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Soundx synesthesia
- 1. Amanda Hahnsson Michael Barion Marion Kunz Chih-Ning Tsai Group 3 Sound & Synesthesia Prof. Dr. Lasse ScherffigInterface Perception
- 2. Sound
- 3. How does our brain perceives sound? Sound 3
- 4. Sound
- 9. 9
- 10. Hey Siri Sound as interface
- 11. Natural Language Processing Sound as interface
- 12. Natural Language Processing Sound as interface
- 13. (natural) computers human languages Natural Language Processing Sound as interface
- 14. computers Natural Language Processing natural languages data Sound as interface
- 15. Guess it! Sound as interface A B C
- 16. A Guess it! Sound as interface B C
- 17. Guess it! Sound as interface CBA
- 18. Guess it! Sound as interface CBA
- 19. C Guess it! Sound as interface A B
- 20. C Guess it! Sound as interface A B
- 21. Sound as interface a.Windows b.Facebook c.Nokia Guess it!
- 22. Sound is branding. Sound as interface a.Windows b.Facebook c.Nokia
- 23. Warning Sound Sound as interface
- 24. Warning Sound Sound as interface
- 25. Warning Sound Sound as interface Intentionally
- 26. Sound as Warning Sound as interface
- 27. Sound as Warning Sound as interface Unintentionally
- 28. Synesthesia
- 29. Greek: ’syn' = union + ‘aisthaesis’ = sensation Sound as interface
- 30. „Synesthesia is the involuntary physical experience of a cross-modal association. That is the stimulation of one sensory modality reliably causes a perception in one or more different senses.“ Richard Cytowic (1995) Synesthesia in art
- 31. Six characteristics of synesthesia Sound as interface
- 32. 1.Involuntary, but needs a trigger 2.Distinguishable 3.Based on simple and abstract forms 4.Rememberable 5.Unidirectional 6.Noetically Richard Cytowic Synesthesia in art
- 33. Synesthesia
- 36. Sound Interface
- 40. “I saw all my colors in my mind; they stood before my eyes. Wild almost crazy lines were sketched in front of me.” Synesthesia in art Wassily Kandinsky
- 41. Synesthesia in art when increased, it sounds like an ever louder blown trumpet (sharp) or like a fanfare tone raised in the air. the absolute green can be best achieved by calm stretched middle depth To describe the tones of the violin light blue is similar to a flute, the dark one to the cello, always deeper going to the wonderful sounds of the bass violin; in deep solemn form the sound of the blue is comparable to that of the deep organ similar to the sound of the English horn, the shawm, in depth to the low notes of the wooden instruments (for example bassoon) the bright warm red (Saturn) is reminiscent of the sound of the fanfares, the tuba bebeling - stubborn, intrusive strong tone. Cinnabar sounds like the tuba, with strong drumbeats, the cold red (madder) REMEMBERED of an element of passion, middle depth-bearing tones of the cello; when it is light, slightly higher, clear, singing tones of the violin to musical expression. like a central church bell calling to the Angelus. Or a strong alto voice, a Largo singing old violin (metaphor). like a complete pause, after which a continuation comes, like the beginning of another world, since the one completed by this pause is finished (buried) for all time is soundless sounds (inwardly) like a non-sound, which quite corresponds to some pauses in music, the pauses which untirely interrupt the development of a sentence or content and are not a definitive conclusion of the development
- 42. Synesthesia in art Yellow-Red-Blue 1925 Wassily Kandinsky
- 44. Synesthesia in art Carol Steen sound color touch color grapheme color
- 45. Synesthesia in art Carol Steen sound color touch color grapheme color
- 46. Synesthesia in art sound→ color Carol Steen Clouds rise up 2004
- 47. “When I first began creating with my synesthetically perceived, moving, luminous shapes, I was concerned with accurately isolating and depicting them and their source.” Carol Steen Synesthesia in art
- 48. Carol Steen Synesthesia in art sound→ color Orange Calipers 1987
- 49. Synesthesia in art “I gave myself permission to believe I saw moving colored shapes from touch.” Carol Steen Vision 1996
- 50. Synesthesia in art touch→ color Carol Steen Vision 1996
- 52. Marcia Smilack Red Buoy Synesthesia in art
- 53. I experience many forms of synesthesia one of which is sound to color. I get a visual picture for everything I hear which includes voices and appliances. Marcia Smilack Synesthesia in art sound color
- 54. When I started looking at reflections on water, the process happened in reverse: i.e. when I look at colors and patterns in certain light, I hear sound. I trusted that response as a reliable signal for when to take a photograph. Synesthesia in art Marcia Smilack sound color
- 55. Synesthesia in art sound color touch color Marcia Smilack
- 57. Marcia Smilack House of Consciousness Synesthesia in art
- 58. Marcia Smilack What Sound Looks Like Synesthesia in art
- 59. Marcia Smilack What Sound Looks Like Synesthesia in art
- 60. synesthesia artistic individuals Synesthesia in art
- 62. famous artist synesthete Synesthesia in art >
- 64. synesthete famous artist > Synesthesia in art confess synesthete famous artist become
- 65. “When I see the works of other artists who have synesthesia, and see how they use their joined senses in their works, I know I am no longer alone. I know that others really do see what I see." Synesthesia in art Carol Steen
- 67. Are the famous artists marketed by synesthetic traits? Synesthesia in art
- 68. Do the artistic individuals need some label to confirm they are unique? Synesthesia in art
- 69. Can we create synesthesia in an artificial way? Synesthesia & Technology
- 71. Synesthesia & Technology Synesthesia & Technology
- 73. Synesthesia & Technology Human senses
- 75. Synesthesia & Technology Intentional Synesthesia
- 76. Synesthesia & Technology Converting senses
- 77. Synesthesia & Technology Converting senses Brainport
- 79. Synesthesia & Technology Sight Touch
- 80. Synesthesia & Technology Converting senses Brainport
- 81. Synesthesia & Technology Converting senses Brainport
- 82. Neil Harbisson I listen to color / The cyborg man Synesthesia & Technology Sight Sound
- 84. Synesthesia & Technology Amy Winehouse's Rehab Beethoven's Fur Elise Neil Harbisson’s Art
- 85. Synesthesia & Technology Converting senses Brainport Suit
- 86. Synesthesia & Technology Sound Touch
- 88. Synesthesia & Technology Ultra violet Gamma Rays Infrared Magnetic field Pollution Subsonic frequencies
- 89. Synesthesia & Technology Converting senses
- 90. Liviu Babitz Synesthesia & Technology The North sense
- 91. Synesthesia & Technology Magnetic field Touch
- 92. Synesthesia & Technology So What?
- 93. Synesthesia & Technology Sensory bias Five Senses Hearing Smell Taste Sight Touch
- 94. Human Evolution Synesthesia & Technology
- 96. Charles Le Brun Synesthesia & Technology
- 97. Charles Le Brun Synesthesia & Technology
- 99. The Dark Knight Synesthesia & Technology
- 102. Sound & Hearing
- 103. Synesthesia & Art Sound & Hearing
- 104. Synesthesia & Art Sound & Hearing Synesthesia & Technology
- 105. Thank you
- 106. Any question?
- 107. Discussion