Title Sequence Analysis
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The genre of the film is a thriller or mystery, as established by the ominous music, typography, and underground setting shown. The narrative focuses on three objects - money, a clock, and a tower - which foreshadows a story about characters battling over money with the clock implying the importance of time. The atmosphere is set as tense and dramatic by the unsettling music that builds in volume and tempo. The typography used for the title and job roles enhances the underground theme. The camerawork in the animation shows the titles appearing and disappearing into the ground to get buried, with split images of the clock, tower, and money. The target audience is very wide as there is nothing inappropriate for children.
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The document analyzes various elements of a neo-noir trailer for the film Zodiac. It discusses how the incidental soundtrack resembles a heartbeat to create tension. Shots establish mystery through a bird's eye city view with fireworks resembling gunshots. Facial expressions and lack of character details add an air of mystery. Editing uses jump cuts and lack of reactions to prevent resolution and leave questions unanswered. Sound bridges link scenes to make the audience feel part of the narrative. A range of camera angles are used to portray different power dynamics. Costumes and props set the outdated period which aids the dark tone through low lighting. Fast pacing through short frames and sequences creates an intense effect.
How is sound used in sci fi film trailers?
It is the analysis of 3 sci-fi genre film trailers, looking specifically at the sound that is used and it's effect.
Analysis of zombieland- Cheyenne
The document analyzes the opening title sequence of the film Zombieland. It discusses how editing techniques like continuity shots and slow motion create tension. Iconography like gore establishes the horror/comedy genre. The titles reflect themes of danger and the apocalypse through their design. Unanswered questions in the sequence create intrigue for viewers. The main character is introduced through his narration about surviving the zombie apocalypse. Cinematography uses point-of-view shots and angled shots to generate an abnormal feel.
Trailer analyse
The document provides an analysis of the theatrical trailer for "The Dark Knight". It summarizes that the trailer uses short clips and a voiceover to create narrative and build suspense. It analyzes specific scenes that are effective, such as the opening tracking shot that establishes the antagonist. The analysis also notes similarities between the trailer and film poster, including the portrayal of the protagonist in front of a burning building and their matching dark color palettes.
Short film analysis (1)
The document provides a detailed analysis of four short films:
1) "The Fly" - A dark comedy about a getaway driver who gets distracted by a fly in his car. His increasing frustration leads him to shoot up the getaway car.
2) "The Ellington Kid" - A thriller/dark comedy told in flashbacks about a violent encounter involving the title character.
3) "The Arrival" - A drama/slice of life film following a woman's thoughts as she waits in a cafe to tell a potential father about her pregnancy.
4) An unnamed film - A seemingly single take film focusing on a character engrossed in their thoughts as they wait in a cafe.
Media
This teaser trailer for the film Inception uses a series of mysterious shots and unsettling music to intrigue viewers and raise questions about the film's plot. Scenes of a spinning city, tilting water, and objects defying the laws of gravity are intercut with text that hints the film will distort what the mind considers reality. The trailer leaves audiences wondering what is happening in the dull city and creates a unique selling point for the complex, brain-rattling film. By the end, the sinister music and maze-like title backdrop suggest the film will keep audiences engaged in games for the mind.
Analysing post modern film trailers.
The trailer introduces the main protagonist of Kill Bill, known as The Bride, showing her in a black outfit representing mystery and danger. Through a fast-paced montage of shots, the trailer introduces the various scenes and antagonists The Bride faces, using fire patterns between shots to represent the fast-paced action. Symbolism of the color yellow is used to identify The Bride as she is shown fighting opponents wearing white. Director Quentin Tarantino aims to attract an active audience through fast editing, diegetic sound effects, and time remapping to create tension.
Treatment (by Lewis Herd and George Jennison)
The document proposes a 1-2 minute film titled "Purgatory" to be filmed at night along a road. It will follow a teenage boy who believes he is being stalked as ambient sounds and music build tension. His increasing paranoia will be shown through jerky camera movements and distorted sounds. The film aims to portray themes of isolation, mental instability, and the protagonist's failure to get help from his disconnected phone. It will end on an ambiguous note with the boy receiving a threatening message after calling emergency services from a phone booth.
Warm bodies teaser trailer
This document analyzes the key elements of a movie trailer for a romantic comedy film set in a zombie apocalypse. It discusses the trailer's use of red coloring to represent danger, its focus on establishing the airport setting and casual outfits of the characters. Music is used to create different moods, from dark and sinister in the beginning to light pop music later. Close-ups and establishing shots are employed to show facial expressions and the setting. The pacing and camera work aim to depict the zombies as aggressive and develop the relationship between the two main characters who fall in love.
Conventions of genre film trailer credited by Camie
The document discusses film trailers and analyzes the trailers for the films Inception and Law Abiding Citizen. It notes that the Inception trailer uses a slow, beating soundtrack that increases tension and suspense. It features first-person narration and fade-in/out shots of film scenes. Symbols like black suits and guns imply suspense and action. The Law Abiding Citizen trailer also starts with a rating before showing the protagonist on a roof with mellow music. It includes shots of violence and escalating action scenes of police and weapons as the music intensifies, implying danger and threat. Both trailers effectively establish the genres through conventions like costumes, music, and visually exciting scenes.
Title sequences
The title sequences of Se7en, Panic Room, and The Girl with the Dragon Tattoo use visuals and music to set the tone and build anticipation for each film. Se7en's sequence uses sounds of thunder, drums, and screeching to create an uneasy atmosphere. Panic Room's titles focus on the aesthetics of the city skyline and use music to convey the thriller genre. The Girl with the Dragon Tattoo opens with the song "Immigrant Song" to set a mysterious, fast-paced tone, and uses dark colors, fire, and quick cuts between odd images to intrigue viewers about the film's events.
District 9
District 9 uses documentary-style film techniques to tell the story. Medium shots and steady cameras are used in dialogue scenes to emphasize the documentary feel. Extreme long shots provide environmental context, like showing the poor conditions of the area. Lighting creates tension, with soft lighting in offices but low-key lighting in the tense spaceship scenes. Diegetic sounds and lack of music also enhance the realism. The documentary format and positioning of characters speaking to the camera establish the recounting of real events.
Usual suspects
The opening scene establishes the genre as an action/thriller through a man surrounded by fire. Gunshots, footsteps and other diegetic sounds create tension for both the character and audience. Non-diegetic music also builds tension. Medium shots show the deserted setting while close-ups focus on the unknown killer to build suspense. Fast editing and mise-en-scene like ropes and boats add mystery about the plot while intriguing the audience to watch more.
Titles analysis
The document provides analysis of the opening title sequences of four films: Shutter Island, Sherlock Holmes, Godzilla, and an unnamed film. For Shutter Island, it analyzes each title card shot, noting details like font color, size, positioning, and who or what role is being credited. For the other films, it summarizes one or two shots from each opening, highlighting production companies, directors, actors, and continuity of graphical elements between shots. The document examines visual and technical aspects of how opening titles convey information to viewers.
The Woman in Black
This trailer analysis summarizes key elements of the horror movie trailer for "The Woman in Black". It begins by analyzing titles and text used in the trailer that set the tone and provide context. Sounds, camera shots, and angles are then examined in detail, highlighting how they are used to build tension, mystery, and fear. Key plot points and symbolic imagery are uncovered that provide clues about the storyline while still leaving the audience questioning. Overall, the analysis breaks down how the trailer utilizes various cinematic techniques to effectively promote the film and intrigue potential viewers without giving away too many details.
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Conventions of genre film trailer credited by Camie
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Evaluation q4
Our target audience is mainly 15-25 year old British males, but the inclusion of cigarette imagery may require an 18+ rating, limiting the audience to those ages. As a British crime thriller focusing on suspense and independent films, the intended viewers would be fans of those genres, particularly British males around age 18 interested in psychological thrillers, criminal shows, and British rock music.
Q7 explanation
The document discusses the learning process of creating a film opening sequence. It compares the preliminary exercise, which had time and resource constraints, to the final opening sequence. For the preliminary, the filmmakers focused on learning basic editing techniques within the limited time available. Mistakes were made with color correction and extras in shots. For the final opening, more planning and resources and allowed for improved lighting, locations, props, costumes and character development through varied camera angles. The opening sequence effectively set the atmosphere and tone through its editing to music.
Question 2
The document discusses how different aspects of the opening film sequence are designed to represent social groups and relate to the target audience. It describes how using a young, white, British male character along with British music and setting helps attract a British audience who can identify with the character. Examining the character's clothing, watch, and large home suggests he comes from wealth, though his profession and background are ambiguous. As the target audience is males aged 15-25, a young male protagonist is used who has mystery to engage viewers.
Media 9 shots
The main character is a doll who seems innocent but suggests an underlying evil nature, contradicting how children are typically portrayed. She is presented differently than other characters, as if not fully alive or human. The film has elements of both horror and fantasy - horror due to its dark and unpleasant events suggested by props like scissors and pins, and fantasy through the unrealistic actions and characters. The dull, beige atmosphere and unsettling soundtrack build tension as the film introduces its unusual main character through a sequence of her sewing her own face.
Question 3
StudioCanal UK would be a suitable distributor for the film "Dirty Riches" for three key reasons:
1) StudioCanal UK specializes in releasing British films, which is relevant as the film's target audience is in the UK.
2) It is an independent distributor, which would make negotiating a deal easier as an independent production company.
3) While it is a smaller distributor than major studios, the film has a national UK focus so StudioCanal's reach would be sufficient.
Question 2
The document discusses how different aspects of the opening film sequence are designed to represent social groups and relate to the target audience. It describes how using a young, white, British male character along with British music and setting helps attract a British audience who can identify with the character. Examining the character's clothing, watch, and large home suggests he comes from wealth, though his profession and background are ambiguous. As the target audience is males aged 15-25, a young male protagonist is used who has mystery to engage viewers.
Question 2
The document discusses how different aspects of the opening film sequence are designed to represent social groups and relate to the target audience. A young, white, British male protagonist is used to attract a British audience who can identify with the character. His wealth, nice home, and expensive watch indicate he is of high social class. While his involvement in criminal activity makes his background and status ambiguous. As the target audience is males aged 15-25, a young male protagonist is chosen who has mystery to engage viewers.
Question 1
The opening sequence establishes the protagonist as an enigmatic figure involved in criminal activity through shots that emphasize his covered appearance, a knife, and money. A close-up of money underscores its importance, and a low-angle shot where we first see his face conveys his dominance. Washing blood off hands in the sink implies he may have committed murder. Visual conventions are used to set the crime/thriller genre and create mystery around the protagonist and his activities.
Question 1
The opening sequence establishes the protagonist as an enigmatic figure through shots that obscure his identity and suggest criminal behavior. Shots of blood being washed away could imply murder, while his covered, dark clothing and hidden face create mystery. Money is a focal point, emphasizing its importance through a close-up of cash. A low-angle shot of the protagonist on his face establishes him as dominant over the audience. Visual conventions from crime and thriller genres are used to set the tone that this is a story about a hidden criminal figure.
Bibliography
This document contains a bibliography with sources for research on psychological thriller conventions, Alfred Hitchcock, David Fincher, British film institutions, and UK film production companies and distributors. It lists webpage URLs from Wikipedia and other sites relating to elements of the psychological thriller genre, biographies of Alfred Hitchcock and David Fincher, and information on the British Board of Film Classification and lists of UK film production companies and distributors.
Evaluation q4
The target audience for this media product is primarily 15-25 year old British males, but the inclusion of a cigarette in one shot may result in an 18+ certificate, limiting the audience to those 18 and older. As a British crime thriller, the audience should enjoy that genre and independent British films, though the soundtrack could also appeal to an older generation.
Q3 evaluation
The document discusses the formation of a new production company called White Knuckle Films for an upcoming thriller film. White Knuckle was chosen as a name to convey fear and panic, fitting for the thriller genre. The production company will be responsible for budgeting, scheduling, scripting, staffing, post-production, distribution and marketing of the film. Lions Gate Entertainment is mentioned as a potential distributor known for thriller films. The British Film Institute is also discussed as a source of potential lottery funding for new films.
Final version q1
This document provides a visual and textual analysis of shots from a film. It examines various shots including a wide establishing shot, medium shots, interior and exterior location shots, mirror shots, close-ups, and low-angle shots. Each shot is analyzed in terms of what it reveals about the characters, location, genre, and narrative elements of the film. Key details like a character's expression, blood on hands, and money are examined for how they provide clues and generate questions about the plot and events of the crime or thriller film being depicted.
Q7 explanation
The document summarizes the learning experience of creating a preliminary opening sequence and the actual opening sequence for a film. For the preliminary, students learned basics of editing using match on action and the 180 degree rule with limited time. A mistake was changing the sequence to black and white, making it difficult to see. For the actual opening, students had more time and freedom, applying techniques learned. They added titles that improved the flow without making it seem long.
Pitch for film opening title sequence
The document summarizes the opening sequence of a crime thriller film. A mysterious man returns to London with a large sum of money, raising questions about where he got it and whether he will use it to pay off a debt. The opening establishes the man's character as cool yet mysterious. It also sets an ominous atmosphere through the use of "Money" by Pink Floyd. Only late in the sequence do clues reveal the film's crime and thriller genres, as the money is seen to be bloodstained. The target audience is identified as males aged 18-25 due to the focus on material goods, mystery, and potentially relatable male protagonist.
Genre research
This document discusses the history of early thrillers and provides examples from the 1920s-1930s including Safety Last, M, and Murders in the Zoo. It also mentions psychological thriller subgenres that focus on the protagonist's mental state, giving examples like Along Came a Spider. The document then profiles Alfred Hitchcock as the "Master of Suspense" and lists some of his notable early films like The 39 Steps and The Lady Vanishes that helped establish the suspense-thriller genre.
Film institutions research
Film producers are responsible for financing films and supervising the filmmaking process, including finding distributors. Film distributors market and promote films to sell them. Common UK film production companies include BBC Films, Working Title Films, DNA Films, and Vertigo Films. Directors oversee all aspects of filmmaking, while producers handle financial aspects and finding distributors. Camera operators shoot footage under the direction of the cinematographer. Editors work with directors to assemble footage and add effects to meet time limits.
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Title Sequence Analysis
- 1. Genre The genre of this film is thriller or mystery. This is established by the music, the typography and the background. Narrative Narrative is not established by the use of character. Instead, the audience only witnesses three objects: money, a clock and a tower. This foreshadows that the film is going to revolve around the principal characters battling for money. The tower could establish location, suggesting that the main action is going to be around the tower. The clock could imply the importance of time in the film. The caption at the bottom of the video ( I need one million dollars by nine o’clock tonight or I’ll be left to die in the coffin! ) also supports this idea.
- 2. Atmosphere The music in the background is most important in establishing atmosphere for a thriller film. The sound used in this sequence slowly builds up and the tempo keeps varying throughout the clip. It gets more ominous and dramatic too. The tonality of violins creates tension. Apart from this, visually atmosphere is established as the background stays constant, being a wall underground. Typography The font used for the title Buried is composed of bricks and stones. The typography used for all the other titles is regular, but the first letter of each job role has a sort of underground appearance, appearing rough and uneven. Appearance of Job Roles All job roles that are involved in the film making process appear in this title sequence (shown in timeline). They appear in order of importance with the editor, camera person, producers and director appearing last. These roles also get slightly longer prevalence than the other job roles too as they are the most important people involved in the film making process. Camerawork This sequence is all animation. The titles appear either on the left or right. As each new title emerges, the previous one disappears. The titles keep going deep into the ground as if they were getting buried. Animations of the clock, tower and money appear split into parts. Target Audience The target audience for this film is very wide as there is no such content in the title sequence which might be inappropriate for children or can only be restricted to adults.