This document outlines the terms and conditions of a SoundExchange Sound Recording Copyright Owner Membership Agreement. Key points include:
1) Signing members agree to authorize SoundExchange to license their recordings within the US and abroad, collect royalties on their behalf, and represent their interests in legal proceedings.
2) SoundExchange is designated as the non-exclusive agent to collect and distribute statutory royalties to members in the US and non-US territories not excluded in addendum A.
3) The agreement automatically renews annually each December 31st unless terminated.
The document is a letter from the Alliance of Artists and Recording Companies (AARC) to a featured recording artist. It authorizes AARC to represent the artist for collecting and distributing hometaping royalties under the Audio Home Recording Act as well as foreign hometaping and sound recording rental royalties. The letter specifies that AARC will deduct administrative expenses from the royalties collected and retain unclaimed royalties for up to 3 years before the rights vest with AARC. The artist must sign to agree to the terms and authorize AARC to represent them.
This document is a synchronization license that grants non-exclusive rights to Burma Democratic Concern to record the song "On the Road to Mandalay" by Timo Cano in synchronization with a television program for international broadcast on MTV. The license is valid for an unspecified number of years from the date of signing and covers recordings made solely for use in the specified television program. The license cannot be transferred or assigned without written consent.
This document outlines the bylaws of the Coto de Caza Community Association. It discusses the principal office location, purposes of the association, membership qualifications and voting rights, procedures for meetings of members, and structure and responsibilities of the board of directors. Key points include:
- The principal office is located in Newport Beach, California.
- Membership is mandatory for owners of residential lots in the Coto de Caza development.
- The board of directors consists of 3 members who are elected annually by association members.
- The board has broad powers to manage association affairs, enforce covenants, and make rules for common areas.
The acquisition of certain area at ayodhya act, 1993Leo Lukose
This document summarizes the Acquisition of Certain Area at Ayodhya Act, 1993 which was enacted by the Parliament of India. The key points are:
1) The Act provides for the acquisition of the area in Ayodhya including the disputed site of the Babri Masjid-Ram Janmabhoomi by the central government due to a long standing religious dispute over the site that affected public order.
2) It transfers the rights, title and interest in relation to the acquired area to the central government and allows the government to manage the property.
3) The Act establishes provisions for paying compensation to owners of acquired land and properties and appointing a Claims Commissioner to determine claims regarding compensation
This document contains an amateur radio license for Jayme C. Watson of Crockett, Texas. The license provides instructions to cut out the wallet and framing size versions, with a recommendation to laminate the wallet size version. The license lists the licensee's name, address, call sign, license number, and expiration date. It also specifies that the license is non-transferable and subjects the license to conditions regarding rights to operate the station and transfer the license.
This ordinance establishes the salaries of the Mayor, City Council members, and department heads of Hoboken, New Jersey effective July 1, 2009. The Mayor's salary is set at $116,904.60 along with equivalent benefits. City Council members will earn $24,130, while the Council President will earn $26,541, along with health benefits but no longevity pay. Department heads' salaries will be determined by the Mayor but cannot exceed $115,000 except for the Director of Public Safety whose salary is capped at $27,500 along with equivalent benefits.
This document contains three sections of an act passed by Congress on August 4, 1854. The act increases the pay of non-commissioned officers, musicians, and privates in the U.S. Army by $4 per month for three years. It also provides bonuses for soldiers who re-enlist within one month of being honorably discharged and for those who served in the Mexican-American War and received a certificate of merit. The act further specifies that non-commissioned officers recommended for promotion but not receiving it under a previous act will receive additional pay.
This document is the Second Confiscation Act passed by Congress in 1862. It outlines several provisions: 1) it confiscates the property of those in rebellion and frees their slaves; 2) it punishes those who engage in or support rebellion with imprisonment, fines, and freeing their slaves; 3) it bars those convicted from future public office; and 4) it authorizes the President to employ African Americans to help suppress the rebellion and colonize freed slaves who wish to emigrate.
The document is a letter from the Alliance of Artists and Recording Companies (AARC) to a featured recording artist. It authorizes AARC to represent the artist for collecting and distributing hometaping royalties under the Audio Home Recording Act as well as foreign hometaping and sound recording rental royalties. The letter specifies that AARC will deduct administrative expenses from the royalties collected and retain unclaimed royalties for up to 3 years before the rights vest with AARC. The artist must sign to agree to the terms and authorize AARC to represent them.
This document is a synchronization license that grants non-exclusive rights to Burma Democratic Concern to record the song "On the Road to Mandalay" by Timo Cano in synchronization with a television program for international broadcast on MTV. The license is valid for an unspecified number of years from the date of signing and covers recordings made solely for use in the specified television program. The license cannot be transferred or assigned without written consent.
This document outlines the bylaws of the Coto de Caza Community Association. It discusses the principal office location, purposes of the association, membership qualifications and voting rights, procedures for meetings of members, and structure and responsibilities of the board of directors. Key points include:
- The principal office is located in Newport Beach, California.
- Membership is mandatory for owners of residential lots in the Coto de Caza development.
- The board of directors consists of 3 members who are elected annually by association members.
- The board has broad powers to manage association affairs, enforce covenants, and make rules for common areas.
The acquisition of certain area at ayodhya act, 1993Leo Lukose
This document summarizes the Acquisition of Certain Area at Ayodhya Act, 1993 which was enacted by the Parliament of India. The key points are:
1) The Act provides for the acquisition of the area in Ayodhya including the disputed site of the Babri Masjid-Ram Janmabhoomi by the central government due to a long standing religious dispute over the site that affected public order.
2) It transfers the rights, title and interest in relation to the acquired area to the central government and allows the government to manage the property.
3) The Act establishes provisions for paying compensation to owners of acquired land and properties and appointing a Claims Commissioner to determine claims regarding compensation
This document contains an amateur radio license for Jayme C. Watson of Crockett, Texas. The license provides instructions to cut out the wallet and framing size versions, with a recommendation to laminate the wallet size version. The license lists the licensee's name, address, call sign, license number, and expiration date. It also specifies that the license is non-transferable and subjects the license to conditions regarding rights to operate the station and transfer the license.
This ordinance establishes the salaries of the Mayor, City Council members, and department heads of Hoboken, New Jersey effective July 1, 2009. The Mayor's salary is set at $116,904.60 along with equivalent benefits. City Council members will earn $24,130, while the Council President will earn $26,541, along with health benefits but no longevity pay. Department heads' salaries will be determined by the Mayor but cannot exceed $115,000 except for the Director of Public Safety whose salary is capped at $27,500 along with equivalent benefits.
This document contains three sections of an act passed by Congress on August 4, 1854. The act increases the pay of non-commissioned officers, musicians, and privates in the U.S. Army by $4 per month for three years. It also provides bonuses for soldiers who re-enlist within one month of being honorably discharged and for those who served in the Mexican-American War and received a certificate of merit. The act further specifies that non-commissioned officers recommended for promotion but not receiving it under a previous act will receive additional pay.
This document is the Second Confiscation Act passed by Congress in 1862. It outlines several provisions: 1) it confiscates the property of those in rebellion and frees their slaves; 2) it punishes those who engage in or support rebellion with imprisonment, fines, and freeing their slaves; 3) it bars those convicted from future public office; and 4) it authorizes the President to employ African Americans to help suppress the rebellion and colonize freed slaves who wish to emigrate.
[2010] Necessary steps for implementation of e-Democracy solutions - by Dijan...e-Democracy Conference
This document outlines the necessary steps for implementing e-democracy solutions. It discusses issues like access, socio-political factors, trust and privacy. It provides benchmarks for e-participation and shows rankings of countries. It also describes EU and regional e-democracy initiatives and best practices like Estonia's public participation portal "Today I Decide".
The document introduces the 2011 CLS-Class from Mercedes-Benz. It provides information on the CLS 550 model, including its powerful V8 engine, suspension, braking and aerodynamic design. It also describes the luxurious interior and advanced safety and entertainment features. A section is dedicated to the high-performance CLS 63 AMG model and its handcrafted V8 engine and enhanced chassis. The document directs readers to mbusa.com/cls-class for more information.
Pandora welcomes independent artists to submit their music or comedy for possible inclusion on their service. They receive a large number of submissions and can only select a small portion to add due to capacity limits. The submission process requires artists to have a physical CD for sale on Amazon as well as provide MP3 files and other metadata about the album and tracks. Pandora evaluates submissions based on how well they think the content will perform and be received by listeners on their stations. Artists are asked not to repeatedly check on the status of their submission and can only submit one album at a time.
Apresentação em inglês sobre as dinâmicas da pobreza no Brasil: padrões, fatores associados e desafios, mostrada na “Conferência Internacional sobre Sustentabilidade e Promoção da Classe Média”, por Luis F. Lopez Calva do Banco Mundial, ocorrida em 25 de setembro de 2013. Veja mais na matéria: http://ow.ly/poL9G
This document is a master track license agreement between a licensee and licensor. It grants the licensee non-exclusive rights to use a specified musical recording (the "Master") in episodes of a television program. The licensee agrees to pay the licensor a fee for this use and additional fees for distributing the program on videograms. The licensor represents that they have obtained necessary approvals and permissions to license the use of the Master and will pay any required fees to the recording artist.
This document is an exclusive artist recording agreement between Rock On Records, Inc. and the musical group "The Angels" (Jill Munroe, Kelly Garrett, and Sabrina Duncan). It outlines the terms of the recording contract, including that Rock On Records will own all rights to the master recordings and have exclusive rights to distribute the recordings. The Angels will receive 50% of net royalties from record sales and other exploitation of the recordings. The initial contract term is for 9 months to deliver the first album, with options to extend, and the agreement covers recording obligations, advances, mechanical licenses, and other rights.
This document is an artist recording contract between a recording company and artist. It grants the company rights to manufacture and sell records made from the artist's recordings in exchange for royalty payments. The contract details terms such as royalty rates, payment schedules, restrictions on the artist recording for other companies, and options to extend the contract.
This document is a contribution and royalty agreement between Michael Melichar and Alternative Solutions Media LLC. Key points:
- Melichar will contribute content and services known as "Contributed Assets" to help complete a video series called "Starter Kit to Recovery".
- In exchange, Melichar will receive royalty payments of $2 per unit sold from the video series sales during a 36 month royalty period.
- Melichar transfers ownership of the Contributed Assets to the corporation. He must provide all tangible materials and cannot create any competing products.
- The agreement also outlines nondisclosure terms, requiring confidentiality of information for 5 years. It allows for injunctive relief and
This document summarizes the key information for clients of E.I.U.M.T regarding music licensing. E.I.U.M.T is a one-stop shop that allows clients to instantly obtain rights to use songs in their productions. Clients can license music for any type of media use such as films, TV, games, etc. E.I.U.M.T has a wide range of genres available. Licensing costs range from $35 to $30,000 depending on the project. Blanket licenses for a monthly fee are also available. The document also provides sample music licensing agreements between E.I.U.M.T and clients.
This document summarizes the key information for clients of E.I.U.M.T regarding music licensing. E.I.U.M.T is a one-stop shop that allows clients to instantly obtain rights to use songs in their productions. Clients can license music for any type of media use such as films, TV, games, etc. E.I.U.M.T has a wide range of genres available. Licensing costs range from $35 to $30,000 depending on the project. Blanket licenses for a monthly fee are also available. The document also provides sample music licensing agreements between E.I.U.M.T and clients.
This document is an agreement between the IETF Trust and ICANN regarding ICANN's licensing of certain intellectual property related to IANA protocol parameter services. It grants ICANN an exclusive, worldwide license to use trademarks and domain names associated with IANA services. It also outlines requirements regarding quality control, usage, ownership, enforcement of the intellectual property, and indemnification between the parties.
This document summarizes an agreement for the purchase and assignment of streaming royalties associated with non-fungible tokens (NFTs) representing a percentage of streaming royalties from an artist's song. It outlines the terms of purchasing a Song Token NFT, which entitles the owner to a percentage of streaming royalties based on the token's tier. It also describes additional benefits that may be included, as well as terms regarding ownership and transfer of the tokens. The document reserves all rights not expressly granted and disclaims warranties, with the purchaser assuming all risks.
This document summarizes a digital distribution agreement between Distrophonix LLC, a music distributor, and an individual artist or musical group (the "RIGHTS HOLDER"). It grants Distrophonix the exclusive right to distribute the RIGHTS HOLDER's music digitally for 14 months, with automatic renewal. The RIGHTS HOLDER retains ownership and copyright, while Distrophonix receives authorization to sell and promote the music. Both parties have obligations around providing/clearing content, marketing, and responding to issues that may arise.
This document summarizes the bylaws of the Country Club Estates Association of South Burlington, VT. It defines key terms, outlines requirements for membership meetings including quorum and voting procedures, and addresses notices, place of meetings, and eligibility to vote. The bylaws were last updated in 2012 to comply with the Vermont Common Interest Ownership Act and changes are marked with underlining.
MUB 202 Music Business Contracts Prof Colfin HOMEWORK ASSI.docxroushhsiu
MUB 202 Music Business Contracts Prof Colfin
HOMEWORK ASSIGNMENT #3 DUE FRIDAY 2/21/20 on Schoology
1 The assignment concerns the attached Exclusive Songwriter Agreement which follows these directions below.
GO Through the contract with a highlighter and focus on the 3-6 important words in each sentence or clause. This will help you spot the important information. The KEY WORDS in each clause.
On a separate sheet TYPE UP IN OUTLINE FORM, using short statements, at least 20 of the important points found in the Agreement below.
Use plain English. Write short, simple, clearly stated numbered points in YOUR OWN WORDS. Follow the flow of the agreement.
What SPECIFICALLY does MY exclusive songwriter AGREEMENT tell you?
HINT – DETAILS – SPECIFICS – NOT OPINIONS !! - Don’t tell me what you think is fair or unfair. - WHAT DO YOU SEE?
WHO are the parties ? WHEN does the agreement begin and What is the Duration of services? What is the duration of Publisher’s rights? HOW MUCH does each party earn? HOW is the amount earned determined? How is it paid, and when? DON’T STOP THERE !! – YOU NEED MORE.
What else is going on?
WHAT specific rights are granted ?
WHAT are the obligations of each party?
WHAT are their responsibilities to each other? Look closely.
How do the parties communicate if there is a problem? What if there is a dispute?
You need to understand what you see before you can figure out whether you like it or whether you can change any of it.
Lastly – Follow the numeric flow of the agreement itself as you draft your outline
Post BOTH the Marked UP copy of the Contract AND the OUTLINE on SCHOOLOGY for my review and grading.
DUE FRIDAY February 21, 2020 11:59 PM
Agreement made this 12th day of October, 2017 by and between WE EXPLOIT ALL SONGS MUSIC PUBLISHING, INC., whose address is Music Row Nashville, TN (hereinafter referred to as "Publisher") and Joseph P. Murgatroyd III p/k/a JOE BLOW residing at The Chelsea Hotel NY, NY, (hereinafter referred to as "Writer").
1. (a) Writer will render services as a songwriter on an exclusive basis to Publisher for the Term hereof, (the "Term").
(b) The Term shall commence on the date hereof and continue, unless extended as provided for herein, for a First Contract Period (the "First Contract Period") ending one (1) year from the date hereinabove.
(c) Writer hereby irrevocably grants to Publisher four (4) separate consecutive options to extend the Term for "Second", "Third", "Fourth", and "Fifth", Contract Periods, respectively. Such Contract Periods shall be one (1) year each. Each such option shall be exercised automatically by Publisher unless written notice to the contrary is sent to Writer, from Publisher, at least Thirty (30) days prior to the date the then current Contract Period would otherwise expire.
2. (a) In consideration of the royalties payable to Writer hereunder, Writer hereby assigns, transfers and delivers to Publisher one hund ...
Template for Apartment Association Byelaws. You can customize this to suit your society's needs. You can see more details about Byelaws at http://blog.apnacomplex.com/2010/06/07/apartment-association-bylaws/
This document provides updated by-laws for the Country Club Estates Association of South Burlington, VT. Key points include:
- Defines terms like "property", "homeowner", "member", and outlines voting procedures.
- Requires an annual meeting in May to elect board members and adopt a budget. Allows for special meetings.
- Specifies a 3 to 7 member board of directors elected annually to staggered terms.
- Grants the board powers to administer association affairs, prepare budgets, and collect assessments/dues.
- Sets rules for notices, quorums, voting procedures for board and membership meetings.
This document outlines a media distribution agreement between an artist/label and Table Media Distribution. It grants Table Media Distribution exclusive rights to digitally and physically distribute the artist/label's media through affiliates of their choice. The artist/label will receive 60% of net proceeds from legitimate music services, while Table Media Distribution will receive 40%. The agreement details responsibilities of both parties regarding costs, promotions, use of logos, dispute resolution, and indemnification. Initial options are provided for targeted radio promotion campaigns in various formats and markets for prices between $40,000-60,000.
Forest Glade Estate - Articles of AssociationAdriaan Gie
This document outlines the articles of association for The One Hundred and Three Home Owners Association, which governs a residential development.
The summary includes:
- Membership in the association is limited to owners of private properties within the development. When a property is transferred, the new owner automatically becomes a member.
- The directors are empowered to collect levies from members to fund the association's operating expenses, including maintenance of common areas. Levies must be approved by members at an annual general meeting.
- Special levies can also be imposed by the directors, without a member vote, to cover specific statutory obligations or unforeseen expenses. Additional levies for structural changes require a member vote.
A Frontend Development Course is an educational program that imparts knowledge to students on crafting and designing user interfaces for websites and web applications. It covers HTML, CSS and JavaScript to build attractive and interactive web pages.
[2010] Necessary steps for implementation of e-Democracy solutions - by Dijan...e-Democracy Conference
This document outlines the necessary steps for implementing e-democracy solutions. It discusses issues like access, socio-political factors, trust and privacy. It provides benchmarks for e-participation and shows rankings of countries. It also describes EU and regional e-democracy initiatives and best practices like Estonia's public participation portal "Today I Decide".
The document introduces the 2011 CLS-Class from Mercedes-Benz. It provides information on the CLS 550 model, including its powerful V8 engine, suspension, braking and aerodynamic design. It also describes the luxurious interior and advanced safety and entertainment features. A section is dedicated to the high-performance CLS 63 AMG model and its handcrafted V8 engine and enhanced chassis. The document directs readers to mbusa.com/cls-class for more information.
Pandora welcomes independent artists to submit their music or comedy for possible inclusion on their service. They receive a large number of submissions and can only select a small portion to add due to capacity limits. The submission process requires artists to have a physical CD for sale on Amazon as well as provide MP3 files and other metadata about the album and tracks. Pandora evaluates submissions based on how well they think the content will perform and be received by listeners on their stations. Artists are asked not to repeatedly check on the status of their submission and can only submit one album at a time.
Apresentação em inglês sobre as dinâmicas da pobreza no Brasil: padrões, fatores associados e desafios, mostrada na “Conferência Internacional sobre Sustentabilidade e Promoção da Classe Média”, por Luis F. Lopez Calva do Banco Mundial, ocorrida em 25 de setembro de 2013. Veja mais na matéria: http://ow.ly/poL9G
This document is a master track license agreement between a licensee and licensor. It grants the licensee non-exclusive rights to use a specified musical recording (the "Master") in episodes of a television program. The licensee agrees to pay the licensor a fee for this use and additional fees for distributing the program on videograms. The licensor represents that they have obtained necessary approvals and permissions to license the use of the Master and will pay any required fees to the recording artist.
This document is an exclusive artist recording agreement between Rock On Records, Inc. and the musical group "The Angels" (Jill Munroe, Kelly Garrett, and Sabrina Duncan). It outlines the terms of the recording contract, including that Rock On Records will own all rights to the master recordings and have exclusive rights to distribute the recordings. The Angels will receive 50% of net royalties from record sales and other exploitation of the recordings. The initial contract term is for 9 months to deliver the first album, with options to extend, and the agreement covers recording obligations, advances, mechanical licenses, and other rights.
This document is an artist recording contract between a recording company and artist. It grants the company rights to manufacture and sell records made from the artist's recordings in exchange for royalty payments. The contract details terms such as royalty rates, payment schedules, restrictions on the artist recording for other companies, and options to extend the contract.
This document is a contribution and royalty agreement between Michael Melichar and Alternative Solutions Media LLC. Key points:
- Melichar will contribute content and services known as "Contributed Assets" to help complete a video series called "Starter Kit to Recovery".
- In exchange, Melichar will receive royalty payments of $2 per unit sold from the video series sales during a 36 month royalty period.
- Melichar transfers ownership of the Contributed Assets to the corporation. He must provide all tangible materials and cannot create any competing products.
- The agreement also outlines nondisclosure terms, requiring confidentiality of information for 5 years. It allows for injunctive relief and
This document summarizes the key information for clients of E.I.U.M.T regarding music licensing. E.I.U.M.T is a one-stop shop that allows clients to instantly obtain rights to use songs in their productions. Clients can license music for any type of media use such as films, TV, games, etc. E.I.U.M.T has a wide range of genres available. Licensing costs range from $35 to $30,000 depending on the project. Blanket licenses for a monthly fee are also available. The document also provides sample music licensing agreements between E.I.U.M.T and clients.
This document summarizes the key information for clients of E.I.U.M.T regarding music licensing. E.I.U.M.T is a one-stop shop that allows clients to instantly obtain rights to use songs in their productions. Clients can license music for any type of media use such as films, TV, games, etc. E.I.U.M.T has a wide range of genres available. Licensing costs range from $35 to $30,000 depending on the project. Blanket licenses for a monthly fee are also available. The document also provides sample music licensing agreements between E.I.U.M.T and clients.
This document is an agreement between the IETF Trust and ICANN regarding ICANN's licensing of certain intellectual property related to IANA protocol parameter services. It grants ICANN an exclusive, worldwide license to use trademarks and domain names associated with IANA services. It also outlines requirements regarding quality control, usage, ownership, enforcement of the intellectual property, and indemnification between the parties.
This document summarizes an agreement for the purchase and assignment of streaming royalties associated with non-fungible tokens (NFTs) representing a percentage of streaming royalties from an artist's song. It outlines the terms of purchasing a Song Token NFT, which entitles the owner to a percentage of streaming royalties based on the token's tier. It also describes additional benefits that may be included, as well as terms regarding ownership and transfer of the tokens. The document reserves all rights not expressly granted and disclaims warranties, with the purchaser assuming all risks.
This document summarizes a digital distribution agreement between Distrophonix LLC, a music distributor, and an individual artist or musical group (the "RIGHTS HOLDER"). It grants Distrophonix the exclusive right to distribute the RIGHTS HOLDER's music digitally for 14 months, with automatic renewal. The RIGHTS HOLDER retains ownership and copyright, while Distrophonix receives authorization to sell and promote the music. Both parties have obligations around providing/clearing content, marketing, and responding to issues that may arise.
This document summarizes the bylaws of the Country Club Estates Association of South Burlington, VT. It defines key terms, outlines requirements for membership meetings including quorum and voting procedures, and addresses notices, place of meetings, and eligibility to vote. The bylaws were last updated in 2012 to comply with the Vermont Common Interest Ownership Act and changes are marked with underlining.
MUB 202 Music Business Contracts Prof Colfin HOMEWORK ASSI.docxroushhsiu
MUB 202 Music Business Contracts Prof Colfin
HOMEWORK ASSIGNMENT #3 DUE FRIDAY 2/21/20 on Schoology
1 The assignment concerns the attached Exclusive Songwriter Agreement which follows these directions below.
GO Through the contract with a highlighter and focus on the 3-6 important words in each sentence or clause. This will help you spot the important information. The KEY WORDS in each clause.
On a separate sheet TYPE UP IN OUTLINE FORM, using short statements, at least 20 of the important points found in the Agreement below.
Use plain English. Write short, simple, clearly stated numbered points in YOUR OWN WORDS. Follow the flow of the agreement.
What SPECIFICALLY does MY exclusive songwriter AGREEMENT tell you?
HINT – DETAILS – SPECIFICS – NOT OPINIONS !! - Don’t tell me what you think is fair or unfair. - WHAT DO YOU SEE?
WHO are the parties ? WHEN does the agreement begin and What is the Duration of services? What is the duration of Publisher’s rights? HOW MUCH does each party earn? HOW is the amount earned determined? How is it paid, and when? DON’T STOP THERE !! – YOU NEED MORE.
What else is going on?
WHAT specific rights are granted ?
WHAT are the obligations of each party?
WHAT are their responsibilities to each other? Look closely.
How do the parties communicate if there is a problem? What if there is a dispute?
You need to understand what you see before you can figure out whether you like it or whether you can change any of it.
Lastly – Follow the numeric flow of the agreement itself as you draft your outline
Post BOTH the Marked UP copy of the Contract AND the OUTLINE on SCHOOLOGY for my review and grading.
DUE FRIDAY February 21, 2020 11:59 PM
Agreement made this 12th day of October, 2017 by and between WE EXPLOIT ALL SONGS MUSIC PUBLISHING, INC., whose address is Music Row Nashville, TN (hereinafter referred to as "Publisher") and Joseph P. Murgatroyd III p/k/a JOE BLOW residing at The Chelsea Hotel NY, NY, (hereinafter referred to as "Writer").
1. (a) Writer will render services as a songwriter on an exclusive basis to Publisher for the Term hereof, (the "Term").
(b) The Term shall commence on the date hereof and continue, unless extended as provided for herein, for a First Contract Period (the "First Contract Period") ending one (1) year from the date hereinabove.
(c) Writer hereby irrevocably grants to Publisher four (4) separate consecutive options to extend the Term for "Second", "Third", "Fourth", and "Fifth", Contract Periods, respectively. Such Contract Periods shall be one (1) year each. Each such option shall be exercised automatically by Publisher unless written notice to the contrary is sent to Writer, from Publisher, at least Thirty (30) days prior to the date the then current Contract Period would otherwise expire.
2. (a) In consideration of the royalties payable to Writer hereunder, Writer hereby assigns, transfers and delivers to Publisher one hund ...
Template for Apartment Association Byelaws. You can customize this to suit your society's needs. You can see more details about Byelaws at http://blog.apnacomplex.com/2010/06/07/apartment-association-bylaws/
This document provides updated by-laws for the Country Club Estates Association of South Burlington, VT. Key points include:
- Defines terms like "property", "homeowner", "member", and outlines voting procedures.
- Requires an annual meeting in May to elect board members and adopt a budget. Allows for special meetings.
- Specifies a 3 to 7 member board of directors elected annually to staggered terms.
- Grants the board powers to administer association affairs, prepare budgets, and collect assessments/dues.
- Sets rules for notices, quorums, voting procedures for board and membership meetings.
This document outlines a media distribution agreement between an artist/label and Table Media Distribution. It grants Table Media Distribution exclusive rights to digitally and physically distribute the artist/label's media through affiliates of their choice. The artist/label will receive 60% of net proceeds from legitimate music services, while Table Media Distribution will receive 40%. The agreement details responsibilities of both parties regarding costs, promotions, use of logos, dispute resolution, and indemnification. Initial options are provided for targeted radio promotion campaigns in various formats and markets for prices between $40,000-60,000.
Forest Glade Estate - Articles of AssociationAdriaan Gie
This document outlines the articles of association for The One Hundred and Three Home Owners Association, which governs a residential development.
The summary includes:
- Membership in the association is limited to owners of private properties within the development. When a property is transferred, the new owner automatically becomes a member.
- The directors are empowered to collect levies from members to fund the association's operating expenses, including maintenance of common areas. Levies must be approved by members at an annual general meeting.
- Special levies can also be imposed by the directors, without a member vote, to cover specific statutory obligations or unforeseen expenses. Additional levies for structural changes require a member vote.
A Frontend Development Course is an educational program that imparts knowledge to students on crafting and designing user interfaces for websites and web applications. It covers HTML, CSS and JavaScript to build attractive and interactive web pages.
The document outlines the by-laws of the Oak Hills Owners Association. It establishes the association as a non-profit corporation formed to govern the Oak Hills Subdivision. It defines membership in the association as requiring ownership of property in the subdivision. It establishes a board of managers to administer the affairs of the association and an environmental control committee to enforce covenants and review building plans. It also outlines voting procedures, meetings, and the powers and duties of the board.
This document establishes covenants, conditions, and restrictions for the Cottages at Wildwood Ranch residential development. It creates a homeowners association called the Cottages Home Owners Association to maintain common areas and enforce the covenants. All property owners in the development are required to be members of the association and pay annual/special assessments. The document defines terms, outlines voting rights and board structure for the association, and establishes that assessments are a lien on properties and a personal obligation of owners.
This document outlines an artist-record label contract. It specifies that the artist will record exclusively for the record label during the contract period and will receive royalties on sales of recordings. The contract grants the label exclusive ownership and commercial rights to the artist's recordings, including rights to manufacture, distribute, license and sell the recordings. It also allows the label to deduct certain costs from the artist's royalties and gives the label renewal options to extend the contract period.
Getting the Vote: What it Takes to Change Your CC&R'sBeth Mulcahy
Mulcahy Law Firm, P.C. puts together an easy, 5 step plan for amending your Community Association documents. Reserve Funds are also discussed, including how to make, keep, and grow your community association's investments.
Similar to Soundexchange sound recording copyright owner membership agreement.txt.rtf (20)
The document contains a series of embedded video clips from stickam.com promoting various live video shows happening on the site, including introductions, warm ups, late night shows and freestyle sessions. The clips encourage viewers to tune in to the live streams for comedy, music and chatting.
The document contains a series of links posted by an individual to their various social media profiles on sites like Hi5, Facebook, Friendster, and others. The links were posted between January 22nd and 25th, 2009 and include profiles on photo and music sites as well as social networks.
The document contains embedded audio clips of three hip hop songs or interviews: a Royce da 5'9" song about verbal skills, a Busta Rhymes song, and a Lil Wayne and Lil Boosie discussion dissing 50 Cent.
This proof of delivery notice from UPS summarizes the delivery of a 2.7 lb package shipped via UPS Ground on June 6, 2011. The package was delivered on June 16, 2011 at 4:15 AM in Naperville, Illinois and was signed for by YAHAGHI and left at the dock.
This document provides a 5-step tutorial for upgrading from Windows XP to Windows 7 using a custom installation. Step 1 involves using the Windows 7 Upgrade Advisor to check for compatibility issues. Step 2 recommends using Windows Easy Transfer to move files and settings to external storage before installing Windows 7, then moving them back after installation. It warns that licenses for DRM-protected content may need to be re-obtained and some programs will need reinstalling.
This document outlines three logistical considerations and proposed solutions for a business that hauls tires. The first consideration is obtaining a tire hauling permit if tires will be transported. The second is meeting additional government regulations if 500 or more tires are stored at one location, which can be addressed by storing fewer than 500 tires at each location. The third consideration involves complying with laws giving infrastructure projects priority for waste tires; proposed solutions include designating an exception or arranging direct purchase agreements between the business and its clients.
1) Grooveshark SVP Paul Geller sends an angry email in response to headlines about King Crimson's frustration in removing content from Grooveshark.
2) Geller claims King Crimson leader Robert Fripp left out details from email exchanges and doctored conversations to fit his message against Grooveshark.
3) While Grooveshark acknowledges it failed to properly process King Crimson's takedown requests, Geller argues more context is needed about Grooveshark's licensing deals and the situation with King Crimson's record label.
This document provides URLs for YouTube videos about using a compressor and equalizer plugins with the Cubase 5 digital audio workstation software. The URLs search for tutorials on how to use a compressor and equalizer within the Cubase 5 interface.
The document contains URLs and embed codes for 13 YouTube videos posted by the user 23rdstterrorist. The videos include freestyle rap videos, a live recording, videos thanking people on a birthday and introducing themselves, and videos with titles like "TO BE CONTINUED" and "WANNA FUCK YOUR BITCH."
The document contains URLs and embed codes for 14 videos hosted on YouTube and Xanga by the user 23rdstterrorist. The videos include freestyle rap videos, a live recording, and videos titled "thankx on my bd", "this is my first briefing", "TO BE CONTUNE ..", and "WANNA FUCK YOUR BITCH".
This document provides tips for sampling and preparing samples to sound their best. It recommends:
1. Using a hardware sampler with at least 32MB of memory or a virtual sampler.
2. Sampling directly into an audio editing software rather than the sampler for more flexibility.
3. Optimizing each sample by trimming, adding a rough loop, adjusting volume and DC offset, and using compression.
4. Using EQ and exciters to accentuate the character of each instrument and obtain clarity.
The document appears to contain random words and phrases that do not form a coherent story or provide essential information. It is difficult to generate a meaningful summary with only 3 sentences or less given the lack of context and connection between the terms listed.
The document discusses factors to consider when choosing a custodian or administrator for a self-directed IRA, including safety, credibility, competence, and customer service. It explains that an IRA custodian must be a regulated financial institution, and that banks often hire third-party administrators to handle administrative functions for self-directed IRAs. Due diligence is important to ensure proper oversight and protection of IRA assets.
Coldplay's latest album Mylo Xyloto, which skipped the streaming service Spotify, has set a new one-week digital album sales record in the UK with over 83,000 sales. Digital sales accounted for nearly 40% of the album's total first-week sales of 208,343 units in the UK. This digital sales success raises questions about whether other top bands will start to rethink their approach and skip streaming services in order to maximize digital download sales and profits.
This summary provides the key skills needed to be a "super-connector" according to the document:
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Tom Silverman conducted research to determine how many new artists are breaking into the music industry each year. He defined "breaking" as selling over 10,000 albums in the year of release. In 2008, out of over 105,000 album releases, only 12 artists sold over 10,000 albums for the first time that year. The vast majority of breaking artists were signed to major labels or significant independent labels. Silverman concluded that technology has made it harder, not easier, for great new music to rise to popularity due to a lack of mass exposure, which requires money or luck.
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1. SOUNDEXCHANGE SOUND RECORDING COPYRIGHT OWNER MEMBERSHIP
AGREEMENT
Any Copyright Owner who registers with SoundExchange is entitled to receive Digital
Performance Royalties through SoundExchange. However, becoming a SoundExchange
Member has added advantages, including providing Members a centralized method for
obtaining sound recording performance royalties from outside the United States.
By signing below, you agree to the terms and conditions of this SoundExchange Sound
Recording Copyright Owner Membership Agreement ( the �Agreement�), as provided herein
and as it may be amended from time to time. You additionally agree to the attached
SoundExchange Policies & Procedures (�Policies & Procedures�).
By becoming a SoundExchange Member you will be authorizing SoundExchange to
nonexclusively license your recordings to services both inside the United States and in
territories you specify outside the United States, collect royalties on your behalf both within the
United States and from foreign territories, except those you identify on Addendum A, attached
hereto, and will also authorize SoundExchange to represent your interests in litigations, rate
adjustment proceedings and rulemakings before, among others, the United States Copyright
Office and the Copyright Royalty Judges (the �CRJs�). The CRJs oversees, among other
things, the establishment of rates, terms and notice and recordkeeping requirements under the
statutory licenses set forth in Sections 112(e) and 114 of the Copyright Act.
1. U.S. Statutory Activity.
a. Licensing. SoundExchange Copyright Owner Member (�Member�) grants
SoundExchange the non-exclusive right to license: (i) the public performance of sound
recordings owned (or controlled) by Member by means of digital audio transmissions subject to
statutory licensing under Section 114 of the U.S. Copyright Act; and (ii) the making of
phonorecords of sound recordings owned (or controlled) by Member subject to statutory
licensing under Section 112(e) of the U.S. Copyright Act. Member shall not similarly authorize
any other person or entity to undertake such activities in the U.S. on a collective basis for
Member and other copyright owners of sound recordings.
b. Royalty Collection & Distribution. Member designates SoundExchange as its
nonexclusive agent for the term of the Agreement to collect public performance and ephemeral
royalties for the transmission and reproduction of sound recordings payable under 17 U.S.C.
�� 112(e) and 114 and any applicable implementing regulations (hereafter �Statutory
Royalties�). Member authorizes SoundExchange to distribute Statutory Royalties pursuant to
17 U.S.C. �� 112(e) and 114 and any applicable implementing regulations, or in such manner
as authorized by the Board of Directors of SoundExchange (hereafter the �SoundExchange
Board�). Member shall not similarly authorize any other person or entity, to undertake such
activities in the U.S. on a collective basis for Member and other copyright owners of sound
recordings. Subject to the payment thresholds specified in the Policies & Procedures,
SoundExchange shall distribute U.S. Statutory Royalties on at least an annual basis.
2. Non-U.S. Activity.
a. Licensing. Except with respect to the territories listed for exclusion in the attached
Addendum A, Member grants SoundExchange the right to license, outside the U.S.: (i) the
public performance or communication of sound recordings owned (or controlled) by Member;
2. and (ii) the reproduction of sound recordings owned (or controlled) by Member solely for the
purposes of facilitating public performances or communications outside the U.S. This
Agreement supersedes, cancels and/or revokes any other prior mandate or agreement with any
other collecting society or other organization for the collection of Member�s sound recording
performance royalties throughout the world except those territories listed for exclusion in the
attached Addendum A.
b. Royalty Collection & Distribution. Except with respect to the territories listed for
exclusion in the attached Addendum A, Member designates SoundExchange as its agent,
throughout the world and for the term of this Agreement, to collect sound recording performance
or communication royalties (hereafter �Non-U.S. Royalties�) payable to Member by any
performing rights organization authorized to collect and distribute royalties for the public
performance or communication of sound recordings outside the United States. Non-U.S.
Royalties are typically allocated to Members by the collecting society from which
SoundExchange receives such royalties. SoundExchange shall distribute Non-U.S. Statutory
Royalties according to any applicable governing law or contract or, in the absence thereof, in
such manner and at such times as authorized by the SoundExchange Board.
3. Deductions. Member authorizes SoundExchange to deduct from any of SoundExchange�s
receipts, prior to the distribution of royalties, any costs that have been authorized by the
SoundExchange Board, and which are not otherwise provided for under 17 U.S.C. � 114(g)(3)
and any implementing regulations.
4. Undistributable Royalties. If SoundExchange is unable to distribute Member�s share of
any royalties (e.g., because the Member does not provide necessary information or
SoundExchange is unable to locate Member at the time a distribution is to be made), then
SoundExchange shall retain the Member�s royalties, and solicit such information or make
efforts to locate Member in accordance with SoundExchange policies, as modified from time to
time, for a period of three (3) years, which period SoundExchange may extend in its sole
discretion, from the date the royalties shall have become payable to SoundExchange from a
licensee. At the end of such period, all right, title and interest to such royalties shall fully and
absolutely vest in SoundExchange, which may use the undistributable royalties to offset costs of
the types deductible under Section 3, and Member shall have no further right, title, interest or
claim to such royalties. In no event shall SoundExchange claim undistributable royalties earlier
than permitted under applicable regulations. Notwithstanding the foregoing, Non-U.S. Royalties
may be returnable to the applicable foreign performing (or communication) rights organization in
accordance with SoundExchange�s agreement with such organization.
5. Authority to Negotiate and Represent in Governmental Proceedings & Audits. Member
authorizes SoundExchange to represent it in connection with rate setting proceedings under the
U.S. Copyright Act and other related proceedings, administrative actions, hearings, litigation,
and appeals. Member further authorizes SoundExchange to settle audit claims limited to
underpayment of royalties identified by the auditor retained by SoundExchange and brought
against services pursuant to applicable U.S. regulations provided such audits settlements are
approved by the SoundExchange Board or an appropriate committee thereof. Amounts
recovered from audited services shall be distributed equally to SoundExchange Registrants and
Members alike in accordance with SoundExchange�s distribution policy as specified in the
Policies and Procedures. Member shall not similarly authorize any other person or entity to
undertake such activities on a collective basis for Member and other owners of copyrights in
sound recordings.
3. 6. Enforcement. Member authorizes SoundExchange to enforce nonexclusively the rights of
public performance, communication, and reproduction, granted under Sections 1 and 2 of this
Agreement with respect to the sound recordings owned (or controlled) by Member. With
Member�s consent, Member authorizes SoundExchange in SoundExchange�s sole
judgment: (i) to commence and prosecute litigation, in the name of SoundExchange, Member,
or others in whose name the sound recordings owned (or controlled) by Member may be held;
(ii) to collect and receive damages arising from infringement of the foregoing rights; (iii) to join
Member or others in whose names sound recordings owned (or controlled) by Member may be
held as parties plaintiff or defendant in any litigation involving such rights; or (iv) to release,
compromise, or refer to arbitration any claims or actions involving infringement of such rights, in
the same manner and to the same extent as the Member could. With Member�s consent,
Member hereby makes, constitutes and appoints SoundExchange or its successor as
Member�s true and lawful attorney, irrevocably during the term of the Agreement, to do all
acts, take all proceedings, and execute, acknowledge and deliver any and all instruments,
papers, documents, process and pleadings that may be necessary, proper or expedient to
restrain infringements and recover damages relating to the infringement or other violation of
such rights and to discontinue, compromise or refer to arbitration any such proceedings or
actions, or to make any other disposition of the differences in relation thereto, in the name of
SoundExchange or its successor, or in the name of Member or otherwise. Amounts recovered
from services shall be distributed equally to SoundExchange Registrants and Members alike in
accordance with SoundExchange�s distribution policy as specified in the Policies and
Procedures..
7. CONSENT TO USE OF NAME, TRADEMARK, AND LOGO. MEMBER (DOES /
DOES NOT) (CIRCLE ONE) AUTHORIZE THE INCLUSION OF ITS NAME, TRADEMARK,
AND LOGO IN PUBLICLY DISTRIBUTED MATERIALS RELATING TO MEMBER�S
ASSOCIATION WITH SOUNDEXCHANGE. IF MEMBER DOES NOT CIRCLE ONE OF THE
OPTIONS ABOVE, SOUNDEXCHANGE WILL TREAT MEMBER AS NOT HAVING
AUTHORIZED THE USE OF ITS NAME, TRADEMARK, AND LOGO.
8. Term and Termination. This Agreement shall commence as of the Effective Date
and continue for a period ending on December 31st of the year following the Effective Date. The
Agreement shall be automatically renewed for subsequent one (1) year periods unless
terminated by Member or SoundExchange with sixty (60) prior written notice to the other party.
Member acknowledges that if it terminates this Agreement, SoundExchange may, by virtue of its
designation by the CRJs as agent to collect and distribute U.S. Statutory Royalties for all
copyright owners and performers, continue to distribute U.S. Statutory Royalties to Member or
Member�s designated payee. However, should Member terminate this Agreement,
SoundExchange shall cease collecting and distributing Member�s Non-U.S. Royalties for the
period beginning after the first distribution of such Non-U.S. Royalties that follows Featured
Artist Member�s Termination.
9. Representations, Warranties, & Indemnification.
a. SoundExchange. SoundExchange represents and warrants that it has all
necessary rights and authority to enter into this Agreement.
b. Member.
i. Member represents and warrants that: (A) it has all necessary
rights and authority to enter into this Agreement; (B) has not entered into any agreements
4. inconsistent with this Agreement; (C) has and will continue to provide true and accurate
information concerning its entitlement to royalties including, but not limited to, contact
information, tax identification, and repertory information.
ii. Member represents that it has read SoundExchange�s attached
Policies & Procedures and agrees to be bound by them, as now in effect, and as they may be
amended.
iii. Member represents and warrants that it shall provide to
SoundExchange true, accurate, timely and up-to-date information concerning the Member�s
entitlement to royalties, including without limitation, complete information regarding the name
and address to which Member�s payments should be sent and Member�s tax identification
and repertory information.
c. Indemnification. Member shall defend, indemnify and hold harmless
SoundExchange and its directors, officers, employees, agents, representatives, successor and
assigns, from and against all third-party claims, liabilities, suits, losses, damages and expenses,
including, without limitation, costs and reasonable outside counsel fees (�Claims�), to the
extent relating to or resulting from: (i) distributions made by SoundExchange in reliance on any
information provided by Member including in any SoundExchange Registration From or
Featured Artist or Copyright Owner Membership Agreement; and (ii) Member�s breach or
alleged breach of any representation, warranty, or covenant set forth in any SoundExchange
Registration From or Featured Artist or Copyright Owner Membership Agreement.
10. Changes to Terms. In order to maintain flexibility in administering this Agreement,
SoundExchange may change the terms of this Agreement from time to time in its sole
discretion. Such changes shall be effective immediately and Member shall be deemed to have
notice of such changes when they are made available on the SoundExchange web site.
Notwithstanding the foregoing, if Member does not wish to accept any changes, Member shall
have the right to terminate its membership by providing SoundExchange written notice within
thirty (30) days of notice of any changes to this Agreement.
11. Dispute Resolution. Any dispute between SoundExchange and Member as to payment
of royalties shall be treated in accordance Royalty Claims Committee procedures specified in
the Policies & Procedures.
12. Miscellaneous.
a. Notice to SoundExchange. All communications to SoundExchange by
Members shall be in writing and deemed received (a) when delivered in person; (b) upon
confirmed delivery by a recognized and reputable overnight delivery services (e.g., FedEx, UPS,
DHL); (c) by email to info@soundexchange.com; or (d) five (5) days after being deposited in
U.S. mails, postage prepaid, certified or registered mail, addressed to SoundExchange at the
following address:
SoundExchange, Inc.
Account Services
1121 14th St. N.W., Suite 700
5. Washington, DC 20005
Facsimile: 202-640-5859
b. Choice of Law; Jurisdiction; Severability. This Agreement shall be governed
by and construed in accordance with the federal laws of the United States; provided that to the
extent not covered by the federal laws of the United States, the law of the District of Columbia
shall apply without regard to its conflict of laws principles. Subject to Sections 11 and 12(c), with
respect to any non-arbitrable matter, including but not limited to arbitrability, SoundExchange
and Member hereby irrevocably consent to the exclusive jurisdiction in the United States District
Court for the District of Columbia or the District of Columbia Superior Court. For the purposes of
construing this Agreement, SoundExchange and Member shall each be considered the party
drafting this Agreement. Should any provision of this Agreement be rendered or declared
invalid by a court of competent jurisdiction, such invalidity shall not invalidate any other
provisions of this Agreement and such provisions shall remain in effect.
c. ARBITRATION. SUBJECT TO SECTION 11, ANY CONTROVERSY OR
CLAIM ARISING OUT OF OR RELATING TO THIS AGREEMENT, OR THE BREACH
THEREOF, WHETHER IN CONTRACT, TORT, OR OTHERWISE, SHALL BE SETTLED IN
THE DISTRICT OF COLUMBIA BY ARBITRATION ADMINISTERED BY THE AMERICAN
ARBITRATION ASSOCIATION IN ACCORDANCE WITH ITS COMMERCIAL ARBITRATION
RULES, AND JUDGMENT ON THE AWARD RENDERED BY THE ARBITRATOR(S) MAY BE
ENTERED IN ANY COURT HAVING JURISDICTION THEREOF. THE ARBITRATION WILL BE
LIMITED SOLELY TO THE DISPUTE OR CONTROVERSY BETWEEN MEMBER AND
SOUNDEXCHANGE. NEITHER MEMBER NOR SOUNDEXCHANGE SHALL BE ENTITLED
TO JOIN OR CONSOLIDATE CLAIMS BY OR AGAINST OTHER PERSONS, OR ARBITRATE
ANY CLAIM AS A REPRESENTATIVE OR CLASS ACTION OR IN A PRIVATE ATTORNEY
GENERAL CAPACITY. THE INDIVIDUAL (NON-CLASS) NATURE OF THIS DISPUTE
PROVISION GOES TO THE ESSENCE OF THE PARTIES� ARBITRATION AGREEMENT,
AND IF FOUND UNENFORCEABLE, THIS ENTIRE SECTION 13(c) SHALL NOT BE
ENFORCED.
Submitted your registration? Congratulations, and welcome! Come see what else we�re doing
at www.SoundExchange.com