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SOLVEfor
INTERESTING
OTHERWISE LIFE IS DULL.
MUSIC

SCIENCE
Part one: How we got here
Sheet music
Mozart's flourishes
Recorded

sounds
Physical goods
Broadcast
Advertising
Arbitron and

radio data
Consumer recording
SOCAM

& analog
Digital music

& Internets
DRM, Gracenote, and interestingness
DRM, Gracenote, and interestingness
Streaming
Choice constraints
(program vs. on-demand)
The economics
of fickleness
http://www.hypebot.com/hypebot/2014/05/music-adhd-users-love-the-skip-button-says-spotify-data-scientist.html
Part two: When you listen
to music, it listens back.
We know what you did. All of it.
http://i.imgur.com/pzfcYnh.jpg
We know you’re
getting old.
http://skynetandebert.com/2015/04/22/music-was-better-back-then-when-do-we-stop-keeping-up-with-popular-music/
We know
music’s
getting stupid.
http://consequenceofsound.net/2015/05/the-lyrics-of-recent-no-1-singles-average-at-a-third-grade-reading-level/
We know
music’s
getting stupid.
http://consequenceofsound.net/2015/05/the-lyrics-of-recent-no-1-singles-average-at-a-third-grade-reading-level/
IWe know how
we got here.
https://medium.com/the-physics-arxiv-blog/genetic-data-tools-reveal-how-
pop-music-evolved-in-the-us-48ad60bf495b
Arbitron and radio data
Times a song in “heavy
rotation” is played daily
0
15
30
2007 2012
266
Part three: The Turing
Problems of Music Science
Saccading versus hearing
Overfitting recommendations
Detecting copies and covers
Collaboration and latency
Prediction breaks the bank
Blockbusters and long tails
The tension between

creativity and optimization
Should we expose the API?
Part four: Where we're headed
From albums to stubs
Human/

machine
hybrids
http://www.musicbusinessworldwide.com/the-inventor-of-google-maps-wants-to-change-the-way-you-listen-to-music/
From player to composer
Feedback loops
and biometrics
The perfect drone
Ultimately, digital isn’t about copying.

It’s about feedback loops.
An engine, not a camera

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The rise of music science