This document summarizes the Antiquities and Art Treasures Act of 1972 in India. The key points are:
1) The Act regulates the export of antiquities and art treasures from India and prevents smuggling and fraudulent dealings of antiquities.
2) It allows for the compulsory acquisition of antiquities and art treasures by the government to preserve them for public places.
3) Licenses are required to sell antiquities, and licensing officers are appointed to oversee licensing. Registration of specified antiquities is also required.
4) The Central Government can declare that only it can carry out the business of selling antiquities if needed for conservation or public interest.
Heritage is the identity of every respective state, and they are putting considerable efforts to preserve and protect their centuries old rich heritage. India is one of the countries possessing rich cultural and natural heritage. In this regard, the preservation of historical structures has to have an objective of safeguarding national cultural identity various policies and laws are framed for preservation, protection and proper management of the cultural heritage at the state and central level in India.
Sample Report on Importance of Museum, Heritage and Cultural TourismAmelia Jones
Read sample report on Museum, Heritage and Cultural Tourism by the expert writers of Global Assignment Help and know the importance of heritage and museums and the vital role of cultural tourism. We are offering up to 50% off on our academic writing services. Don't miss this great deal and order your document now!!!
Heritage is the identity of every respective state, and they are putting considerable efforts to preserve and protect their centuries old rich heritage. India is one of the countries possessing rich cultural and natural heritage. In this regard, the preservation of historical structures has to have an objective of safeguarding national cultural identity various policies and laws are framed for preservation, protection and proper management of the cultural heritage at the state and central level in India.
Sample Report on Importance of Museum, Heritage and Cultural TourismAmelia Jones
Read sample report on Museum, Heritage and Cultural Tourism by the expert writers of Global Assignment Help and know the importance of heritage and museums and the vital role of cultural tourism. We are offering up to 50% off on our academic writing services. Don't miss this great deal and order your document now!!!
Urban Planning & Development Act, 1973Aman Kudesia
Housing & Urban Planning Department Uttar Pradesh
Urban Planning Act
Power of Authority, State Government & Court
Master Plan, Zonal Development Plan
Land Acquisition & Disposal of Land
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
The Archaeological Survey of India is an Indian government agency attached to the Ministry of Culture that is responsible for archaeological research and the conservation and preservation of cultural monuments in the country. It was founded in 1861 by Alexander Cunningham who also became its first Director-General. The Archaeological Survey of India is an attached office of the Ministry of Culture. Under the provisions of the AMASR Act of 1958, the ASI administers more than 3650 ancient monuments, archaeological sites and remains of national importance. These can include everything from temples, mosques, churches, tombs, and cemeteries to palaces, forts, step-wells, and rock-cut caves. The Survey also maintains ancient mounds and other similar sites which represent the remains of ancient habitation
CHANDNI CHOWK REDEVELOPMENT
HUMAN SETTLEMENT AND PLANING
AREA REDEVELPOED
ABOUT CHANDNI CHOWK
A RS 65-CRORE PROJECT
CHANDNI CHOWK SECTION SHOWING SERVICES
PLAN-1
PLAN-2
PLAN-3
PLAN-4
Urban Planning & Development Act, 1973Aman Kudesia
Housing & Urban Planning Department Uttar Pradesh
Urban Planning Act
Power of Authority, State Government & Court
Master Plan, Zonal Development Plan
Land Acquisition & Disposal of Land
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
This Presentation is prepared for Graduate Students. A presentation consisting of basic information regarding the topic. Students are advised to get more information from recommended books and articles. This presentation is only for students and purely for academic purposes. The pictures/Maps included in the presentation are taken/copied from the internet. The presenter is thankful to them and herewith courtesy is given to all. This presentation is only for academic purposes.
The Archaeological Survey of India is an Indian government agency attached to the Ministry of Culture that is responsible for archaeological research and the conservation and preservation of cultural monuments in the country. It was founded in 1861 by Alexander Cunningham who also became its first Director-General. The Archaeological Survey of India is an attached office of the Ministry of Culture. Under the provisions of the AMASR Act of 1958, the ASI administers more than 3650 ancient monuments, archaeological sites and remains of national importance. These can include everything from temples, mosques, churches, tombs, and cemeteries to palaces, forts, step-wells, and rock-cut caves. The Survey also maintains ancient mounds and other similar sites which represent the remains of ancient habitation
CHANDNI CHOWK REDEVELOPMENT
HUMAN SETTLEMENT AND PLANING
AREA REDEVELPOED
ABOUT CHANDNI CHOWK
A RS 65-CRORE PROJECT
CHANDNI CHOWK SECTION SHOWING SERVICES
PLAN-1
PLAN-2
PLAN-3
PLAN-4
The beedi and cigar workers (conditions of employment) amendment act, 1993UllalNews
ಬೀಡಿ ಉಧ್ಯಮವನ್ನೇ ನಂಬಿರುವ ಸಂಸಾರಗಳು ಬೀದಿ ಪಾಲಾಗುವ ಸಾಧ್ಯತೆ ಇದೆ. ಆದಷ್ಟು ಬೇಗ ಸರಕಾರಕ್ಕೆ ಹತ್ತಿರ ಇರುವ ಜನರ ಸೇವಕ ಶಾಸನ ಸಭೆಗೆ ಆಯ್ಕೆ ಆದ ಜನಪ್ರತಿನಿದಿಗಳು ಕೂಡಲೇ ಸ್ಪಂದಿಸಬೇಕಾಗಿದೆ
The dowry prohibition (maintenance of lists of presents to the bride and brid...Leo Lukose
THE DOWRY PROHIBITION (MAINTENANCE OF LISTS OF PRESENTS TO THE BRIDE AND BRIDEGROOM) RULES, 1985]
G.S.R. 664 (E). ? In exercise of the powers conferred by Section 9 of the Dowry Prohibition Act, 1961 (28 of 1961), the Central Government hereby make the following rules, namely: ?
1. Short title and commencement. ? (1) These rules may be called the Dowry Prohibition (Maintenance of Lists of Presents to the Bride and Bridegroom) Rules, 1985.
(2) They shall come into force on the 2nd day of October, 1985 being the date appointed for the coming into force of the Dowry prohibition (Amendment) Act, 1984 (63 of 1984).
2. Rules in accordance with which lists of presents are to be maintained ? ?(1) The list of presents which are given at the time of the marriage to the bride shall be maintained by the bride.
(2) The list of presents which are given at the time of the marriage to the bridegroom shall be maintained by the bridegroom.
(3) Every list of presents referred to in sub-rule (1) or sub-rule (2) ?
(a) shall be prepared at the time of the marriage or as soon as possible after the marriage;
(b) shall be in writing;
(c) shall contain:
(i) a brief description of each present;
(ii) the approximate value of the present;
(iii) the name of the person who has given the present; and
(iv) where the person giving the present is related to the bride or bridegroom, a description of such relationship;
(d) shall be signed by both the bride and the bridegroom.
Explanation 1. Where the bride is unable to sign, she may affix her thumb impression in lieu of her signature after having the list read out to her and obtaining signature on the list of, the person who has so read out the particulars contained in the list.
Explanation 2. ? Where the bridegroom is unable to sign, he may affix his thumb impression in lieu of his signature after having the list read out to him and obtaining the signature on the list, of the person who has so read out the particulars contained in the list.
(4) The bride or the bridegroom may, if she or he so desires, obtained on either or both of the lists referred to in sub-rule (1) or sub-section (2) the signature or signatures of any relations of the bride or the bridegroom or of any other person or persons present at the time of the marriage.
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Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Create a Seamless Viewing Experience with Your Own Custom OTT Player.pdfGenny Knight
As the popularity of online streaming continues to rise, the significance of providing outstanding viewing experiences cannot be emphasized enough. Tailored OTT players present a robust solution for service providers aiming to enhance their offerings and engage audiences in a competitive market. Through embracing customization, companies can craft immersive, individualized experiences that effectively hold viewers' attention, entertain them, and encourage repeat usage.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
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As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
The Evolution of Animation in Film - Mark Murphy Director
The antiquities and art treasures act
1. THE ANTIQUITIES AND ART TREASURES ACT, 1972 No.52 OF 1972
[9th September, 1972]
An Act to regulate the export trade in antiquities and art treasures to provide for the prevention of
smuggling of, and fraudulent dealings in, antiquities, to provide for the compulsory acquisition of
antiquities and art treasures for preservation in public places and to provide for certain other
matters connected therewith or incidental or ancillary thereto.
BE it enacted by Parliament in the Twenty-third Year of the Republic of India as follows: -
1.Short title, extent and commencement.- (1) This Act may be called the Antiquities and Art
Treasures Act, 1972.
(2) it extends to the whole of India.
(3) It shall come into force on such date as the Central Government may, by notification in the
Official Gazette, appoint and different dates may be appointed for different provisions of this Act
and for different States and any reference in any such provision to the commencement of this Act
shall be construed as a reference to the coming into force of the provision.
2.Definitions.- (1) In this Act, unless the context otherwise requires,-
(a) "antiquity" includes-
(I) (i) any coin, sculpture, painting, epigraph or other work of art of craftsmanship;
(ii) any articles, object or thing detached from a building or cave;
(iii) any article, object or thing illustrative of science, art, crafts, literature, religion, customs,
morals or politics in by gone ages;
(iv) any article, object or thing of historical interest;
(v) any article, object or thing declared by the Central Government, by notification in the Official
Gazette, to be an antiquity for the purposes of this Act,
which has been in existence for not less than one hundred years; and
(II) any manuscript, record or other document which is of scientific historical, literary or aesthetic
value and which has been in existence for not less than seventy-five years;
(b) "art treasure" means any human work of art, not being an antiquity, declared by the Central
Government by notification in the Official Gazette, to be an art treasure for the purposes of this
Act having regard to its artistic or aesthetic value :
provided that no declaration under this clause shall be made in respect of any such work of art so
long as the author thereof is alive :
(c) "export" means taking out of India to a place outside India;
(d) "licensing officer" means an officer appointed as such under section 6;
(e) "registering officer" means an officer appointed as such under section 15;
(f) "prescribed; means prescribed by rules made under this Act.
2. (2) Any reference in this Act to any law which is not in force in any area shall, in relation to that
area, be construed as a reference to the corresponding law, if any, in force in that area.
3.Regulation of export trade in antiquities and art treasures.- (1) On and form the
commencement of this Act, it shall not be lawful for any person, other than the Central
Government or any authority or agency authorized by the Central Government in this behalf, to
export and antiquity or art treasure.
(2) Whenever the Central Government or any authority or agency referred to in sub-section (1)
intends to export any antiquity or art treasure such export shall be made only under and in
accordance with the terms and conditions of a permit issued for the purpose by such authority as
may be prescribed.
4.Application or Act 52 of 1962.- The Customs Act, 1962, shall have effect in relation to all
antiquities and art treasures, the export of which by any person (other than the Central
Government or any authority or agency authorized by the Central Government) is prohibited
under section 3 save in so far as that Act is inconsistent with the provisions of this Act and except
that (notwithstanding anything contained in section 125 of that Act) any confiscation authorized
under that Act shall be made unless the Central Government on an application made to it in this
behalf, otherwise directs.
5.Antiquities to be sold only under a licence.- On and from the expiry of a period of two
months of the commencement of this Act, no person shall, himself or by any other person on his
behalf, carryon the business of selling or offering to sell any antiquity except under and in
accordance with the terms and conditions of a licence granted under section 8.
Explanation.- In this section and in sections 7, 8, 12, 13, 14, 17 and 18 "antiquity" does not
include ancient and historical records other than those declared by or under law made by
Parliament to be of national importance.
6.Appointment of licensing officers.- The Central Government may, by notified order,-
(a) appoint such persons, being gazetted officers of Government, as it thinks fit, to be licensing
officers for the purposes of this Act;
(b) define the limits of the area within which a licensing officer shall exercise the powers conferred
on licensing officers by or under this Act.
7.Application for licence.- (1) Any person desiring to carry on, himself or by any other person on
his behalf, the business of selling or offering to sell antiquities may make an application for the
grant of a licence to the licensing officer having jurisdiction.
(2) Every application under sub-section (1) shall be made in such form and shall contain such
particulars as may be prescribed.
8.Grant of licence.- (1) On receipt of an application for the grant of a licence under section 7, the
licensing officer may, after holding such inquiry as he deems fit, grant a licence to the applicant
having regard to the following factors, namely:-
(a) the experience of the applicant with respect to trade in antiquities;
(b) the village, town or city where the applicant intends to carry on business;
(c) the number of persons already engaged in the business of selling, or offering for sale of
antiquities in the said village, towns or city; and
3. (d) such other factors as may be prescribed :
Provided that no licence shall be granted to the applicant if he is convicted of an offence
punishable under the Antiquities (Export Control) Act, 1947 (31 of 1947) unless a period of ten
years has elapsed since the date of the conviction.
(2) Every licence granted under this section shall be on payment of such fees as may be
prescribed.
(3) Every licence granted under this section shall be for such period, subject to such conditions
and in such form and shall contain such particulars, as may be prescribed.
(4) No application for the grant of a licence made under section 7 shall be rejected unless the
applicant has been given a reasonable opportunity of being heard in the matter.
9.Renewal of licence.- (1) A licence granted under section 8 may, on an application made by the
licensee, be renewed by the licensing officer for such period and on payment of such fees as may
be prescribed.
(2) No application made under this section shall be rejected unless the applicant has been given
a reasonable opportunity of being heard in the matter.
10.Maintenance of records, photographs and registers by licensees.- (1) Every holder of a
licence granted under section 8 or renewed under section 9 shall maintain such records,
photographs and registers, in such manner and containing such particulars, as may be
prescribed.
(2) Every record, photograph and register maintained under sub-section (1) shall, at all
reasonable times, be open to inspection by the licensing officer or by any other gazetted officer of
Government authorised in writing by the licensing officer in this behalf.
11.Revocation, suspension and amendment of licences.- (1) If the licensing officer is satisfied
either on a reference made to him in this behalf of otherwise that-
(a) a licence granted under section 8 has been obtained by misrepresentation of an essential fact,
or
(b) the holder of a licence has, without reasonable cause, failed to comply with the conditions
subject to which the licence has been granted or has contravened any of the provisions of this Act
or the rules made thereunder,
then, without prejudice to any other penalty to which the holder of the licence may be liable under
this Act, the licensing officer may, after giving the holder of the licence an opportunity of showing
cause, r evoke or suspend the licence.
(2) Subject to any rules that may be made in this behalf, the licensing officer may also vary or
amend a licence granted under section 8.
12.Persons whose licences have been revoked may sell antiquities to other licensees.-
Notwithstanding anything contained in section 5, any person whose licence has been revoked
under section 11 may, after making a declaration before the licensing officer, within such period,
in such form and in the such manner, as may be prescribed, of all the antiquities in his ownership,
control or possession immediately before such revocation, sell such antiquities to any other
person holding a valid licence under this Act :
Provided that no such antiquity shall be sold after the expiry of a period of six months from the
4. date of revocation of the licence.
13.Power of Central Government to carry on the business of selling antiquities to the
exclusion of others.- (1) If the Central Government is of opinion that with a view to conserving
antiquities or in the public interest it is necessary or expedient so to do, it may, by notification in
the Official Gazette, declare that with effect on and from such date as may be specified in the
notification, the Central Government or any authority or agency authorised by the Central
Government in this behalf shall alone be entitled to carry on the business of selling or offering for
sale of antiquities.
(2) On the issue of a notification under sub-section (1),-
(a) it shall not be lawful for any person, authority or agency, other than the Central Government or
any authority or agency authorized by the Central Government, to carry on the business of selling
or offering for sale any antiquity on and from the date specified therein;
(b) the provisions of this act, in so far as they relate to the licensing of persons carrying on the
business of selling or offering for sale of antiquities shall cease to have effect except as respects
things done or omitted to be done before such cesser of operation and section 6 of the General
Clauses Act, 1897 (10 of 1897) shall apply upon such cesser of operation as if those provisions
had been repealed by a Central Act:
Provided that every licence granted under section 8 and in force on the date aforesaid shall,
notwithstanding that the period specified therein has not expired, cease to be in force.
(3) Every person whose licence has ceased to be in force under the proviso to clause (b) of sub-
section (2) shall, within such period, in such form and in such manner as may be prescribed,
make a declaration before the licensing officer of all the antiquities in his ownership, control or
possession immediately before the date specified in the notification issued under sub-section (1).
14.Registration of antiquities.- (1) The Central Government may, from time to time, by
notification in the Official Gazette, specify those antiquities which shall be registered under this
Act.
(2) In specifying the antiquities under sub-section (1), the Central Government shall have regard
to the following factors, namely :-
(i) the necessity for conserving the objects of art;
(ii) the need to preserve such objects within India for the better appreciation of the cultural
heritage of India;
(3) Every person who owns, controls or is in possession of any antiquity specified in the
notification issued under sub-section (1) shall register such antiquity before the registering officer-
(a) in the case of a person who owns, controls or possesses such antiquity on the date of issue of
such notification, within three months of such date; and
(b) in the case of any other person, within fifteen days of the date on which he comes into
ownership, control or possession of such antiquity,
and obtain a certificate in token of such registration.
15.Appointment of registering officers.- The Central Government may, by notified order,-
(a) appoint such persons, as it thinks fit, to be registering officers for the purposes of this Act; and
5. (b) define the limits of the area within which a registering officer shall exercise the powers
conferred on registering officer by or under this Act.
16.Application for registration and grant of certificate of registration.-(1) Every person
required to register any antiquity before the registering officer under section 14 shall make an
application to the registering officer for the grant of a certificate of registration.
(2) Every application under sub-section (1) shall be accompanied by such photographs of the
antiquity which is to be registered and by such number or copies, not exceeding ix, as may be
prescribed and shall be made in such form and shall contain such particulars as may be
prescribed.
(3) On receipt of an application under sub-section (1), the registering officer may, after holding
such inquiry as he deems fit, grant a certificate of registration containing such particulars as may
be prescribed.
(4) No application made under this section shall be rejected unless the applicant has been given
a reasonable opportunity of being heard in the matter.
17.Transfer of ownership, etc., of antiquities to be intimated to the registering officer.-
Whenever any person transfers the ownership, control or possession of any antiquity specified in
any notification issued under sub-section (1) of section 14 such person shall intimate, within such
period and in such form as may be prescribed the fact of such transfer to the registering officer.
18.Provisions of sections 14, 16 and 17 not to apply in certain cases.- Nothing in section 14
or section 16 or section 17 shall apply to any antiquity kept--
(i) in a museum; or
(ii) in an office; or
(iii) in an archive; or
(iv) in an educational or cultural institution,
owned, controlled or managed by the Government.
19.Power of Central Government to compulsorily acquire antiquities and art treasures.- (1)
If the Central Government is of opinion that it is desirable to preserve any antiquity or art treasure
in a public place, that Government may make an order for the compulsory acquisition of such
antiquity or art treasure.
(2) On the making of an order under sub-section (1) the Collector of the district in which such
antiquity or art treasure is kept shall given notice to the owner thereof intimating him of the
decision of the Central Government to acquire the same and it shall be lawful for the Collector to
take possession of such antiquity or art treasure, for which purpose the Collector may use such
force as may be necessary.
(3) Where the owner of any antiquity or art treasure he possession of which has been taken over
by the Collector under sub-section (2) objects to the taking over of such possession, he may,
within a period of thirty days from the date on which such possession was taken over, make a
representation to the Central Government putting forth his objections:
Provided that the Central Government may entertain the representation after the expiry of the
said period of thirty days, if it is satisfied that the owner of such antiquity or art treasure was
6. prevented by sufficient cause from making the representation in time.
(4) On receipt of any representation under sub-section (3), the Central Government, after making
such inquiry as it deems fit and fit and after giving to the objector an opportunity of being heard in
the matter, shall, within a period of ninety days from the date of receipt of the representation,
either rescind or confirm the order made by it under sub-section (1).
(5) Where any order made by the Central Government under subjection (1) is rescinded under
sub-section (4) the antiquity or art treasure shall be returned to the owner thereof without delay
and a t the expense of the Central Government.
(6) Where the order made by the Central Government under sub-section (1) is confirmed under
sub-section (4) the antiquity or art treasure shall vest in the Central Government with effect from
the date on which the possession thereof has been taken over by the Collector under sub-section
(2).
(7) The power of compulsory acquisition conferred by this section shall not extend to any object,
being an antiquity or art treasure, used for bonafide religious observances.
Explanation.- In this section, "public place" means any place which is open to the use of the
public, whether on payment of fees or not, or whether it is actually used by the public or not.
20.Payment of compensation for antiquities and art treasures compulsorily acquired under
section 19.- (1) Where any antiquity or art treasure is compulsorily acquired under section 19,
there shall be paid compensation, the amount of which shall be determined in the manner and in
accordance with the principles hereinafter set out, that is to say,-
(a) where the amount of compensation can be fixed by agreement, it shall be paid in accordance
with such agreement;
(b) where no such agreement can be reached, the Central Government shall appoint as arbitrator
a person who is, or has been, or is qualified for appointment as, a Judge of a High Court;
(c) the Central Government may, in any particular case, nominate a person having expert
knowledge as to the nature of the antiquity or art treasure compulsorily acquired to assist the
arbitrator and where such nomination is made, the person to be compensated may also nominate
an assessor for the same purpose;
(d) at the commencement of the proceedings before the arbitrator, the Central Government and
the person to be compensated shall state what, in their respective opinion, is a fair amount of
compensation;
(e) the arbitrator shall, after hearing the dispute, make an award determining the amount of
compensation which appears to him to be just and specifying the person or persons to whom
such compensation shall be paid and in making the a ward he shall have regard to the
circumstances of each case and the provisions of sub-section (2);
(f) where there is any dispute as to the person or persons who are entitled to the compensation,
the arbitrator shall decide such dispute and if the arbitrator finds that more persons than one are
entitled to compensation, he shall apportion the amount thereof amongst such persons;
(g) nothing in the Arbitration Act, 1940 (10 of 1940) shall apply to arbitration under this section.
(2) While determining the compensation under sub-section (1), the arbitrator shall have regard to
the following factors, namely :-
7. (i) the date or the period to which the antiquity or art treasure belongs;
(ii) the artistic, aesthetic, historical, architectural, archaeological or anthropological importance of
the antiquity or art treasure;
(iii) the rarity of the antiquity or art treasure;
(iv) such other matters as are relevant to the dispute.
(3) The arbitrator appointed under sub-section (1), while holding arbitration proceedings under
this section, shall have all the powers of a Civil Court, shall trying a suit, under the Code of Civil
Procedure, 1908, (5 of 1908) in respect of the following matters, namely:-
(a) summoning and enforcing the attendance of any person and examining him on oath;
(b) requiring the discovery and production of any document;
(c) reception of evidence of affidavits;
(d) issuing commissions for the examination of witnesses.
21.Appeals against decisions of licensing officers and registering officers.- (1) Any person
aggrieved by a decision of a licensing officer under section 8 or section 9 or section 11 or by a
decision of a registering officer under section 16 may, within thirty days from the date on which
the decision is communicated to him, prefer an appeal to such authority as may be prescribed:
Provided that the appellate authority may entertain the appeal after the expiry of the said period
of thirty days, if it is satisfied that the appellant was prevented by sufficient cause from filing the
appeal in time.
(2) On receipt of an appeal under sub-section (1), the appellate authority shall, after giving the
appellant and opportunity of being heard, pass such orders as it deems fit.
22.Appeals against awards of arbitrators.- Any person aggrieved by an award of the arbitrator
made under section 20 may, within days from the date on which the award is communicated to
him, prefer an appeal to the High Court within whose jurisdiction he resides:
Provided that the High Court may entertain in the appeal after the expiry of the said period of
thirty days if it is satisfied that the appellant was prevented by a sufficient cause from filing the
appeal in time.
23.Powers of entry, search, seizure, etc.- (1) Any person, being an officer of Government,
authorized in this behalf by the Central Government, may, with a view to securing compliance
with the provisions of this Act or to satisfying himself that the provisions of this Act have been
complied with-
(i) enter and search any place;
(ii) seize any antiquity or art treasure in respect of which he suspects that any provision of this Act
has been is being, or is about to be, contravened and thereafter take all measures necessary for
securing the production of the antiquity or art treasure so seized in a court and for its safe
custody, pending such production.
(2) The provisions of sections 102 and 103 of the Code of Criminal Procedure, 1898 (5 of 1898)
relating to search and seizure shall, so far as may be, apply to searches and seizures under this
section.
8. 24.Power to determine whether or not an article, etc., is antiquity or art treasure.- If any
question arises whether any articles, object or thing or manuscript, record or other document is or
is not an antiquity or is or is not an art treasure for the purposes of this Act, it shall be referred to
the Director General, Archaeological Survey of India, or to an officer not below the rank of a
Director in the Archaeological Survey of India authorized by the Director General, Archaeological
Survey of India and the decision of the Director General, Archaeological Survey of India or such
officer, as the case may be, on such question shall be final.
25.Penalty.- (1) If any person, himself or by any other person on his behalf, exports or attempts
to export any antiquity or art treasure in contravention of section 3, he shall, without prejudice to
any confiscation or penalty to which he may be liable under the provisions of the Customs Act,
1962 (52 of 1962) as applied by section 4, be punishable with imprisonment for a term which shall
not be less than six months but which may extend to three years and with fine.
(2) if any person contravenes the provisions of section 5 or section 12 or sub-section (2) or sub-
section (3) of section 13 or section 14 or section 17, he shall be punishable with imprisonment for
a term which may extend to six months or with fine or with both and the antiquity in respect of
which the offence has been committed shall be liable to confiscation.
(3) If any person prevents any licensing office from inspecting any record, photograph or register
maintained under section 10 or prevents any officer authorized by the Central Government under
sub-section (1) of section 23 from entering into or searching any place under that sub-section, he
shall be punishable with imprisonment for a term which may extend to six months, or with fine, or
with both.
26.Cognizance of offences.- (1) No prosecution for an offence under sub-section (1) of section
25 shall be instituted except by or with the sanction of such officer of Government as may be
prescribed in this behalf.
(2) No court shall take cognizance of an offence punishable under sub-section (2) or sub-section
(3) or section 25 except upon compliant in writing made by an officer generally or specially
authorized in this behalf by the Central Government.
(3) No court inferior to that of a Presidency Magistrate or a Magistrate of the First Class shall try
any offence punishable under this Act.
27.Magistrates power to impose enhanced penalties.- Notwithstanding anything contained in
section 32 of the Code of Criminal Procedure, 1898, it shall be lawful for any Presidency
magistrate or any Magistrate of the First Class to pass any sentence under this Act in excess of
his power under section 32 of the said Code.
28.Offences by companies.- (1) Where on offence under this Act has been committed by a
company, every person who at the time the offence was committed was in charge of, or was
responsible to, the company for the conduct of the business of the company, as well as the
company, shall be deemed to be guilty of the offence and shall be liable to be proceeded against
and punished accordingly:
Provided that nothing contained in this sub-section shall render any such person liable to any
punishment under this Act if he proves that the offence was committed without his knowledge or
that he exercised all due diligence to prevent the commissioner of such office.
(2) Notwithstanding anything contained in sub-section (1), where an offence under this Act has
been committed with the consent or connivance of, or is attributable to, any neglect on the part of
any director, manager, secretary or other officer of the company, such director, manager,
secretary or other officer shall also be deemed to be guilty of that offence and shall be liable to be
9. proceeded against and punished accordingly.
Explanation.- For the purpose of this section,-
(a) "company" means any body corporate and includes a firm or other association of individuals;
and
(b) "director", in relation to a firm, means a partner in the firm.
29.Protection of action taken in good faith.- No suit, prosecution or other legal proceeding
shall lie against the Government or any officer of the Government for anything which is in good
faith done or is intended to be done under this Act.
30.Application of other laws not barred.- The provisions of this Act shall be in addition to, and not
in derogation of, the provisions of the Ancient Monuments Preservation Act, 1904 (7 of 1904) or
the Ancient Monuments and Archaeological Sites and Remains Act, 1958, (24 of 1958) or any
other law for the time being in force.
31.Power to make rules.- (1) The Central Government may, by notification in the Official
Gazette, make rules for the purpose of giving effect to the provisions of this Act.
(2) In particular and without prejudice to the generality of the foregoing power, such rules may
provide for-
(a) the authority for issue of permit under sub-section (2) of section 3;
(b) the form in which a application for the grant of a licence may be made under sub-section (1) of
section 7 and the particulars which such application shall contain;
(c) the factors to which regard may be had while granting a licence under sub-section (1) of
section 8;
(d) the fees on payment of which, the period for which, the conditions subject to which and the
form in which a licence may be granted under sub-section (1) of section 8 and the particulars
which such licence shall contain;
(e) the fees on payment of which and the period for which a licence may be renewed under sub-
section (1) of section 9;
(f) the records, photographs and registers which are to be maintained under section 10 and the
manner in which such records, photographs and registers shall be maintained and the particulars
which such records, photographs and registers shall contain;
(g) the nature of the photographs of the antiquity and the number of copies thereof which shall
accompany an application for the grant of a certificate or registration to be made under sub-
section (1) of section 16 and the form in which such application may be made and the particulars
which such application shall contain;
(h) the particulars which a certificate of registration granted under sub-section (3) of section 16
shall contain;
(i) the authority to which an appeal may be preferred under sub-section (1) of section 21; and
(j) any other matter which has to be or may be prescribed.
(3) Every rule made under this Act shall be laid, as soon as may be after it is made, before each
10. House of Parliament while it is in session for a total period of thirty days which may be comprised
in one session or in two or more successive sessions, and if, before the expiry of the session
immediately following the session or the successive sessions aforesaid, both Houses agree in
making any modification in the rule or both Houses agree that the rule should not be made, the
rule shall thereafter have effect only in such modified from or be of no effect, as the case may be;
so, however, that any such modification or annulment shall be without prejudice to the validity of
anything previously done under that rule.
32.Repeal.- (1) The Antiquities (Export Control) Act, 1947 (3 of 1947) is hereby repealed.
(2) For the removal of doubts it is hereby declared that every licence issued under section 3 of
the Act repealed under sub-section (1) and in force at the commencement of this Act shall,
notwithstanding that the period specified therein has no expired, cease to be in force.
33.Amendment of Act 24 of 1958.- In the Ancient Monuments and Archaeological Sites and
Remains Act, 1958,-
(i) in section 1, for sub-section (2), the following sub-section shall be substituted, namely:-
"(2) It extends to the whole of India.";
(ii) after section 2, the following section shall be inserted, namely :-
"2A.Construction of references to any law not in force in the State of Jammu and Kashmir.- Any
reference in this Act to any law which is not in force in the State of Jammu and Kashmir shall, in
relation to that State, be construed as a reference to the corresponding law, if any, in force in that
State.";
(iii) in section 23,-
(a) in sub-sections (2) and (4), for the words "compulsory purchase", the words "compulsory
acquisition" shall be substituted;
(b) in sub-section (3), for the words "compulsory purchase of any such antiquities at their market
value", the words "compulsory acquisition of any such antiquities" the words "compulsory
acquisition of any such antiquities" shall be substituted;
(iv) in section 26, -
(a) in sub-section (1), for the words "compulsory purchase of such antiquity at its market value",
the words "compulsory acquisition of such antiquity" and for the words "to be purchased", the
words "to be acquired" shall be substituted;
(b) in sub-sections (2) and (3), for the words "compulsory purchase", the words "compulsory
acquisition" shall be substituted;
(v) in section 28, for sub-section (2), the following sub-section shall be substituted, namely:-
"(2) For every antiquity in respect of which an order for compulsory acquisition has been made
under sub-section (3) of section 23 or under sub-section (1) of section 26, there shall be paid
compensation and the provisions of sections 20 and 22 of the Antiquities and Art Treasures Act,
1972 shall, so far as may be, apply in relation to the determination and payment of such
compensation as they apply in relation to the determination and payment of compensation for any
antiquity or art treasure compulsorily acquired under section 19 of that Act.".