
The document discusses camera angles, coloring, editing, lighting, and mise-en-scene plans for a music video of M.I.A.'s "Paper Planes". Close-up, panoramic, and long shots will be used to focus on the artist and showcase the urban setting. Black and white will portray gritty aspects, while color will depict graffiti and modernization positively. Time lapses, on-beat editing, and natural lighting with filters are planned. Money, graffiti, and urban clothing will establish the working class character, and skate culture will be featured to represent teenage life.
This document analyzes the music videos for Katy Perry's "Hot n Cold" and Lady Gaga's "Poker Face". It discusses the camera angles, shots, editing techniques, and mis-en-scene elements used in both videos. For Katy Perry's video, it examines the various shots including over-the-shoulder, mid, close-up, and establishing shots used to tell the story and convey emotions. It also analyzes the colors, costumes, lighting, and props. For Lady Gaga's video, the summary discusses the fast-paced zooming and tracking shots, close-ups to promote the artist, luxurious location, masks and costumes representing her "poker face", and
This document analyzes the music videos for Katy Perry's "Hot n Cold" and Lady Gaga's "Poker Face". It discusses the camera angles, editing techniques, and mis-en-scene elements used in both videos. For "Hot n Cold", it examines the various shot types used to convey emotion and story. It also analyzes the costuming, lighting, and colors used to represent Katy Perry's different personalities. For "Poker Face", it discusses the fast-paced editing and special effects used to create an unstable atmosphere, as well as the luxurious location, masks, and Lady Gaga's revealing outfits used to portray her as powerful and seductive.
The document discusses plans for camera angles, editing, lighting, color, and mise-en-scene for a music video of M.I.A.'s "Paper Planes". It will use close-ups of the actress and props, panoramic shots to show the urban setting, and point-of-view shots to involve the audience. Parts will be filmed in black and white for grittiness and parts in color with bright colors and graffiti to portray a positive outlook. Time lapse, on-beat editing, and natural lighting with filters will be used, and the video will include money, graffiti, urban clothing, and skate culture to represent the working class environment and lifestyle portrayed in the song
This document discusses several music video directors and their works. It provides information on directors David Wilson, Alexandre Courtes, and Cameron Duddy. It discusses some of their most notable music videos and the concepts and styles used. It also discusses the Uses and Gratification theory and how it relates to interpreting media. Finally, it reflects on how studying these directors' works could provide inspiration for the author's own music video production on the song "Living in America."
Unveiling the Dynamic Personalities, Key Dates, and Horoscope Insights: Gemin...my Pandit
Explore the fascinating world of the Gemini Zodiac Sign. Discover the unique personality traits, key dates, and horoscope insights of Gemini individuals. Learn how their sociable, communicative nature and boundless curiosity make them the dynamic explorers of the zodiac. Dive into the duality of the Gemini sign and understand their intellectual and adventurous spirit.
Brian Fitzsimmons on the Business Strategy and Content Flywheel of Barstool S...Neil Horowitz
On episode 272 of the Digital and Social Media Sports Podcast, Neil chatted with Brian Fitzsimmons, Director of Licensing and Business Development for Barstool Sports.
What follows is a collection of snippets from the podcast. To hear the full interview and more, check out the podcast on all podcast platforms and at www.dsmsports.net
The document discusses initial treatment locations for filming a music video. It plans to film establishing shots in London to give the impression the video is set there, while actually filming most scenes locally in Henley-on-Thames. Specific locations mentioned include a high street made to look like London, a school, a park by the river trying to resemble a London garden, Henley's town center avoiding landmarks, and an alleyway for a mock drug deal scene. The goal is to make the locations look like London while benefitting from easier local filming.
The document provides summaries of three music videos:
1) Michael Jackson's "Thriller" from 1984, known for its 14-minute horror-themed video considered one of the greatest of all time.
2) Christina Aguilera's "Dirrty" from 2002, which featured sexually suggestive content and changed her image from "girl next door."
3) Beyonce's "Listen" from 2006 for the film Dreamgirls, a emotional ballad emphasizing the relationship between the sad lyrics and Beyonce's facial expressions.
The document summarizes and analyzes three music videos:
1) Michael Jackson's "Thriller" from 1984, noting its 14-minute runtime and relationship between lyrics and visuals depicting horror themes.
2) Christina Aguilera's "Dirrty" from 2002, which featured sexually suggestive content and changed her image from "girl next door."
3) Beyonce's "Listen" from 2006 for the film Dreamgirls, showing her emotional performance and use of scenes from the film intercut with her choreography.
The music video for Vance Joy's "Riptide" tells a narrative story through illustrative techniques that relate the shots to the lyrics. It features a main male and female character whose relationship develops over the course of the video. While mostly using natural lighting and basic editing, it incorporates characteristics typical of the indie genre through its narrative style, use of colored lighting, camera techniques like panning and zooming, and styling of the performers. It emphasizes the idea of looking by having the characters directly address the audience and using screens to make the audience feel like they are observing the story.
The music video for Vance Joy's song "Riptide" follows many characteristics typical of the indie music genre. It tells a narrative story through illustrative and amplifying techniques that relate the shots to the lyrics. Specific techniques used include natural lighting with shadows, basic cuts for scene changes with occasional fast pans, and styling featuring statement clothing like colorful shirts, fur coats, and the color yellow. The video balances clear storytelling with more abstract shots to link it to the indie genre's tendency toward quirkiness. Overall, the video effectively presents the song's narrative through visuals in a way that aligns with conventions of the indie music genre.
The document provides an analysis of several music videos, summarizing their key elements such as lighting, editing techniques, camera shots and how they relate to the themes and meanings of the songs. Videos discussed include Kanye West's "Love Lockdown", Madonna's "Hung Up", Britney Spears' "Piece of Me" and others. Common techniques analyzed include the use of lighting, camera angles, editing pace and scene composition.
This document provides examples of shots from real music videos that demonstrate different filmmaking techniques. Several shots are provided that show a link between lyrics and visuals, how an artist is represented for their record label, the use of mise-en-scene, lighting, camera work, and intertextual references. The shots are analyzed and described in terms of how they illustrate these various cinematic techniques.
Pitch for the music video "The veronica's everything im not"callison1318
The document outlines a music video pitch for the song "Everything I'm Not" by The Veronicas. It describes the song as a rock/pop song telling the story of getting revenge on an unfaithful boyfriend. The intended audience is teenagers aged 16-20, especially females. The video's visual style will portray an attitude through dark clothing and messy settings to match the song's tone. It will include various scenes of the performers getting revenge on the boyfriend through tactics like posting warnings about him online, trashing his room, and humiliating him.
The document outlines a music video pitch for the song "Everything I'm Not" by The Veronicas. It describes the song as a rock/pop song telling the story of getting revenge on an unfaithful boyfriend. The intended audience is teenagers aged 16-20, especially females. The video's visual style will have an attitude to match the song, using quick cuts, varied camera angles, and outfits/settings to portray a "bitchy feel." It will show the singers getting revenge on the boyfriend in various ways, from posting warnings about him online to trashing his room.
The document outlines a music video pitch for the song "Everything I'm Not" by The Veronicas. It describes the song as a rock/pop song telling the story of getting revenge on an unfaithful boyfriend. The intended audience is teenagers aged 16-20, especially females. The video's visual style will portray an attitude through dark clothing and messy settings to match the song's tone. It will include various scenes of the performers getting revenge on the boyfriend through tactics like posting warnings about him online, trashing his room, and ultimately humiliating him.
1) The music video for "Dusk Till Dawn" by Zayn ft. Sia was released in September 2017 and was directed by Marc Webb.
2) While most pop music videos feature bright colors and high-key lighting during performances, this video uses low-key blue and green lighting during narrative scenes like an interrogation in a warehouse.
3) The video challenges pop music conventions through its crime film narrative involving gangsters but still features Zayn in a suit with a colorful shirt, conforming to typical pop star costuming.
This document provides an in-depth analysis of 4 music videos by Beyoncé in 3 or less sentences per video:
1. "No Angel" shows Beyoncé in a run-down setting with rebellious characters, using imagery to portray the song's theme through cinematography and mise-en-scene.
2. "Flawless" is a performance-based black-and-white video using effects like slow motion across shots in a rustic setting to portray concepts like feminism.
3. "Pretty Hurts" tells a narrative of a beauty pageant through shots of preparation and competition, portraying the mental and physical toll of obsession with beauty.
This document summarizes information about three music video directors - David Wilson, Alexandre Courtes, and Cameron Duddy - and discusses how their work is inspiring for creating a successful music video production. It provides details about some of their notable music videos and awards. It also reviews the Uses and Gratification theory and how it relates to interpreting media. The document concludes that combining images in a split screen like Courtes' "Go Up" video and including dancing scenes could help make the production successful, and filming authentic footage in America will help depict modern life in the country.
This document summarizes information on three music video directors - David Wilson, Alexandre Courtes, and Cameron Duddy - and discusses how their work can provide inspiration. It also provides an overview of the Uses and Gratification theory and how it relates to music videos. The director explores using split screens of American photos in their own music video for "Living in America" based on the video for "Go Up." Dancing scenes may also be included, inspired by successful videos like "Uptown Funk." The conclusion reaffirms showing a realistic modern America without editing out issues.
This document summarizes how the media product uses, develops and challenges conventions of real media forms.
It discusses how shots from the music video illustrate concepts through mise-en-scene, lighting, camera angles and intertextual references to other artists' work. Conventionally, music videos aim to sell the artist through close-ups and positioning them as the focus. However, some shots separate or contrast the male and female artists to reflect the narrative.
Conventions of album packaging, like bold font and band imagery, are employed but developed through additional effects. Inspiration is drawn from The 1975's simplistic yet effective style. Magazine adverts employ typical promotional techniques and inclusion of social media to engage target audiences
The document discusses camera angles, coloring, editing, lighting, and mise-en-scene plans for a music video of M.I.A.'s "Paper Planes". Close-up, panoramic, and long shots will be used to focus on the artist and showcase the urban setting. Black and white will portray gritty aspects, while color will depict graffiti and modernization positively. Time lapses, on-beat editing, and natural lighting with filters are planned. Money, graffiti, and urban clothing will establish the working class character, and skate culture will be featured to represent teenage life.
This document analyzes the music videos for Katy Perry's "Hot n Cold" and Lady Gaga's "Poker Face". It discusses the camera angles, shots, editing techniques, and mis-en-scene elements used in both videos. For Katy Perry's video, it examines the various shots including over-the-shoulder, mid, close-up, and establishing shots used to tell the story and convey emotions. It also analyzes the colors, costumes, lighting, and props. For Lady Gaga's video, the summary discusses the fast-paced zooming and tracking shots, close-ups to promote the artist, luxurious location, masks and costumes representing her "poker face", and
This document analyzes the music videos for Katy Perry's "Hot n Cold" and Lady Gaga's "Poker Face". It discusses the camera angles, editing techniques, and mis-en-scene elements used in both videos. For "Hot n Cold", it examines the various shot types used to convey emotion and story. It also analyzes the costuming, lighting, and colors used to represent Katy Perry's different personalities. For "Poker Face", it discusses the fast-paced editing and special effects used to create an unstable atmosphere, as well as the luxurious location, masks, and Lady Gaga's revealing outfits used to portray her as powerful and seductive.
The document discusses plans for camera angles, editing, lighting, color, and mise-en-scene for a music video of M.I.A.'s "Paper Planes". It will use close-ups of the actress and props, panoramic shots to show the urban setting, and point-of-view shots to involve the audience. Parts will be filmed in black and white for grittiness and parts in color with bright colors and graffiti to portray a positive outlook. Time lapse, on-beat editing, and natural lighting with filters will be used, and the video will include money, graffiti, urban clothing, and skate culture to represent the working class environment and lifestyle portrayed in the song
This document discusses several music video directors and their works. It provides information on directors David Wilson, Alexandre Courtes, and Cameron Duddy. It discusses some of their most notable music videos and the concepts and styles used. It also discusses the Uses and Gratification theory and how it relates to interpreting media. Finally, it reflects on how studying these directors' works could provide inspiration for the author's own music video production on the song "Living in America."
Unveiling the Dynamic Personalities, Key Dates, and Horoscope Insights: Gemin...my Pandit
Explore the fascinating world of the Gemini Zodiac Sign. Discover the unique personality traits, key dates, and horoscope insights of Gemini individuals. Learn how their sociable, communicative nature and boundless curiosity make them the dynamic explorers of the zodiac. Dive into the duality of the Gemini sign and understand their intellectual and adventurous spirit.
Brian Fitzsimmons on the Business Strategy and Content Flywheel of Barstool S...Neil Horowitz
On episode 272 of the Digital and Social Media Sports Podcast, Neil chatted with Brian Fitzsimmons, Director of Licensing and Business Development for Barstool Sports.
What follows is a collection of snippets from the podcast. To hear the full interview and more, check out the podcast on all podcast platforms and at www.dsmsports.net
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Building Your Employer Brand with Social MediaLuanWise
Presented at The Global HR Summit, 6th June 2024
In this keynote, Luan Wise will provide invaluable insights to elevate your employer brand on social media platforms including LinkedIn, Facebook, Instagram, X (formerly Twitter) and TikTok. You'll learn how compelling content can authentically showcase your company culture, values, and employee experiences to support your talent acquisition and retention objectives. Additionally, you'll understand the power of employee advocacy to amplify reach and engagement – helping to position your organization as an employer of choice in today's competitive talent landscape.
Anny Serafina Love - Letter of Recommendation by Kellen Harkins, MS.AnnySerafinaLove
This letter, written by Kellen Harkins, Course Director at Full Sail University, commends Anny Love's exemplary performance in the Video Sharing Platforms class. It highlights her dedication, willingness to challenge herself, and exceptional skills in production, editing, and marketing across various video platforms like YouTube, TikTok, and Instagram.
Taurus Zodiac Sign: Unveiling the Traits, Dates, and Horoscope Insights of th...my Pandit
Dive into the steadfast world of the Taurus Zodiac Sign. Discover the grounded, stable, and logical nature of Taurus individuals, and explore their key personality traits, important dates, and horoscope insights. Learn how the determination and patience of the Taurus sign make them the rock-steady achievers and anchors of the zodiac.
Top mailing list providers in the USA.pptxJeremyPeirce1
Discover the top mailing list providers in the USA, offering targeted lists, segmentation, and analytics to optimize your marketing campaigns and drive engagement.
Zodiac Signs and Food Preferences_ What Your Sign Says About Your Tastemy Pandit
Know what your zodiac sign says about your taste in food! Explore how the 12 zodiac signs influence your culinary preferences with insights from MyPandit. Dive into astrology and flavors!
The 10 Most Influential Leaders Guiding Corporate Evolution, 2024.pdfthesiliconleaders
In the recent edition, The 10 Most Influential Leaders Guiding Corporate Evolution, 2024, The Silicon Leaders magazine gladly features Dejan Štancer, President of the Global Chamber of Business Leaders (GCBL), along with other leaders.
3 Simple Steps To Buy Verified Payoneer Account In 2024SEOSMMEARTH
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Part 2 Deep Dive: Navigating the 2024 Slowdownjeffkluth1
Introduction
The global retail industry has weathered numerous storms, with the financial crisis of 2008 serving as a poignant reminder of the sector's resilience and adaptability. However, as we navigate the complex landscape of 2024, retailers face a unique set of challenges that demand innovative strategies and a fundamental shift in mindset. This white paper contrasts the impact of the 2008 recession on the retail sector with the current headwinds retailers are grappling with, while offering a comprehensive roadmap for success in this new paradigm.
How are Lilac French Bulldogs Beauty Charming the World and Capturing Hearts....Lacey Max
“After being the most listed dog breed in the United States for 31
years in a row, the Labrador Retriever has dropped to second place
in the American Kennel Club's annual survey of the country's most
popular canines. The French Bulldog is the new top dog in the
United States as of 2022. The stylish puppy has ascended the
rankings in rapid time despite having health concerns and limited
color choices.”
The APCO Geopolitical Radar - Q3 2024 The Global Operating Environment for Bu...APCO
The Radar reflects input from APCO’s teams located around the world. It distils a host of interconnected events and trends into insights to inform operational and strategic decisions. Issues covered in this edition include:
[To download this presentation, visit:
https://www.oeconsulting.com.sg/training-presentations]
This PowerPoint compilation offers a comprehensive overview of 20 leading innovation management frameworks and methodologies, selected for their broad applicability across various industries and organizational contexts. These frameworks are valuable resources for a wide range of users, including business professionals, educators, and consultants.
Each framework is presented with visually engaging diagrams and templates, ensuring the content is both informative and appealing. While this compilation is thorough, please note that the slides are intended as supplementary resources and may not be sufficient for standalone instructional purposes.
This compilation is ideal for anyone looking to enhance their understanding of innovation management and drive meaningful change within their organization. Whether you aim to improve product development processes, enhance customer experiences, or drive digital transformation, these frameworks offer valuable insights and tools to help you achieve your goals.
INCLUDED FRAMEWORKS/MODELS:
1. Stanford’s Design Thinking
2. IDEO’s Human-Centered Design
3. Strategyzer’s Business Model Innovation
4. Lean Startup Methodology
5. Agile Innovation Framework
6. Doblin’s Ten Types of Innovation
7. McKinsey’s Three Horizons of Growth
8. Customer Journey Map
9. Christensen’s Disruptive Innovation Theory
10. Blue Ocean Strategy
11. Strategyn’s Jobs-To-Be-Done (JTBD) Framework with Job Map
12. Design Sprint Framework
13. The Double Diamond
14. Lean Six Sigma DMAIC
15. TRIZ Problem-Solving Framework
16. Edward de Bono’s Six Thinking Hats
17. Stage-Gate Model
18. Toyota’s Six Steps of Kaizen
19. Microsoft’s Digital Transformation Framework
20. Design for Six Sigma (DFSS)
To download this presentation, visit:
https://www.oeconsulting.com.sg/training-presentations
2. CONCEPT
This video will take you through a journey of the ups and downs of
love. It shows how the ‘old kinda love’ is a real kinda love. We
utilize colors, sets, body language, and more to properly execute a
story from the 2000's era.
THE OLD TYPE OF LOVE
3. INTROCUT SCENE
This story begins with a cut scene (no music). A
couple walks out from a building late at night into
the street. Before they step onto the side walk,
paparazzi cameras begin flashing. Phrases like
“ten look over here” and “yo over here” are being
shouted to get tens attention. On the flip side, the
paparazzi are also calling on his girl. “Hey beautiful
over here!” Implying they are both famous.
4. INTROCUT SCENE
They get into the car (dark and black) and you
can still hear the muffled shouting outside the
doors. She looks at him and asks, “are you
coming over tonight?” and he responds with
“Nah, bæ I’ve gotta go record at the studio.”
5. For the speaking intro of this song, we cut to Ten in the studio rapping into
a mic (silently). His girl sits onto the couch in slow motion with a flip phone
making a call. It cuts again to see Tens phone ringing and he doesn’t see it
because he’s still recording. She leaves the voicemail and he keeps
recording.
0:00-0:21
6. Throughout the next 20 seconds of
the song, their ups and downs as a
couple will be portrayed by using an
angsty R & B style framing and
choreo. For one scene we will split
the wall into one side white
background and one side blue
graffiti. On Ten’s side he will be
dressed in white in front of the blue
background. She will be dressed in
blue in front of the white background.
(this will reference mario’s -let me
love you)
0:21-00:55
7. MIDSONGCUTSCENE
00:56
She is in the nail/hair salon getting her
nails filed and she says, “and then he
didn’t wanna come over.” The girls gasp
dramatically and shake their heads. He will
send her flowers and the girls in the salon
will crowd her to read the note attached
that says “I love you, dinner tonight?” and
the girls gas her up and squeal and she
smiles. The beat drops and the scene is
over.
8. Throughout the rest of the video, TEN
raps to his girl. We cut to some shots
of him in the studio rapping in mic or
to camera. Shots of him rapping in a
bathroom mirror. Everything is
brighter, more colorful, joyful. He’s
hugging her from behind while shes
putting on lipstick in the same mirror
on- “I know you tryna watch your
figure, but I’m tryna blow your belly”
Shots of him rapping in front of the
paparazzi with cameras flashing. It’ll
alternate between those 3 sets.
Utilizing flirty more romantic body
language.
00:56-1:40
12. From the iconic baggy tee shirts and long denim shorts and baggy jeans- looks similar to
those worn by Mario with the baggy white jeans.
ICONIC OUTFITS
Most iconic, the bathroom scene from All Falls Down by Kanye West has a unique filming
style that will be somewhat replicated with different scenery.
Another iconic shot from this music video features Kanye’s reflection being filmed in the
window of a car. The dancing mirror scene from Let me love you by Mario is also iconic to
be incorporated.
ICONIC CAMERA SHOTS
Larger diamond earring studs as worn by many R&B artists at the time.
Large chains with large pendants like worn by Jay-Z, as well as Bow Wow in different
videos.
2000'S JEWELRY
Let me love you (Bow Wow) couple- reenactment in opening of music video.
Couple from Love & basketball incorporated within different scenes.
ICONIC COUPLES
2000'S
ERA
EASTER
EGGS
14. From the iconic baggy tee shirts and long denim shorts and baggy jeans- looks similar to
those worn by Mario with the baggy white jeans.
ICONIC OUTFITS
Most iconic, the bathroom scene from All Falls Down by Kanye West has a unique filming
style that will be somewhat replicated with different scenery.
Another iconic shot from this music video features Kanye’s reflection being filmed in the
window of a car. The dancing mirror scene from Let me love you by Mario is also iconic to
be incorporated.
ICONIC CAMERA SHOTS
Larger diamond earring studs as worn by many R&B artists at the time.
Large chains with large pendants like worn by Jay-Z, as well as Bow Wow in different
videos.
2000'S JEWELRY
Let me love you (Bow Wow) couple- reenactment in opening of music video.
Couple from Love & basketball incorporated within different scenes.
ICONIC COUPLES
2000'S
ERA
EASTER
EGGS
16. From the iconic baggy tee shirts and long denim shorts and baggy jeans- looks similar to
those worn by Mario with the baggy white jeans.
ICONIC OUTFITS
Most iconic, the bathroom scene from All Falls Down by Kanye West has a unique filming
style that will be somewhat replicated with different scenery.
Another iconic shot from this music video features Kanye’s reflection being filmed in the
window of a car. The dancing mirror scene from Let me love you by Mario is also iconic to
be incorporated.
ICONIC CAMERA SHOTS
Larger diamond earring studs as worn by many R&B artists at the time.
Large chains with large pendants like worn by Jay-Z, as well as Bow Wow in different
videos.
2000'S JEWELRY
Let me love you (Bow Wow) couple- reenactment in opening of music video.
Couple from Love & basketball incorporated within different scenes.
ICONIC COUPLES
2000'S
ERA
EASTER
EGGS
17.
18. DIFFERENTIATINGFACTOR
We are going to utilize color schemes to represent moods and
feelings between the couple. The beginning color scheme is filled
with earth tones and blacks to represent neutrality, calmness,
and a natural connection. When shes upset, we utilize blues and
whites. We want to create a separation visually with sad, dull
tones. After he apologizes and promises to make time for her no
matter how busy he is, we go all out and bright. Theres more
physical connection, and pops of color. We see a home instead of
public spaces.
20. 45 CELEB COUPLES YOU WERE OBSESSED WITH IN THE 2000S. COSMOPOLITAN. (2022, JUNE 2). HTTPS://WWW.COSMOPOLITAN.COM/ENTERTAINMENT/CELEBS/G5790/CELEB-COUPLES-WHO-DEFINED-THE-2000S/?SLIDE=39
BLUE+GRAFITTI IMAGES – BROWSE 114,886 STOCK PHOTOS, VECTORS, AND VIDEO. ADOBE STOCK. (N.D.-A). HTTPS://STOCK.ADOBE.COM/SEARCH/IMAGES?
FILTERS%5BCONTENT_TYPE%3APHOTO%5D=1&FILTERS%5BFETCH_EXCLUDED_ASSETS%5D=1&FILTERS%5BINCLUDE_STOCK_ENTERPRISE%5D=1&FILTERS%5BCONTENT_TYPE%3AIMAGE%5D=1&FILTERS%5BCONTENT_TYPE%3AILLUSTRATI
ON%5D=1&FILTERS%5BCONTENT_TYPE%3AZIP_VECTOR%5D=1&ORDER=RELEVANCE&SAFE_SEARCH=1&LIMIT=100&SEARCH_PAGE=1&SEARCH_TYPE=USERTYPED&ACP=&ACO=BLUE%2BGRAFITTI&K=BLUE%2BGRAFITTI&GET_FACETS=0&ASS
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BOWSER, E. (2019, JANUARY 18). THE 100 BEST R&B SONGS OF THE 2000S, PRESENTED BY THE SOUL IN STEREO CYPHER. SOUL IN STEREO. HTTP://WWW.SOULINSTEREO.COM/2019/01/THE-100-BEST-RB-SONGS-OF-THE-2000S-PRESENTED-BY-
THE-SOUL-IN-STEREO-CYPHER.HTML
FTL-RADIO. (2020, SEPTEMBER 24). FOR THE CULTURE. TUMBLR. HTTPS://FTL-RADIO.TUMBLR.COM/POST/630099753053650944/FTL-RADIO-STAY
HIPHOPRAPR&B: HIP HOP CLASSICS, HIP HOP, HIP HOP CULTURE. PINTEREST. (2019, APRIL 24). HTTPS://WWW.PINTEREST.COM/PIN/HIPHOPRAPRB--859554278860925707/
IMDB.COM. (2000, APRIL 21). LOVE & BASKETBALL. IMDB. HTTPS://WWW.IMDB.COM/TITLE/TT0199725/
JACKSON, V. (2021, AUGUST 21). 18 COUPLES FROM THE EARLY ’00S WHO WILL MAKE YOU BELIEVE IN LOVE AGAIN. BUZZFEED. HTTPS://WWW.BUZZFEED.COM/VANNESSAJACKSON/COUPLES-THAT-RULED-THE-EARLY-00S
LIAM FLYNN( HEAD EDITOR & WRITER )AS THE HEAD EDITOR AND WRITER AT MUSIC GROTTO. (2023, JANUARY 27). 33 BEST 2000S RAPPERS (2000S HIP HOP ARTISTS). MUSIC GROTTO. HTTPS://WWW.MUSICGROTTO.COM/2000S-RAPPERS/
MISTRY, A., & MISTRY, A. (2014, OCTOBER 22). WHY AREN’T THERE MORE MOVIES LIKE LOVE & BASKETBALL? VULTURE. HTTPS://WWW.VULTURE.COM/2014/10/LOVE-AND-BASKETBALL-APPRECIATION.HTML
OLDLOVES. (2014, AUGUST 17). OLD LOVES. TUMBLR. HTTPS://OLDLOVES.TUMBLR.COM/POST/95023065831/TUPAC-SHAKUR-KIDADA-JONES-1996-THE-COUPLE-WERE
PIN ON CELEBRITY STYLE. PINTEREST. (2016, JULY 21). HTTPS://WWW.PINTEREST.COM/PIN/188658671869860190/
RED+GRAFITTI IMAGES – BROWSE 98,830 STOCK PHOTOS, VECTORS, AND VIDEO. ADOBE STOCK. (N.D.-B). HTTPS://STOCK.ADOBE.COM/SEARCH/IMAGES?
FILTERS%5BCONTENT_TYPE%3APHOTO%5D=1&FILTERS%5BFETCH_EXCLUDED_ASSETS%5D=1&FILTERS%5BINCLUDE_STOCK_ENTERPRISE%5D=1&FILTERS%5BCONTENT_TYPE%3AIMAGE%5D=1&FILTERS%5BCONTENT_TYPE%3AILLUSTRATI
ON%5D=1&FILTERS%5BCONTENT_TYPE%3AZIP_VECTOR%5D=1&ORDER=RELEVANCE&SAFE_SEARCH=1&LIMIT=100&SEARCH_PAGE=1&SEARCH_TYPE=USERTYPED&ACP=&ACO=RED%2BGRAFITTI&K=RED%2BGRAFITTI&GET_FACETS=0&ASSET
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ROSENBAUM, C. (2015, OCTOBER 15). HOW THE FAST TIMES OF THE PAPARAZZI CAME TO A SCREECHING HALT. BUZZFEED NEWS. HTTPS://WWW.BUZZFEEDNEWS.COM/ARTICLE/CLAUDIAROSENBAUM/DOWNFALL-OF-THE-PAPARAZZI
YOUTUBE. (2009A, OCTOBER 5). NELLY - DILEMMA (OFFICIAL MUSIC VIDEO) FT. KELLY ROWLAND. YOUTUBE. HTTPS://WWW.YOUTUBE.COM/WATCH?V=8WYHDFJDPDC&LIST=PL4XQRMQ2GXAMHODZ9KAJ5PC4SKTADFOYC
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