Syllabus Overview
Art 109A Art Since 1945
Westchester Community College
Dr. Melissa Hall
Fall 2017
Professor Melissa Hall
AAB 405
Education:
BA Studio Art, SUNY Oneonta
PhD Art History, SUNY
Binghamton
Hobbies:
Hiking
Biking
Running
On top of Brunelleschi’s Dome, 2008
Meet Your Instructor
HAAB 405
Mon 11:00-2:00
Tues 1:00-2:00
Wed 1:00-2:00
Meet Your Instructor
Best way to contact me:
•Course email on Blackboard
Meet Your Instructor
Course Description
Survey of “postwar” art --
1945 to the present
Trigger Warning!
This course may contain
offensive language, violent
subject matter, and/or
sexually explicit material!
Image source: https://accaartblog.com/tag/the-shock-of-the-new/
Trigger Warning!
Naked bodies, foul language,
sex, violence, blood . . . .
Lynda Benglis, Artforum Ad, 1974
Trigger Warning!
Much contemporary art is an
exercise in “free speech” and
will challenge us to consider
ideas we may not agree with
David Wojnarowicz poster for the film Silence=Death, 1989
Course Organization
Chronological overview of
major artists, periods, and
movements
Art Brut
L’Art Informel
Abstract Expressionism
Post Painterly Abstraction
Junk Art and Assemblage
Happenings
Fluxus
Japanese Gutai
Brazilian Neo-Concrete
Neo Dada
Nouveau Realism
British Independent Group
Pop Art
Minimalism
Post Minimalism
Process Art
Earthworks
Arte Povera
Conceptualism
Body Art
Video Art
Photo Realism
New Image Painting
Feminist Art
Black Arts Movement
Neo-Expressionism
Commodity Art
Appropriation Art
Identity Art
Abject Art
Installation Art
Multimedia Art
The Culture Wars
Postmodernism
Identify major artists and
movements from 1945 to the
1990s
What you will
learn
Describe the characteristic
methods, styles, media, and
techniques of postwar art
movements
What you will
learn
Explain the theoretical
concepts/ideas that informed
artistic movements from 1945
to the present
What you will
learn
Relate postwar art to the the
social and political
circumstances that shaped
them
What you will
learn
Evaluate the historical
sources of contemporary art
practice
What you will
learn
The course textbook is
available online
https://medumpa.wordpress.c
om/
Course Textbook
Also available on Blackboard
Course Textbook
Online chapters include
illustrations and embedded
videos
Course Textbook
Use your textbook money to
buy a laptop or tablet!
Course textbook
Smartphones not
recommended for online
textbook or videos
Screens are too small to see
details of pictures we will
study!
Course textbook
Art Since 1950 (NGA) –
excellent overview
Supplemental Resources
https://www.nga.gov/kids/zone/artsince1950.pdf
Theartstory.org – an online
encyclopedia
Supplemental Resources
http://www.theartstory.org/
Khan Academy
(Smarthistory)
Supplemental Resources
https://www.khanacademy.org/humanities/art-history/global-culture
The Art Assignment (PBS
Digital Studios)
Supplemental Resources
http://www.theartassignment.com/episodes/the-case-for/
Excellent videos produced by
museums (MoMA, Tate
Gallery)
Supplemental Resources
Anthologies of primary
sources:
Harrison & Wood, Art in
Theory
Stiles & Selz, Contemporary
Art: A Sourcebook of Artist’s
Writings
Fabozzi, Artists, Critics,
Contexts
Recommended textbooks
The “definitive” textbook:
Foster, Kraus, et. al, Art
Since 1900: Modernism,
Antimodernism,
Postmodernism
Very difficult reading!!!!!!
Recommended textbooks
Erika Doss, Twentieth
Century American Art
More accessible; strictly
American
Recommended textbooks
Lisa Phillips, The American
Century: Art & Culture 1950-
2000
Out of print but still available
used
My favorite text – though
strictly focused on American
Art
Recommended textbooks
David Hopkins, After Modern
Art: 1945-2000
Thomas Crow, The Rise of
the Sixties
Short; more thematic, rather
than chronological survey
Recommended textbooks
Linda Weintraub, Art on the
Edge and Over
Excellent intro to
contemporary art practices
Recommended textbooks
How will your learning be
evaluated?
Assessment
Homework assignments due
each class
Homework
Homeworks based on
assigned videos and online
resources
Homework
No late homeworks accepted
You must attend class to
submit
Homework
Homework will be graded on
the basis of completeness,
accuracy, effort, using a
simple 4 point scale
Homework
You are required to engage
with your classmates outside
of class using the Course
Blog on Blackboard
Course Blog
For each of Unit, post
THREE annotated images
and provide feedback on
your classmate’s posts
Annotated Slides
Annotated Slide Assignments
will be “practice” for exams
Exams
Slide Identification
Identify the works
Demonstrate knowledge
about them
Exams
Exhibition Review: 3-5 page
essay on exhibition in Fine
Arts Gallery
Written Assignments
Students will exchange drafts
on Course Blog and provide
feedback before submitting
final draft
Written Assignments
We may work through
several drafts using this
process
Written Assignments
You will have multiple ways
to earn points towards your
participation grade
Participation
Active participation in class
Attendance
Completion of all course
work
Participation
Frequent and meaningful
engagement on Course Blog
Participation
Attendance at Extra-
Curricular events:
Gallery Talk (Esperanza
Mayobre)
Field trip to the Katonah
Museum of Art
Two video screenings
Participation
Students may also earn extra
credit towards their
participation grade by
creating a Conceptual Art
Project
Extra Credit
Students may also earn extra
credit towards their
participation grade by writing
an exhibition review of
“Object Out Loud: Arman
and Nick Cave,” at the
Katonah Museum of Art
Extra Credit
Grading
Homework 15%
Annotated Slides 10%
Exams 45% (15% each)
Mayobre Essay 15%
Participation + Extra Credit 10%
Failure to complete all course
assignments may result in a
failing grade
Grading I don’t do
Homework . . .
If class is canceled, you are
expected to check the course
website or Blackboard shell
for instructions
Weather Closings
There will be learning
activities assigned, and you
will be held responsible for
completing the activities
Weather Closings
You are expected to attend
all classes, and to arrive on
time
Einstein Strikes Out, Brian Germaine, The Angry Art Teacher
http://www.bgstudios.com/angry.html#
Course Policies
No late Homeworks will be
accepted, so attendance will
be factored into your
Homework grade
This Doesn’t Bode Well for You, Brian Germaine, The Angry Art Teacher
http://www.bgstudios.com/angry.html#
Course Policies
To accommodate absences,
2 of the lowest Homework
grades will be dropped
Course Policies
Behavior that is disruptive or
that interferes with instruction
will not be accepted
No Talking, Brian Germaine, The Angry Art Teacher
http://www.bgstudios.com/angry.html#
Course Policies
Please refrain from use of
electronic devices during
class!
Course Policies
If you must miss an exam,
call me to arrange a make-
up!
Course Policies
Hi Professor, I think
I’m gonna need to
schedule a make-up
exam . . . .
Extensions on the due dates
for written essays will be
given on a case by case
basis
Course Policies
Students must have a valid
reason for requiring an
extension, and must contact
the instructor to make
arrangements
Course Policies
This class will be conducted
in accordance with the
college's basic standards of
academic honesty
Course Policies
WCC Academic policies: http://catalog.sunywcc.edu/content.php?catoid=37&navoid=5371
Cheating, plagiarism, or any
other form of academic
dishonesty will not be
tolerated
Course Policies
Visit the college website for
an overview of plagiarism,
and tips on how to avoid it
Course Policies
Cool, here’s
something on
Wikipedia
WCC provides services for
students with documented
disabilities
Students with Disabilities
Visit the college website to
learn about services that are
available
Students with Disabilities
http://www.sunywcc.edu/student-services/disability-services/
The college also provides a
range of services through the
Academic Support Center
Academic Support
http://www.sunywcc.edu/student-services/asc/
It is up to you to take
advantage of the services
available to you
Academic Support
The Writing Center can help
you with written assignments,
if you find you are having
difficulties with this course
requirement
Academic Support
Contact the Online Learning
Office
online.education@sunywcc.
edu
914-606-6827
Technical Problems
“SUNY stands united against
racism, violence, and
intimidation. We support our
underrepresented populations to
the fullest extent. We do all we
can to protect the free exchange
of ideas and learning that are,
and must always be,
synonymous with university life.”
Statement on Inclusiveness
https://sunywcc.sln.suny.edu
Course Website

Syllabus Overview

  • 1.
    Syllabus Overview Art 109AArt Since 1945 Westchester Community College Dr. Melissa Hall Fall 2017
  • 2.
    Professor Melissa Hall AAB405 Education: BA Studio Art, SUNY Oneonta PhD Art History, SUNY Binghamton Hobbies: Hiking Biking Running On top of Brunelleschi’s Dome, 2008 Meet Your Instructor
  • 3.
    HAAB 405 Mon 11:00-2:00 Tues1:00-2:00 Wed 1:00-2:00 Meet Your Instructor
  • 4.
    Best way tocontact me: •Course email on Blackboard Meet Your Instructor
  • 5.
    Course Description Survey of“postwar” art -- 1945 to the present
  • 6.
    Trigger Warning! This coursemay contain offensive language, violent subject matter, and/or sexually explicit material! Image source: https://accaartblog.com/tag/the-shock-of-the-new/
  • 7.
    Trigger Warning! Naked bodies,foul language, sex, violence, blood . . . . Lynda Benglis, Artforum Ad, 1974
  • 8.
    Trigger Warning! Much contemporaryart is an exercise in “free speech” and will challenge us to consider ideas we may not agree with David Wojnarowicz poster for the film Silence=Death, 1989
  • 9.
    Course Organization Chronological overviewof major artists, periods, and movements Art Brut L’Art Informel Abstract Expressionism Post Painterly Abstraction Junk Art and Assemblage Happenings Fluxus Japanese Gutai Brazilian Neo-Concrete Neo Dada Nouveau Realism British Independent Group Pop Art Minimalism Post Minimalism Process Art Earthworks Arte Povera Conceptualism Body Art Video Art Photo Realism New Image Painting Feminist Art Black Arts Movement Neo-Expressionism Commodity Art Appropriation Art Identity Art Abject Art Installation Art Multimedia Art The Culture Wars Postmodernism
  • 10.
    Identify major artistsand movements from 1945 to the 1990s What you will learn
  • 11.
    Describe the characteristic methods,styles, media, and techniques of postwar art movements What you will learn
  • 12.
    Explain the theoretical concepts/ideasthat informed artistic movements from 1945 to the present What you will learn
  • 13.
    Relate postwar artto the the social and political circumstances that shaped them What you will learn
  • 14.
    Evaluate the historical sourcesof contemporary art practice What you will learn
  • 15.
    The course textbookis available online https://medumpa.wordpress.c om/ Course Textbook
  • 16.
    Also available onBlackboard Course Textbook
  • 17.
    Online chapters include illustrationsand embedded videos Course Textbook
  • 18.
    Use your textbookmoney to buy a laptop or tablet! Course textbook
  • 19.
    Smartphones not recommended foronline textbook or videos Screens are too small to see details of pictures we will study! Course textbook
  • 20.
    Art Since 1950(NGA) – excellent overview Supplemental Resources https://www.nga.gov/kids/zone/artsince1950.pdf
  • 21.
    Theartstory.org – anonline encyclopedia Supplemental Resources http://www.theartstory.org/
  • 22.
  • 23.
    The Art Assignment(PBS Digital Studios) Supplemental Resources http://www.theartassignment.com/episodes/the-case-for/
  • 24.
    Excellent videos producedby museums (MoMA, Tate Gallery) Supplemental Resources
  • 25.
    Anthologies of primary sources: Harrison& Wood, Art in Theory Stiles & Selz, Contemporary Art: A Sourcebook of Artist’s Writings Fabozzi, Artists, Critics, Contexts Recommended textbooks
  • 26.
    The “definitive” textbook: Foster,Kraus, et. al, Art Since 1900: Modernism, Antimodernism, Postmodernism Very difficult reading!!!!!! Recommended textbooks
  • 27.
    Erika Doss, Twentieth CenturyAmerican Art More accessible; strictly American Recommended textbooks
  • 28.
    Lisa Phillips, TheAmerican Century: Art & Culture 1950- 2000 Out of print but still available used My favorite text – though strictly focused on American Art Recommended textbooks
  • 29.
    David Hopkins, AfterModern Art: 1945-2000 Thomas Crow, The Rise of the Sixties Short; more thematic, rather than chronological survey Recommended textbooks
  • 30.
    Linda Weintraub, Arton the Edge and Over Excellent intro to contemporary art practices Recommended textbooks
  • 31.
    How will yourlearning be evaluated? Assessment
  • 32.
  • 33.
    Homeworks based on assignedvideos and online resources Homework
  • 34.
    No late homeworksaccepted You must attend class to submit Homework
  • 35.
    Homework will begraded on the basis of completeness, accuracy, effort, using a simple 4 point scale Homework
  • 36.
    You are requiredto engage with your classmates outside of class using the Course Blog on Blackboard Course Blog
  • 37.
    For each ofUnit, post THREE annotated images and provide feedback on your classmate’s posts Annotated Slides
  • 38.
    Annotated Slide Assignments willbe “practice” for exams Exams
  • 39.
    Slide Identification Identify theworks Demonstrate knowledge about them Exams
  • 40.
    Exhibition Review: 3-5page essay on exhibition in Fine Arts Gallery Written Assignments
  • 41.
    Students will exchangedrafts on Course Blog and provide feedback before submitting final draft Written Assignments
  • 42.
    We may workthrough several drafts using this process Written Assignments
  • 43.
    You will havemultiple ways to earn points towards your participation grade Participation
  • 44.
    Active participation inclass Attendance Completion of all course work Participation
  • 45.
    Frequent and meaningful engagementon Course Blog Participation
  • 46.
    Attendance at Extra- Curricularevents: Gallery Talk (Esperanza Mayobre) Field trip to the Katonah Museum of Art Two video screenings Participation
  • 47.
    Students may alsoearn extra credit towards their participation grade by creating a Conceptual Art Project Extra Credit
  • 48.
    Students may alsoearn extra credit towards their participation grade by writing an exhibition review of “Object Out Loud: Arman and Nick Cave,” at the Katonah Museum of Art Extra Credit
  • 49.
    Grading Homework 15% Annotated Slides10% Exams 45% (15% each) Mayobre Essay 15% Participation + Extra Credit 10%
  • 50.
    Failure to completeall course assignments may result in a failing grade Grading I don’t do Homework . . .
  • 51.
    If class iscanceled, you are expected to check the course website or Blackboard shell for instructions Weather Closings
  • 52.
    There will belearning activities assigned, and you will be held responsible for completing the activities Weather Closings
  • 53.
    You are expectedto attend all classes, and to arrive on time Einstein Strikes Out, Brian Germaine, The Angry Art Teacher http://www.bgstudios.com/angry.html# Course Policies
  • 54.
    No late Homeworkswill be accepted, so attendance will be factored into your Homework grade This Doesn’t Bode Well for You, Brian Germaine, The Angry Art Teacher http://www.bgstudios.com/angry.html# Course Policies
  • 55.
    To accommodate absences, 2of the lowest Homework grades will be dropped Course Policies
  • 56.
    Behavior that isdisruptive or that interferes with instruction will not be accepted No Talking, Brian Germaine, The Angry Art Teacher http://www.bgstudios.com/angry.html# Course Policies
  • 57.
    Please refrain fromuse of electronic devices during class! Course Policies
  • 58.
    If you mustmiss an exam, call me to arrange a make- up! Course Policies Hi Professor, I think I’m gonna need to schedule a make-up exam . . . .
  • 59.
    Extensions on thedue dates for written essays will be given on a case by case basis Course Policies
  • 60.
    Students must havea valid reason for requiring an extension, and must contact the instructor to make arrangements Course Policies
  • 61.
    This class willbe conducted in accordance with the college's basic standards of academic honesty Course Policies WCC Academic policies: http://catalog.sunywcc.edu/content.php?catoid=37&navoid=5371
  • 62.
    Cheating, plagiarism, orany other form of academic dishonesty will not be tolerated Course Policies
  • 63.
    Visit the collegewebsite for an overview of plagiarism, and tips on how to avoid it Course Policies Cool, here’s something on Wikipedia
  • 64.
    WCC provides servicesfor students with documented disabilities Students with Disabilities
  • 65.
    Visit the collegewebsite to learn about services that are available Students with Disabilities http://www.sunywcc.edu/student-services/disability-services/
  • 66.
    The college alsoprovides a range of services through the Academic Support Center Academic Support http://www.sunywcc.edu/student-services/asc/
  • 67.
    It is upto you to take advantage of the services available to you Academic Support
  • 68.
    The Writing Centercan help you with written assignments, if you find you are having difficulties with this course requirement Academic Support
  • 69.
    Contact the OnlineLearning Office online.education@sunywcc. edu 914-606-6827 Technical Problems
  • 70.
    “SUNY stands unitedagainst racism, violence, and intimidation. We support our underrepresented populations to the fullest extent. We do all we can to protect the free exchange of ideas and learning that are, and must always be, synonymous with university life.” Statement on Inclusiveness
  • 71.