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Innovation & Creativity in Multiple Intelligent Ways
       Amy Schlessman, Rose Operating System for Education® (R.O.S.E.®)
                 TESOL International Convention, Boston, MA
                                           March 25, 2010




Why Innovation & Creativity Now?
           Creativity is not simply a capacity of special people but a special capacity of all people.
                                                                                    – Ronald Carter, 2007

        We can teach generic skills of creative thinking, just in the way we can teach people to read,
       write, and do math. Some basic skills can free up the way people approach problems—skills of
         divergent thinking, for example, which encourage creativity through the use of analogies,
                                       metaphors, and visual thinking.
                                                    – Sir Ken Robinson as quoted by Azzam, 2009, p. 26




What is Innovation & Creativity?

                                Grows Hope

                                     Method-ical

                                        A Step Beyond Competence




                                                                        (Kinghorn & Schlessman, 2010)

How do we Teach Innovation & Creativity?
      Abstraction Skills

                  •    Palindromes

                  •    Reversals

                  •    Rearrange

                  •    Similes/Analogies
•     Metaphors
                                                                              (Rose Management Group, 2009)

                                                      REFERENCES
Amabile, T., & Hennessey, B. (1987). Creativity and learning: What research says to the teacher. National Education
        Association. West Haven, Connecticut: Professional Library.

Azzam, A. (2009). Why creativity now? A conversation with Sir Ken Robinson. Educational Leadership, 67 (1).
        Retrieved from http://www.ascd.org/publications/educational_leadership/sept09/vol67/num01/Why_Creativity_Now
         %C2%A2_A_Conversation_with_Sir_Ken_Robinson.aspx

Carter, R. (2007). Language, creativity and classrooms. Plenary presented at Teachers of English to Speakers of Other
          Languages, Seattle, WA.

Craft, A. (2000) Teaching creativity: Philosophy and practice. New York, New York: Routledge.

Craft, A. (2005) Teaching creatively in schools: Tensions and dilemmas. Abington, United Kingdom: Routledge.

Cremin, T. (2009). Teaching English effectively. New York, New York: Routledge.

Dave’s ESL Café. (2007). Retrieved from http://www.eslcafe.com/idioms/id-a.html

Flora, C. (2009). Everyday creativity. Psychology Today. Retrieved from
         http://www.psychologytoday.com/articles/200910/everyday-creativity

Fun-with-words. (2010). Retrieved from http://www.fun-with-words.com/palindromes.html

Gardner, H. (2006). Five minds for the future. Boston, Massachusetts: Harvard Business School Publishing.

Hennessey, B. & Amabile, T. (1987). Creativity and learning. Washington, DC: NEA

Kinghorn, E., Kinghorn, C., Hurtado, K., Capen, C., Shalek, I., Schlessman, A., Hurtado, P., & Kinghorn, C. (2010).
Intelligent education: A new set of standards for schooling in the U.S. Tucson, AZ: Rose Management Group. Retrieved
from http://www.rosemanagement.com/rosepublications/newsletters/2_ROSE_IE.pdf

Kinghorn, E. & Schlessman, A. (2010). Creativity thinkstorm. Retrieved from
        http://www.rosemanagement.com/rosepublications/newsletters/CreativityThinkstorm.pdf

Markman, A., & Wood, K. (2009). Tools for innovation: The science behind the practical methods that drive new ideas.
       New York, New York: Oxford University Press, Inc.

Rose Management Group (2009). Dig Into Abstractions. Retrieved from
       http://www.rosemanagement.com/Intro_DigIntoAbstractions.html

Schlessman, A. (2003). President’s message: Creating Creativity. Essential Teacher, Winter 2003. Retrieved from
        http://www.tesol.org/s_tesol/sec_document.asp?CID=101&DID=360

Sternberg, R., & Lubart, T. (1991). An investment theory of creativity and its development. Human Development. 34,
         1-31.

Tomlinson, B. (2003). Developing materials for language teaching. London, United Kingdom: Continuum Publishing.

Torrance, E. (1981). Predicting the creativity of elementary school children. Gifted Child Quarterly. 25, 55-62.
Vivaldi,A. (1723). The Four Seasons : Concerto No. 1 in E major, Op. 8, RV 269, “La Primavera” (Spring) – Movement 1:
         Allegro.. [Recorded by John Harrison – Violin, Robert Turizziani – Conductor]. Live, Wiedemann Recital Hall. Wichita, Kansas:
         Wichita State University. (2000, February, 6).

Wordsmith. (2010). Retrieved from http://www.wordsmith.org/anagram/

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Tesol Handout

  • 1. Innovation & Creativity in Multiple Intelligent Ways Amy Schlessman, Rose Operating System for Education® (R.O.S.E.®) TESOL International Convention, Boston, MA March 25, 2010 Why Innovation & Creativity Now? Creativity is not simply a capacity of special people but a special capacity of all people. – Ronald Carter, 2007 We can teach generic skills of creative thinking, just in the way we can teach people to read, write, and do math. Some basic skills can free up the way people approach problems—skills of divergent thinking, for example, which encourage creativity through the use of analogies, metaphors, and visual thinking. – Sir Ken Robinson as quoted by Azzam, 2009, p. 26 What is Innovation & Creativity? Grows Hope Method-ical A Step Beyond Competence (Kinghorn & Schlessman, 2010) How do we Teach Innovation & Creativity? Abstraction Skills • Palindromes • Reversals • Rearrange • Similes/Analogies
  • 2. Metaphors (Rose Management Group, 2009) REFERENCES Amabile, T., & Hennessey, B. (1987). Creativity and learning: What research says to the teacher. National Education Association. West Haven, Connecticut: Professional Library. Azzam, A. (2009). Why creativity now? A conversation with Sir Ken Robinson. Educational Leadership, 67 (1). Retrieved from http://www.ascd.org/publications/educational_leadership/sept09/vol67/num01/Why_Creativity_Now %C2%A2_A_Conversation_with_Sir_Ken_Robinson.aspx Carter, R. (2007). Language, creativity and classrooms. Plenary presented at Teachers of English to Speakers of Other Languages, Seattle, WA. Craft, A. (2000) Teaching creativity: Philosophy and practice. New York, New York: Routledge. Craft, A. (2005) Teaching creatively in schools: Tensions and dilemmas. Abington, United Kingdom: Routledge. Cremin, T. (2009). Teaching English effectively. New York, New York: Routledge. Dave’s ESL Café. (2007). Retrieved from http://www.eslcafe.com/idioms/id-a.html Flora, C. (2009). Everyday creativity. Psychology Today. Retrieved from http://www.psychologytoday.com/articles/200910/everyday-creativity Fun-with-words. (2010). Retrieved from http://www.fun-with-words.com/palindromes.html Gardner, H. (2006). Five minds for the future. Boston, Massachusetts: Harvard Business School Publishing. Hennessey, B. & Amabile, T. (1987). Creativity and learning. Washington, DC: NEA Kinghorn, E., Kinghorn, C., Hurtado, K., Capen, C., Shalek, I., Schlessman, A., Hurtado, P., & Kinghorn, C. (2010). Intelligent education: A new set of standards for schooling in the U.S. Tucson, AZ: Rose Management Group. Retrieved from http://www.rosemanagement.com/rosepublications/newsletters/2_ROSE_IE.pdf Kinghorn, E. & Schlessman, A. (2010). Creativity thinkstorm. Retrieved from http://www.rosemanagement.com/rosepublications/newsletters/CreativityThinkstorm.pdf Markman, A., & Wood, K. (2009). Tools for innovation: The science behind the practical methods that drive new ideas. New York, New York: Oxford University Press, Inc. Rose Management Group (2009). Dig Into Abstractions. Retrieved from http://www.rosemanagement.com/Intro_DigIntoAbstractions.html Schlessman, A. (2003). President’s message: Creating Creativity. Essential Teacher, Winter 2003. Retrieved from http://www.tesol.org/s_tesol/sec_document.asp?CID=101&DID=360 Sternberg, R., & Lubart, T. (1991). An investment theory of creativity and its development. Human Development. 34, 1-31. Tomlinson, B. (2003). Developing materials for language teaching. London, United Kingdom: Continuum Publishing. Torrance, E. (1981). Predicting the creativity of elementary school children. Gifted Child Quarterly. 25, 55-62.
  • 3. Vivaldi,A. (1723). The Four Seasons : Concerto No. 1 in E major, Op. 8, RV 269, “La Primavera” (Spring) – Movement 1: Allegro.. [Recorded by John Harrison – Violin, Robert Turizziani – Conductor]. Live, Wiedemann Recital Hall. Wichita, Kansas: Wichita State University. (2000, February, 6). Wordsmith. (2010). Retrieved from http://www.wordsmith.org/anagram/