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He’s Blind For A Reason
Justin Lewis
Key Points
● The author introduces a blind character for a
reason
● Often times the blind character can see in
his own way
● To be blind, the character does not have to
be physically afflicted
Quote Analysis 1
“Coming back to “blindness,” I distinctly remember the first time I read James
Joyce’s little story “Araby.” The first line tells us that the street the young narrator
lives on is “blind.” Hmm, I thought, that’s an odd expression. I promptly got hung up
on what it meant in the literal sense (a blind alley in British/Irish English is a dead-
end street, which has another set of connotations, some related and some not), and
missed entirely what it “really” meant. I got most of the story, the boy watching the
girl at every opportunity, even when the light is poor or he has the “blinds” (I’m not
making this up) pulled almost all the way down; the boy blinded by love, then by
vanity; the boy envisioning himself as a hero out of a romance; the boy going to the
supposedly exotic bazaar, Araby, arriving late to find much of it already in darkness,
registering it as the tawdry and anti romantic place that it is; and finally the boy,
nearly blinded by his own angry tears, seeing himself for the ridiculous creature he
is.”
Quote Analysis 2
“Same with literature. If writers want us – all of us – to notice something, they’d
better put it out there where we’ll find it. Please observe that in most works
where blindness is manifest, the writer brings it up pretty early. I call this “the
Indiana Jones principle” : if you want your audience to know something
important about your character (or the work at large), introduce it early, before
you need it. Say we’re two-thirds of the way through Raiders of the Lost Ark
and suddenly Indy, who has heretofore been afraid of absolutely nothing, is
terrified of snakes. Do we buy that? Of course not. That’s why Steven
Spielberg, the director, and Lawrence Kasdan, the writer, installed that snake in
the airplane right in the first sequence, before the credits, so that when we get
to the seven thousand snakes, we’ll know just how badly they frighten our
hero.”
Quote Analysis 3
“Back to Oedipus. Don’t feel too bad. When we meet him again, in Oedipus at
Colonus, it’s many years later, and of course he’s suffered greatly, but that
suffering has redeemed him in the eyes of the gods, and rather than being a
blight on the human landscape, he becomes a favorite of the gods, who
welcome him into the next world with a miraculous death. He has acquired a
level of vision he never had when he was sighted. Blind as he is, he walks
toward that death without assistance, as if guided by an unseen power.”
Examples
● Obama
● King Midas
● Oedipus
● Araby
● Michael Oher
● Victor Frankenstein

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Untitled presentation

  • 1. He’s Blind For A Reason Justin Lewis
  • 2. Key Points ● The author introduces a blind character for a reason ● Often times the blind character can see in his own way ● To be blind, the character does not have to be physically afflicted
  • 3. Quote Analysis 1 “Coming back to “blindness,” I distinctly remember the first time I read James Joyce’s little story “Araby.” The first line tells us that the street the young narrator lives on is “blind.” Hmm, I thought, that’s an odd expression. I promptly got hung up on what it meant in the literal sense (a blind alley in British/Irish English is a dead- end street, which has another set of connotations, some related and some not), and missed entirely what it “really” meant. I got most of the story, the boy watching the girl at every opportunity, even when the light is poor or he has the “blinds” (I’m not making this up) pulled almost all the way down; the boy blinded by love, then by vanity; the boy envisioning himself as a hero out of a romance; the boy going to the supposedly exotic bazaar, Araby, arriving late to find much of it already in darkness, registering it as the tawdry and anti romantic place that it is; and finally the boy, nearly blinded by his own angry tears, seeing himself for the ridiculous creature he is.”
  • 4. Quote Analysis 2 “Same with literature. If writers want us – all of us – to notice something, they’d better put it out there where we’ll find it. Please observe that in most works where blindness is manifest, the writer brings it up pretty early. I call this “the Indiana Jones principle” : if you want your audience to know something important about your character (or the work at large), introduce it early, before you need it. Say we’re two-thirds of the way through Raiders of the Lost Ark and suddenly Indy, who has heretofore been afraid of absolutely nothing, is terrified of snakes. Do we buy that? Of course not. That’s why Steven Spielberg, the director, and Lawrence Kasdan, the writer, installed that snake in the airplane right in the first sequence, before the credits, so that when we get to the seven thousand snakes, we’ll know just how badly they frighten our hero.”
  • 5. Quote Analysis 3 “Back to Oedipus. Don’t feel too bad. When we meet him again, in Oedipus at Colonus, it’s many years later, and of course he’s suffered greatly, but that suffering has redeemed him in the eyes of the gods, and rather than being a blight on the human landscape, he becomes a favorite of the gods, who welcome him into the next world with a miraculous death. He has acquired a level of vision he never had when he was sighted. Blind as he is, he walks toward that death without assistance, as if guided by an unseen power.”
  • 6. Examples ● Obama ● King Midas ● Oedipus ● Araby ● Michael Oher ● Victor Frankenstein