This document provides an excerpt from Harry Potter and the Sorcerer's Stone describing Harry's visit to Ollivander's wand shop to purchase his first wand. It summarizes Harry trying several wands that don't work for him until he finds one made of holly wood with a phoenix feather core that produces red and gold sparks. Mr. Ollivander notes curiously that the phoenix in Harry's wand gave another feather for Voldemort's wand that scarred Harry. The document then reviews vocabulary and grammar from the story.
Typography for the Web - 5 things to think aboutChad Carstensen
This document discusses 5 key things to consider for typography on the web:
1) Choosing appropriate fonts such as sans serif fonts that are readable on screens.
2) Determining appropriate font sizes using a scale or relative sizing with ems.
3) Proper kerning to improve readability by adjusting spacing between letters.
4) Using the right dashes (-, –, and —) for different purposes like dates or parentheses.
5) Choosing the right ampersand (&) style and semantic markup for headings.
DocNerd's Home for Unrepentant Sociopaths, Part 2Doc Nerd
SimNerd begins an asylum challenge with 7 uncontrollable legacy Sims as inmates. The inmates engage in frequent fighting and odd behaviors while SimNerd tries to max skills. Kirstial cooks a burnt, fly-covered omelet that starts a fire. The firemen arrive after the fire is out. Cecil refuses to get out of the shower or bathtub. Relationships form between the inmates, including Uranium beating up Salahuddin and Kirstial in fights. Cypress brags constantly about being platinum. Hijinks and odd interactions continue in the asylum.
1) Little elves in a magical land created gorgeous clothing items for a designer, including a stunning red jacket called the Agatha de la Rouge Jacket.
2) When completed, the Rouge Jacket outshone the other items in its beauty, making them jealous.
3) The items were packed up and shipped around the world, fearing they would never be seen or appreciated.
After being a Muggle for more than a decade, I bought the boxed-set of six books on a whim, and since then have had a breathtaking nonstop adventure, from the first page of the first book to the last page of the six. It's been one helluva ride, and I am here to share my observations, opinions, thoughts, with you. I am not here to criticize Rowling or offend any HP Fans, I just want to share what I think about the books. Also, if you are new to Harry Potter, I wouldn't advise that you start with this presentation, as there are spoilers and over-head transmissions galore.
George and Lydia Hadley are concerned about their children's nursery room, which uses advanced technology to create immersive fantasy worlds based on the children's thoughts. When George checks the nursery, he finds an intense, realistic simulation of the African veldt with lions. Lydia is frightened by how real it seems. The next day, the children claim the nursery no longer contains Africa. George discovers his wallet from years ago inside, covered in blood. They hear screams from the nursery and realize the children have gone inside. The technology may be dangerously influencing the children. George considers shutting it down until it can be examined.
God and the angel Gabriel are assigning sounds to animals. Sphygmus is sent to find the owl but encounters a creature in a tree hole who gives inconsistent answers about his identity, claiming to be a fish and then a pomegranate. God and Gabriel determine this is likely the owl but he is being evasive. They go with Sphygmus to confront the creature in the tree and get a straight answer about his identity and whether he is the owl.
The document provides tips for writing short stories that show rather than tell details through vivid imagery and concrete specifics. It encourages using descriptive details about characters, settings, sounds, smells and conversations to help readers visualize the story like a film. The document gives examples of starting a story with specific sounds, conversations or smells and instructs readers to rewrite the examples by changing the details to represent different settings.
The document provides guidance on writing short stories that show rather than tell details through vivid imagery and concrete specifics. It encourages using descriptive details like oak trees rather than just trees, and emotions like fear rather than just saying emotion. The document gives an example of how to start a story with sound by describing footsteps and continues with examples of starting with dialogue or descriptive smells. It prompts rewriting the smell example with different settings.
Typography for the Web - 5 things to think aboutChad Carstensen
This document discusses 5 key things to consider for typography on the web:
1) Choosing appropriate fonts such as sans serif fonts that are readable on screens.
2) Determining appropriate font sizes using a scale or relative sizing with ems.
3) Proper kerning to improve readability by adjusting spacing between letters.
4) Using the right dashes (-, –, and —) for different purposes like dates or parentheses.
5) Choosing the right ampersand (&) style and semantic markup for headings.
DocNerd's Home for Unrepentant Sociopaths, Part 2Doc Nerd
SimNerd begins an asylum challenge with 7 uncontrollable legacy Sims as inmates. The inmates engage in frequent fighting and odd behaviors while SimNerd tries to max skills. Kirstial cooks a burnt, fly-covered omelet that starts a fire. The firemen arrive after the fire is out. Cecil refuses to get out of the shower or bathtub. Relationships form between the inmates, including Uranium beating up Salahuddin and Kirstial in fights. Cypress brags constantly about being platinum. Hijinks and odd interactions continue in the asylum.
1) Little elves in a magical land created gorgeous clothing items for a designer, including a stunning red jacket called the Agatha de la Rouge Jacket.
2) When completed, the Rouge Jacket outshone the other items in its beauty, making them jealous.
3) The items were packed up and shipped around the world, fearing they would never be seen or appreciated.
After being a Muggle for more than a decade, I bought the boxed-set of six books on a whim, and since then have had a breathtaking nonstop adventure, from the first page of the first book to the last page of the six. It's been one helluva ride, and I am here to share my observations, opinions, thoughts, with you. I am not here to criticize Rowling or offend any HP Fans, I just want to share what I think about the books. Also, if you are new to Harry Potter, I wouldn't advise that you start with this presentation, as there are spoilers and over-head transmissions galore.
George and Lydia Hadley are concerned about their children's nursery room, which uses advanced technology to create immersive fantasy worlds based on the children's thoughts. When George checks the nursery, he finds an intense, realistic simulation of the African veldt with lions. Lydia is frightened by how real it seems. The next day, the children claim the nursery no longer contains Africa. George discovers his wallet from years ago inside, covered in blood. They hear screams from the nursery and realize the children have gone inside. The technology may be dangerously influencing the children. George considers shutting it down until it can be examined.
God and the angel Gabriel are assigning sounds to animals. Sphygmus is sent to find the owl but encounters a creature in a tree hole who gives inconsistent answers about his identity, claiming to be a fish and then a pomegranate. God and Gabriel determine this is likely the owl but he is being evasive. They go with Sphygmus to confront the creature in the tree and get a straight answer about his identity and whether he is the owl.
The document provides tips for writing short stories that show rather than tell details through vivid imagery and concrete specifics. It encourages using descriptive details about characters, settings, sounds, smells and conversations to help readers visualize the story like a film. The document gives examples of starting a story with specific sounds, conversations or smells and instructs readers to rewrite the examples by changing the details to represent different settings.
The document provides guidance on writing short stories that show rather than tell details through vivid imagery and concrete specifics. It encourages using descriptive details like oak trees rather than just trees, and emotions like fear rather than just saying emotion. The document gives an example of how to start a story with sound by describing footsteps and continues with examples of starting with dialogue or descriptive smells. It prompts rewriting the smell example with different settings.
This document summarizes Artemis Fowl's final therapy session with Dr. Jerbal Argon to assess if Artemis has been cured of his Atlantis Complex. During the session, Argon tries using inkblot tests which Artemis easily outsmarts. However, Argon shares his theory that residual magic on the Fowl estate has subtly influenced the family for generations. After the session, Artemis and Butler depart with Holly who has been visiting a clone of their enemy Opal Koboi in her final days.
Descriptive Writing Techniques Year Seven.pptxGbenga Atonigba
The document discusses various descriptive techniques that can be used when writing, including similes, metaphaphors, onomatopoeia, alliteration, and personification. It provides examples of each technique. The techniques are used to vividly describe things rather than just stating them. The document also contrasts showing versus telling, using the example of describing Diagon Alley, and shows how rewriting with more details and sensory descriptions is more engaging.
Choose a moment or very brief scene in the story.pdfstudywriters
The story describes a brief scene in an apartment building where the residents are under a stay-at-home order due to an unspecified event happening outside. The narrator notices mold growing in the kitchen and discusses it with their neighbor Edward. Later, they go downstairs to the basement, which has become overgrown with decaying plants. They encounter other neighbors who have been hunting animals in the jungle-like basement to survive, as deliveries of food may stop if kills are not made. The narrator is asked to hunt a chicken.
This document provides information about Halloween traditions and activities. It discusses how Halloween is celebrated on October 31st in both the UK and US. Common Halloween traditions are described, such as carving pumpkins and going trick-or-treating. The document also includes Halloween vocabulary words, rhymes, and suggestions for activities like bobbing for apples and Halloween-themed games and discussions.
This poem is a parody of the classic fairy tale "The Three Little Pigs" written by famous British author Roald Dahl. It tells the story from the perspective of the wolf as he encounters three little pigs and builds their homes of straw, twigs, and bricks. The wolf is able to blow down the first two pigs' homes but struggles with the third pig's brick house. Red Riding Hood then comes to help the third pig by shooting and killing the wolf. However, the poem takes a dark turn at the end by implying Red Riding Hood also killed the pig in order to make a traveling bag from its skin.
This document discusses Shakespeare's use of "stuff" or props in his plays and how they functioned in early modern theatrical performances. It provides context about the material culture of the time period and how objects were imbued with meaning on stage in a way that transformed them from everyday things. Examples are given from Shakespeare's plays where references to objects or their use underscores themes and advances the plot. The social lives and biographies of objects are also examined, as their meanings could change based on how they were used or by whom. Overall, the document explores how props were integral to Shakespearean theater and helped bring his words to life for audiences.
The document is about a woman named Larissa who receives a call from her boss Larry asking her to search for a mysterious dinosaur called the Dangersaur in the Lost Forest. She initially refuses the dangerous mission but later accepts when Larry fires her. She travels to Alaska with her dog Millie and ventures into the Lost Forest. However, she gets lost in the forest and must decide whether to keep searching or stay put and call for help.
Artemis fowl 08 the last guardian - eoin colferAngelina Spence
Artemis Fowl has completed his therapy sessions with Dr. Jerbal Argon in Haven City. During his final session, Argon shares his theory of relativity, which suggests that magical events in the past can influence and attract magic to certain locations and families over generations. This helps explain why the Fowl family has been repeatedly drawn to magic. Artemis finds the theory intriguing and takes notes to investigate further. Argon declares Artemis fully rehabilitated and functioning normally. Artemis and his bodyguard Butler then prepare to leave Haven City and return above ground.
A dragon named Drusilla was a collector who hoarded everything in her messy cave, annoying her neat neighbor Harvey the unicorn. Harvey gave Drusilla a magic ring to help clean her cave. When Drusilla couldn't find the ring, she frantically cleaned out her cave and discovered the ring had magically cleaned her cave. Drusilla realized the magic was in keeping her cave tidy and continued to do so.
This document provides a product catalogue from Mehta Publishers for 2014. It includes summaries of 26 books across various genres such as fiction, reference books, activity books, moral stories, and more. The books are designed for different age groups ranging from 3+ to 5+ years old. Mehta Publishers emphasizes research on suitability of content and details for the intended age groups. The catalogue is intended to help evaluate and market Mehta Publishers' books.
The document discusses Frank Norris's novel The Pit and how it depicts the formation of American taste and commodification of art in the late 19th century. It analyzes Norris's descriptions of paintings owned by the wealthy Jadwin family, including works by Bouguereau, Détaille, and Hudson River School artists. The paintings reflect the Jadwins' acquisition of European art as a symbol of their newfound wealth and status.
Harry and his dinosaurs visit Mr. Oakley's farm and see baby ducklings. The dinosaurs ask Harry to wish for a duckling of their own, but Mr. Oakley says there's no room. On Christmas Eve, Harry and the dinosaurs help make Christmas pudding and make a special wish. Harry writes a letter to Santa asking for a duckling. On Christmas morning, the dinosaurs are surprised to find not a duckling but a baby pterodactyl in their Christmas egg.
Broken tooth (short dinosaur novel about cretaceous morocco)fastfishy2
1. The narrator is transported 95 million years to the past in Morocco after dropping an amber bead containing an insect.
2. He encounters various dinosaurs including a Deltadromeus, Spinosaurus, and Brachiosaurus. He is also attacked by an Aegisuchus crocodile.
3. The narrator decides to build a more permanent shelter. However, he is chased from his camp by a Charcharadontosaurus after it detects the smell of eggs the narrator had eaten the night before.
1. The document discusses the artistic journey and development of Camille Pissarro, a French Impressionist painter.
2. It notes that while Pissarro formulated the idea of unity in his art at age 50 in 1880, he did not feel able to render it until he was 60 years old.
3. The document also includes several quotes from Pissarro about his artistic process and philosophy, including working generously with color without fear of mistakes, and that drawing everything constantly is how one improves their skills at rendering subjects.
The document discusses various typographic concepts including:
- Type classifications like serif, sans serif, slab serif, and blackletter fonts
- Typographic elements such as leading, kerning, letter spacing, and figures
- Concepts related to legibility and readability
- Responsive typography and using fewer breakpoints for optimal readability
It provides examples and definitions for typographic terminology.
This document summarizes Artemis Fowl's final therapy session with Dr. Jerbal Argon to assess if Artemis has been cured of his Atlantis Complex. During the session, Argon tries using inkblot tests which Artemis easily outsmarts. However, Argon shares his theory that residual magic on the Fowl estate has subtly influenced the family for generations. After the session, Artemis and Butler depart with Holly who has been visiting a clone of their enemy Opal Koboi in her final days.
Descriptive Writing Techniques Year Seven.pptxGbenga Atonigba
The document discusses various descriptive techniques that can be used when writing, including similes, metaphaphors, onomatopoeia, alliteration, and personification. It provides examples of each technique. The techniques are used to vividly describe things rather than just stating them. The document also contrasts showing versus telling, using the example of describing Diagon Alley, and shows how rewriting with more details and sensory descriptions is more engaging.
Choose a moment or very brief scene in the story.pdfstudywriters
The story describes a brief scene in an apartment building where the residents are under a stay-at-home order due to an unspecified event happening outside. The narrator notices mold growing in the kitchen and discusses it with their neighbor Edward. Later, they go downstairs to the basement, which has become overgrown with decaying plants. They encounter other neighbors who have been hunting animals in the jungle-like basement to survive, as deliveries of food may stop if kills are not made. The narrator is asked to hunt a chicken.
This document provides information about Halloween traditions and activities. It discusses how Halloween is celebrated on October 31st in both the UK and US. Common Halloween traditions are described, such as carving pumpkins and going trick-or-treating. The document also includes Halloween vocabulary words, rhymes, and suggestions for activities like bobbing for apples and Halloween-themed games and discussions.
This poem is a parody of the classic fairy tale "The Three Little Pigs" written by famous British author Roald Dahl. It tells the story from the perspective of the wolf as he encounters three little pigs and builds their homes of straw, twigs, and bricks. The wolf is able to blow down the first two pigs' homes but struggles with the third pig's brick house. Red Riding Hood then comes to help the third pig by shooting and killing the wolf. However, the poem takes a dark turn at the end by implying Red Riding Hood also killed the pig in order to make a traveling bag from its skin.
This document discusses Shakespeare's use of "stuff" or props in his plays and how they functioned in early modern theatrical performances. It provides context about the material culture of the time period and how objects were imbued with meaning on stage in a way that transformed them from everyday things. Examples are given from Shakespeare's plays where references to objects or their use underscores themes and advances the plot. The social lives and biographies of objects are also examined, as their meanings could change based on how they were used or by whom. Overall, the document explores how props were integral to Shakespearean theater and helped bring his words to life for audiences.
The document is about a woman named Larissa who receives a call from her boss Larry asking her to search for a mysterious dinosaur called the Dangersaur in the Lost Forest. She initially refuses the dangerous mission but later accepts when Larry fires her. She travels to Alaska with her dog Millie and ventures into the Lost Forest. However, she gets lost in the forest and must decide whether to keep searching or stay put and call for help.
Artemis fowl 08 the last guardian - eoin colferAngelina Spence
Artemis Fowl has completed his therapy sessions with Dr. Jerbal Argon in Haven City. During his final session, Argon shares his theory of relativity, which suggests that magical events in the past can influence and attract magic to certain locations and families over generations. This helps explain why the Fowl family has been repeatedly drawn to magic. Artemis finds the theory intriguing and takes notes to investigate further. Argon declares Artemis fully rehabilitated and functioning normally. Artemis and his bodyguard Butler then prepare to leave Haven City and return above ground.
A dragon named Drusilla was a collector who hoarded everything in her messy cave, annoying her neat neighbor Harvey the unicorn. Harvey gave Drusilla a magic ring to help clean her cave. When Drusilla couldn't find the ring, she frantically cleaned out her cave and discovered the ring had magically cleaned her cave. Drusilla realized the magic was in keeping her cave tidy and continued to do so.
This document provides a product catalogue from Mehta Publishers for 2014. It includes summaries of 26 books across various genres such as fiction, reference books, activity books, moral stories, and more. The books are designed for different age groups ranging from 3+ to 5+ years old. Mehta Publishers emphasizes research on suitability of content and details for the intended age groups. The catalogue is intended to help evaluate and market Mehta Publishers' books.
The document discusses Frank Norris's novel The Pit and how it depicts the formation of American taste and commodification of art in the late 19th century. It analyzes Norris's descriptions of paintings owned by the wealthy Jadwin family, including works by Bouguereau, Détaille, and Hudson River School artists. The paintings reflect the Jadwins' acquisition of European art as a symbol of their newfound wealth and status.
Harry and his dinosaurs visit Mr. Oakley's farm and see baby ducklings. The dinosaurs ask Harry to wish for a duckling of their own, but Mr. Oakley says there's no room. On Christmas Eve, Harry and the dinosaurs help make Christmas pudding and make a special wish. Harry writes a letter to Santa asking for a duckling. On Christmas morning, the dinosaurs are surprised to find not a duckling but a baby pterodactyl in their Christmas egg.
Broken tooth (short dinosaur novel about cretaceous morocco)fastfishy2
1. The narrator is transported 95 million years to the past in Morocco after dropping an amber bead containing an insect.
2. He encounters various dinosaurs including a Deltadromeus, Spinosaurus, and Brachiosaurus. He is also attacked by an Aegisuchus crocodile.
3. The narrator decides to build a more permanent shelter. However, he is chased from his camp by a Charcharadontosaurus after it detects the smell of eggs the narrator had eaten the night before.
1. The document discusses the artistic journey and development of Camille Pissarro, a French Impressionist painter.
2. It notes that while Pissarro formulated the idea of unity in his art at age 50 in 1880, he did not feel able to render it until he was 60 years old.
3. The document also includes several quotes from Pissarro about his artistic process and philosophy, including working generously with color without fear of mistakes, and that drawing everything constantly is how one improves their skills at rendering subjects.
The document discusses various typographic concepts including:
- Type classifications like serif, sans serif, slab serif, and blackletter fonts
- Typographic elements such as leading, kerning, letter spacing, and figures
- Concepts related to legibility and readability
- Responsive typography and using fewer breakpoints for optimal readability
It provides examples and definitions for typographic terminology.
Similar to Soft scrapbook resume presentation (16)
[4:55 p.m.] Bryan Oates
OJPs are becoming a critical resource for policy-makers and researchers who study the labour market. LMIC continues to work with Vicinity Jobs’ data on OJPs, which can be explored in our Canadian Job Trends Dashboard. Valuable insights have been gained through our analysis of OJP data, including LMIC research lead
Suzanne Spiteri’s recent report on improving the quality and accessibility of job postings to reduce employment barriers for neurodivergent people.
Decoding job postings: Improving accessibility for neurodivergent job seekers
Improving the quality and accessibility of job postings is one way to reduce employment barriers for neurodivergent people.
13 Jun 24 ILC Retirement Income Summit - slides.pptxILC- UK
ILC's Retirement Income Summit was hosted by M&G and supported by Canada Life. The event brought together key policymakers, influencers and experts to help identify policy priorities for the next Government and ensure more of us have access to a decent income in retirement.
Contributors included:
Jo Blanden, Professor in Economics, University of Surrey
Clive Bolton, CEO, Life Insurance M&G Plc
Jim Boyd, CEO, Equity Release Council
Molly Broome, Economist, Resolution Foundation
Nida Broughton, Co-Director of Economic Policy, Behavioural Insights Team
Jonathan Cribb, Associate Director and Head of Retirement, Savings, and Ageing, Institute for Fiscal Studies
Joanna Elson CBE, Chief Executive Officer, Independent Age
Tom Evans, Managing Director of Retirement, Canada Life
Steve Groves, Chair, Key Retirement Group
Tish Hanifan, Founder and Joint Chair of the Society of Later life Advisers
Sue Lewis, ILC Trustee
Siobhan Lough, Senior Consultant, Hymans Robertson
Mick McAteer, Co-Director, The Financial Inclusion Centre
Stuart McDonald MBE, Head of Longevity and Democratic Insights, LCP
Anusha Mittal, Managing Director, Individual Life and Pensions, M&G Life
Shelley Morris, Senior Project Manager, Living Pension, Living Wage Foundation
Sarah O'Grady, Journalist
Will Sherlock, Head of External Relations, M&G Plc
Daniela Silcock, Head of Policy Research, Pensions Policy Institute
David Sinclair, Chief Executive, ILC
Jordi Skilbeck, Senior Policy Advisor, Pensions and Lifetime Savings Association
Rt Hon Sir Stephen Timms, former Chair, Work & Pensions Committee
Nigel Waterson, ILC Trustee
Jackie Wells, Strategy and Policy Consultant, ILC Strategic Advisory Board
The Rise and Fall of Ponzi Schemes in America.pptxDiana Rose
Ponzi schemes, a notorious form of financial fraud, have plagued America’s investment landscape for decades. Named after Charles Ponzi, who orchestrated one of the most infamous schemes in the early 20th century, these fraudulent operations promise high returns with little or no risk, only to collapse and leave investors with significant losses. This article explores the nature of Ponzi schemes, notable cases in American history, their impact on victims, and measures to prevent falling prey to such scams.
Understanding Ponzi Schemes
A Ponzi scheme is an investment scam where returns are paid to earlier investors using the capital from newer investors, rather than from legitimate profit earned. The scheme relies on a constant influx of new investments to continue paying the promised returns. Eventually, when the flow of new money slows down or stops, the scheme collapses, leaving the majority of investors with substantial financial losses.
Historical Context: Charles Ponzi and His Legacy
Charles Ponzi is the namesake of this deceptive practice. In the 1920s, Ponzi promised investors in Boston a 50% return within 45 days or 100% return in 90 days through arbitrage of international reply coupons. Initially, he paid returns as promised, not from profits, but from the investments of new participants. When his scheme unraveled, it resulted in losses exceeding $20 million (equivalent to about $270 million today).
Notable American Ponzi Schemes
1. Bernie Madoff: Perhaps the most notorious Ponzi scheme in recent history, Bernie Madoff’s fraud involved $65 billion. Madoff, a well-respected figure in the financial industry, promised steady, high returns through a secretive investment strategy. His scheme lasted for decades before collapsing in 2008, devastating thousands of investors, including individuals, charities, and institutional clients.
2. Allen Stanford: Through his company, Stanford Financial Group, Allen Stanford orchestrated a $7 billion Ponzi scheme, luring investors with fraudulent certificates of deposit issued by his offshore bank. Stanford promised high returns and lavish lifestyle benefits to his investors, which ultimately led to a 110-year prison sentence for the financier in 2012.
3. Tom Petters: In a scheme that lasted more than a decade, Tom Petters ran a $3.65 billion Ponzi scheme, using his company, Petters Group Worldwide. He claimed to buy and sell consumer electronics, but in reality, he used new investments to pay off old debts and fund his extravagant lifestyle. Petters was convicted in 2009 and sentenced to 50 years in prison.
4. Eric Dalius and Saivian: Eric Dalius, a prominent figure behind Saivian, a cashback program promising high returns, is under scrutiny for allegedly orchestrating a Ponzi scheme. Saivian enticed investors with promises of up to 20% cash back on everyday purchases. However, investigations suggest that the returns were paid using new investments rather than legitimate profits. The collapse of Saivian l
Discover the Future of Dogecoin with Our Comprehensive Guidance36 Crypto
Learn in-depth about Dogecoin's trajectory and stay informed with 36crypto's essential and up-to-date information about the crypto space.
Our presentation delves into Dogecoin's potential future, exploring whether it's destined to skyrocket to the moon or face a downward spiral. In addition, it highlights invaluable insights. Don't miss out on this opportunity to enhance your crypto understanding!
https://36crypto.com/the-future-of-dogecoin-how-high-can-this-cryptocurrency-reach/
A toxic combination of 15 years of low growth, and four decades of high inequality, has left Britain poorer and falling behind its peers. Productivity growth is weak and public investment is low, while wages today are no higher than they were before the financial crisis. Britain needs a new economic strategy to lift itself out of stagnation.
Scotland is in many ways a microcosm of this challenge. It has become a hub for creative industries, is home to several world-class universities and a thriving community of businesses – strengths that need to be harness and leveraged. But it also has high levels of deprivation, with homelessness reaching a record high and nearly half a million people living in very deep poverty last year. Scotland won’t be truly thriving unless it finds ways to ensure that all its inhabitants benefit from growth and investment. This is the central challenge facing policy makers both in Holyrood and Westminster.
What should a new national economic strategy for Scotland include? What would the pursuit of stronger economic growth mean for local, national and UK-wide policy makers? How will economic change affect the jobs we do, the places we live and the businesses we work for? And what are the prospects for cities like Glasgow, and nations like Scotland, in rising to these challenges?
Fabular Frames and the Four Ratio ProblemMajid Iqbal
Digital, interactive art showing the struggle of a society in providing for its present population while also saving planetary resources for future generations. Spread across several frames, the art is actually the rendering of real and speculative data. The stereographic projections change shape in response to prompts and provocations. Visitors interact with the model through speculative statements about how to increase savings across communities, regions, ecosystems and environments. Their fabulations combined with random noise, i.e. factors beyond control, have a dramatic effect on the societal transition. Things get better. Things get worse. The aim is to give visitors a new grasp and feel of the ongoing struggles in democracies around the world.
Stunning art in the small multiples format brings out the spatiotemporal nature of societal transitions, against backdrop issues such as energy, housing, waste, farmland and forest. In each frame we see hopeful and frightful interplays between spending and saving. Problems emerge when one of the two parts of the existential anaglyph rapidly shrinks like Arctic ice, as factors cross thresholds. Ecological wealth and intergenerational equity areFour at stake. Not enough spending could mean economic stress, social unrest and political conflict. Not enough saving and there will be climate breakdown and ‘bankruptcy’. So where does speculative design start and the gambling and betting end? Behind each fabular frame is a four ratio problem. Each ratio reflects the level of sacrifice and self-restraint a society is willing to accept, against promises of prosperity and freedom. Some values seem to stabilise a frame while others cause collapse. Get the ratios right and we can have it all. Get them wrong and things get more desperate.
OJP data from firms like Vicinity Jobs have emerged as a complement to traditional sources of labour demand data, such as the Job Vacancy and Wages Survey (JVWS). Ibrahim Abuallail, PhD Candidate, University of Ottawa, presented research relating to bias in OJPs and a proposed approach to effectively adjust OJP data to complement existing official data (such as from the JVWS) and improve the measurement of labour demand.
University of North Carolina at Charlotte degree offer diploma Transcripttscdzuip
办理美国UNCC毕业证书制作北卡大学夏洛特分校假文凭定制Q微168899991做UNCC留信网教留服认证海牙认证改UNCC成绩单GPA做UNCC假学位证假文凭高仿毕业证GRE代考如何申请北卡罗莱纳大学夏洛特分校University of North Carolina at Charlotte degree offer diploma Transcript
How to Invest in Cryptocurrency for Beginners: A Complete GuideDaniel
Cryptocurrency is digital money that operates independently of a central authority, utilizing cryptography for security. Unlike traditional currencies issued by governments (fiat currencies), cryptocurrencies are decentralized and typically operate on a technology called blockchain. Each cryptocurrency transaction is recorded on a public ledger, ensuring transparency and security.
Cryptocurrencies can be used for various purposes, including online purchases, investment opportunities, and as a means of transferring value globally without the need for intermediaries like banks.
3. RELIEF: noun
a feeling of reassurance and relaxation following release from
anxiety or distress.
"much to her relief, she saw the door open"
OAK: noun
a tree that bears acorns as fruit, and typically has lobed deciduous
leaves.
4. SNAP: verb
to break or break apart suddenly and often with a cra cking noise
"You keep quiet!" snapped Beezus.
EXPEL: verb
deprive (someone) of membership of or involvement in a school or
other organization.
"she was expelled from school"
5. GRIP: verb
take and keep a firm hold of; grasp tightly.
"gripped his pink umbrella very tightly as he spoke"
PIERCE: verb
(of a sharp-pointed object) go into or through (something).
"giving Harry a piercing look"
6. UNICORN: noun
a mythical animal typically represented as a horse with a single
straight horn projecting from its forehead.
BEECHWOOD: noun
wood of any of various beech trees; used for flooring and
containers and plywood and tool handles. synonyms: beech.
7. EBONY: noun
heavy blackish or very dark brown timber from a mainly tropical
tree.
FEATURE: noun(characteristic)
a distinctive attribute or aspect of something.
8. STORY
READING SETTING: MAKERS OF FIND WAND
(WAND SHOP)
CHARACTERS: HARRY POTTER,
HAGRID, OLLIVANDER
PLOT: Choosing wand for Harry.
9.
10. “And that’s where…” Mr. Ollivander touched the
lightning scar on Harry’s forehead with a long,
white finger. “I’m sorry to say I sold the wand that
did it,” he said softly. “Thirteen and-a-half inches.
Yew. Powerful wand, very powerful, and in the
wrong hands…well, if I’d known what that wand
was going out into the world to do. …”
11. He shook his head and then, to Harry’s relief,
spotted Hagrid. “Rubeus! Rubeus Hagrid! How
nice to see you again.…Oak, sixteen inches,
rather bendy, wasn’t it?” “It was, sir, yes,” said
Hagrid. “Good wand, that one. But I suppose they
snapped it in half when you got expelled?” said
Mr. Ollivander, suddenly stern
12. “Er — yes, they did, yes,” said Hagrid, shuffling
his feet. “I’ve still got the pieces, though,” he
added brightly. “But you don’t use them?” said
Mr. Ollivander sharply. “Oh, no, sir,” said Hagrid
quickly.
Harry noticed he gripped his pink umbrella very
tightly as he spoke.
13. “Er — yes, they did, yes,” said Hagrid, shuffling
his feet. “I’ve still got the pieces, though,” he
added brightly. “But you don’t use them?” said
Mr. Ollivander sharply. “Oh, no, sir,” said Hagrid
quickly.
Harry noticed he gripped his pink umbrella very
tightly as he spoke.
14. “Hmmm,” said Mr. Ollivander, giving Hagrid a
piercing look. “Well, now — Mr. Potter. Let me
see.” He pulled a long tape measure with silver
markings out of his pocket. “Which is your wand
arm?” “Er — well, I’m right-handed,” said Harry.
Hold out your arm. That’s it.”
15. He measured Harry from shoulder to finger, then
wrist to elbow, shoulder to floor, knee to armpit,
and round his head. As he measured, he said,
“Every Ollivander wand has a core of a powerful
magical substance, Mr. Potter. We use unicorn
hairs, phoenix tail feathers, and the heartstrings
of dragons.
16. No two Ollivander wands are the same, just as
no two unicorns, dragons, or phoenixes are quite
the same. And of course, you will never get such
good results with another wizard’s wand.” Harry
suddenly realized that the tape measure, which
was measuring between his nostrils, was doing
this on its own. Mr. Ollivander was flitting around
the shelves, taking down boxes.
17. “That will do,” he said, and the tape measure
crumpled into a heap on the floor.
“Right then, Mr. Potter. Try this one. Beechwood
and dragon heartstring. Nine inches. Nice and
flexible. just take it and give it a wave.”
Harry took the wand and (feeling foolish) waved
it around a bit, but Mr. Ollivander snatched it out
of his hand almost at once.
18. “Maple and phoenix feather. Seven inches. Quite
whippy. Try —” Harry tried — but he had hardly
raised the wand when it, too, was snatched back
by Mr. Ollivander.
“No, no — here, ebony and unicorn hair, eight
and a half inches, springy. Go on, go on, try it
out.” Harry tried. And tried. He had no idea what
Mr. Ollivander was waiting for.
19. The pile of tried wands was mounting higher and
higher on the spindly chair, but the more wands
Mr. Ollivander pulled from the shelves, the
happier he seemed to become. “Tricky customer,
eh? Not to worry, we’ll find the perfect match
here somewhere — I wonder, now — yes, why
not — unusual combination — holly and phoenix
feather, eleven inches, nice and supple.” Harry
took the wand.
20. He felt a sudden warmth in his fingers.He raised
the wand above his head, brought it swishing
down through the dusty air and a stream of red
and gold sparks shot from the end like a
firework, throwing dancing spots of light onto the
walls. Hagrid whooped and clapped and Mr.
Ollivander cried, “Oh, bravo! Yes, indeed, oh, very
good. Well, well, well…how curious…how very
curious…”
21. He put Harry’s wand back into its box and
wrapped it in brown paper, still muttering,
“Curious…curious… “Sorry,” said Harry, “but
what’s curious?” Mr. Ollivander fixed Harry with
his pale stare.
“I remember every wand I’ve ever sold, Mr.
Potter.
Every single wand.
22. It so happens that the phoenix whose tail feather
is in your wand gave another feather — just one
other. It is very curious indeed that you should
be destined for this wand when its brother —
why, its brother gave you that scar.” Harry
swallowed.
“Yes, thirteen-and-a-half inches. Yew. Curious
indeed how these things happen.
23. The wand chooses the wizard, remember…I
think we must expect great things from you, Mr.
Potter….After all, He-Who-Must-Not-Be-Named
did great things — terrible, yes, but great.” Harry
shivered. He wasn’t sure he liked Mr. Ollivander
too much.
He paid seven gold Galleons for his wand, and
Mr. Ollivander bowed them from his shop.
24. The late afternoon sun hung low in the sky as
Harry and Hagrid made their way back down
Diagon Alley, back through the wall, back through
the Leaky Cauldron, now empty.
Harry didn’t speak at all as they walked down the
road; he didn’t even notice how much people
were gawking at them on the Underground,
laden as they were with all their funny-shaped
25. packages, with the snowy owl asleep in its cage
on Harry’s lap.
Up another escalator, out into Paddington
station; Harry only realized where they were
when Hagrid tapped him on the shoulder.
TO BE CONTINUED...
26. RETELL THE STORY
spotted Hagrid... snapped... expelled
tried... a wand... find... perfect match
raised... a wand... dancing spots of light
curious... its brother wand...
EXERCISE 1
27. GRAMMAR
The difference between “will” and “would” in conditionals.
To determine whether you should use will or would, ask yourself this question: Is it an
imagined situation, or is it a real possibility in the future?
When we use will with conditional sentences, it’s usually to talk about
real possibilities in the future. In this structure, the verb after if needs to
be in the present tense:
We will stop by the coffee shop if we have time.
Iwill be surprised if he shows up at all.
If Iwin the money, I’ll give it to charity.
28. GRAMMAR
But we use would to talk about imagined situations or things that don’t have the possibility of
happening.
When we use conditionals with would, we use the past tense after if.
So, notice the difference between these sentences:
If we break up, Iwill be devastated.
(Here, breaking up is a possibility.)
She will be mad if we don’t show up on time.
(In this example, being late is a possibility.)
If we broke up, Iwould be devastated.
(Here, using would and the past tense means that breaking up is
not a possibility.)
29. Fill in the blanks.
EXERCISE 2
1. I.......................... come if Ihave time.
2. ....................................... you like some tea?
3. I promise, I ................................. quit smoking.
4. 'There is the doorbell.' 'I ............................. go.'
5. I didn't expect that I ........................................ fail the test.
6. If I knew that you were in trouble, I ....................................... help you.
7. Ihope I......................................... get the job.
8. I.................................. wake up early if there was a good reason to.
9. Do you think she .................................... come if you invited her?
10. Idon't know whether I..................................... have time tomorrow.
30. 1. I will come if I have time.
2. Would you like some tea?
3. I promise, I will quit smoking.
4. ‘There is the doorbell.’ ‘I will go.’
5. I didn’t expect that I would fail the test.
6. If I knew that you were in trouble, I would help you.
7. I hope I will get the job.
8. I would wake up early if there was a good reason to.
9. Do you think she would come if you invited her?
1o. I don’t know whether I will have time tomorrow.