Shot list
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The shot list summarizes 23 shots for a music video that tells the story of a couple falling in love. It includes establishing shots of the beach and forest where the couple meets and dances. Medium shots and close-ups show the couple looking into each other's eyes, hugging, and holding hands in the street. Panning shots capture the couple's smiling faces as they walk away together happily at the end of the video.
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Shot list
This shot list outlines 15 shots for a music video that will tell the story of a couple falling in love through a series of shots ranging from establishing shots of the beach and forest to close-ups of their eyes and faces as they dance, run around together and hug. Shots will sync with the song, panning and following the subjects as they are shown dancing, driving away together and hugging to bookend their story of falling in love.
Video 1 analysis
1) The music video features Selena Gomez in a photoshoot setting, directly making eye contact with the camera throughout. According to theorist Andrew Goodwin, this use of eye contact and notions of looking plays into voyeurism which is commonly used to appeal to audiences sexually.
2) Technical aspects like costumes, props, and location are used symbolically. Selena wears black, relating to the lyrics about "killing", and white, representing the "kindness" mentioned. Props like bullets amplify the song's meaning. Close-ups show Selena's emotions to convey the emotional tone of the song.
3) The visuals are strategically paired with lyrics - bullets drop
Shot list
This document provides a shot list for a film with 25 shots in various locations including the forest, beach, sand hill, and studio. The shots include a variety of camera angles, movements, and descriptions of the characters and their interactions. They involve things like characters driving in a car, running, skateboarding, dancing, laughing together, and lip syncing with emotion. The final shots will rewind previous shots to show the characters' emotions.
9 frame analysis – coldplay
1) The music video for Coldplay's "Charlie Brown" was directed by Matt Whitecross and filmed in London, depicting a night of partying and youthful escapism.
2) Various shots show the band performing at a rave, a couple stealing a car and dancing together at the event, and fireworks going off at a climactic moment in the song.
3) The video utilizes fast cuts between the band and the story to illustrate the lyrics and pulse of the song, coming to an end as the sun rises and signaling the conclusion of the night's adventures.
Analysis of 3 music videos
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It effectively uses the fire as a backdrop for the band's performance without making them the central focus.
Conventions of a music video
Music videos can be categorized based on their length, content, and purpose. Shorter videos between 30 seconds to 1 minute often promote an artist's name, album title, and release date. Longer videos of 3-4 minutes may tell a story or feature a full performance. Some videos use lyrics to visually represent the song. Artists commonly lip-sync their vocals to give the impression of a live performance. Major record labels include Universal Music Group, Sony Music, and Warner Music Group.
Music video analysis green day
The music video for "Wake Me Up When September Ends" by Green Day tells the narrative story of a young couple deeply in love. However, the guy joins the army, upsetting the girl. The video cuts between their story and scenes of the band performing. It uses camera angles and iconography to represent both the couple's love and the band's punk rock genre. The somber story provides juxtaposition with the actual song and adds emotional depth.
The neighbourhood sweater weather
The music video uses various shots of objects like a water fountain and record player that are shown briefly and edited together quickly. Location shots show the band travelling in a car and at different locations like a diner and forest. The narrative depicts a male actor thinking about a female love interest but unsure if his feelings are love or lust. Various editing techniques are used like black and white filming, fast cuts, and focus pulls. The ending shots return to the band in the room and include a close-up of the female before fading to the logo.
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Shot list
This shot list outlines 15 shots for a music video that will tell the story of a couple falling in love through a series of shots ranging from establishing shots of the beach and forest to close-ups of their eyes and faces as they dance, run around together and hug. Shots will sync with the song, panning and following the subjects as they are shown dancing, driving away together and hugging to bookend their story of falling in love.
Video 1 analysis
1) The music video features Selena Gomez in a photoshoot setting, directly making eye contact with the camera throughout. According to theorist Andrew Goodwin, this use of eye contact and notions of looking plays into voyeurism which is commonly used to appeal to audiences sexually.
2) Technical aspects like costumes, props, and location are used symbolically. Selena wears black, relating to the lyrics about "killing", and white, representing the "kindness" mentioned. Props like bullets amplify the song's meaning. Close-ups show Selena's emotions to convey the emotional tone of the song.
3) The visuals are strategically paired with lyrics - bullets drop
Shot list
This document provides a shot list for a film with 25 shots in various locations including the forest, beach, sand hill, and studio. The shots include a variety of camera angles, movements, and descriptions of the characters and their interactions. They involve things like characters driving in a car, running, skateboarding, dancing, laughing together, and lip syncing with emotion. The final shots will rewind previous shots to show the characters' emotions.
9 frame analysis – coldplay
1) The music video for Coldplay's "Charlie Brown" was directed by Matt Whitecross and filmed in London, depicting a night of partying and youthful escapism.
2) Various shots show the band performing at a rave, a couple stealing a car and dancing together at the event, and fireworks going off at a climactic moment in the song.
3) The video utilizes fast cuts between the band and the story to illustrate the lyrics and pulse of the song, coming to an end as the sun rises and signaling the conclusion of the night's adventures.
Analysis of 3 music videos
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It effectively uses the fire as a backdrop for the band's performance without making them the central focus.
Conventions of a music video
Music videos can be categorized based on their length, content, and purpose. Shorter videos between 30 seconds to 1 minute often promote an artist's name, album title, and release date. Longer videos of 3-4 minutes may tell a story or feature a full performance. Some videos use lyrics to visually represent the song. Artists commonly lip-sync their vocals to give the impression of a live performance. Major record labels include Universal Music Group, Sony Music, and Warner Music Group.
Music video analysis green day
The music video for "Wake Me Up When September Ends" by Green Day tells the narrative story of a young couple deeply in love. However, the guy joins the army, upsetting the girl. The video cuts between their story and scenes of the band performing. It uses camera angles and iconography to represent both the couple's love and the band's punk rock genre. The somber story provides juxtaposition with the actual song and adds emotional depth.
The neighbourhood sweater weather
The music video uses various shots of objects like a water fountain and record player that are shown briefly and edited together quickly. Location shots show the band travelling in a car and at different locations like a diner and forest. The narrative depicts a male actor thinking about a female love interest but unsure if his feelings are love or lust. Various editing techniques are used like black and white filming, fast cuts, and focus pulls. The ending shots return to the band in the room and include a close-up of the female before fading to the logo.
Sam smith i’m not the only one
This document provides an analysis of the shots, lighting, and narrative of a music video. It summarizes that the video tells the story of a man cheating on his wife on their wedding day. It begins by showing the wife alone in her house and then crying and removing her wedding ring after discovering his infidelity. Meanwhile, the video shows the man meeting up with another woman in a bar and them being intimate in a bathroom. By the end, the wife has burned her husband's possessions but greets him with a smile, suggesting she plans revenge. The analysis notes the different lighting used to set the mood in various scenes between the characters.
The 1975 robbers
The video analyzes various shots and scenes in a music video. It summarizes the opening shot showing a happy couple from behind using a handheld camera. It then discusses the multiple close-ups showing the actors' emotions. The narrative section outlines the story of a dysfunctional Bonnie and Clyde-like couple who are addicted to drugs and alcohol and plan a robbery, during which the male is shot. Despite their issues, they remain devoted to each other. Location shots show various backdrops throughout the video. The ending utilizes close-ups of the couple kissing and celebrating, with a final shot of a male kneeling on the floor.
Shot list - group
The document is a storyboard that outlines 10 shots for a video including details like the shot number, type of shot, camera angle, movement, description, length, location, and actors or props involved. Shot 2 is a 15 second tracking pan up Stephanie's feet at a park. Shot 3 shows a 30 second handheld shot of Tom performing in front of a sunset at a long walk. Shot 9 is a 1 minute midshot of Tom and Stephanie on a date at Tom's house and a park involving costumes and ice cream.
Shot list table
This document contains a shot list table for a film project directed by Hugh Galloway. It includes 40 shots with details on the shot type, camera movement, location, sound, and any relevant shot details. The shots cover various scenes including a boy running down a hill, scenes in a house and bathroom, shots in a forest and field, and shots transitioning between these various locations and scenes. The shots will be used to film a narrative set to music, with the story unfolding over the course of the song through these different shots.
Advert Analysis - Gorillaz Plastic Beach
The document summarizes the album cover for Gorillaz's 2010 album "Plastic Beach". It describes the album cover art showing an island with various features like a lighthouse and palm trees. The font is wavy to suit the beach theme. The island and submarine shown are also featured in the music video for the song "Melancholy Hill". The advert aims to simply promote that the new album is available by displaying the album cover art.
Fifteen by Taylor Swift
The music video for Taylor Swift's song "Fifteen" tells a narrative story through visuals that correspond to the lyrics. It shows Taylor reflecting back on her experiences at age 15 and wanting to warn a younger girl not to make the same mistakes. The video uses techniques like close-ups, changes in lighting and weather, and Taylor's performance shots to match the changing emotions between the happy first half and sadder second half of the song. It challenges pop video conventions by featuring Taylor playing guitar to emphasize her musical talents.
Photo shoot for winter festival
The document discusses a photo shoot from a Winter Festival. The photographer marked their favorite photos from the shoot by writing "love it" on the corresponding slides. They indicated their top photos by writing "love it" on 7 out of the total slides shown.
Shot list
This document provides a shot list for a video project containing 14 shots with details about the shot type, camera movement, location, sound, and any additional details. Shot 1 is an establishing shot of New York City panning with fading in music before lyrics. Shot 8 is a close up following subjects in a forest again lipsyncing. Shot 14 is a long shot following a car driving down a road.
Shot list
This document contains a shot list for a film or video project. It describes 24 shots with details like the shot type, camera angle, movement, length, and location. The shots include establishing shots of various outdoor locations like the beach and forest. They also cover actions like an actor sitting on a bench, riding a bike, watching water flow, lip syncing, going down a waterslide, looking at restaurants, and eating alone. The shot list varies camera angles, movements, and distances to capture these story elements and locations.
Music Video Conventions
Music videos are short films that accompany songs and are often used to promote artists and new albums. They utilize a variety of styles from animation to live action. The genre and music style influences the type of video, like hip hop videos often feature the artist wearing expensive jewelry and clothes. Music videos tell visual stories that relate to the song's lyrics and mood through techniques like camera angles, editing, and cinematography. Common conventions include a 3-5 minute length, themes relating to specific emotions, point-of-view shots, and slow motion effects to emphasize actions and match the song's tempo.
Video Promo For Blogconventions
Music videos are short films that accompany songs and are often used to promote artists and new albums. They use various styles like animation, live action, and documentaries. The Radiohead music video "Street Spirit (Fade Out)" uses close-ups and slow motion to show emotion and drama. It follows a character escaping a trailer park. The Album Leaf video "Twenty two fourteen" uses overhead shots and cuts to match the pace of the song while showing suburban scenery. Sigur Ros' "Sæglópur" uses slow motion underwater shots to depict a boy sinking in a lake as the song builds. Common music video conventions include themes matching songs, point-of-view shots, and slow motion to exaggerate actions
Shot list
This document contains a shot log that lists 24 shots in a film or video project. It describes the shot type, camera angle, camera movement, length of each shot, and location for shots that establish scenes at the beach, forest, Bournemouth, and a house. Some shots show an actor lip syncing, going down a waterslide, watching TV, eating at a restaurant, and an actor walking in the distance. The shot log provides details about the visual elements and progression of scenes in the project.
Cheerleader omi
The music video features fast-cut shots of a boy and girl at the beach, people playing in the beach, and Omi performing in the desert and in a car. It includes a bedroom scene of the boy and girl and ends with a beach party with dancing. Various camera shots like close-ups, long shots, and high/low angles are used to set the mood. Lip-syncing is included to make the video look professional.
Shot list
The document describes the shot sequence and details for a music video. It includes 40 shots ranging from establishing shots, close-ups, and mid/long shots of the singer performing and emoting in various outdoor locations like fields, forests and by the road. The shots transition between the singer alone and with scenery to show his emotional journey through the lyrics of struggling but not giving up on love and life.
Final music video synopsis
This document provides a shot-by-shot storyboard for a music video. It follows a group of friends traveling to different locations like an airport, train station, beach, theme park, and pier. Scenes include businessmen rushing to work, the band traveling by train and arriving at the beach, performing and dancing at the beach, riding rides at a theme park at night, skateboarding to the pier, and performing in a studio with projected visuals. The video uses techniques like slow motion, reverse editing, and cutting between scenes to tell the story through the song's lyrics of being on the road again with one's heart pumping.
Final music video synopsis
This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations while the band also performs in a studio. The video treatment proposes various shots and editing techniques to tie the story and locations together through the song.
Final music video synopsis
This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations with sparklers and colored smoke. The video treatment concludes with a studio performance that references movements from earlier scenes.
Analysing a music video
The song "Patience" by Take That was released in 2006 as the debut single from their comeback album. The music video was filmed in Iceland and depicts the band members traveling individually on a journey, representing their journey to reform the band. Throughout the video, the camera uses various shots and angles like close-ups, establishing shots, and point-of-view shots to follow the band members' individual paths as they search for something until ultimately meeting up and performing the song together at the end.
Shotlist
This document contains a shot list for a music video. It includes 23 shots ranging from close-ups to wide shots that would be used to depict the protagonist at different locations including a studio, Burley, Bransgore, and Highcliffe. The shots vary in duration and are mapped to corresponding parts of the song. Key shots include close-ups of the protagonist's face in the studio, medium shots of them walking through trees and down a gravel path, and shots of cut flowers and a teddy bear being placed in different locations.
Shot List
The shot list contains 41 shots detailing camera movements, locations, and dance sequences being filmed. Shots include establishing shots of dancers on the beach and in forests, close-ups of individual dancers, mid shots of dance formations and balances, panning shots following dance lines and circles, and shots of tumbling tricks and solo and group dance pieces. The shots document the filming of a dance film from wide establishing shots to tight close-ups through various camera movements and angles.
Shot List
The document provides a detailed shot list for a music video. It includes over 50 shots ranging from extreme close-ups to establishing shots. The shots show a group of friends singing, dancing, and spending time together in various outdoor locations. The shots progressively tell the story of the music and lyrics through visuals of the performers and their interactions.
Corswork media video
The document contains analyses of various music videos and CD covers:
1. The Foo Fighters music video depicts a battle between the band and armored men, using colors and symbols to represent conflict.
2. The Escape the Fate video mimics a graphic novel, showing each band member killed in a dark, scary setting.
3. The Twisted Sister video treats the song like a sport, with the band influencing rebellious students against a strict teacher through comic traps.
4. The analyzed CD covers symbolize the genres of hard rock, metal, and rock through colors, imagery, and focus on bands or album names.
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What's hot
Sam smith i’m not the only one
This document provides an analysis of the shots, lighting, and narrative of a music video. It summarizes that the video tells the story of a man cheating on his wife on their wedding day. It begins by showing the wife alone in her house and then crying and removing her wedding ring after discovering his infidelity. Meanwhile, the video shows the man meeting up with another woman in a bar and them being intimate in a bathroom. By the end, the wife has burned her husband's possessions but greets him with a smile, suggesting she plans revenge. The analysis notes the different lighting used to set the mood in various scenes between the characters.
The 1975 robbers
The video analyzes various shots and scenes in a music video. It summarizes the opening shot showing a happy couple from behind using a handheld camera. It then discusses the multiple close-ups showing the actors' emotions. The narrative section outlines the story of a dysfunctional Bonnie and Clyde-like couple who are addicted to drugs and alcohol and plan a robbery, during which the male is shot. Despite their issues, they remain devoted to each other. Location shots show various backdrops throughout the video. The ending utilizes close-ups of the couple kissing and celebrating, with a final shot of a male kneeling on the floor.
Shot list - group
The document is a storyboard that outlines 10 shots for a video including details like the shot number, type of shot, camera angle, movement, description, length, location, and actors or props involved. Shot 2 is a 15 second tracking pan up Stephanie's feet at a park. Shot 3 shows a 30 second handheld shot of Tom performing in front of a sunset at a long walk. Shot 9 is a 1 minute midshot of Tom and Stephanie on a date at Tom's house and a park involving costumes and ice cream.
Shot list table
This document contains a shot list table for a film project directed by Hugh Galloway. It includes 40 shots with details on the shot type, camera movement, location, sound, and any relevant shot details. The shots cover various scenes including a boy running down a hill, scenes in a house and bathroom, shots in a forest and field, and shots transitioning between these various locations and scenes. The shots will be used to film a narrative set to music, with the story unfolding over the course of the song through these different shots.
Advert Analysis - Gorillaz Plastic Beach
The document summarizes the album cover for Gorillaz's 2010 album "Plastic Beach". It describes the album cover art showing an island with various features like a lighthouse and palm trees. The font is wavy to suit the beach theme. The island and submarine shown are also featured in the music video for the song "Melancholy Hill". The advert aims to simply promote that the new album is available by displaying the album cover art.
Fifteen by Taylor Swift
The music video for Taylor Swift's song "Fifteen" tells a narrative story through visuals that correspond to the lyrics. It shows Taylor reflecting back on her experiences at age 15 and wanting to warn a younger girl not to make the same mistakes. The video uses techniques like close-ups, changes in lighting and weather, and Taylor's performance shots to match the changing emotions between the happy first half and sadder second half of the song. It challenges pop video conventions by featuring Taylor playing guitar to emphasize her musical talents.
Photo shoot for winter festival
The document discusses a photo shoot from a Winter Festival. The photographer marked their favorite photos from the shoot by writing "love it" on the corresponding slides. They indicated their top photos by writing "love it" on 7 out of the total slides shown.
What's hot (7)
Similar to Shot list
Shot list
This document provides a shot list for a video project containing 14 shots with details about the shot type, camera movement, location, sound, and any additional details. Shot 1 is an establishing shot of New York City panning with fading in music before lyrics. Shot 8 is a close up following subjects in a forest again lipsyncing. Shot 14 is a long shot following a car driving down a road.
Shot list
This document contains a shot list for a film or video project. It describes 24 shots with details like the shot type, camera angle, movement, length, and location. The shots include establishing shots of various outdoor locations like the beach and forest. They also cover actions like an actor sitting on a bench, riding a bike, watching water flow, lip syncing, going down a waterslide, looking at restaurants, and eating alone. The shot list varies camera angles, movements, and distances to capture these story elements and locations.
Music Video Conventions
Music videos are short films that accompany songs and are often used to promote artists and new albums. They utilize a variety of styles from animation to live action. The genre and music style influences the type of video, like hip hop videos often feature the artist wearing expensive jewelry and clothes. Music videos tell visual stories that relate to the song's lyrics and mood through techniques like camera angles, editing, and cinematography. Common conventions include a 3-5 minute length, themes relating to specific emotions, point-of-view shots, and slow motion effects to emphasize actions and match the song's tempo.
Video Promo For Blogconventions
Music videos are short films that accompany songs and are often used to promote artists and new albums. They use various styles like animation, live action, and documentaries. The Radiohead music video "Street Spirit (Fade Out)" uses close-ups and slow motion to show emotion and drama. It follows a character escaping a trailer park. The Album Leaf video "Twenty two fourteen" uses overhead shots and cuts to match the pace of the song while showing suburban scenery. Sigur Ros' "Sæglópur" uses slow motion underwater shots to depict a boy sinking in a lake as the song builds. Common music video conventions include themes matching songs, point-of-view shots, and slow motion to exaggerate actions
Shot list
This document contains a shot log that lists 24 shots in a film or video project. It describes the shot type, camera angle, camera movement, length of each shot, and location for shots that establish scenes at the beach, forest, Bournemouth, and a house. Some shots show an actor lip syncing, going down a waterslide, watching TV, eating at a restaurant, and an actor walking in the distance. The shot log provides details about the visual elements and progression of scenes in the project.
Cheerleader omi
The music video features fast-cut shots of a boy and girl at the beach, people playing in the beach, and Omi performing in the desert and in a car. It includes a bedroom scene of the boy and girl and ends with a beach party with dancing. Various camera shots like close-ups, long shots, and high/low angles are used to set the mood. Lip-syncing is included to make the video look professional.
Shot list
The document describes the shot sequence and details for a music video. It includes 40 shots ranging from establishing shots, close-ups, and mid/long shots of the singer performing and emoting in various outdoor locations like fields, forests and by the road. The shots transition between the singer alone and with scenery to show his emotional journey through the lyrics of struggling but not giving up on love and life.
Final music video synopsis
This document provides a shot-by-shot storyboard for a music video. It follows a group of friends traveling to different locations like an airport, train station, beach, theme park, and pier. Scenes include businessmen rushing to work, the band traveling by train and arriving at the beach, performing and dancing at the beach, riding rides at a theme park at night, skateboarding to the pier, and performing in a studio with projected visuals. The video uses techniques like slow motion, reverse editing, and cutting between scenes to tell the story through the song's lyrics of being on the road again with one's heart pumping.
Final music video synopsis
This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations while the band also performs in a studio. The video treatment proposes various shots and editing techniques to tie the story and locations together through the song.
Final music video synopsis
This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations with sparklers and colored smoke. The video treatment concludes with a studio performance that references movements from earlier scenes.
Analysing a music video
The song "Patience" by Take That was released in 2006 as the debut single from their comeback album. The music video was filmed in Iceland and depicts the band members traveling individually on a journey, representing their journey to reform the band. Throughout the video, the camera uses various shots and angles like close-ups, establishing shots, and point-of-view shots to follow the band members' individual paths as they search for something until ultimately meeting up and performing the song together at the end.
Shotlist
This document contains a shot list for a music video. It includes 23 shots ranging from close-ups to wide shots that would be used to depict the protagonist at different locations including a studio, Burley, Bransgore, and Highcliffe. The shots vary in duration and are mapped to corresponding parts of the song. Key shots include close-ups of the protagonist's face in the studio, medium shots of them walking through trees and down a gravel path, and shots of cut flowers and a teddy bear being placed in different locations.
Shot List
The shot list contains 41 shots detailing camera movements, locations, and dance sequences being filmed. Shots include establishing shots of dancers on the beach and in forests, close-ups of individual dancers, mid shots of dance formations and balances, panning shots following dance lines and circles, and shots of tumbling tricks and solo and group dance pieces. The shots document the filming of a dance film from wide establishing shots to tight close-ups through various camera movements and angles.
Shot List
The document provides a detailed shot list for a music video. It includes over 50 shots ranging from extreme close-ups to establishing shots. The shots show a group of friends singing, dancing, and spending time together in various outdoor locations. The shots progressively tell the story of the music and lyrics through visuals of the performers and their interactions.
Corswork media video
The document contains analyses of various music videos and CD covers:
1. The Foo Fighters music video depicts a battle between the band and armored men, using colors and symbols to represent conflict.
2. The Escape the Fate video mimics a graphic novel, showing each band member killed in a dark, scary setting.
3. The Twisted Sister video treats the song like a sport, with the band influencing rebellious students against a strict teacher through comic traps.
4. The analyzed CD covers symbolize the genres of hard rock, metal, and rock through colors, imagery, and focus on bands or album names.
Corswork media video
The document contains analyses of various music videos and CD covers:
1. The Foo Fighters music video depicts a battle between the band and armored men, using colors like white, black, and red to symbolize aggression.
2. The Escape the Fate video is styled like a graphic novel, showing each band member killed in brutal ways to match the dark song.
3. The Twisted Sister video treats the song like a sport, with the band influencing rebellious students against a strict teacher through comic traps.
4. The analyzed CD covers provide insights into Buckcherry, Papa Roach, and Kiss albums through visual elements like photos, colors, and text size/placement that reveal
Corswork media video
The document contains analyses of various music videos and CD covers:
1. The Foo Fighters music video depicts a battle between the band and armored men, using colors like white, black, and red to symbolize aggression.
2. The Escape the Fate video is styled like a graphic novel, showing each band member killed in brutal ways to match the dark song.
3. Twisted Sister's "I Wanna Rock" video treats the song like a sport, with the band influencing rebellious students against a strict teacher through comic traps.
4. The analyzed CD covers provide insights into Buckcherry presenting a bright, simple close-up for their rock album while Papa Roach and
Queen
This music video was directed by Bruce Gowers and produced by Roy Thomas Baker for the Queen song "Bohemian Rhapsody". It features Freddie Mercury, Roger Taylor, John Deacon, and Brian May. The video begins with the band singing in front of a plain black background before changing to shots of them performing on stage. Freddie Mercury is given most screen time and prominence as the lead singer and writer of the song. The lyrics tell the story of a man who accidentally kills someone and sells his soul to the devil.
Shot list
This document provides a summary of 31 different film shots for a music video or film. The shots include various angles and close-ups of artists playing instruments like the piano and guitar, a couple having a pillow fight, messing around in a room, playing arcade games, lip syncing in a bedroom, reflecting in a room, running in a forest, sitting on a bench, walking down the street and onto a beach, and cuddling by a piano. The shots utilize a variety of camera angles, movements, locations and focal lengths to capture the scenes and artists.
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Chapter wise All Notes of First year Basic Civil Engineering.pptx
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
Wound healing PPT
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
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clinical examination of hip joint (1).pdf
described clinical examination all orthopeadic conditions .
How to Add Chatter in the odoo 17 ERP Module
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Walmart Business+ and Spark Good for Nonprofits.pdf
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
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This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.How to Build a Module in Odoo 17 Using the Scaffold Method
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
The History of Stoke Newington Street Names
Presented at the Stoke Newington Literary Festival on 9th June 2024
www.StokeNewingtonHistory.com
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Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxMohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
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Shot list
- 1. Shot list Shotnumber Shottype Camera movement Location Sound(non - diegetic) Detail 1 Establishing shot Panning Beach Start of song before any words,fadingin While have scenery od beachand Charlie in middle walking 2 Mediumshot Static Beach Start of lyrics 3 Close up 360 degreespan startingon eyes Beach 4 Extreme close up Static Beach “lookintomy eyes” Will focuson eyesthengo intoflashback 5 Establishing shot Following subjects New forest Dancing together‘in love’ 6 Mediumshot Following subject New forest Dancingagain 7 Close up Static New forest Song Lookinginto each other’s eyes 8 Close up 360 panaround New forest 9 Mediumshot Panning New forest Themrunning aroundagain together 10 Long shot/ establishing shot Static Beach 11 Mediumshot Static Beach Start of song again 12 Close upshot Static Beach Start of lyrics 13 Extreme close up Static Beach “lookintomy eyes” Goingintoflash back (darker lighting) 14 Long shot Followingcar Road Drivingaway together 15 Mediumshot Static Street The couple hugging
- 2. 16 Mediumshot Static- looking down Street/forest The couple holdinghands 17 Close up Panning360 degreesaround them Street/forest The couple lookinginto each other’s eyes 18 Close up Panningfrom one ear to the other Street/forest Movingaround the girl gatheringher emotions (smiling) 19 Close up Panningfrom one ear to the other Street/forest Movingaround the boy gatheringher emotions (smiling) 20 Long shot Static Street/forest Watchingthe boyand girl walkawayinto the distance 21 Mediumshot Static- Jumpcut closer Street/forest Againwatching the boy andgirl walkintothe distance,getting closer 22 Close up Static- jumpcut closer Street/forest Endingwithjust a view of their heads 23 Close up Static Street/forest Endingthe song withthe frontof theirfaces showingtheir happyemotion.