Shot list
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This document describes 20 shots from a film trailer. The shots include various camera angles like medium close-ups, over the shoulder shots, and two shots taken in locations such as the capo's den, garage, protagonist's house, street, beach, and others. The shots show characters like the capo cleaning a gun, the capo talking on the phone, the protagonist driving a motorbike and selling drugs, and the capo aiming a gun at the camera.
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The Descent Editing
The document describes a family driving home in their car. The mom talks to her daughter about her upcoming birthday. The camera shows the mom's happy face as her daughter agrees with her. However, the husband seems annoyed. As the mom tries to cheer him up, they start arguing lightly. Still filming them from behind, they continue arguing and do not see the van stopped in front of them. Their car crashes into the van. Metal pipes from the van go through the husband's head and chest, causing blood to fly everywhere and killing him. The camera then shows an above view of the deadly car accident.
Editing the decent scene 2
The scene starts out slow and calm as Sarah, Annabel and Paul have a normal conversation in the van. However, the camera then shows the van approaching from behind, indicating something is about to go wrong. The pace quickly shifts from calm to fast as the van crashes, with a metal pole impaling Paul's face. The camera cuts between shots of the pole flying towards Paul, it hitting his face, and the gush of blood, keeping the audience in a state of horror. A second pole is then seen going through where Annabel had been sitting, making the audience wonder if she survived.
Shots within The Descent
The document describes 12 shots from a film scene. Shot 1 is a wide establishing shot lasting 3 seconds. Shot 2 is a behind-the-shoulder shot of a conversation lasting 2 seconds. Shot 3 is from the daughter's point of view lasting 4 seconds. Shot 4 is a close-up of Paul showing something is wrong with him, lasting 7 seconds. The final shots show a car accident in quick succession, with poles from a van hitting the car and striking Paul in the head, with the last shot serving as an outro to the climax.
Outside call sheet
This outside call sheet provides details for 24 shots in a film scene involving characters Tristan, Neil, Emma, and James encountering a zombie. The shots include Tristan walking with headphones on, noticing the zombie approaching Neil near a fence, Emma waving to get their attention, James pulling out a weapon as the zombie turns towards them, Tristan and James knocking the zombie to the floor with a rolling pin, and the group agreeing to get in Emma's car to escape as more zombies are spotted.
Script
The document outlines 21 scenes from a film production called "Forge Lane". Each scene describes the character, camera shot, and brief action. The scenes alternate between shots of a main character running through a field in slow motion, shots of other characters involved in suspicious activities like washing blood off hands, and shots at a party or pub with the group of friends. The scenes suggest some kind of crime or violent act has occurred on a grassy field, and the characters are attempting to cover it up.
Evaluation question 3
The document discusses film distribution and how to promote and distribute an independent film. It defines film distribution as making a movie available for audiences, which is normally done by a professional distributor who handles marketing and release strategies. For an independent film, the document proposes using social media platforms like Instagram, YouTube, and websites to promote the film's trailer in order to reach large audiences, especially teenagers and young adults. It also discusses ways to engage audiences through the film itself, such as using dramatic background music, varied camera angles and shots, unique credits, and making the main character charismatic.
Vladimir propp
Vladimir Propp believed that certain essential character types exist in all stories. These include the Hero, who is the main character seeking to succeed; the Villain, who creates disruption and is usually bad; and the False Hero, who pretends to support the Hero but may actually be the Villain. Propp also identified character types like the Dispatcher who sends the Hero on a mission, the Helper who aids the Hero, and the Princess or reward that the Hero and False Hero may compete for.
Todorovs theory
Todorov's Theory outlines five stages of narrative structure according to Tzvetan Todorov: 1) Equilibrium, where the main character's life is normal and balanced; 2) Disruption, where a problem disrupts the main character's equilibrium; 3) Recognition, where the main character realizes their situation has changed for the worse; 4) Repair, where the main character works to repair the situation and restore equilibrium; 5) New Equilibrium, where the character gains a new equilibrium through their experience and their life is now better than before. The theory is demonstrated through a summary of the plot of the book "Holes" by Louis Sachar.
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The document describes a family driving home in their car. The mom talks to her daughter about her upcoming birthday. The camera shows the mom's happy face as her daughter agrees with her. However, the husband seems annoyed. As the mom tries to cheer him up, they start arguing lightly. Still filming them from behind, they continue arguing and do not see the van stopped in front of them. Their car crashes into the van. Metal pipes from the van go through the husband's head and chest, causing blood to fly everywhere and killing him. The camera then shows an above view of the deadly car accident.
Editing the decent scene 2
The scene starts out slow and calm as Sarah, Annabel and Paul have a normal conversation in the van. However, the camera then shows the van approaching from behind, indicating something is about to go wrong. The pace quickly shifts from calm to fast as the van crashes, with a metal pole impaling Paul's face. The camera cuts between shots of the pole flying towards Paul, it hitting his face, and the gush of blood, keeping the audience in a state of horror. A second pole is then seen going through where Annabel had been sitting, making the audience wonder if she survived.
Shots within The Descent
The document describes 12 shots from a film scene. Shot 1 is a wide establishing shot lasting 3 seconds. Shot 2 is a behind-the-shoulder shot of a conversation lasting 2 seconds. Shot 3 is from the daughter's point of view lasting 4 seconds. Shot 4 is a close-up of Paul showing something is wrong with him, lasting 7 seconds. The final shots show a car accident in quick succession, with poles from a van hitting the car and striking Paul in the head, with the last shot serving as an outro to the climax.
Outside call sheet
This outside call sheet provides details for 24 shots in a film scene involving characters Tristan, Neil, Emma, and James encountering a zombie. The shots include Tristan walking with headphones on, noticing the zombie approaching Neil near a fence, Emma waving to get their attention, James pulling out a weapon as the zombie turns towards them, Tristan and James knocking the zombie to the floor with a rolling pin, and the group agreeing to get in Emma's car to escape as more zombies are spotted.
Script
The document outlines 21 scenes from a film production called "Forge Lane". Each scene describes the character, camera shot, and brief action. The scenes alternate between shots of a main character running through a field in slow motion, shots of other characters involved in suspicious activities like washing blood off hands, and shots at a party or pub with the group of friends. The scenes suggest some kind of crime or violent act has occurred on a grassy field, and the characters are attempting to cover it up.
Evaluation question 3
The document discusses film distribution and how to promote and distribute an independent film. It defines film distribution as making a movie available for audiences, which is normally done by a professional distributor who handles marketing and release strategies. For an independent film, the document proposes using social media platforms like Instagram, YouTube, and websites to promote the film's trailer in order to reach large audiences, especially teenagers and young adults. It also discusses ways to engage audiences through the film itself, such as using dramatic background music, varied camera angles and shots, unique credits, and making the main character charismatic.
Vladimir propp
Vladimir Propp believed that certain essential character types exist in all stories. These include the Hero, who is the main character seeking to succeed; the Villain, who creates disruption and is usually bad; and the False Hero, who pretends to support the Hero but may actually be the Villain. Propp also identified character types like the Dispatcher who sends the Hero on a mission, the Helper who aids the Hero, and the Princess or reward that the Hero and False Hero may compete for.
Todorovs theory
Todorov's Theory outlines five stages of narrative structure according to Tzvetan Todorov: 1) Equilibrium, where the main character's life is normal and balanced; 2) Disruption, where a problem disrupts the main character's equilibrium; 3) Recognition, where the main character realizes their situation has changed for the worse; 4) Repair, where the main character works to repair the situation and restore equilibrium; 5) New Equilibrium, where the character gains a new equilibrium through their experience and their life is now better than before. The theory is demonstrated through a summary of the plot of the book "Holes" by Louis Sachar.
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Angel Martinez and Santiago Dañino have decided on the main characters for their film Alberto Singala, with Angel as one of the leads because he enjoys filmmaking and received an A on their class blog thanks to his and Santiago's performances. Santiago will also be a main character as he is a great actor who gets into character. Alejandro Stolz will play a secondary role due to his acting abilities despite having less screen time.
Composition
The Rule of Thirds suggests composing photos so that important elements are along the imaginary lines that divide the frame into thirds both horizontally and vertically. This creates more tension and interest than centering the subject. Placing the subject off-center makes the composition more engaging than simply centering it.
Types of lighting (1)
This document discusses different types of lighting commonly used in film and media. It describes low key lighting as creating harsh contrasts through shadows. Three-point fill lighting uses three lights to create a normal-looking scene. High key lighting reduces contrasts to give a bright, shadowless look. Backlighting and rim lighting both illuminate from behind to create silhouettes, with backlighting more common in romantic films and rim-lighting setting a darker tone. Natural lighting can come from the sun or have a yellow-white hue, while artificial lighting has obvious man-made sources with blue-grey or harsh yellow-orange hues.
Types of lighting
The document discusses different types of lighting commonly used in film and media. It describes low key lighting as creating harsh contrasts through shadows. Three-point fill lighting creates a normal look with soft shadows. High key lighting reduces contrasts to give a bright, shadowless look. Backlighting and rim lighting are used to create silhouettes from behind, with backlighting more common in romantic films and rim-lighting setting a darker tone. Natural lighting refers to sunlight or yellow/white artificial lights, while artificial lighting has a blue-grey or harsh yellow-orange hue from man-made sources.
Shot list
The document describes 23 shots from a film scene involving the kidnapping of a detective named Rick. The shots include establishing shots of various locations like Santiago's office, the street, and an abandoned house. They also show Rick being taken from his office to a car, driven to the abandoned house, and held tied to a chair while the kidnapper interacts with him. The shots utilize different camera angles, movements, focuses, and distances to depict the sequence of events.
Research on audience
Based on a questionnaire about audience demographics:
1) The majority of respondents were 18 years or older, indicating adults are the primary target market.
2) Most respondents were women, at 62% compared to 38% men.
3) The most popular movie genre was action at 25%, followed by fiction and horror, while mystery - the genre of the film - was preferred by only 9.5% of respondents. The results suggest extra effort may be needed to appeal to a broader audience.
Research on credits
This document lists various opening and closing credits that could be used for television programmes, including performers, writers, directors, producers, and technical crew across areas like camera, lighting, design, graphics, sound, and special effects. It provides standardized credit titles and descriptions for casting, performances, commentary, introductions, presentations, narrations, adaptations, creations, and technical roles.
Lighting
The document discusses various lighting techniques used in filmmaking. It defines key lighting as the main light that establishes contrast, with high key lighting having a high fill light ratio creating a brighter effect and low key lighting having a lower ratio creating more shadows. It also covers low-key lighting being used for mystery and horror genres due to the shadows it creates. Combinations of high and low key lighting may be used within a scene or film. Backlighting, top lighting, under lighting and background lighting are also defined as lighting elements that can be added to a scene.
Location
We will record the opening of our film in Jerez de la Frontera, Spain where our college is located, making it convenient to film after school. The first scene will take place in Santi's library and the second and final scene will be filmed in an abandoned house.
Mise en-scene
The document discusses five key elements of film production: set design which comprises the furniture, props, and sets; lighting which directors manipulate to achieve their desired mood; costumes which dress actors according to their characters; props which are objects used in a film scene; makeup which includes cosmetics; and location which is where filming takes place.
Film genre
The document defines and describes several major film genres:
Dramatic films portray realistic characters and conflicts between people or individuals and forces of nature. Science fiction films are imaginative stories that take place in fanciful settings with advanced technology, scientific developments, or special effects. Horror films aim to provoke intense fear, repulsion, or dread through violence, disturbed characters, terrifying monsters, or atmosphere and suspense. Comedies aim to make audiences laugh through silly jokes and characters.
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Angel Martinez and Santiago Dañino have decided on the main characters for their film Alberto Singala, with Angel as one of the leads because he enjoys filmmaking and received an A on their class blog thanks to his and Santiago's performances. Santiago will also be a main character as he is a great actor who gets into character. Alejandro Stolz will play a secondary role due to his acting abilities despite having less screen time.
Composition
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Types of lighting (1)
This document discusses different types of lighting commonly used in film and media. It describes low key lighting as creating harsh contrasts through shadows. Three-point fill lighting uses three lights to create a normal-looking scene. High key lighting reduces contrasts to give a bright, shadowless look. Backlighting and rim lighting both illuminate from behind to create silhouettes, with backlighting more common in romantic films and rim-lighting setting a darker tone. Natural lighting can come from the sun or have a yellow-white hue, while artificial lighting has obvious man-made sources with blue-grey or harsh yellow-orange hues.
Types of lighting
The document discusses different types of lighting commonly used in film and media. It describes low key lighting as creating harsh contrasts through shadows. Three-point fill lighting creates a normal look with soft shadows. High key lighting reduces contrasts to give a bright, shadowless look. Backlighting and rim lighting are used to create silhouettes from behind, with backlighting more common in romantic films and rim-lighting setting a darker tone. Natural lighting refers to sunlight or yellow/white artificial lights, while artificial lighting has a blue-grey or harsh yellow-orange hue from man-made sources.
Shot list
The document describes 23 shots from a film scene involving the kidnapping of a detective named Rick. The shots include establishing shots of various locations like Santiago's office, the street, and an abandoned house. They also show Rick being taken from his office to a car, driven to the abandoned house, and held tied to a chair while the kidnapper interacts with him. The shots utilize different camera angles, movements, focuses, and distances to depict the sequence of events.
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Based on a questionnaire about audience demographics:
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This document lists various opening and closing credits that could be used for television programmes, including performers, writers, directors, producers, and technical crew across areas like camera, lighting, design, graphics, sound, and special effects. It provides standardized credit titles and descriptions for casting, performances, commentary, introductions, presentations, narrations, adaptations, creations, and technical roles.
Lighting
The document discusses various lighting techniques used in filmmaking. It defines key lighting as the main light that establishes contrast, with high key lighting having a high fill light ratio creating a brighter effect and low key lighting having a lower ratio creating more shadows. It also covers low-key lighting being used for mystery and horror genres due to the shadows it creates. Combinations of high and low key lighting may be used within a scene or film. Backlighting, top lighting, under lighting and background lighting are also defined as lighting elements that can be added to a scene.
Location
We will record the opening of our film in Jerez de la Frontera, Spain where our college is located, making it convenient to film after school. The first scene will take place in Santi's library and the second and final scene will be filmed in an abandoned house.
Mise en-scene
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Film genre
The document defines and describes several major film genres:
Dramatic films portray realistic characters and conflicts between people or individuals and forces of nature. Science fiction films are imaginative stories that take place in fanciful settings with advanced technology, scientific developments, or special effects. Horror films aim to provoke intense fear, repulsion, or dread through violence, disturbed characters, terrifying monsters, or atmosphere and suspense. Comedies aim to make audiences laugh through silly jokes and characters.
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3. Practical demonstrations
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Artificial Intelligence for XMLDevelopment
In the rapidly evolving landscape of technologies, XML continues to play a vital role in structuring, storing, and transporting data across diverse systems. The recent advancements in artificial intelligence (AI) present new methodologies for enhancing XML development workflows, introducing efficiency, automation, and intelligent capabilities. This presentation will outline the scope and perspective of utilizing AI in XML development. The potential benefits and the possible pitfalls will be highlighted, providing a balanced view of the subject.
We will explore the capabilities of AI in understanding XML markup languages and autonomously creating structured XML content. Additionally, we will examine the capacity of AI to enrich plain text with appropriate XML markup. Practical examples and methodological guidelines will be provided to elucidate how AI can be effectively prompted to interpret and generate accurate XML markup.
Further emphasis will be placed on the role of AI in developing XSLT, or schemas such as XSD and Schematron. We will address the techniques and strategies adopted to create prompts for generating code, explaining code, or refactoring the code, and the results achieved.
The discussion will extend to how AI can be used to transform XML content. In particular, the focus will be on the use of AI XPath extension functions in XSLT, Schematron, Schematron Quick Fixes, or for XML content refactoring.
The presentation aims to deliver a comprehensive overview of AI usage in XML development, providing attendees with the necessary knowledge to make informed decisions. Whether you’re at the early stages of adopting AI or considering integrating it in advanced XML development, this presentation will cover all levels of expertise.
By highlighting the potential advantages and challenges of integrating AI with XML development tools and languages, the presentation seeks to inspire thoughtful conversation around the future of XML development. We’ll not only delve into the technical aspects of AI-powered XML development but also discuss practical implications and possible future directions.
Mind map of terminologies used in context of Generative AI
Mind map of common terms used in context of Generative AI.
Cosa hanno in comune un mattoncino Lego e la backdoor XZ?
ABSTRACT: A prima vista, un mattoncino Lego e la backdoor XZ potrebbero avere in comune il fatto di essere entrambi blocchi di costruzione, o dipendenze di progetti creativi e software. La realtà è che un mattoncino Lego e il caso della backdoor XZ hanno molto di più di tutto ciò in comune.
Partecipate alla presentazione per immergervi in una storia di interoperabilità, standard e formati aperti, per poi discutere del ruolo importante che i contributori hanno in una comunità open source sostenibile.
BIO: Sostenitrice del software libero e dei formati standard e aperti. È stata un membro attivo dei progetti Fedora e openSUSE e ha co-fondato l'Associazione LibreItalia dove è stata coinvolta in diversi eventi, migrazioni e formazione relativi a LibreOffice. In precedenza ha lavorato a migrazioni e corsi di formazione su LibreOffice per diverse amministrazioni pubbliche e privati. Da gennaio 2020 lavora in SUSE come Software Release Engineer per Uyuni e SUSE Manager e quando non segue la sua passione per i computer e per Geeko coltiva la sua curiosità per l'astronomia (da cui deriva il suo nickname deneb_alpha).
Removing Uninteresting Bytes in Software Fuzzing
Imagine a world where software fuzzing, the process of mutating bytes in test seeds to uncover hidden and erroneous program behaviors, becomes faster and more effective. A lot depends on the initial seeds, which can significantly dictate the trajectory of a fuzzing campaign, particularly in terms of how long it takes to uncover interesting behaviour in your code. We introduce DIAR, a technique designed to speedup fuzzing campaigns by pinpointing and eliminating those uninteresting bytes in the seeds. Picture this: instead of wasting valuable resources on meaningless mutations in large, bloated seeds, DIAR removes the unnecessary bytes, streamlining the entire process.
In this work, we equipped AFL, a popular fuzzer, with DIAR and examined two critical Linux libraries -- Libxml's xmllint, a tool for parsing xml documents, and Binutil's readelf, an essential debugging and security analysis command-line tool used to display detailed information about ELF (Executable and Linkable Format). Our preliminary results show that AFL+DIAR does not only discover new paths more quickly but also achieves higher coverage overall. This work thus showcases how starting with lean and optimized seeds can lead to faster, more comprehensive fuzzing campaigns -- and DIAR helps you find such seeds.
- These are slides of the talk given at IEEE International Conference on Software Testing Verification and Validation Workshop, ICSTW 2022.
Video Streaming: Then, Now, and in the Future
In his public lecture, Christian Timmerer provides insights into the fascinating history of video streaming, starting from its humble beginnings before YouTube to the groundbreaking technologies that now dominate platforms like Netflix and ORF ON. Timmerer also presents provocative contributions of his own that have significantly influenced the industry. He concludes by looking at future challenges and invites the audience to join in a discussion.
AI 101: An Introduction to the Basics and Impact of Artificial Intelligence
Imagine a world where machines not only perform tasks but also learn, adapt, and make decisions. This is the promise of Artificial Intelligence (AI), a technology that's not just enhancing our lives but revolutionizing entire industries.
Infrastructure Challenges in Scaling RAG with Custom AI models
Building Retrieval-Augmented Generation (RAG) systems with open-source and custom AI models is a complex task. This talk explores the challenges in productionizing RAG systems, including retrieval performance, response synthesis, and evaluation. We’ll discuss how to leverage open-source models like text embeddings, language models, and custom fine-tuned models to enhance RAG performance. Additionally, we’ll cover how BentoML can help orchestrate and scale these AI components efficiently, ensuring seamless deployment and management of RAG systems in the cloud.
National Security Agency - NSA mobile device best practices
Threats to mobile devices are more prevalent and increasing in scope and complexity. Users of mobile devices desire to take full advantage of the features
available on those devices, but many of the features provide convenience and capability but sacrifice security. This best practices guide outlines steps the users can take to better protect personal devices and information.
UiPath Test Automation using UiPath Test Suite series, part 5
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Topics covered:
CI/CD with in UiPath
End-to-end overview of CI/CD pipeline with Azure devops
Speaker:
Lyndsey Byblow, Test Suite Sales Engineer @ UiPath, Inc.
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Shot list
- 1. Shot number Shot type Location Description 1 Medium close-up Capo´s den In the first shot we can see how the capo is cleaning a gun 2 Over the shoulder shot Capo´s den The camera is located in the shoulder of the bodyguard to see the face of the capo 3 Three-shot Capo´s den In this shot we can see the three main characters of the trailer 4 Medium close u-p Capo´s den The camera focus in the face of the bodyguard 5 Two-shot Capo´s den Here we can see both persons. The bodyguard and the capo 6 Three-shot Capo´s den In this shot we can see the three main characters of the trailer 7 Full shot or tracking shot Garage The camera slowly moves towards the protagonist, in order to have a full shot 8 Cutaway Protagonist's house Here you can see how the protagonist takes the pistol 9 Point of view Protagonist's house Y ou can see here how the protagonist makes the drug 10 Point of view Motorbike The protagonist is driving his motorbike to sell the drug 11 Point of view Street The protagonist gives the drug and collects the money 12 Cutaway Protagonist's house The protagonist is melting the drug using a spoon 13 Mid shot Capo´s den A shot taken at a medium distance 14 Cutaway Capo´s den Shows the view of the sea 15 Point of view shot Beach Shows that one person is running because he seems to be afraid 16 Mid shot Capo´s den Here you can see the capo talking with the phone in his den 17 Two-shot Street The protagonist is pointed with a pistol 18 Close-up Capo´s den Here you can see the facial aspect of the protagonist 19 Two-shot Capo´s den Here you can see the Capo and the bodyguard 20 Close-up Capo´s den Y ou can see in this shot, the capo aiming at the camera with the gun