Virtual worlds in education storyboard .2
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The document discusses plans for an audio background, a virtual worlds explanation by Lauren with images, and voiceovers by Suzy and Nicole for two YouTube videos that need editing down to specific timeframes. It also lists several references and sources including the New Media Consortium, New Horizon Report, YouTube, Dublin Institute of Technology, Sheffield University, and KZER Worldswide. The document asks if there are any questions about the final draft.
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Virtual worlds in education storyboard
The document discusses plans for an audio background, a brief explanation by Lauren of virtual worlds with accompanying images, Suzy and Nicole doing voiceovers for two YouTube videos that need editing down to a minute and a half each, and sharing the video links and credits section. It states some images may change and thanks those helping for their support.
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Virtual worlds in education storyboard
The document discusses plans for an audio background, a brief explanation by Lauren of virtual worlds with accompanying images, Suzy and Nicole doing voiceovers for two YouTube videos that need editing down to a minute and a half each, and sharing the video links and credits section. It states some images may change and thanks those helping for their support.
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The document provides a technical analysis of Jonathan Glazer's filmmaking style, noting his use of close-ups, slow motion, diagetic sound, and everyday environments depicted in an eerie, depressing manner through special effects like black and white, slow motion, and smoke. Glazer's work consistently features emotional, surreal themes developed through these techniques, marking him as an auteur director.
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The document discusses the roles of composers and sound designers in creating audio for video games. It focuses on their work for The Last of Us. Composers convey emotion through a variety of instruments and experimenting with sounds from the environment. They also use a combination of electronic and traditional music to add tension and atmosphere while still allowing emotion to come through traditional instruments. Sound designers layer different sounds to create realistic effects and ensure the audio enhances the game experience without losing dynamics through compression. Their creativity is key in developing foley sounds to further immerse the player.
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