SlideShare a Scribd company logo
Choose fonts that
contrast
Choose fonts from
a large font family
Combine type from same
historic period
When combining in paragraphs use
type with similar characteristics,
such as x-height and cap height
If you intend to m ix typefaces in the sam e
paragraph, for a run-in head or for em phasis,
m ake them both the sam e x-height—that is,
the height of the letter x in the face (see Figure
14). If the x-heights differ m arkedly, it will be
jarring to your readers as their eyes run into
the bum ps of higher x-heights. If you’re using
a character style or nested style to call out
the run-in heads, just slightly reduce the size
of the font with the larger x-height to bring it
into line with the body text.
Bodoni and Futura may seem like un -
likely bedfellows. Designed 130 years
apart, one is a modern typeface with
extreme contrast between the thin and
thick parts of its stroke, and the oth -
er is a geometric, almost monoweight,
sans serif. What they have in common,
though, is a verticality of stroke, mak -
ing them a good match.
Lucida Sans
Lucida sans and Lucida Bright
Fonts that were designed to go together
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining
Type combining

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Type combining

  • 2. Choose fonts from a large font family
  • 3. Combine type from same historic period
  • 4.
  • 5.
  • 6.
  • 7. When combining in paragraphs use type with similar characteristics, such as x-height and cap height
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. If you intend to m ix typefaces in the sam e paragraph, for a run-in head or for em phasis, m ake them both the sam e x-height—that is, the height of the letter x in the face (see Figure 14). If the x-heights differ m arkedly, it will be jarring to your readers as their eyes run into the bum ps of higher x-heights. If you’re using a character style or nested style to call out the run-in heads, just slightly reduce the size of the font with the larger x-height to bring it into line with the body text. Bodoni and Futura may seem like un - likely bedfellows. Designed 130 years apart, one is a modern typeface with extreme contrast between the thin and thick parts of its stroke, and the oth - er is a geometric, almost monoweight, sans serif. What they have in common, though, is a verticality of stroke, mak - ing them a good match. Lucida Sans Lucida sans and Lucida Bright Fonts that were designed to go together

Editor's Notes

  1. Arno Pro
  2. Fonts that were designed to go together