Theatre sound
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Theatre productions require careful sound design and mixing to ensure the actors voices are heard clearly over the orchestra. Wireless microphones are often used, with 41 microphones for one show, attached discreetly using medical tape. The sound designer determines optimal speaker placement to reach the audience. During a performance, the sound mixer controls volume levels, balances different audio sources, and turns channels on and off precisely according to the script. They must have an expert knowledge of the show. Assistant sound engineers prepare microphones and address any technical issues.
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Factual Pre-Production
The document provides a production plan and schedule for a video essay discussing representation in media and the casting of Jodie Whittaker as the first female Doctor in Doctor Who. It includes a script outline, scene breakdown, visual planning notes, contingency planning, required resources, and notes on diegetic and non-diegetic sound. The production plan schedules various scenes discussing representation in media, Doctor Who specifically, the casting of the 13th Doctor, and opinions on the controversy, over a run time of approximately 8 minutes.
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Sound job roles
The document discusses sound notes and roles for musical theater productions. It notes that actors wear microphones under costumes and on belts to capture their voices, and that there are many speakers to amplify sound without making actors or music too loud. It also outlines the roles of the sound designer who plans speaker layout, the sound mixer who balances levels and controls sound, assistant sound technicians who manage microphones, and the monitor engineer who controls what actors and bands hear.
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A sound technician is responsible for setting up, operating, and maintaining technical audio equipment to ensure the best possible sound quality for performances. Their main duties include setting up and adjusting microphones; monitoring audio signals; and servicing equipment. Without a sound technician, a performer's voice would sound distorted and unnatural. A technician uses equipment like microphones, amplifiers, audio lines, monitors, and mixing boards. They must also collaborate with the director and lighting department to create audio that matches the vision for the performance.
All production roles
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Jonathan Powers' "Audio" Lecture
The document discusses different types of microphones, including how they work and how they are classified. Microphones can be omnidirectional, unidirectional, or hypercardioid/shotgun. They can also be dynamic, condenser, or ribbon microphones. Common microphone types include lavalier, handheld, and boom microphones. Microphone selection depends on factors like sound pickup, sensitivity, and application. The artistic use of microphones in performance and media is also covered.
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The document describes the environment and equipment of a recording studio. It discusses how the hallway prepares artists for their session by helping them release negative energy. The lounge provides a waiting area for last-minute preparations. The studio itself is designed to create a calm atmosphere where artists can focus and work to their full potential. Key equipment includes the mixer, monitors, channel strips, and studio rack, all used to achieve the perfect sound quality. Sessions during the day focus on finalizing projects, while nighttime sessions provide a more exciting view outside to relax artists.
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Focusing and colour changing evidence and annotated
On Monday, October 17th 2016, in the main school hall, a photo was taken of students practicing focusing a light on a chair from a ladder as part of a lighting practice. Another photo showed the students practicing changing the color filters of the lights using color filters and ladders, following health and safety procedures like wearing protective gear and maintaining three points of contact on ladders.
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This document provides a 7 microphone setup for recording a left-handed drum kit. It lists the individual drums and cymbals that will be recorded and recommends a dynamic microphone for the kick drum, snare, hi-hat, mid-tom, and floor tom, with condenser microphones placed as overhead left and right to capture the full drum sound.
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The document discusses different types of colour used in lighting, including additive colour which involves adding lights together, subtractive colour which involves mixing gels or colours, and how colour can be used to enhance mood, depict atmosphere, or create stylized lighting effects. Colour can add mood by using red to depict anger or set atmosphere through using colours like red at sunrise.
Followspot
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Sound homework
Passive speakers require a separate power amplifier to produce sound, while powered speakers contain an internal amplifier and directly connect to a mixer. Main speakers deliver most of the sound to the audience, with the number and size chosen based on the venue size and amplifier power. Subwoofers are used with main speakers to boost low frequencies, and monitor speakers allow performers to monitor the sound.
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Focusing and colour changing evidence and annotated
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Everything on sound
The sound technician or engineer is responsible for mixing sound for live performances using a sound mixing console. They work with various production roles like the stage manager, costume department, musical director and director to place microphones, balance sound levels, and ensure the artistic vision is achieved. Key sound roles include designer, operator, and programmer. The sound designer crafts a soundscape to tell the story and works closely with other sound roles to communicate the desired balance and mixing. Planning tools for sound designers include plots, system layouts, cue sheets and considering properties of sound like pitch, volume, quality, direction and duration.
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The document discusses sound notes and roles for musical theater productions. It notes that actors wear microphones under costumes and on belts to capture their voices, and that there are many speakers to amplify sound without making actors or music too loud. It also outlines the roles of the sound designer who plans speaker layout, the sound mixer who balances levels and controls sound, assistant sound technicians who manage microphones, and the monitor engineer who controls what actors and bands hear.
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The document discusses sound notes and roles for musical theater productions. It notes that actors wear microphones under costumes and on belts to capture their voices, and that there are many speakers to amplify sound without making actors or music too loud. It also outlines the roles of the sound designer who plans speaker layout, the sound mixer who balances levels and controls sound, assistant sound staff who manage microphones, and the monitor engineer who controls what actors and bands hear.
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A sound technician is responsible for preparing, operating, and maintaining technical equipment to amplify, enhance, mix or reproduce sounds required for a performance. Their main duties include setting up and testing equipment to suit the required acoustics of the location, selecting and placing microphones, and monitoring audio signals to maintain sound quality. Without a sound technician, a performer's voice would sound distorted and unnatural. They use equipment like microphones, amplifiers, audio lines, monitors, and mixing boards to capture and control sounds. The technician also works with the director and lighting department to create a consistent sound that matches the vision for the performance.
The Role of a Sound Technician (Research)
A sound technician is responsible for ensuring optimal sound quality during performances. They set up, test, and operate technical equipment like microphones, amplifiers, audio lines, monitors, and mixing boards. The technician works to suit the acoustics of each venue and selects microphone placements. They also monitor audio signals during performances and service equipment. Without a sound technician, a performer's voice would be distorted and the overall sound quality would suffer significantly.
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The role of a sound technician (my job role)
A sound technician is responsible for setting up, operating, and maintaining technical audio equipment to ensure the best possible sound quality for performances. Their main duties include setting up and adjusting microphones; monitoring audio signals; and servicing equipment. Without a sound technician, a performer's voice would sound distorted and unnatural. A technician uses equipment like microphones, amplifiers, audio lines, monitors, and mixing boards. They must also collaborate with the director and lighting department to create audio that matches the vision for the performance.
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The document discusses acoustics in buildings and sound insulation. It covers topics such as sound absorption, transmission, reflection, and insulation. Proper acoustical design includes considering site selection, volume, shape, interior surfaces, reverberation, seating, and absorption to achieve optimum sound quality. Sound insulation can be improved through rigid wall and floor constructions, double walls, resilient materials, and isolating noise sources. The acceptable noise levels for different building types are also provided.
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The document describes the environment and equipment of a recording studio. It discusses how the hallway prepares artists for their session by helping them release negative energy. The lounge provides a waiting area for last-minute preparations. The studio itself is designed to create a calm atmosphere where artists can focus and work to their full potential. Key equipment includes the mixer, monitors, channel strips, and studio rack, all used to achieve the perfect sound quality. Sessions during the day focus on finalizing projects, while nighttime sessions provide a more exciting view outside to relax artists.
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বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
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Theatre sound
- 1. Theatre sound- Behind the Emerald Curtain. Orcastra needs to be quieter than the person speaking on stage 41 wireless microphones. Medical tape for the back of the ear to attach microphone. Microphone goes under the clothing or gets stitched in. Every show is different with different audiences and different reactions. Designer: show where to put the speaker (best way of getting to the audience (speaker layout). Sound should always be the same> one of the hardest things. Environmental effects: e.g. wind at festivals. Directions of the sound coming from (mix sound through different speakers) = if it’s coming from the stage it should sound like its coming from the stage. Sound mixer/ sound desk: All volumes right from the different inputs. Controlling overall. Balance and levels. Turning all channels off and on at the right times. Means they need to know the script, story, songs and sound inside out. Assistant sound: Making sure all the microphones are ready. Radio microphones. Microphones for orcastra. General problems. o FOH Engineer (front of house)- sound for the audience. o Monitor Engineer- what the band hears and what the actors hear.