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Representation of
Class and Status in
The Street
Editing

Mise-en-scene
•

The costume of the man; a t-shirt
worn unbuttoned, represents the
lower class man as being lazy or
not caring about his appearance. It
could also represent that fact that
they do not have money to afford
new clothes.

•

This shot and the shots that
follow use fast paced editing
cutting between the couple which
exaggerates their argument and
represents lower class/ working
class people as being unhappy or
angry within relationships.

{
Cinematography
•
•

The use of a mid-shot allows the
aggressive/angry facial expression
of the man to be shown
The eye-line angle reveals the
mans feelings and the audience
feel as if they are the woman with
him opposite her

Sound
•
•

Diegetic sound of shouting and
swearing shows lower class people as
being aggressive and ill-mannered
The aggression stems from the subject
of money- lower class people are
represented as being more money
conscious/worried.
Mise-en-scene

Editing

•

•

•
•

The setting of this shot shows pillars
and blocks, suggesting a work/building
site
The men are wearing helmets which
shows that the men are of working class
preforming hard or dangerous labour
The mise-en-scene of this shot
represents working class men as being
hard-working as opposed to lazy

Cinematography
•

•

The use of a long shot shows that many men
work on the site, and enforces the idea that
many working-class men perform this kind of
labour
The close up that follows this show shows the
strained/aggressive facial expression of the
working man, again showing their hardworking and strong nature

•

The editing of the long shot is relatively
slow paced and pans across the scene.
This further enforces the number of men
in this job, and allows the viewer to see
the labour that they perform.
The close up that follows this shot uses
very quick paced editing, using
continuity editing to cut between the
mans facial expression and his actions,
showing working class men as being
aggressive and doing tiring work

Sound
•

Diegetic sound can be heard in the
background of the train moving past.
This represents the building site as
being in an undesirable location and
representing the working class as
having jobs that are not glamorous or
desirable.
Mise-en-scene
•
•
•

The white vest that the man is wearing is
stereotypical of a working-class man and has
connotations of lazy or slobbish behaviour
The location of the living room and the armchair
represents the man as having a lot of time to relax
when not working
The mug he is drinking from also represents the
working class as being lazy or relaxed and doing
little work

Editing
•

Relatively slow paced continuity
editing is used in this scene which
represents the working class man as
being laid back and with little
responsibility. The next cut is a jump
cut to the other man; wearing a suit
and appearing to be in a rush. This
represents more middle class men as
being stressed and busy; having work
to do and being pro-active.

Cinematography
•

The use of the mid shot of the man with
the daughter in the background
represents a working class man as often
having a family, but being distanced
from the children or having little interest
in them. It is stereotypical that workingclass families often argue, and the
distance between the family represents
this

Sound
•

The sound in this scene is the noise
of the television and football
commendation can be heard.
Watching football is a stereotypical
pastime of many men, especially
those of the working class.
Mise-en-scene
•

Editing

The facial expression of the mother in this
scene represents more middle class people
as having conflicts and arguments within
their lifestyle, as she is shouting at her
daughter about her bad behaviour. This
facial expression contradicts the
stereotype that middle class families are
always happy and have no problems

•

The cross cuts used in this shot between
the mother and daughter help to build
the anger and argumentative nature
between the two of them. Also, the quick
cuts to the other children also being
argumentative enforces the
representation that middle class families
often argue and have a sometimes hectic
lifestyle.

{
Cinematography
•

The use of a close up of the expression of
the mother and the daughter enforces the
representation of a disjointed family life
and their contrasting opinions. Also, the
use of high and low angle shots shows the
authority of the mother and the inferiority
of the daughter. This represents the
mother as having more status in the
situation and within the family.

Sound
•

The sound in this scene is of the family
shouting which represents them again as
having an unhappy family life. Also, the
topic of argument in this scene is the
childs behaviour at school, which
represents middle class people as caring
about their children’s education
Mise-en-scene
•

The costume of the men, wearing the
uniform of an ambulance man and the
props of the stretcher and medical
equipment all represent the men as being
helpful and bringing safety to the situation.
They are represented as having more
status in this scene than the other people
living on the road.

Cinematography
•

The use of the mid-shot here clearly show
the help that the men are giving and the
injuries of the girl. This further represents the
men as having the highest status in this
scene. Also, the long shots used before this
scene show the men around the normal
people, further emphasizing their difference
to the others and their higher status.

Editing
•

The editing in this scene is relatively slow,
in order to show the paramedics actions
in putting the girl onto stretcher. The use
of slow paced editing represents the
importance and higher status of the
paramedics as their actions are seen to be
very important.

Sound
•

Non-diagetic sound is used in this
scene with slow background music
playing. This creates suspense and
sadness about the situation and also
helps to represent that paramedics as
having a higher status as they appear
to be the ones responsible for assisting
the situation.

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Status and class representation

  • 1. Representation of Class and Status in The Street
  • 2. Editing Mise-en-scene • The costume of the man; a t-shirt worn unbuttoned, represents the lower class man as being lazy or not caring about his appearance. It could also represent that fact that they do not have money to afford new clothes. • This shot and the shots that follow use fast paced editing cutting between the couple which exaggerates their argument and represents lower class/ working class people as being unhappy or angry within relationships. { Cinematography • • The use of a mid-shot allows the aggressive/angry facial expression of the man to be shown The eye-line angle reveals the mans feelings and the audience feel as if they are the woman with him opposite her Sound • • Diegetic sound of shouting and swearing shows lower class people as being aggressive and ill-mannered The aggression stems from the subject of money- lower class people are represented as being more money conscious/worried.
  • 3. Mise-en-scene Editing • • • • The setting of this shot shows pillars and blocks, suggesting a work/building site The men are wearing helmets which shows that the men are of working class preforming hard or dangerous labour The mise-en-scene of this shot represents working class men as being hard-working as opposed to lazy Cinematography • • The use of a long shot shows that many men work on the site, and enforces the idea that many working-class men perform this kind of labour The close up that follows this show shows the strained/aggressive facial expression of the working man, again showing their hardworking and strong nature • The editing of the long shot is relatively slow paced and pans across the scene. This further enforces the number of men in this job, and allows the viewer to see the labour that they perform. The close up that follows this shot uses very quick paced editing, using continuity editing to cut between the mans facial expression and his actions, showing working class men as being aggressive and doing tiring work Sound • Diegetic sound can be heard in the background of the train moving past. This represents the building site as being in an undesirable location and representing the working class as having jobs that are not glamorous or desirable.
  • 4. Mise-en-scene • • • The white vest that the man is wearing is stereotypical of a working-class man and has connotations of lazy or slobbish behaviour The location of the living room and the armchair represents the man as having a lot of time to relax when not working The mug he is drinking from also represents the working class as being lazy or relaxed and doing little work Editing • Relatively slow paced continuity editing is used in this scene which represents the working class man as being laid back and with little responsibility. The next cut is a jump cut to the other man; wearing a suit and appearing to be in a rush. This represents more middle class men as being stressed and busy; having work to do and being pro-active. Cinematography • The use of the mid shot of the man with the daughter in the background represents a working class man as often having a family, but being distanced from the children or having little interest in them. It is stereotypical that workingclass families often argue, and the distance between the family represents this Sound • The sound in this scene is the noise of the television and football commendation can be heard. Watching football is a stereotypical pastime of many men, especially those of the working class.
  • 5. Mise-en-scene • Editing The facial expression of the mother in this scene represents more middle class people as having conflicts and arguments within their lifestyle, as she is shouting at her daughter about her bad behaviour. This facial expression contradicts the stereotype that middle class families are always happy and have no problems • The cross cuts used in this shot between the mother and daughter help to build the anger and argumentative nature between the two of them. Also, the quick cuts to the other children also being argumentative enforces the representation that middle class families often argue and have a sometimes hectic lifestyle. { Cinematography • The use of a close up of the expression of the mother and the daughter enforces the representation of a disjointed family life and their contrasting opinions. Also, the use of high and low angle shots shows the authority of the mother and the inferiority of the daughter. This represents the mother as having more status in the situation and within the family. Sound • The sound in this scene is of the family shouting which represents them again as having an unhappy family life. Also, the topic of argument in this scene is the childs behaviour at school, which represents middle class people as caring about their children’s education
  • 6. Mise-en-scene • The costume of the men, wearing the uniform of an ambulance man and the props of the stretcher and medical equipment all represent the men as being helpful and bringing safety to the situation. They are represented as having more status in this scene than the other people living on the road. Cinematography • The use of the mid-shot here clearly show the help that the men are giving and the injuries of the girl. This further represents the men as having the highest status in this scene. Also, the long shots used before this scene show the men around the normal people, further emphasizing their difference to the others and their higher status. Editing • The editing in this scene is relatively slow, in order to show the paramedics actions in putting the girl onto stretcher. The use of slow paced editing represents the importance and higher status of the paramedics as their actions are seen to be very important. Sound • Non-diagetic sound is used in this scene with slow background music playing. This creates suspense and sadness about the situation and also helps to represent that paramedics as having a higher status as they appear to be the ones responsible for assisting the situation.