Unit 10 Learning Aim A
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BTEC, Digital Media Production
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Codes and convections
This document discusses different types of codes and conventions used in narrative storytelling. It outlines symbolic codes which create deeper meaning through setting, mise en scene, acting, and color. Technical codes are specific to certain media like film and include camerawork, editing, audio, and lighting. Written codes enforce the narrative through dialogue, lyrics, and spoken language. Conventions include common narrative structures, genre expectations, and mise en scene elements like composition, actors, lighting, and costumes.
slide
This document discusses key elements of plays, including theme, setting, plot, characters, and literary devices. It explains that the theme is the central idea or moral lesson of a play. The setting establishes the time and place which influence the characters. The plot consists of the sequence of events that make up the story. Characters are interwoven with the plot and bring it to life. Protagonists represent the theme while antagonists conflict with protagonists. It also defines literary devices like enigma, ellipsis, and exposition that are used in films and television to engage audiences. Finally, it contrasts open narratives like soap operas with closed narratives that typically have a clear beginning, middle, and end.
Structure types
Feature films are full-length movies that audiences pay to see in cinemas. They typically run over 40 minutes, with most being between 75-210 minutes. Feature films follow a three-act structure of introduction, rising action, and resolution to tell a story. Short films have a similar structure but must establish characters and settings immediately without long title sequences due to their shorter time frame. Both feature and short films use techniques like camera work, lighting, music, and character development to effectively communicate their narrative and engage audiences.
Structure types
1) Structure is important for storytelling as it communicates events to the audience in an organized way. Most films follow a three-act structure with an introduction, rising action/conflict, and resolution.
2) Short films similarly follow the three-act structure but must establish characters and settings immediately without long title sequences due to their shorter time frame.
3) Narratives also follow models like Todorov's five stages that move from equilibrium to climax and resolution, or Campbell's hero's journey with departure, initiation and return acts.
The move storyboard
Elliot frames his friend Mars for murder by planting DNA evidence and stealing Mars' phone to reveal incriminating text messages. The storyboard shows Elliot interacting with friends in a parking lot while Mars acts suspiciously about something that happened the night before. It also depicts Elliot stealing Mars' phone, obtaining DNA evidence from Mars' bedroom to plant at the crime scene, and Mars worried in the interrogation room about facing prison time while Elliot spends time with his daughter.
The move risk assessment
Crew and cast are filming a movie scene requiring movement between locations including a car park, bedroom, and woods/lake area. The risk assessment identifies hazards in each location like active cars, tripping over wires or doors, and encountering animals or falling branches. It rates the likelihood and severity of each risk, with the highest risk of 7 occurring in the woods/lake area. Control measures like keeping an eye out, moving hazards, and watching surroundings are identified along with making everyone responsible for risk control.
The move location checklist
The document provides a location recce checklist for three potential filming locations - a car park, bedroom, and woods/lake area. For each location, it evaluates whether there is enough space, what shots would be possible, whether permission is needed, how natural lighting and potential weather issues could impact filming, what background noises may be present, and the best times of day to film with regards to factors like access, lighting, and disturbances. Safety issues are also considered, such as cars moving in the car park or tripping hazards in the woods.
The move storyboard
Elliot meets up with his friends in a car park where he talks to Mars about what happened the previous night. Mars is acting suspiciously about something that occurred. Elliot also talks to Kennedy about what they need to do to survive. The story flashes back to Mars murdering a stranger, with Elliot helping Mars cover up the crime as he wants to be part of his daughter's life.
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Codes and convections
This document discusses different types of codes and conventions used in narrative storytelling. It outlines symbolic codes which create deeper meaning through setting, mise en scene, acting, and color. Technical codes are specific to certain media like film and include camerawork, editing, audio, and lighting. Written codes enforce the narrative through dialogue, lyrics, and spoken language. Conventions include common narrative structures, genre expectations, and mise en scene elements like composition, actors, lighting, and costumes.
slide
This document discusses key elements of plays, including theme, setting, plot, characters, and literary devices. It explains that the theme is the central idea or moral lesson of a play. The setting establishes the time and place which influence the characters. The plot consists of the sequence of events that make up the story. Characters are interwoven with the plot and bring it to life. Protagonists represent the theme while antagonists conflict with protagonists. It also defines literary devices like enigma, ellipsis, and exposition that are used in films and television to engage audiences. Finally, it contrasts open narratives like soap operas with closed narratives that typically have a clear beginning, middle, and end.
Structure types
Feature films are full-length movies that audiences pay to see in cinemas. They typically run over 40 minutes, with most being between 75-210 minutes. Feature films follow a three-act structure of introduction, rising action, and resolution to tell a story. Short films have a similar structure but must establish characters and settings immediately without long title sequences due to their shorter time frame. Both feature and short films use techniques like camera work, lighting, music, and character development to effectively communicate their narrative and engage audiences.
Structure types
1) Structure is important for storytelling as it communicates events to the audience in an organized way. Most films follow a three-act structure with an introduction, rising action/conflict, and resolution.
2) Short films similarly follow the three-act structure but must establish characters and settings immediately without long title sequences due to their shorter time frame.
3) Narratives also follow models like Todorov's five stages that move from equilibrium to climax and resolution, or Campbell's hero's journey with departure, initiation and return acts.
The move storyboard
Elliot frames his friend Mars for murder by planting DNA evidence and stealing Mars' phone to reveal incriminating text messages. The storyboard shows Elliot interacting with friends in a parking lot while Mars acts suspiciously about something that happened the night before. It also depicts Elliot stealing Mars' phone, obtaining DNA evidence from Mars' bedroom to plant at the crime scene, and Mars worried in the interrogation room about facing prison time while Elliot spends time with his daughter.
The move risk assessment
Crew and cast are filming a movie scene requiring movement between locations including a car park, bedroom, and woods/lake area. The risk assessment identifies hazards in each location like active cars, tripping over wires or doors, and encountering animals or falling branches. It rates the likelihood and severity of each risk, with the highest risk of 7 occurring in the woods/lake area. Control measures like keeping an eye out, moving hazards, and watching surroundings are identified along with making everyone responsible for risk control.
The move location checklist
The document provides a location recce checklist for three potential filming locations - a car park, bedroom, and woods/lake area. For each location, it evaluates whether there is enough space, what shots would be possible, whether permission is needed, how natural lighting and potential weather issues could impact filming, what background noises may be present, and the best times of day to film with regards to factors like access, lighting, and disturbances. Safety issues are also considered, such as cars moving in the car park or tripping hazards in the woods.
The move storyboard
Elliot meets up with his friends in a car park where he talks to Mars about what happened the previous night. Mars is acting suspiciously about something that occurred. Elliot also talks to Kennedy about what they need to do to survive. The story flashes back to Mars murdering a stranger, with Elliot helping Mars cover up the crime as he wants to be part of his daughter's life.
The move shooting schedual
The document provides a shooting schedule and camera shot list for a film titled "The Move". It details various shots needed at different locations and times including establishing shots of a car arriving at a parking lot and being driven down back roads. It also lists indoor shots needed in a bedroom and montage shots including shots inside and outside a car in different settings, angles, and movements that will need ambient sounds, music, and voice over. The shooting schedule involves filming at various locations like a parking lot, back roads, woods, and lake across different times of day.
Pitch presentation
Elliot receives a mysterious text and leaves his friends. The film will follow Elliot over three acts as he deals with the aftermath of framing his friend Mars for a crime. In act one, Elliot planted Mars' phone as evidence at a crime scene. In act two, Elliot wakes up exhausted after receiving many messages and calls the police to report a homicide. In act three, flashbacks reveal why Elliot framed Mars - to protect his family. The film will have an urban setting and feature themes of action, romance, crime, and adventure for an audience aged 15 and up.
THE Move (final draft)
The document is a script that tells the story of Elliot framing his friend Mars for a crime. It begins with Elliot exiting a car and greeting a group of people, where he pulls Mars aside to question him about something that happened the night before. The story flashes back to Elliot's 18th birthday party, where he and Mars put a body in the trunk of a car. It's revealed that Elliot took Mars' phone. In the present, Elliot calls an anonymous tip into the police to report a homicide. The story flashes back again to show Elliot planting evidence to frame Mars for the crime. Elliot tells his girlfriend that you can't change life's unfairness, but you can get rid
Take time (screenplay format)
1) Eliot celebrates his 18th birthday with friends at the park, where champagne is popped.
2) The next morning, Eliot's phone keeps ringing and his mother texts him angrily about speaking to her disrespectfully.
3) Eliot apologizes to his mother, while also pursuing his passion for music and a relationship with his girlfriend Kennedy. However, Kennedy rejects his marriage proposal, saying they are too young and she wants more from a relationship.
Narrative
Short films are typically used to showcase talent and secure funding for future projects. They are under 40 minutes long. Feature films are over 40 minutes and follow a narrative structure to convey emotions, raise awareness, and educate audiences. Narratives in film tell a story from beginning to end using characters and plot devices to resolve adversity. Plot establishes cause and effect relationships between events that drive the narrative.
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The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
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The document provides a shooting schedule and camera shot list for a film titled "The Move". It details various shots needed at different locations and times including establishing shots of a car arriving at a parking lot and being driven down back roads. It also lists indoor shots needed in a bedroom and montage shots including shots inside and outside a car in different settings, angles, and movements that will need ambient sounds, music, and voice over. The shooting schedule involves filming at various locations like a parking lot, back roads, woods, and lake across different times of day.
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Elliot receives a mysterious text and leaves his friends. The film will follow Elliot over three acts as he deals with the aftermath of framing his friend Mars for a crime. In act one, Elliot planted Mars' phone as evidence at a crime scene. In act two, Elliot wakes up exhausted after receiving many messages and calls the police to report a homicide. In act three, flashbacks reveal why Elliot framed Mars - to protect his family. The film will have an urban setting and feature themes of action, romance, crime, and adventure for an audience aged 15 and up.
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The document is a script that tells the story of Elliot framing his friend Mars for a crime. It begins with Elliot exiting a car and greeting a group of people, where he pulls Mars aside to question him about something that happened the night before. The story flashes back to Elliot's 18th birthday party, where he and Mars put a body in the trunk of a car. It's revealed that Elliot took Mars' phone. In the present, Elliot calls an anonymous tip into the police to report a homicide. The story flashes back again to show Elliot planting evidence to frame Mars for the crime. Elliot tells his girlfriend that you can't change life's unfairness, but you can get rid
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Short films are typically used to showcase talent and secure funding for future projects. They are under 40 minutes long. Feature films are over 40 minutes and follow a narrative structure to convey emotions, raise awareness, and educate audiences. Narratives in film tell a story from beginning to end using characters and plot devices to resolve adversity. Plot establishes cause and effect relationships between events that drive the narrative.
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