Shot list - How to Grieve
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This document contains a shot list for a film or video project. It includes 24 shots with descriptions of the scene location, actors involved, and any props. The shots will take place on location at Castlefield House and St. Mary's Church in Reigate. Actors include Sophie Arram as Margot and Kaia Sayer as Maya. Many of the shots focus on interactions and conversations between Margot and other characters.
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Call sheet - church ('How to Grieve')
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Shooting script - 'How to Grieve'
Margot is grieving the loss of her grandmother and struggling with how to process her emotions. She avoids dealing with her grief by listening to Frank Sinatra and distracting herself. When her boyfriend Oliver confronts her about withdrawing, she breaks down and tells him she hasn't cried since her grandmother's death and doesn't know how to grieve. Oliver comforts her and says there is no right way to grieve. One year later, Margot has made progress in her grieving process and seems happier, though is still working through her emotions as shown when she is given her grandmother's old radio.
Call sheet - How to Grieve
The call sheet provides details for the production of "How to Grieve" including a call time of 9am and finish time of 4pm on 3/12/19. The shoot will take place at Castlefield House and St Mary's Church. Lucy Prouten will direct and Harriet Gray will assist with lighting. The actors are Sophie Arram, Kaia Sayer, and Raphael Pacaud. Various props and costumes will be brought including photos, lipstick, clothes, tissues, and plants. Weather and hair/makeup needs are noted.
Shooting schedule
The shooting schedule outlines the plan to film scenes for a project over one day at two locations - a castlefield house and St. Mary's Church. Scenes 2, 3, and 5 will be filmed at the house from 9am to 1pm using props such as books, DVDs, and a teddy bear. After a lunch break, scenes 4 and 6 will be shot at the house from 1:30pm to 2:20pm using the same props. The crew will then walk to St. Mary's Church to film scene 1 from 2:40pm to 3:45pm using props like flowers. They will walk back to the house to return equipment from 4pm onwards, concluding the day's filming.
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The locations used in films are found by location scouts who read scripts to identify location needs. They discuss these with directors and producers, then scout locations in person, considering lighting, sound, crew access, and more. Location scouts provide detailed feedback and may also be called tech scouts for on-location walkthroughs with heads of department. Before filming, a location recce is conducted to check a location's suitability by assessing access, utilities, hazards, and space available.
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a document that includes a casting call for my short film 'how to grieve' as well as information regarding the casting process in the film industry
how to grieve Screenplay (second draft)
Margot struggles to grieve after the death of her grandmother. She avoids crying and doesn't know how to process her emotions. Her boyfriend Oliver confronts her about withdrawing from others. Margot explains she doesn't know how to grieve. Oliver comforts her and says there is no right way, to grieve in her own way and time. One year later, Margot has made progress in her grieving process and is in better spirits when her friend Maya gives her grandmother's old radio, which plays a song that makes Margot cry and smile.
how to grieve - Storyboard
The document is a shot list that follows Margot through grieving the loss of her grandmother. It shows her laying in bed singing and screaming into her pillow in grief. Later scenes show her looking through old family photos while struggling to sleep and putting on lipstick while looking sadly in the mirror. Her friend Maya tries to comfort her by bringing her a radio. The final shots depict Margot wiping a tear from her cheek while listening to the radio in mourning of her grandmother.
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Evaluation - final draft
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- The filmmaker took inspiration from other short films in using cinematography, mise-en-scene, costumes, sound design and editing techniques to tell the story and develop characters.
- Through these techniques, the filmmaker aimed to create an emotional connection between audiences and characters, and provide a progressive representation of teenagers and gender that challenges stereotypes.
- Upon reflection, the filmmaker believes their original goals of telling a story about grief while promoting nuanced representations were largely achieved through the creative choices made.
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The film is a 6-minute dark comedy that follows a getaway driver for bank robbers as he becomes increasingly frustrated by a fly in his car. The narrative follows the typical three-act structure, establishing the bank robbery situation, then creating conflict as the main character tries to kill the fly, building to a climax where he loses his temper and exits the car with a gun. Camerawork and editing use a variety of shots and transitions to build tension throughout the short film.
How to Grieve - Pitch
The document outlines a short film pitch that follows a 16-year-old girl named Margot as she deals with the loss of her grandmother over the course of a year. It describes Margot's quiet personality and close relationship with her grandmother. The film will show Margot's stages of grief and difficulty processing her grandmother's death. It will be set in Margot's small hometown and feature warm lighting and ambient sounds to create an intimate style. The target audience is teenagers and young adults interested in drama and coming-of-age stories.
Location recce
St. Mary's Church graveyard in Reigate, UK is a large public graveyard near local amenities that could be used to film scenes for a small production. The graveyard has different areas with varying backgrounds and natural lighting that could provide options for filming. While there is no power in the graveyard, the scheduled filming time from 2-4pm would provide sufficient daylight. Nearby amenities like toilets, food, power, and first aid are within a 5-minute walk.
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Risk assessment - Castlefield House
The document outlines potential hazards and safety precautions for a film shoot taking place at Castlefield House in Reigate on December 3rd, 2019 from 9pm to 2am. It identifies electrocution from faulty electrical equipment as a high criticality risk and instructs crew to stop using faulty equipment and notify the assistant director. Tripping hazards and uneven surfaces are deemed a low criticality risk if crew are aware of their surroundings. Falling down the stairs is considered a medium criticality risk and precautions include making crew aware they are on the first level and enforcing a two-person carry rule for equipment on the stairs.
Call sheet - church ('How to Grieve')
This call sheet provides production details for a short film titled "How to Grieve" to be filmed at St Mary's Church on March 12th. It lists a crew of two people including the director and a lighting/runner role. It also lists two actresses and their roles. Finally it provides details on costumes, props, and equipment needed including flowers, black funeral clothes, and order of service sheets to be brought by the director and actresses.
Shooting script - 'How to Grieve'
Margot is grieving the loss of her grandmother and struggling with how to process her emotions. She avoids dealing with her grief by listening to Frank Sinatra and distracting herself. When her boyfriend Oliver confronts her about withdrawing, she breaks down and tells him she hasn't cried since her grandmother's death and doesn't know how to grieve. Oliver comforts her and says there is no right way to grieve. One year later, Margot has made progress in her grieving process and seems happier, though is still working through her emotions as shown when she is given her grandmother's old radio.
Call sheet - How to Grieve
The call sheet provides details for the production of "How to Grieve" including a call time of 9am and finish time of 4pm on 3/12/19. The shoot will take place at Castlefield House and St Mary's Church. Lucy Prouten will direct and Harriet Gray will assist with lighting. The actors are Sophie Arram, Kaia Sayer, and Raphael Pacaud. Various props and costumes will be brought including photos, lipstick, clothes, tissues, and plants. Weather and hair/makeup needs are noted.
Shooting schedule
The shooting schedule outlines the plan to film scenes for a project over one day at two locations - a castlefield house and St. Mary's Church. Scenes 2, 3, and 5 will be filmed at the house from 9am to 1pm using props such as books, DVDs, and a teddy bear. After a lunch break, scenes 4 and 6 will be shot at the house from 1:30pm to 2:20pm using the same props. The crew will then walk to St. Mary's Church to film scene 1 from 2:40pm to 3:45pm using props like flowers. They will walk back to the house to return equipment from 4pm onwards, concluding the day's filming.
Location
The locations used in films are found by location scouts who read scripts to identify location needs. They discuss these with directors and producers, then scout locations in person, considering lighting, sound, crew access, and more. Location scouts provide detailed feedback and may also be called tech scouts for on-location walkthroughs with heads of department. Before filming, a location recce is conducted to check a location's suitability by assessing access, utilities, hazards, and space available.
Casting
a document that includes a casting call for my short film 'how to grieve' as well as information regarding the casting process in the film industry
how to grieve Screenplay (second draft)
Margot struggles to grieve after the death of her grandmother. She avoids crying and doesn't know how to process her emotions. Her boyfriend Oliver confronts her about withdrawing from others. Margot explains she doesn't know how to grieve. Oliver comforts her and says there is no right way, to grieve in her own way and time. One year later, Margot has made progress in her grieving process and is in better spirits when her friend Maya gives her grandmother's old radio, which plays a song that makes Margot cry and smile.
how to grieve - Storyboard
The document is a shot list that follows Margot through grieving the loss of her grandmother. It shows her laying in bed singing and screaming into her pillow in grief. Later scenes show her looking through old family photos while struggling to sleep and putting on lipstick while looking sadly in the mirror. Her friend Maya tries to comfort her by bringing her a radio. The final shots depict Margot wiping a tear from her cheek while listening to the radio in mourning of her grandmother.
how to grieve - Screenplay first draft
Margot struggles to grieve after the death of her grandmother. She avoids crying and dealing with her emotions. When her boyfriend Oliver confronts her about withdrawing, she explains that she doesn't know how to grieve. Oliver comforts her and says there is no right way, just to acknowledge her feelings. One year later, Margot has made progress in her grief process and is in a better mood, but is reminded of her grandmother when Maya gives her her old radio that plays the song "Softly As I Leave You," which brings Margot to tears.
How to Grieve - Mood board
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How to Grieve - Film Pitch
This short film pitch proposes a story about a 16-year-old girl named Margot who is dealing with the recent loss of her grandmother. The film would follow Margot over the course of a year as she goes through the different stages of grief. It would show how long it takes to truly deal with the loss of a loved one. The target demographic for the film are teenagers and young adults aged 13-35 who enjoy niche, artistic films in genres like drama and coming of age stories.
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Shot list - How to Grieve
- 1. SHOT LIST Shot Number Log Line Location Actors Props 1 (script reference – 16) CLOSE UP of order of service CASTLEFIELD HOUSE N/A Orderof service 2 (script reference – 4) MID SHOT of Margot onher bed CASTLEFIELD HOUSE Margot – Sophie Arram Pillows 3 (script reference – 5) LONG SHOT of Margot dancing CASTLEFIELD HOUSE Margot – Sophie Arram Teddybear 4 (script reference – 6) LONG SHOT of Margot sitting withphotos CASTLEFIELD HOUSE Margot – Sophie Arram Photos 5 (script reference – 7) CLOSE UP of a photo CASTLEFIELD HOUSE N/A Photos 6 (script reference – 8) CLOSE UP of Margot’s face CASTLEFIELD HOUSE Margot – Sophie Arram N/A 7 (script reference – 9) MID SHOT of Margot inbed CASTLEFIELD HOUSE Margot – Sophie Arram Pillows 8 (script reference – 10) CLOSE UP of Margot inbed CASTLEFIELD HOUSE Margot – Sophie Arram Pillows 9 (script reference – 11) MID SHOT Margot staringintothe camera as if it was a mirror CASTLEFIELD HOUSE Margot – Sophie Arram Mirror Lipstick 10 (script reference – 12) EXTREAMCLOSE UP of Margot’s lips CASTLEFIELD HOUSE Margot – Sophie Arram Lipstick 11 (script reference – 22) LONG SHOT of Margot onthe phone toOliver CASTLEFIELD HOUSE Margot – Sophie Arram Phone 12 (script reference – 13) LONG SHOT of Maya andOliver at Margot’s door CASTLEFIELD HOUSE Margot – Sophie Arram Maya – Kaia Sayer Oliver–Raphael Pacaud N/A 13 (script reference – 14) MID SHOT of Margot’s reaction to Oliver CASTLEFIELD HOUSE Margot – Sophie Arram N/A 14 (script reference – 15) LONG SHOT of Margot andOliver standingopposite each other CASTLEFIELD HOUSE Margot – Sophie Arram Oliver–Raphael Pacaud N/A
- 2. SHOT LIST 15 (script reference – 17) MID SHOT of Oliversitting downnextto Margot CASTLEFIELD HOUSE Margot – Sophie Arram Oliver–Raphael Pacaud N/A 16 (script reference – 18) CLOSE UP of Margot CASTLEFIELD HOUSE Margot – Sophie Arram N/A 17 (script reference – 19) OVERTHE SHOULDER SHOT of Margot talking to Oliver CASTLEFIELD HOUSE Margot – Sophie Arram Oliver–Raphael Pacaud N/A 18 (script reference – 20) OVERTHE SHOULDER SHOT of Olivertalkingto Margot CASTLEFIELD HOUSE Margot – Sophie Arram Oliver–Raphael Pacaud N/A 19 (script reference – 21) MID SHOT of OliverandMargot smiling CASTLEFIELD HOUSE Margot – Sophie Arram Oliver–Raphael Pacaud N/A 20 (script reference – 23) MID SHOT of Maya holdingthe Radio CASTLEFIELD HOUSE Maya – Kaia Sayer Radio 21 (script reference – 24) MID SHOT of Margot withthe Radio CASTLEFIELD HOUSE Margot – Sophie Arram Radio 22 (script reference – 1) LONG SHOT of Margot andMaya sittingtogether on a bench ST MARY’S CHURCH, REIGATE Margot – Sophie Arram Maya – Kaia Sayer Flowers 23 (script reference – 3) LONG SHOT of Margot andMaya sittingtogether on a bench ST MARY’S CHURCH, REIGATE Margot – Sophie Arram Maya – Kaia Sayer Flowers 24 (script reference – 2) MID SHOT of a graveyard ST MARY’S CHURCH, REIGATE Margot – Sophie Arram Maya – Kaia Sayer N/A