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who could resist the invitation of those dainty headphones?
today
1. aim
2. introduction
3. background: theory
            : influences
            : previous research
4. themes
5. methods and projects
6. conclusions/outcome
7. the future.
why sound in the public space?
why headphones?

docklands sound project
drink+think panel on sound in public space
ideas on measurement, public/private realm and
fashion.
previous research: the public space has a soundtrack now
photographer: sarah barber
photographer: effie merson
photographers:
billiejeanisnotmylover.com
photographers: billiejeanisnotmylover.com
“the technology of the radio and the headphones
enables users to prioritize their experience
socially”

personal stereos and the reconfiguration of representational space,
michael bull
“for someone listening to a complex sound
ambience, the synecdoche effect is the ability to
valorize one specific element through selection”

sonic experience, a guide to everyday sounds,
jean-françois augoyard & henry torgue
“Walkman users can aestheticize both the
mundane everyday of the city streets and the
faraway spaces they visit with their Walkman
sounds.”

sound, proximity and distance in western experience: the case of
odysseus’ walkman,
michael bull
“all music, however individual it may be in
stylistic terms, possesses an inalienable
collective substance: every sound says ‘we’ ”
sound figures,   theodore adorno
key themes

1.   behaviour
2.   objects
3.   language (code and system)
4.   space
inter/cross/trans-disciplinary projects:

1.   Not-listening Listening
2.   Listening to the City
3.   Emergency Dance Zone
4.   Cone of Silence I: First Site
5.   Cone of Silence II: Electrofringe
Not-listening Listening, West Space. August 14, 2009.
future research:
85 Decibels, Baby (LTC III)
headphones as adornment
acoustic privacy in the workplace
soundproofing the city
4’33” reprise

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Who Could Resist The Invitation of Those Dainty Headphones?