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Frank Frazetta draw various painting of the death sealer and one of it’s became cover of the death dealer comic series. Here are avaliable best one collections of painting. https://goo.gl/KTpFRg
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Robert Motherwell: wars end and brand fade
Robert Motherwell (1915-1991), known for pulling the trigger for Abstract Expressionism, created a visual identity from pure emotions. His radical expressive brand communicates a violent world, without propaganda or judgement.
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This document discusses various tropes and influences in horror and slasher films. It describes common character archetypes like the "final girl" who survives and defeats the monster. It also discusses how early German expressionist films with techniques like painted shadows influenced the horror genre. Film noir and gothic horror literature also influenced these genres. An example photo shows the influences of expressionism and gothic horror through use of shadows and jagged shapes. Horror films are also often set in suburbia to make the story more relatable and realistic for audiences.
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This document provides context for an assignment to analyze two media texts using semiotic tools. It discusses semiotics and the work of theorists like Saussure and Pierce who studied how meaning is derived from signs. The student will analyze a black-and-white photo from the Vietnam War showing a soldier with his head down next to a gun, exploring signs like the framing, colors, and body language. They will also examine the season one poster for Stranger Things, looking at signs that reference 1980s culture and films that inspired the show. The analysis will discuss how different signs create meaning and representation in the selected media texts.
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The document discusses the evolution of horror films over different decades from the 1920s to the 2000s. Early horror films of the 1920s were dark, shadowy productions featuring vampires and monsters. In the 1930s, the introduction of sound allowed for more elaborate horror films like Dracula. The 1940s saw a shift to America as horrors with human-animal hybrid monsters became popular. Teenagers were the main audience in the 1950s, during which films explored fears of radiation and mutation. The 1960s saw the rise of psychological horrors where monsters took human form. Iconic films of the 1970s like The Texas Chain Saw Massacre and The Exorcist reflected contemporary fears of disturbed children and threats within the home. The
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The document provides a history of the horror film genre from the 1890s to the 2000s. It describes how early silent films in the 1890s showed the first supernatural events. In the 1930s-1940s, Universal Pictures created a successful series of classic horror films featuring characters like Dracula and Frankenstein. The 1950s-1960s saw a divide into horror-of-Armageddon and horror-of-the-demonic films, and the emergence of the slasher subgenre. The 1970s-1980s featured influential films like The Exorcist and Halloween that established new standards, while the 1990s saw the birth of blending fictional and real-world horrors. More recent trends include the revival of teen
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The document discusses the history and evolution of the thriller genre from its origins in the 1920s to modern times. It explores how thrillers first focused on creating feelings of emotion and suspense through films like The Lodger in the 1920s. During the 1960s-1980s, thrillers became bolder and more violent with films like Psycho and Frenzy. In the 1990s, common thriller themes involved obsession and detectives hunting serial killers, as seen in films like The Silence of the Lambs. Modern thrillers continue to draw from different eras while also focusing on crime and terrorism.
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The document discusses the thriller genre and provides examples of classic thriller films. It summarizes Alfred Hitchcock's background and rise to fame as the "Master of Suspense" through his directing of notable silent films and talkies in the 1920s-1940s that featured themes of mystery, false accusations, and plot twists. It also notes that psychological thrillers often focus on the unstable mental states of characters and themes involving reality, perception, identity and death.
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This document summarizes information about two major comic book publishers - DC Comics and Marvel Comics. It provides details about some of their most well-known characters such as Superman, Batman, and Spider-Man. It also describes some notable creators that worked for each publisher, such as Frank Miller and Stan Lee. The document aims to describe the work of graphic novel and comic book publishers by highlighting two of the largest and most influential in the industry.
Assigment 1 comedy
This document provides an in-depth analysis of the 1940 film "The Great Dictator" directed by Charlie Chaplin. It examines the film's narrative structure and visual themes, particularly through the lens of the final speech scene. The analysis explores how the film uses satire and comedy to criticize the fascist ideologies of Hitler and Mussolini during the time period it was made, while also delivering an important message about social hierarchy and totalitarianism that remains relevant today. Key aspects discussed include the film's parody of real fascist leaders through Chaplin's dual roles, its use of slapstick humor and irony to comment on the rise of fascism in Europe, and how scenes reflected the class system and power dynamics of Nazi Germany.
Political cartoons
Political cartoons aim to make a political point through humor or serious imagery. The first known American political cartoon, "Join, or Die" from 1754, depicted a segmented snake and called for unity among the colonies against threats. Political cartoons grew with lithography in the 1820s, spreading ideas through inexpensive prints. Thomas Nast was a influential 19th century cartoonist who helped elect Lincoln and took down the corrupt Tweed Ring through cartoons in Harper's Weekly. In the 20th century, cartoonists like Herblock attacked McCarthyism, though TV and internet have reduced cartoons' societal influence today.
Comics Sottomayor
The document provides a history of comic books from their origins in newspaper comic strips in 1895 to the present day. It discusses the Golden, Silver, Bronze, and Iron Ages of American comics defined by major developments. It also covers the rise of manga in Japan, influenced by American comics brought by soldiers after WWII, and the growing popularity of webcomics in the late 1990s and 2000s online.
Comics
The document provides a history of comic books from their origins in newspaper comic strips in 1895 to the present day. It discusses the Golden, Silver, Bronze, and Iron Ages of American comics defined by major developments. It also covers the rise of manga in Japan, influenced by American comics brought by soldiers after WWII, and the growing popularity of webcomics in the late 1990s and 2000s online.
The Walking Dead AS Media Jack Cullum Draft #1
The Walking Dead franchise began in 2003 as a comic series created by Robert Kirkman that is still ongoing. It was later adapted into a highly successful television series on AMC in 2010. The franchise has expanded to include video games, novels, and mobile games. The comic series and television show focus on character-driven stories in the zombie apocalypse genre, which was unconventional when it first began.
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Shop Frank Frazetta Death Dealer Paintings
- 8. The life Frank Frazetta lived is not an easy one. He suffered from various diseases including a condition of thyroid which left untreated for many years. He also suffers from a series of stroke which lift his right arm in a state of paralyzed. But no disease or illness able to stop him from drawing and when he can’t draw by right hand, he teaches himself to paint and draw with his left hand. He was a man with burning passion for his work.
- 13. In 1978 the first album of Molly Hatchet made the death dealer painting as it covers. James Silke the author also write four series of death dealer adventure which are in order; Prisoner of the Horned Helmet, Lords of Destruction, Tooth and Claw and Plague of Knives.
- 15. Based upon the death dealer character various full size and miniature statues and action figures are made and the first statue is made by sculptor Randy Bowen. In the year 1995 the first death dealer comic book is released by a company named Verotik and after that other several comic books of death dealer is also released. Not only in the comics and books but the effect of death dealer character is also seen in the military as its mascot.