The photographer will take portraits of an artist posing in a black leotard against a white backdrop. A variety of poses will be used to portray the model as confident, powerful, and sassy. Different angles and compositions will be experimented with, including close-ups of the model's face and body. Post-production techniques like airbrushing, adjusting eyelashes and brightness/contrast will be used to enhance the model's attractiveness and make her skin appear flawless. Studio lighting at half power will highlight facial features. Props of a tiara and sash will portray the model as a beauty queen.
The document discusses music video conventions that the author researched and learned about. It provides details on typical camera shots, movements, editing techniques, lighting, sound, props, costumes, and colors used in real music videos. It also discusses conventions of indie music video genres, such as using live performances and narratives. The author explains which conventions they included in their music video, such as camera movements, and which they did not include, such as lighting matching the mood. They also discuss conventions of digipaks and advertisements that they conformed to and challenged in their products.
This document provides an analysis of Taylor Swift's 2008 music video for her song "Love Story". It summarizes the background of the song and video, including that it was written by Taylor Swift and draws inspiration from Shakespeare's Romeo and Juliet. The analysis then examines various elements of the video including the lighting, locations, costumes, camera shots, editing, and how they effectively illustrate and complement the lyrics of the love story being told through the song. Overall, the video uses a narrative structure and romantic visuals to tell a happy ending love story, in contrast to the tragic ending of Romeo and Juliet, to appeal to teenage audiences.
The document discusses the branding and design of various music products including a music video, digipak, and poster. The key points are:
1) A consistent pink color theme and fonts are used across all products to clearly link them and create a recognizable brand identity.
2) The music video, digipak imagery, and poster portray the actress wearing similar black and pink costumes and bold makeup to associate the ancillary products with the video.
3) The feminine pink color theme and portrayal of the actress are intended to attract the target audience of teenage girls and promote the themes of beauty, girlishness, and empowerment.
4) Clear display of the artist and song information is intended
My media product uses and develops conventions of real digipaks. I researched conventions for front covers, back covers, inside covers, and CD designs. My front cover includes the album name and clustered artwork. The back cover includes the track list, copyright, and barcode. The inside cover and CD include the artist and album names. While conforming to conventions, my design is tailored to my dance genre and music video concept of confusion. Comparisons show my product develops conventions appropriately for genre and intended audience.
The document describes the process of designing the inside cover of a digipak CD case. It discusses 4 different design concepts for displaying the album and artist names on the CD template, with variations in font, color, and positioning of text. The final design simplifies the CD design with the artist name at the top and album name at the bottom center of the CD, and adds the record label and CD logos. Consistent fonts are used throughout to connect all elements of the digipak design.
This document appears to be about album cover designs. It lists 3 potential inside designs and 1 stray design for consideration in crafting the album cover. In a concise manner, it presents different visual concepts to choose from for including inside the album packaging.
This document appears to be a track listing for an album called "Stray" that contains 11 songs. The track listing includes the song titles and featured artists. The back cover of the album contains the full track list.
The photographer will take portraits of an artist posing in a black leotard against a white backdrop. A variety of poses will be used to portray the model as confident, powerful, and sassy. Different angles and compositions will be experimented with, including close-ups of the model's face and body. Post-production techniques like airbrushing, adjusting eyelashes and brightness/contrast will be used to enhance the model's attractiveness and make her skin appear flawless. Studio lighting at half power will highlight facial features. Props of a tiara and sash will portray the model as a beauty queen.
The document discusses music video conventions that the author researched and learned about. It provides details on typical camera shots, movements, editing techniques, lighting, sound, props, costumes, and colors used in real music videos. It also discusses conventions of indie music video genres, such as using live performances and narratives. The author explains which conventions they included in their music video, such as camera movements, and which they did not include, such as lighting matching the mood. They also discuss conventions of digipaks and advertisements that they conformed to and challenged in their products.
This document provides an analysis of Taylor Swift's 2008 music video for her song "Love Story". It summarizes the background of the song and video, including that it was written by Taylor Swift and draws inspiration from Shakespeare's Romeo and Juliet. The analysis then examines various elements of the video including the lighting, locations, costumes, camera shots, editing, and how they effectively illustrate and complement the lyrics of the love story being told through the song. Overall, the video uses a narrative structure and romantic visuals to tell a happy ending love story, in contrast to the tragic ending of Romeo and Juliet, to appeal to teenage audiences.
The document discusses the branding and design of various music products including a music video, digipak, and poster. The key points are:
1) A consistent pink color theme and fonts are used across all products to clearly link them and create a recognizable brand identity.
2) The music video, digipak imagery, and poster portray the actress wearing similar black and pink costumes and bold makeup to associate the ancillary products with the video.
3) The feminine pink color theme and portrayal of the actress are intended to attract the target audience of teenage girls and promote the themes of beauty, girlishness, and empowerment.
4) Clear display of the artist and song information is intended
My media product uses and develops conventions of real digipaks. I researched conventions for front covers, back covers, inside covers, and CD designs. My front cover includes the album name and clustered artwork. The back cover includes the track list, copyright, and barcode. The inside cover and CD include the artist and album names. While conforming to conventions, my design is tailored to my dance genre and music video concept of confusion. Comparisons show my product develops conventions appropriately for genre and intended audience.
The document describes the process of designing the inside cover of a digipak CD case. It discusses 4 different design concepts for displaying the album and artist names on the CD template, with variations in font, color, and positioning of text. The final design simplifies the CD design with the artist name at the top and album name at the bottom center of the CD, and adds the record label and CD logos. Consistent fonts are used throughout to connect all elements of the digipak design.
This document appears to be about album cover designs. It lists 3 potential inside designs and 1 stray design for consideration in crafting the album cover. In a concise manner, it presents different visual concepts to choose from for including inside the album packaging.
This document appears to be a track listing for an album called "Stray" that contains 11 songs. The track listing includes the song titles and featured artists. The back cover of the album contains the full track list.
The document discusses conventions for album covers and CD designs. It notes that album covers typically feature the artist/band name and album title prominently, often with a portrait photo of the artist. Track lists, copyright information, and barcodes are usually located on the back cover. CD designs vary in complexity but often include the artist name and album title, and sometimes a track list. Simplistic designs with just the album logo are also common.
The document provides outfit and makeup inspiration for three characters in a music video:
- Girl #1 (Isabel) wears white to connote purity and innocence as a victim, and natural makeup for a sensible, innocent attitude.
- Girl #2 (Selis) wears dark colors like black and red to connote danger, passion and desire, making her seem mysterious and likely to cheat. Heavy makeup aims to make her look desirable.
- The boy (Josh) has two outfits - a smart look for trying to win forgiveness, and a more casual, sexy black t-shirt for flashback scenes where he is shown cheating.
This document contains fact files for two individuals, Yasmin Osman and Millie Sharratt. It includes their date and place of birth, current location, roles in a film project, likes which include music, dancing, and creativity for Yasmin and music, vintage shopping, and reading for Millie, and dislikes such as mainstream music and inequality for Yasmin and rudeness, bullying, and fast food for Millie.
The document outlines a music video narrative involving a cheating male actor and two female actresses. The male actor cheated on his girlfriend (Actress #1) with her friend (Actress #2). In the video, the male wants to apologize to his girlfriend for cheating and takes her out on a date to try to make amends. During their date, the girlfriend has flashbacks of discovering the cheating through messages and walking in on them. The document also provides potential cast members with names, dates of birth, likes/dislikes to portray the three roles.
Andrew Goodwin identified several key features of music videos in his 1992 book "Dancing in the Distraction Factory". These included relationships between lyrics/music and visuals that can illustrate, amplify, or contradict; genres like performances or narratives; close-ups of artists required by record companies for branding; the development of star iconography; the concept of voyeurism showing things normally unseen; and the use of intertextuality through references to other media.
Sacha Relf conducted a questionnaire to help inform the creation of a music video for an EDM/dance song. Most respondents were ages 16-18 and listened to EDM/dance, indie, and pop music genres. YouTube was identified as the primary place people watch music videos. Suggestions for what to include in an EDM video included bright flashing lights, dancing, bright colors, themes of friends/relationships, and unique outfits. Favorite EDM videos cited included "Sun Is Shining" for its creative camera angles and lyrics display, "Lean On" for its synchronized dancing and motion speeds, and "My Love" for its use of thermal lighting and narrative elements.
Intertextuality in music videos – andrew goodwin’s theorysacharelf2
Andrew Goodwin's theory of intertextuality in music videos identifies 5 key aspects: 1) the star image of the artist, 2) narrative/performance in the video, 3) relating the visuals to the lyrics, 4) technical elements like editing, and 5) the relationship between the visuals and song. Goodwin believes the star image is most important for promoting the artist and video. Narrative/performance helps audiences understand the song. Technical aspects produce a professional video, while visuals can illustrate, disjuncture from, or amplify the lyrics. Intertextuality is used to keep elements familiar to audiences and signify genre.
The student learned several new technologies through creating projects for their class. They learned how to use the blogging platform Blogger to share updates and content. They also gained experience using Photoshop and InDesign, preferring Photoshop. Additionally, they explored presenting research and plans using SlideShare, Prezi, and PowToon. In taking professional photos for a school magazine, the student applied their photography knowledge and experimented with camera lighting techniques.
The document discusses how the student created a music magazine for a school assignment. They researched conventions of real music magazines to inform their design choices. Specifically, they looked at "We Love Pop" magazine to understand layouts, cover lines, images, and other conventions. Their magazine cover follows conventions like the left third rule for the masthead and placing cover lines around the main image. However, they challenged conventions by using fewer cover lines and images than typical pop magazines. Overall, they were influenced by "Top of the Pops" and "We Love Pop" magazines but made some adaptations to better suit their purpose and audience.
The document discusses conventions for magazine contents pages. It notes that contents pages have certain conventions to make them visually appealing and reader-friendly, including the main image, different sections, and masthead. Contents pages also stick to the same color scheme as the front cover for continuity. The main image typically takes up 50% of the page and features something or someone from a main article, such as an artist. Sections are separated and exclusives are made to stand out more with font changes. Magazine name and issue date always appear at the top.
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result
Satta Matka Satta result marka result Dpboss sattamatka341 satta143 Satta Matka Sattamatka New Mumbai Ratan Satta Matka Fast Matka Milan Market Kalyan Matka Results Satta Game Matka Game Satta Matka Kalyan Satta Matka Mumbai Main Online Matka Results Satta Matka Tips Milan Chart Satta Matka Boss
New Star Day Satta King Live Satta Matka Results Satta Matka Company Indian Matka Satta Matka Kalyan Night Matka
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9Cottage9 Enterprises
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
Kalyan chart DP boss guessing matka number➑➌➋➑➒➎➑➑➊➍
Satta Matka Kalyan Main Mumbai Fastest Results
Satta Matka ❋ Sattamatka ❋ New Mumbai Ratan Satta Matka ❋ Fast Matka ❋ Milan Market ❋ Kalyan Matka Results ❋ Satta Game ❋ Matka Game ❋ Satta Matka ❋ Kalyan Satta Matka ❋ Mumbai Main ❋ Online Matka Results ❋ Satta Matka Tips ❋ Milan Chart ❋ Satta Matka Boss❋ New Star Day ❋ Satta King ❋ Live Satta Matka Results ❋ Satta Matka Company ❋ Indian Matka ❋ Satta Matka 143❋ Kalyan Night Matka..
The document discusses conventions for album covers and CD designs. It notes that album covers typically feature the artist/band name and album title prominently, often with a portrait photo of the artist. Track lists, copyright information, and barcodes are usually located on the back cover. CD designs vary in complexity but often include the artist name and album title, and sometimes a track list. Simplistic designs with just the album logo are also common.
The document provides outfit and makeup inspiration for three characters in a music video:
- Girl #1 (Isabel) wears white to connote purity and innocence as a victim, and natural makeup for a sensible, innocent attitude.
- Girl #2 (Selis) wears dark colors like black and red to connote danger, passion and desire, making her seem mysterious and likely to cheat. Heavy makeup aims to make her look desirable.
- The boy (Josh) has two outfits - a smart look for trying to win forgiveness, and a more casual, sexy black t-shirt for flashback scenes where he is shown cheating.
This document contains fact files for two individuals, Yasmin Osman and Millie Sharratt. It includes their date and place of birth, current location, roles in a film project, likes which include music, dancing, and creativity for Yasmin and music, vintage shopping, and reading for Millie, and dislikes such as mainstream music and inequality for Yasmin and rudeness, bullying, and fast food for Millie.
The document outlines a music video narrative involving a cheating male actor and two female actresses. The male actor cheated on his girlfriend (Actress #1) with her friend (Actress #2). In the video, the male wants to apologize to his girlfriend for cheating and takes her out on a date to try to make amends. During their date, the girlfriend has flashbacks of discovering the cheating through messages and walking in on them. The document also provides potential cast members with names, dates of birth, likes/dislikes to portray the three roles.
Andrew Goodwin identified several key features of music videos in his 1992 book "Dancing in the Distraction Factory". These included relationships between lyrics/music and visuals that can illustrate, amplify, or contradict; genres like performances or narratives; close-ups of artists required by record companies for branding; the development of star iconography; the concept of voyeurism showing things normally unseen; and the use of intertextuality through references to other media.
Sacha Relf conducted a questionnaire to help inform the creation of a music video for an EDM/dance song. Most respondents were ages 16-18 and listened to EDM/dance, indie, and pop music genres. YouTube was identified as the primary place people watch music videos. Suggestions for what to include in an EDM video included bright flashing lights, dancing, bright colors, themes of friends/relationships, and unique outfits. Favorite EDM videos cited included "Sun Is Shining" for its creative camera angles and lyrics display, "Lean On" for its synchronized dancing and motion speeds, and "My Love" for its use of thermal lighting and narrative elements.
Intertextuality in music videos – andrew goodwin’s theorysacharelf2
Andrew Goodwin's theory of intertextuality in music videos identifies 5 key aspects: 1) the star image of the artist, 2) narrative/performance in the video, 3) relating the visuals to the lyrics, 4) technical elements like editing, and 5) the relationship between the visuals and song. Goodwin believes the star image is most important for promoting the artist and video. Narrative/performance helps audiences understand the song. Technical aspects produce a professional video, while visuals can illustrate, disjuncture from, or amplify the lyrics. Intertextuality is used to keep elements familiar to audiences and signify genre.
The student learned several new technologies through creating projects for their class. They learned how to use the blogging platform Blogger to share updates and content. They also gained experience using Photoshop and InDesign, preferring Photoshop. Additionally, they explored presenting research and plans using SlideShare, Prezi, and PowToon. In taking professional photos for a school magazine, the student applied their photography knowledge and experimented with camera lighting techniques.
The document discusses how the student created a music magazine for a school assignment. They researched conventions of real music magazines to inform their design choices. Specifically, they looked at "We Love Pop" magazine to understand layouts, cover lines, images, and other conventions. Their magazine cover follows conventions like the left third rule for the masthead and placing cover lines around the main image. However, they challenged conventions by using fewer cover lines and images than typical pop magazines. Overall, they were influenced by "Top of the Pops" and "We Love Pop" magazines but made some adaptations to better suit their purpose and audience.
The document discusses conventions for magazine contents pages. It notes that contents pages have certain conventions to make them visually appealing and reader-friendly, including the main image, different sections, and masthead. Contents pages also stick to the same color scheme as the front cover for continuity. The main image typically takes up 50% of the page and features something or someone from a main article, such as an artist. Sections are separated and exclusives are made to stand out more with font changes. Magazine name and issue date always appear at the top.
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result
Satta Matka Satta result marka result Dpboss sattamatka341 satta143 Satta Matka Sattamatka New Mumbai Ratan Satta Matka Fast Matka Milan Market Kalyan Matka Results Satta Game Matka Game Satta Matka Kalyan Satta Matka Mumbai Main Online Matka Results Satta Matka Tips Milan Chart Satta Matka Boss
New Star Day Satta King Live Satta Matka Results Satta Matka Company Indian Matka Satta Matka Kalyan Night Matka
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9Cottage9 Enterprises
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
Kalyan chart DP boss guessing matka number➑➌➋➑➒➎➑➑➊➍
Satta Matka Kalyan Main Mumbai Fastest Results
Satta Matka ❋ Sattamatka ❋ New Mumbai Ratan Satta Matka ❋ Fast Matka ❋ Milan Market ❋ Kalyan Matka Results ❋ Satta Game ❋ Matka Game ❋ Satta Matka ❋ Kalyan Satta Matka ❋ Mumbai Main ❋ Online Matka Results ❋ Satta Matka Tips ❋ Milan Chart ❋ Satta Matka Boss❋ New Star Day ❋ Satta King ❋ Live Satta Matka Results ❋ Satta Matka Company ❋ Indian Matka ❋ Satta Matka 143❋ Kalyan Night Matka..
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka GuessingKALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result marka result Dp Boss sattamatka341 satta143 Satta Matka Sattamatka New Mumbai Ratan Satta Matka Fast Matka Milan Market Kalyan Matka Results Satta Game Matka Game Satta Matka Kalyan Satta Matka Mumbai Main Online Matka Results Satta Matka Tips Milan Chart Satta Matka Boss New Star Day Satta King Live Satta Matka Results Satta Matka Company Indian Matka Satta Matka Kalyan Night Matka
Kalyan Result Final ank Satta 143 Kalyan final Kalyan panel chart Kalyan Result guessing Time bazar Kalyan guessing Kalyan satta sattamatka
Satta Matka Sattamatka Satta matka Satta result Matka result Satta result matkaresult Satta matka result Matka 420 Matka420 matka guessing matka guessing satta matta matka satta matta matka Kalyan chart Kalyan chart Satta matta Matka 143 SattamattaMatka143 Satta live Satta live Kalyan open Kalyan open Kalyan final Kalyan final Kalyan chart Kalyan chart Kalyan Panel Chart Kalyan Panel Chart Dp Boss india matka india matka
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result marka result Dpboss sattamatka341 satta143 Satta Matka Sattamatka New Mumbai Ratan Satta Matka Fast Matka Milan Market Kalyan Matka Results Satta Game Matka Game Satta Matka Kalyan Satta Matka Mumbai Main Online Matka Results Satta Matka Tips Milan Chart Satta Matka Boss New Star Day Satta King Live Satta Matka Results Satta Matka Company Indian Matka Satta Matka Kalyan Night Matka
Kalyan Result Final ank Satta 143 Kalyan final Kalyan panel chart Kalyan Result guessing Time bazar Kalyan guessing Kalyan satta sattamatka
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA