This storyboard document outlines various shots planned for a music video, including close-ups of an artist singing and smoking, medium shots of characters in different settings, and establishing long shots of landscapes. It details shots of the artist in interiors like the shower and at a dining table, as well as exteriors like a street and open fields. The storyboard explores emotions ranging from happiness to anger to despair through the shots of the characters.

1. STORYBOARD
(Not all in order)

2. - Image 1 – medium shot of a fire in pit
or burner. Angle – from above.
Exterior.
- Image 2 – medium close up of artist
from straight on in shower, artist
looking up to the water / shower
head with eyes shut. (top of torso
upwards).
- Image 3 – extreme close up of artist
mouth lighting cigarette and taking
puff. Interior.
- Image 4 – close up of artist from side
angle looking ahead lip syncing
opening line “we are proud”. Interior.
- Image 5 – extreme close up of artist
mouth again. This time blowing the
smoke out into camera.

3. - Image 1 – medium long shot of two
female characters stood in large area
of land; early evening, sunset shot.
- Image 2 – medium close up of male
character tearing shirt open in anger
and aggression. From his mouth down
to chest shown in shot.
- Image 3 – medium close up from
above of two girls led in the grass
happily, laughing with each other
- Image 4 – medium close up of
characters holding hands, repeated 5
times with 5 different sets of hands. In
several different locations showing
diversity.
- Image 5 - Medium to long shot of
artist walking away from camera into
the distance.

4. - Image 1 – medium close up of two girls
reaching out to each other, being held back
by two males. Exterior.
- Image 2 – then a close up shot of their hands
reaching out to each other, filmed from
straight on. Exterior.
- Image 3 – medium close up of two female
characters looking out to pool from behind,
faces not seen yet. Exterior.
- Image 4 – projection – medium shot of one
character stood in front of Charlie Chaplin
projection. Straight face looking straight on.
Interior.
- Image 5 – medium shot of one character
stood up against wall. Straight face looking
straight on.
This is repeated for next 7 shots with
added into scene each time. E.g. in next
another will be in front of projection, and
shot after that will be a second individual
stood in front of the wall etc. Eventually
will be five individuals stood in front of
projection and wall.

5. - Image 1,2,3,4 continued from
previous slide, images
explained on said page.
- Image 5 – long shot from side
angle of two female characters
stood by pool previously,
jumping into pool together
hand in hand. Exterior.

6. - Image 1 – medium close up of artist against
white wall shaking head no and looking
down. Exterior. CROSSED OUT = NOT USED
OR USED SOMEWHERE ELSE.
- Image 2 – close up of artist walking away,
gradually getting further away, resulting in
long shot of artist in distance. Exterior.
CROSSED OUT = NOT USED OR USED
SOMEWHERE ELSE.
- Image 3 – CROSSED OUT = NOT USED OR
USED SOMEWHERE ELSE.
- Image 4 – close up of female character led on
grass after falling. Appears peaceful and calm.
Panning across and zooming out slightly.
Exterior.
- Image 5 – close up of male character (shot
from mouth to bottom of neck/top of chest)
screaming /shouting in aggression. Interior.

7. - Image 1 – medium long shot of artist lying on a
bed. Shot from side angle. Appears disturbed by
something and somewhat disheartened. Interior.
- Image 2 – close up of artist holding recently lit
cigarette. Smoke rising. Interior.
- Image 3 – CROSSED OUT = NOT USED OR USED
SOMEWHERE ELSE.
- Image 4 – extreme long shot of sun setting. Exterior.
- Image 5 – medium close up of artist running hands
through and rubbing face in despair. Shot from side
angle.

8. - Image 1 – close up of artist looking straight
towards camera. Lip syncing “we find gods”.
Exterior – against white wall.
- Image 2 – medium shot of artist sat at head of
dining table. Shot from side angle. Lip syncing “to
paint us with salvation”. Interior.
- Image 3 – extreme close up in shower shot of
artist lip syncing “but no one…”. Interior.
- Image 4 – close up in shower shot of artist lip
syncing “…no nobody, can give you”. Interior.
- Image 5 – close up of artist fist clenching. Shot
from side angle, arm hung by side. “the power”
(not lip syncing). Interior.

9. - Image 1 – medium long shot of dog running
across large area of grass/space. Exterior.
- Image 2 – medium long shot of female character
falling to ground, evidently a large area of grass.
Exterior.
- Image 3 – long shot of large, somewhat grand
staircase; dark shot, setting scene. Panning across
and zooming in slightly and slowly.
- Image 4 – medium close up of artist looking into
mirror, both back of artist head and reflection of
artist in shot. Lip syncing “individuals”. Interior
(bathroom shot).
- Image 5 – extreme long shot - distant view of
scenery (trees, fields, sky etc.) at time of sunset.
Exterior.

10. - Image 1 – extreme close up of eyes
rolling backwards and closing. Exterior.
- Image 2 – CROSSED OUT – NOT USED OR
IDEA USED SOMEWHERE ELSE.
- Image 3 – extreme long shot of cloudy
sky. Panning across slowly. Exterior.
- Image 4 – long shot of two female
characters stood beside each other hand
in hand, this time looking at the camera.
Slow, slight zoom.
- Image 5 – medium close up of female
character who fell prior to this shot. Side
angle shot. Lip syncing “oh that life, left
dripping down the walls, of a dream that
cannot breathe”. Exterior.

11. - Image 1 – medium shot of artist sitting at head
of table, tense. Looking straight on, not from
above. Interior.
- Image 2 – again, close up straight on, smacks
hand down on table in aggression. Interior.
- Image 3 – medium long shot of artist stood up
in anger singing “spoon fed to the blind, serves
now to define”. Interior.
- Image 4 – close up zooming out into medium
shot, zooming further into a long shot. All of
artist standing in street. Exterior.
- Fade cut to an extreme long shot of artist
stood in street surrounded by people circling
him and bumping into him. He looks straight
on in mystery and curiosity Exterior.