How to Grieve - Mood board
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Evaluation - final draft
- The document evaluates a 5-minute short film called "How to Grieve" that follows a 16-year old girl named Margot as she grieves the loss of her grandmother.
- The filmmaker took inspiration from other short films in using cinematography, mise-en-scene, costumes, sound design and editing techniques to tell the story and develop characters.
- Through these techniques, the filmmaker aimed to create an emotional connection between audiences and characters, and provide a progressive representation of teenagers and gender that challenges stereotypes.
- Upon reflection, the filmmaker believes their original goals of telling a story about grief while promoting nuanced representations were largely achieved through the creative choices made.
Short film analysis 1 and 2
The film is a 6-minute dark comedy that follows a getaway driver for bank robbers as he becomes increasingly frustrated by a fly in his car. The narrative follows the typical three-act structure, establishing the bank robbery situation, then creating conflict as the main character tries to kill the fly, building to a climax where he loses his temper and exits the car with a gun. Camerawork and editing use a variety of shots and transitions to build tension throughout the short film.
How to Grieve - Pitch
The document outlines a short film pitch that follows a 16-year-old girl named Margot as she deals with the loss of her grandmother over the course of a year. It describes Margot's quiet personality and close relationship with her grandmother. The film will show Margot's stages of grief and difficulty processing her grandmother's death. It will be set in Margot's small hometown and feature warm lighting and ambient sounds to create an intimate style. The target audience is teenagers and young adults interested in drama and coming-of-age stories.
Location recce
St. Mary's Church graveyard in Reigate, UK is a large public graveyard near local amenities that could be used to film scenes for a small production. The graveyard has different areas with varying backgrounds and natural lighting that could provide options for filming. While there is no power in the graveyard, the scheduled filming time from 2-4pm would provide sufficient daylight. Nearby amenities like toilets, food, power, and first aid are within a 5-minute walk.
Risk assessment - St Mary's Church
This document outlines potential hazards, precautions, and risks associated with filming at St Mary's Church on 03/12/19 from 2pm to 4pm. Key hazards identified include tripping hazards from uneven surfaces, potential for abduction, weather hazards like slipping, and electrocution hazards from equipment. Precautions include making all crew aware of surroundings and uneven surfaces, briefing on abduction risk and procedures, wearing appropriate clothing for weather, and ensuring safe use and reporting of any electrical issues. The abduction and electrocution hazards were deemed high criticality risks.
Risk assessment - Castlefield House
This document provides a risk assessment for a film shoot taking place at Castlefield House in Reigate on December 3rd, 2019 from 9pm to 2am. It identifies three main hazards: electrocution from faulty electrical equipment which could cause cardiac arrest or burns; tripping over uneven surfaces or wires which could cause bruises or cuts; and falling down the stairs which could result in broken bones. Precautions for each include crew awareness of risks, checking electrical equipment, awareness of surroundings, and having two people carry equipment up stairs. The nearest hospital is East Surrey Hospital.
Risk assessment - Castlefield House
The document outlines potential hazards and safety precautions for a film shoot taking place at Castlefield House in Reigate on December 3rd, 2019 from 9pm to 2am. It identifies electrocution from faulty electrical equipment as a high criticality risk and instructs crew to stop using faulty equipment and notify the assistant director. Tripping hazards and uneven surfaces are deemed a low criticality risk if crew are aware of their surroundings. Falling down the stairs is considered a medium criticality risk and precautions include making crew aware they are on the first level and enforcing a two-person carry rule for equipment on the stairs.
Call sheet - church ('How to Grieve')
This call sheet provides production details for a short film titled "How to Grieve" to be filmed at St Mary's Church on March 12th. It lists a crew of two people including the director and a lighting/runner role. It also lists two actresses and their roles. Finally it provides details on costumes, props, and equipment needed including flowers, black funeral clothes, and order of service sheets to be brought by the director and actresses.
Recommended
Evaluation - final draft
- The document evaluates a 5-minute short film called "How to Grieve" that follows a 16-year old girl named Margot as she grieves the loss of her grandmother.
- The filmmaker took inspiration from other short films in using cinematography, mise-en-scene, costumes, sound design and editing techniques to tell the story and develop characters.
- Through these techniques, the filmmaker aimed to create an emotional connection between audiences and characters, and provide a progressive representation of teenagers and gender that challenges stereotypes.
- Upon reflection, the filmmaker believes their original goals of telling a story about grief while promoting nuanced representations were largely achieved through the creative choices made.
Short film analysis 1 and 2
The film is a 6-minute dark comedy that follows a getaway driver for bank robbers as he becomes increasingly frustrated by a fly in his car. The narrative follows the typical three-act structure, establishing the bank robbery situation, then creating conflict as the main character tries to kill the fly, building to a climax where he loses his temper and exits the car with a gun. Camerawork and editing use a variety of shots and transitions to build tension throughout the short film.
How to Grieve - Pitch
The document outlines a short film pitch that follows a 16-year-old girl named Margot as she deals with the loss of her grandmother over the course of a year. It describes Margot's quiet personality and close relationship with her grandmother. The film will show Margot's stages of grief and difficulty processing her grandmother's death. It will be set in Margot's small hometown and feature warm lighting and ambient sounds to create an intimate style. The target audience is teenagers and young adults interested in drama and coming-of-age stories.
Location recce
St. Mary's Church graveyard in Reigate, UK is a large public graveyard near local amenities that could be used to film scenes for a small production. The graveyard has different areas with varying backgrounds and natural lighting that could provide options for filming. While there is no power in the graveyard, the scheduled filming time from 2-4pm would provide sufficient daylight. Nearby amenities like toilets, food, power, and first aid are within a 5-minute walk.
Risk assessment - St Mary's Church
This document outlines potential hazards, precautions, and risks associated with filming at St Mary's Church on 03/12/19 from 2pm to 4pm. Key hazards identified include tripping hazards from uneven surfaces, potential for abduction, weather hazards like slipping, and electrocution hazards from equipment. Precautions include making all crew aware of surroundings and uneven surfaces, briefing on abduction risk and procedures, wearing appropriate clothing for weather, and ensuring safe use and reporting of any electrical issues. The abduction and electrocution hazards were deemed high criticality risks.
Risk assessment - Castlefield House
This document provides a risk assessment for a film shoot taking place at Castlefield House in Reigate on December 3rd, 2019 from 9pm to 2am. It identifies three main hazards: electrocution from faulty electrical equipment which could cause cardiac arrest or burns; tripping over uneven surfaces or wires which could cause bruises or cuts; and falling down the stairs which could result in broken bones. Precautions for each include crew awareness of risks, checking electrical equipment, awareness of surroundings, and having two people carry equipment up stairs. The nearest hospital is East Surrey Hospital.
Risk assessment - Castlefield House
The document outlines potential hazards and safety precautions for a film shoot taking place at Castlefield House in Reigate on December 3rd, 2019 from 9pm to 2am. It identifies electrocution from faulty electrical equipment as a high criticality risk and instructs crew to stop using faulty equipment and notify the assistant director. Tripping hazards and uneven surfaces are deemed a low criticality risk if crew are aware of their surroundings. Falling down the stairs is considered a medium criticality risk and precautions include making crew aware they are on the first level and enforcing a two-person carry rule for equipment on the stairs.
Call sheet - church ('How to Grieve')
This call sheet provides production details for a short film titled "How to Grieve" to be filmed at St Mary's Church on March 12th. It lists a crew of two people including the director and a lighting/runner role. It also lists two actresses and their roles. Finally it provides details on costumes, props, and equipment needed including flowers, black funeral clothes, and order of service sheets to be brought by the director and actresses.
Shooting script - 'How to Grieve'
Margot is grieving the loss of her grandmother and struggling with how to process her emotions. She avoids dealing with her grief by listening to Frank Sinatra and distracting herself. When her boyfriend Oliver confronts her about withdrawing, she breaks down and tells him she hasn't cried since her grandmother's death and doesn't know how to grieve. Oliver comforts her and says there is no right way to grieve. One year later, Margot has made progress in her grieving process and seems happier, though is still working through her emotions as shown when she is given her grandmother's old radio.
Call sheet - How to Grieve
The call sheet provides details for the production of "How to Grieve" including a call time of 9am and finish time of 4pm on 3/12/19. The shoot will take place at Castlefield House and St Mary's Church. Lucy Prouten will direct and Harriet Gray will assist with lighting. The actors are Sophie Arram, Kaia Sayer, and Raphael Pacaud. Various props and costumes will be brought including photos, lipstick, clothes, tissues, and plants. Weather and hair/makeup needs are noted.
Shot list - How to Grieve
This document contains a shot list for a film or video project. It includes 24 shots with descriptions of the scene location, actors involved, and any props. The shots will take place on location at Castlefield House and St. Mary's Church in Reigate. Actors include Sophie Arram as Margot and Kaia Sayer as Maya. Many of the shots focus on interactions and conversations between Margot and other characters.
Shooting schedule
The shooting schedule outlines the plan to film scenes for a project over one day at two locations - a castlefield house and St. Mary's Church. Scenes 2, 3, and 5 will be filmed at the house from 9am to 1pm using props such as books, DVDs, and a teddy bear. After a lunch break, scenes 4 and 6 will be shot at the house from 1:30pm to 2:20pm using the same props. The crew will then walk to St. Mary's Church to film scene 1 from 2:40pm to 3:45pm using props like flowers. They will walk back to the house to return equipment from 4pm onwards, concluding the day's filming.
Location
The locations used in films are found by location scouts who read scripts to identify location needs. They discuss these with directors and producers, then scout locations in person, considering lighting, sound, crew access, and more. Location scouts provide detailed feedback and may also be called tech scouts for on-location walkthroughs with heads of department. Before filming, a location recce is conducted to check a location's suitability by assessing access, utilities, hazards, and space available.
Casting
a document that includes a casting call for my short film 'how to grieve' as well as information regarding the casting process in the film industry
how to grieve Screenplay (second draft)
Margot struggles to grieve after the death of her grandmother. She avoids crying and doesn't know how to process her emotions. Her boyfriend Oliver confronts her about withdrawing from others. Margot explains she doesn't know how to grieve. Oliver comforts her and says there is no right way, to grieve in her own way and time. One year later, Margot has made progress in her grieving process and is in better spirits when her friend Maya gives her grandmother's old radio, which plays a song that makes Margot cry and smile.
how to grieve - Storyboard
The document is a shot list that follows Margot through grieving the loss of her grandmother. It shows her laying in bed singing and screaming into her pillow in grief. Later scenes show her looking through old family photos while struggling to sleep and putting on lipstick while looking sadly in the mirror. Her friend Maya tries to comfort her by bringing her a radio. The final shots depict Margot wiping a tear from her cheek while listening to the radio in mourning of her grandmother.
how to grieve - Screenplay first draft
Margot struggles to grieve after the death of her grandmother. She avoids crying and dealing with her emotions. When her boyfriend Oliver confronts her about withdrawing, she explains that she doesn't know how to grieve. Oliver comforts her and says there is no right way, just to acknowledge her feelings. One year later, Margot has made progress in her grief process and is in a better mood, but is reminded of her grandmother when Maya gives her her old radio that plays the song "Softly As I Leave You," which brings Margot to tears.
How to Grieve - Film Pitch
This short film pitch proposes a story about a 16-year-old girl named Margot who is dealing with the recent loss of her grandmother. The film would follow Margot over the course of a year as she goes through the different stages of grief. It would show how long it takes to truly deal with the loss of a loved one. The target demographic for the film are teenagers and young adults aged 13-35 who enjoy niche, artistic films in genres like drama and coming of age stories.
Nea evaluation task
1) The document summarizes and analyzes the filmmaker's short film "The Mafia's Game", which follows two mafia members discussing the death of "Mrs. White" at a restaurant, revealed to be playing Clue.
2) The filmmaker used close-ups during tense moments to highlight characters' reactions and show the power dynamic between the mob boss and the wannabe gangster. Mise-en-scene of costumes showed differences in status.
3) Settings and props were used to reflect the stereotypical representations of mob characters and convey the period of 1980s gangster films, but could have been improved to more clearly set the scene.
The mafia's game final copy
Carmine Padrone receives a letter summoning him to meet with Don Silesi at a restaurant. At the restaurant, Don Silesi confronts Carmine about his involvement in the murder of Mrs. White, producing evidence that places Carmine at the scene in the kitchen holding the murder weapon. Carmine denies the accusations but Don Silesi insists the evidence will prove his guilt. Their confrontation escalates until Carmine reveals he only came to play a game of Clue, jokingly referencing the game to defuse the tension, showing their dispute was merely part of the "game" between them and not a serious threat.
Location call sheet
The document is a call sheet for the film production "The Mafia's Game" taking place on March 28, 2019 at Castle Field House. It lists the crew and actors with contact details. Props being brought include a velvet throw, glasses, apple juice, table cloth, Cluedo game, lighter, black blazer, tie, candles, and cigarette. Filming equipment includes a camera, tripod, lights, and black-out curtains. It then outlines 26 shots with descriptions for scenes involving characters Carmine and Don.
Risk assessment
The document provides health and safety advice for film and media productions. It notes that filmmakers have a duty of care for crew, contributors, and the public. Locations should be assessed for dangers like unstable structures. Hazards like traffic must be considered when filming in public. Personal safety and equipment security should be considered, especially at night or in remote areas. The risks of any activities being filmed, like skateboarding stunts, must be evaluated. Contributors' needs and weather conditions also warrant consideration. Filming criminal activities inherently involves danger and needs careful planning. The risk assessment form sample addresses potential hazards like fire, tripping, and choking for a production at a specific location.
The mafia's game - screenplay first draft
Carmine Padrone receives a letter summoning him to meet with Don Silesi at a restaurant. At the restaurant, Don Silesi confronts Carmine about evidence he has that Carmine murdered Mrs. White. Don Silesi reveals crime scene photos placing Carmine at the scene. Carmine denies involvement but Don has irrefutable proof. However, it is then revealed that they were just playing a game of Clue, and both share a laugh, showing their dispute was not serious.
short film pitch (2 min)
The film is about two members of an Italian-American mafia group, boss Carmine Padrone and soldier Joe Silesi. Silesi sends Padrone a note saying he has proof Padrone killed Mrs. White. The two meet at Padrone's restaurant where a tense conversation reveals they are playing the board game Clue. The film is aimed at an 18-35 audience interested in gangster films. Padrone is well-dressed and respected but never gets his hands dirty, while Silesi is scruffier as he works his way up. Key settings include Padrone's dark, tense restaurant and his luxury sitting room. The film will use lighting, color palette, and opera music to create
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Shooting script - 'How to Grieve'
Margot is grieving the loss of her grandmother and struggling with how to process her emotions. She avoids dealing with her grief by listening to Frank Sinatra and distracting herself. When her boyfriend Oliver confronts her about withdrawing, she breaks down and tells him she hasn't cried since her grandmother's death and doesn't know how to grieve. Oliver comforts her and says there is no right way to grieve. One year later, Margot has made progress in her grieving process and seems happier, though is still working through her emotions as shown when she is given her grandmother's old radio.
Call sheet - How to Grieve
The call sheet provides details for the production of "How to Grieve" including a call time of 9am and finish time of 4pm on 3/12/19. The shoot will take place at Castlefield House and St Mary's Church. Lucy Prouten will direct and Harriet Gray will assist with lighting. The actors are Sophie Arram, Kaia Sayer, and Raphael Pacaud. Various props and costumes will be brought including photos, lipstick, clothes, tissues, and plants. Weather and hair/makeup needs are noted.
Shot list - How to Grieve
This document contains a shot list for a film or video project. It includes 24 shots with descriptions of the scene location, actors involved, and any props. The shots will take place on location at Castlefield House and St. Mary's Church in Reigate. Actors include Sophie Arram as Margot and Kaia Sayer as Maya. Many of the shots focus on interactions and conversations between Margot and other characters.
Shooting schedule
The shooting schedule outlines the plan to film scenes for a project over one day at two locations - a castlefield house and St. Mary's Church. Scenes 2, 3, and 5 will be filmed at the house from 9am to 1pm using props such as books, DVDs, and a teddy bear. After a lunch break, scenes 4 and 6 will be shot at the house from 1:30pm to 2:20pm using the same props. The crew will then walk to St. Mary's Church to film scene 1 from 2:40pm to 3:45pm using props like flowers. They will walk back to the house to return equipment from 4pm onwards, concluding the day's filming.
Location
The locations used in films are found by location scouts who read scripts to identify location needs. They discuss these with directors and producers, then scout locations in person, considering lighting, sound, crew access, and more. Location scouts provide detailed feedback and may also be called tech scouts for on-location walkthroughs with heads of department. Before filming, a location recce is conducted to check a location's suitability by assessing access, utilities, hazards, and space available.
Casting
a document that includes a casting call for my short film 'how to grieve' as well as information regarding the casting process in the film industry
how to grieve Screenplay (second draft)
Margot struggles to grieve after the death of her grandmother. She avoids crying and doesn't know how to process her emotions. Her boyfriend Oliver confronts her about withdrawing from others. Margot explains she doesn't know how to grieve. Oliver comforts her and says there is no right way, to grieve in her own way and time. One year later, Margot has made progress in her grieving process and is in better spirits when her friend Maya gives her grandmother's old radio, which plays a song that makes Margot cry and smile.
how to grieve - Storyboard
The document is a shot list that follows Margot through grieving the loss of her grandmother. It shows her laying in bed singing and screaming into her pillow in grief. Later scenes show her looking through old family photos while struggling to sleep and putting on lipstick while looking sadly in the mirror. Her friend Maya tries to comfort her by bringing her a radio. The final shots depict Margot wiping a tear from her cheek while listening to the radio in mourning of her grandmother.
how to grieve - Screenplay first draft
Margot struggles to grieve after the death of her grandmother. She avoids crying and dealing with her emotions. When her boyfriend Oliver confronts her about withdrawing, she explains that she doesn't know how to grieve. Oliver comforts her and says there is no right way, just to acknowledge her feelings. One year later, Margot has made progress in her grief process and is in a better mood, but is reminded of her grandmother when Maya gives her her old radio that plays the song "Softly As I Leave You," which brings Margot to tears.
How to Grieve - Film Pitch
This short film pitch proposes a story about a 16-year-old girl named Margot who is dealing with the recent loss of her grandmother. The film would follow Margot over the course of a year as she goes through the different stages of grief. It would show how long it takes to truly deal with the loss of a loved one. The target demographic for the film are teenagers and young adults aged 13-35 who enjoy niche, artistic films in genres like drama and coming of age stories.
Nea evaluation task
1) The document summarizes and analyzes the filmmaker's short film "The Mafia's Game", which follows two mafia members discussing the death of "Mrs. White" at a restaurant, revealed to be playing Clue.
2) The filmmaker used close-ups during tense moments to highlight characters' reactions and show the power dynamic between the mob boss and the wannabe gangster. Mise-en-scene of costumes showed differences in status.
3) Settings and props were used to reflect the stereotypical representations of mob characters and convey the period of 1980s gangster films, but could have been improved to more clearly set the scene.
The mafia's game final copy
Carmine Padrone receives a letter summoning him to meet with Don Silesi at a restaurant. At the restaurant, Don Silesi confronts Carmine about his involvement in the murder of Mrs. White, producing evidence that places Carmine at the scene in the kitchen holding the murder weapon. Carmine denies the accusations but Don Silesi insists the evidence will prove his guilt. Their confrontation escalates until Carmine reveals he only came to play a game of Clue, jokingly referencing the game to defuse the tension, showing their dispute was merely part of the "game" between them and not a serious threat.
Location call sheet
The document is a call sheet for the film production "The Mafia's Game" taking place on March 28, 2019 at Castle Field House. It lists the crew and actors with contact details. Props being brought include a velvet throw, glasses, apple juice, table cloth, Cluedo game, lighter, black blazer, tie, candles, and cigarette. Filming equipment includes a camera, tripod, lights, and black-out curtains. It then outlines 26 shots with descriptions for scenes involving characters Carmine and Don.
Risk assessment
The document provides health and safety advice for film and media productions. It notes that filmmakers have a duty of care for crew, contributors, and the public. Locations should be assessed for dangers like unstable structures. Hazards like traffic must be considered when filming in public. Personal safety and equipment security should be considered, especially at night or in remote areas. The risks of any activities being filmed, like skateboarding stunts, must be evaluated. Contributors' needs and weather conditions also warrant consideration. Filming criminal activities inherently involves danger and needs careful planning. The risk assessment form sample addresses potential hazards like fire, tripping, and choking for a production at a specific location.
The mafia's game - screenplay first draft
Carmine Padrone receives a letter summoning him to meet with Don Silesi at a restaurant. At the restaurant, Don Silesi confronts Carmine about evidence he has that Carmine murdered Mrs. White. Don Silesi reveals crime scene photos placing Carmine at the scene. Carmine denies involvement but Don has irrefutable proof. However, it is then revealed that they were just playing a game of Clue, and both share a laugh, showing their dispute was not serious.
short film pitch (2 min)
The film is about two members of an Italian-American mafia group, boss Carmine Padrone and soldier Joe Silesi. Silesi sends Padrone a note saying he has proof Padrone killed Mrs. White. The two meet at Padrone's restaurant where a tense conversation reveals they are playing the board game Clue. The film is aimed at an 18-35 audience interested in gangster films. Padrone is well-dressed and respected but never gets his hands dirty, while Silesi is scruffier as he works his way up. Key settings include Padrone's dark, tense restaurant and his luxury sitting room. The film will use lighting, color palette, and opera music to create
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留信网认证的作用:
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Collapsing Narratives: Exploring Non-Linearity • a micro report by Rosie Wells
Insight: In a landscape where traditional narrative structures are giving way to fragmented and non-linear forms of storytelling, there lies immense potential for creativity and exploration.
'Collapsing Narratives: Exploring Non-Linearity' is a micro report from Rosie Wells.
Rosie Wells is an Arts & Cultural Strategist uniquely positioned at the intersection of grassroots and mainstream storytelling.
Their work is focused on developing meaningful and lasting connections that can drive social change.
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