Shooting script for cabin
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The document outlines 15 shots for a film scene involving a girl going for a run in the woods. Each shot lists the camera angle, movement, location, audio, date, time, costumes, and props. The shots show the girl running and stretching, then passing ominous objects like nooses, an axe, and a cabin before an antagonist's arm is seen and she runs away in fear, falling at the end while trying to grab dirt.
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Shooting script for cabin
The document outlines 12 shots for a film scene depicting a girl going for a run in the woods. Each entry describes the camera angle, movement, location, audio, date, time, costumes, and props needed for each shot, which shows the girl running and stretching, passing ominous objects like nooses and an axe, encountering an antagonist, falling, and screaming as the music fades back in.
Shooting script for cabin
This document contains details for 12 shots of a film scene involving a girl going for a run in the woods. Each entry describes the camera angle, movement, location, audio, date, time, costumes, and props needed for the shot. The shots include the girl running along a trail and past landmarks like nooses and an axe before encountering the outstretched arm of an antagonist and fleeing in fear, eventually tripping and screaming as her hand grabs at the dirt.
Shooting script for cabin
This document contains a shot list for filming a girl going for a run in the woods. It describes 15 shots, including the camera angles, movements, locations, audio, costumes, props, and timing needed for each shot. The shots include the girl running uphill and past obstacles like nooses and an axe in the woods, before she stops by a cabin and encounters an antagonist's arm. Later shots show the girl falling while running and her hand clenching in the dirt.
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James Cameron was born in Canada in 1984 and originally studied physics before dropping out of college to teach himself about special effects. He was inspired to enter the film industry after watching Star Wars in 1977. Cameron's first film as a writer, director, producer, and product designer was called Xenogenesis. His first big hit as a director was The Terminator, which was inspired by a nightmare he had about an invincible robot hitman. Cameron went on to direct more successful films such as The Abyss and Terminator sequels, with The Abyss being one of the most expensive of its time due to its underwater filming.
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This document discusses three potential filming locations for a school media project trailer:
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This document contains a shot list for a film project titled "Abduction". It includes 14 shots ranging from long shots and close ups that will show a chase through the woods between a good guy and chaser, ending with the villain tackling and punching the good guy. The shots will provide different angles and perspectives of the chase and fight.
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This document contains a shot list for a film project titled "Abduction". It includes 14 shots ranging from long shots and close ups to tracking and panning shots. The shots will show scenes of someone being chased through woods, tackled, and punched by their pursuer.
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Shooting script for cabin
The document outlines 12 shots for a film scene depicting a girl going for a run in the woods. Each entry describes the camera angle, movement, location, audio, date, time, costumes, and props needed for each shot, which shows the girl running and stretching, passing ominous objects like nooses and an axe, encountering an antagonist, falling, and screaming as the music fades back in.
Shooting script for cabin
This document contains details for 12 shots of a film scene involving a girl going for a run in the woods. Each entry describes the camera angle, movement, location, audio, date, time, costumes, and props needed for the shot. The shots include the girl running along a trail and past landmarks like nooses and an axe before encountering the outstretched arm of an antagonist and fleeing in fear, eventually tripping and screaming as her hand grabs at the dirt.
Shooting script for cabin
This document contains a shot list for filming a girl going for a run in the woods. It describes 15 shots, including the camera angles, movements, locations, audio, costumes, props, and timing needed for each shot. The shots include the girl running uphill and past obstacles like nooses and an axe in the woods, before she stops by a cabin and encounters an antagonist's arm. Later shots show the girl falling while running and her hand clenching in the dirt.
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This document contains a shot list for a film project titled "Abduction". It includes 14 shots ranging from long shots and close ups to tracking and panning shots. The shots will show scenes of someone being chased through woods, tackled, and punched by their pursuer.
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This document discusses three potential filming locations for a school media project trailer:
1) Lizzie's House, where most of the trailer will be filmed due to its variety of rooms and proximity to other locations. Potential hazards include traffic and cable clutter.
2) The Leg of Mutton pub, chosen to portray a stereotypical soap opera setting. Permission must be obtained from the pub management.
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This document contains a shot list for a film project titled "Abduction". It includes 14 shots ranging from long shots and close ups that will show a chase through the woods between a good guy and chaser, ending with the villain tackling and punching the good guy. The shots will provide different angles and perspectives of the chase and fight.
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This document discusses the concept of the male gaze and how it is defined through three dimensions: how men look at women, how women look at themselves, and how women look at other women. It outlines different types of gazes including the spectator's gaze, intra-diegetic gaze, extra-diegetic gaze, camera gaze, and editorial gaze. It then discusses Laura Mulvey's influential 1975 essay "Visual Pleasure and Narrative Cinema" which argued that women are presented as objects of visual pleasure through voyeurism in cinema and are viewed from the perspective of the heterosexual male gaze. Mulvey described three types of looking - that of the camera, audience, and characters on screen.
Gauntlett
Media 1.0 focused on experts and key texts from mainstream Western media, treating audiences as passive receivers. Media 2.0 emphasizes everyday meanings produced by diverse audiences, the long tail of independent digital media projects, and sees audiences as active interpreters thanks to greater media literacy fostered by popular media coverage of techniques.
The bible for the mourning after
Arc and Elle are shown in various intimate moments throughout their home, from cuddling on the sofa to arguing in the kitchen. The camera captures them getting high together, with drugs and a lighter shown up close. Their relationship seems passionate yet turbulent, as they are seen both lovingly embracing and angrily shouting at one another. Elle is shown crying while doing her makeup, and at one point a mug is thrown and breaks against the wall. The documentary ends with Arc standing alone in the dark, rapping about not sleeping much and being in a comatose state when he does.
Storyboard A2 Media Music Video
This document provides a shot list for a music video with 50 shots. Each shot is described along with the corresponding lyrics from the song. The shots depict intimate moments between a couple, Arc and Elle, both in happier and more distressed times, including kissing, arguing, taking drugs, and Elle ultimately dead in Arc's arms. The shots are meant to visually represent and move the story of the song's lyrics forward.
Target audience profile
The document discusses the target audience for a conscious rap music project. It aims to target 16-24 year olds who are exploring new perspectives and viewpoints. Psychographic traits of the target include those interested in extreme sports like skateboarding and free running who see themselves as rebellious. The target audience prefers urban areas and having a unique style shown through vibrant hair and clothing. Examples are provided of potential fans fitting this profile.
Andrew goodwins theory
The document discusses several codes and conventions that are commonly found in music videos. It notes that visuals in music videos often illustrate, amplify, or contradict the lyrics being sung. Music videos also frequently use visuals that amplify or illustrate the beat and music. Additionally, certain music genres have developed signature styles and iconography in their music videos. There is also often voyeurism and close-ups of the main artist in music videos. Many music videos contain intertextual references to other music videos, films, or television shows.
The Mourning After
This document proposes using a Mac Miller song called "The Mourning After" in a music video to raise awareness of mental health issues among young adults. The song is about a toxic relationship where the two people love each other but are bad for each other. The author interprets the song as being about one person accidentally killing their partner during an argument due to a split personality. The proposed video would combine a performance of the song with abstract and narrative elements, including flashbacks to the relationship and the artist rapping in a mirrored room. It aims to intrigue young viewers through controversial themes and imagery while still relating the message of uncontrollable events.
proposal for the mourning after
This document proposes using a Mac Miller song to create a music video highlighting mental health issues among young adults. The song "The Mourning After" would be interpreted as about a toxic relationship where the characters know they are bad for each other but cannot separate. In the proposed video, flashbacks would show their relationship while the artist raps in a mirrored room, and ultimately the character is shown laying with his dead girlfriend after a split-personality led him to kill her, representing something uncontrollable. The video aims to intrigue young audiences through an interesting artist, relatable concepts, and controversial imagery.
Idea run through
This document discusses two ideas for challenging stereotypes about mental illness. The first idea is a music video that would tell the story of three people with different mental illnesses (anxiety, schizophrenia, and epilepsy) who overcome obstacles through their passions. The second idea is a dream-like music video that would portray how society can isolate and outcast those with mental illness, showing a man who faces discrimination at a job interview and finds himself in a strange place with other outcasts. The document proposes planning out and storyboarding both ideas to select one to pursue.
Cv for main protagonist
Richard Gould is a hardworking and reliable individual born on February 15th, 1995 who has been involved in scouting since age six. He has strong computer, communication, and interpersonal skills and is able to work with all age groups as demonstrated through his current roles as caretaker and assistant at various locations.
Production log 13
The document discusses editing a video project called "Ignotus". It notes that the first edit was completed using Windows Movie Maker and additional editing is needed in Final Cut Pro to add music, typography, and finish the opening. Everyone will collaborate to complete the final edit quickly and to a high standard.
Production log 13
The document provides details on an editing project. An initial edit was completed using Windows Movie Maker but further work is needed in Final Cut Pro, including combining shots, adding music and typography. Everyone will collaborate to finish the opening by quickly completing the final edit to a high standard.
Production log 12
In 3 days of filming, the team shot 25 minutes of footage and selected 10 minutes of good quality shots for the opening. On December 21st, Sam will complete a first edit in Windows Movie Maker to test the order and basic effects, as they don't have Final Cut Pro during the holidays. Danny will create or find music to accompany the scenes, and all members will finish the production logo.
Production log 11
The crew found two new locations for filming - Danny's house and the community centre where the document author works. However, when they got to the locations with equipment, they realized they did not have a storyboard or shooting script planned out. They had to go back and collaborate to develop the storyboard and script before they could begin filming. They will now work collaboratively to write out the storyboard and script and finish other pre-production tasks so they can begin filming.
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Shooting script for cabin
- 1. Scene Camera angle/ Movement Location Script/ Audio Date/ Time Props/ Equipment needed Girl running. Shot #1 Low angle. Camera stays still. As the girl runs up hill. Frylands wood campsite Running Music 11/10/2013 4:30PM Costume: leggings, vest top, running trainers Props: Ipod with head phones. Girl running. Shot #2 Close up of feet. Camera pans left to right with the feet. Frylands wood campsite Running Music 11/10/2013 4:40PM Costume: leggings, vest top, running trainers Props: Ipod with head phones. Girl running past nooses. Shot #3 High angle, wide shot of nooses and women. Camera pans with girl Frylands wood campsite Running Music, deep bass guitar sound 11/10/2013 4:55PM Costume: leggings, vest top, running trainers Props: Ipod with head phones nooses. Girl running. Shot #4 Medium shot of girl running. camera pans with girl Frylands wood campsite Running Music, deep bass guitar sound 11/10/2013 5:10PM Costume: leggings, vest top, running trainers Props: Ipod with head phones. Girl stretching/ Shot #5 Birdseye view shot. Camera is still until she runs off; when it pans with the girl Frylands wood campsite Running Music, deep bass guitar sound 11/10/2013 5:25PM Costume: leggings, vest top, running trainers Props: Ipod with head phones. Girl running past axe. Shot #6 Long shot with the focus on axe as the girl runs past. The camera pan with girl until axe is completely focused. Frylands wood campsite Running Music, deep bass guitar sound 11/10/2013 5:35PM Costume: leggings, vest top, running trainers Props: Ipod with head phones, axe in wood. Girl stopped. Shot #7 Close up between the girls legs with a long shot of the cabin as the girl drops her head phones. Camera stays still. Frylands wood campsite Running Music, deep bass guitar sound is muffled 11/10/2013 5:55PM Costume: leggings, vest top, running trainers Props: Ipod with head phones, cabin Cabin
- 2. Antagonist arm. Shot #8 Point of view shot from antagonist creating a long shot of the girl (unfocused) as the antagonist arm comes on screen Frylands wood campsite Heavy breathing from antagonist 11/10/2013 6:05PM Costume: leggings, vest top, running trainers. Bare arm of antagonist. Props: Ipod with head phones, cabin door Girls face. Shot #9 Close up of the girls face before she runs off. Camera stays still. Frylands wood campsite Heavy breathing from antagonist and quick sharp breathes from girl 11/10/2013 6:15PM Costume: leggings, vest top, running trainers. Black out Shot #10 Black out Deep guitar riff and breathing still Ipod drop. Shot #11 Low angle shot as the girl runs past the camera the ipod drops in front of it Frylands wood campsite Deep guitar riff and breathing still 11/10/2013 6:30PM Costume: leggings, vest top, running trainers. Props: Ipod with head phones Black out Shot #12 Black out Deep guitar riff. Girl falling. Shot #13 Over the shoulder shot panning with the girl running. Camera carries on panning as girl falls. Frylands wood campsite Deep guitar riff. 11/10/2013 6:50PM Costume: leggings, vest top, running trainers. Black out Shot #14 Black out Deep guitar riff. Sound of her falling Her hand. Shot #15 Extreme close up of the girl’s hand clenching as it tries to grab dirt. Camera pans upwards to the sky when the girls hand is gone. Frylands wood campsite Loud scream from the girl; as the running music slowly fades back in 11/10/2013 7:10PM Girls hand.