This article discusses five films that took inspiration from visual artworks: Lost in Translation was inspired by the photorealistic style of artist John Kacere, whose works were reflected in scenes featuring Scarlett Johansson's character. Pan's Labyrinth was inspired by Francisco Goya's painting Saturn Devouring His Son in its portrayal of the Pale Man. Inception featured optical illusions and dream-like sequences that paid homage to the works of artist M.C. Escher. The Exorcist poster depicted Father Merrin in a style similar to a painting by René Magritte to create an ominous atmosphere. Inherent Vice used Leonardo da Vin

1. THESE FILMS WERE INSPIRED BY ART PIECES
This is an article “These Films Were Inspired by Art Pieces” by Marc Primo Warren
There is always that interesting interaction between visual art and filmmaking that captivates
audiences. Such famed directors as Stanley Kubrick and Alfred Hitchcock, among many others, have
habitually showcased paintings and visual art in their films and anchored entire storylines on these.
More recently, directors including Lars Von Trier and Quentin Tarantino took to classical arts in
portraying their main leads in films Melancholia (where Kirsten Dunst is presented as John Everett
Millais’s Ophelia in the film’s poster), and Django Unchained (where Jamie Foxx donned the attire of
Thomas Gainsbourough’s classic oil painting Boy in Blue).
To further explore this marriage between film and art, here are five films that took their inspiration
from visual artworks and presented compelling stories on film out of them for wider audiences.
Lost in Translation
Audiences fell in love with the simplicity yet profound manner by which director Sofia Copolla
presented this beautiful film. To scholarly art critics, the entire character of Charlotte (Scarlett
Johansson) reflects the perfect subject based on the works of John Kacere. Coppola was undoubtedly
inspired by the artist’s paintings that one shows up on the film during a hotel scene.

2. Kacere’s photorealistic style is especially evident during the 36-second opening scene of Charlotte’s
backside in pink panties which was an exact mirror image of the artists’ works Maude or Cynthia or
Reina. These visual cues added to the film’s sensual and care-free ambience, which dictated most of
its narrative.
Pan’s Labyrinth
Guillermo del Toro is one of the most visually-striking directors today and we have seen his flair in
such films as the Oscar award-winning The Shape Of Water, and the horrifying The Devil’s Backbone,
among others. However, audiences will always remember how del Toro’s modern fairy tale
masterpiece Pan’s Labyrinth reminded us of Francisco Goya’s Saturn Devouring His Son when we
finally see the creepy Pale Man biting off the heads of fairies.
As for how the painting depicts Greek Titan Cronus eating his children for fear that his power will be
relinquished, del Toro used the same simile to present the Pale Man’s greed and avarice, much to the
character’s effectiveness in the film.
Inception
Another director who resorts to visually-striking images on film is Christopher Nolan, and the mind-
bending Inception is an artwork on its own even if we can see some clear inspiration from the works
of Dutch graphic artist M.C. Escher. Combining math, surreal imagery, and geometric elements, both
artworks and film showcase optical illusions that bring out a dreamy sequence that challenges
viewers.
Escher’s infinite staircase can be seen in the film where action-packed sequences were mostly shot
for a very impressive effect and to further push Nolan’s homage for Escher, one character is named
Maurice Fischer which closely resembles the artist’s full name Maurits Cornelis Escher.
The Exorcist
Audiences were terrified when William Friedkin showed his 1973 film in cinemas. The thought of
how morality and spirituality can forge a supernatural battle with demons is simply disturbing, which
makes the film more effective in terms of psychological horror.
In the film’s poster, Max Von Sydow’s Father Lankerster Merrin is shown in a very similar manner as
how René Magritte painted his Empire of Lights complete with its ominous atmosphere and eerie
image.
One humorous fact about this though is how Magritte was also inspired by Victorian Era painter John
Atkinson Grimshaw’s works on urban sunsets in a simple case of ‘art imitating reality-imitating art’.

3. Inherent Vice
Lastly and most recently, this Paul Thomas Anderson’s crime caper uses Leonardo da Vinci’s famous
Last Supper as a come on to audiences on how hippies take the sanctity of their cult. The image was
used in posters for the film’s promotion to give viewers a teaser of the film’s convoluted plot.
However, this one image inspired from da Vinci was able to present the relationship of the film’s
major characters and how they evolve throughout the entire narrative.
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