Script 1
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The document is a production script that outlines various camera shots including close-ups and medium shots of Scott and Natalie in a kitchen. Scott is stirring tea and looking over his shoulder as Natalie walks in, opens the fridge, and sits down at the table. Scott then sits down with Natalie and gestures awkwardly, complaining about a bad day and problems with the office printer. Natalie offers to discuss the printer issue with their boss Angela.
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Script 6
This 3-sentence summary provides the key details from the production script:
The script documents various shots of a character named Natalie sleeping at home, including close-ups of another character, Scott, stroking her hair and cutting a lock of it without her knowledge. Shots also show Scott going through Natalie's drawers and possessions while she sleeps, and stroking her hair as her eyes open at the end.
Scene 2 part 2
This production script outlines various shots for a scene, including a medium shot of Scott talking, a wide shot of Angela walking off, medium shots of Scott putting his face in his hands and unlocking a drawer, a close-up of photos of Natalie inside the drawer that Scott runs his fingers down, and a point-of-view shot of someone walking past and closing the drawer. The script ends with a line of dialogue saying a task will be completed by Monday.
Production script scene 1.
This production script outlines various shots for a scene set in an office, including a wide shot of the office, a medium shot of a head popping up from a desk, a medium shot of Natalie and Glenn flirting, and a close-up of fists clenching. It also includes shots of Scott picking up papers from a desk and walking to the photocopier, as well as background office noises and dialogue between Natalie, Glenn, and natural sounds.
Script 2
This document is a production script that outlines various shots including medium shots of Natalie, Scott, and Glenn talking and interacting. It shows Glenn walking in and hugging Natalie while Scott gestures awkwardly. Close-up shots focus on Natalie and Glenn's mouths as they talk. The script ends with a wide shot of Scott storming out with a medium shot of Glenn remaining.
Script for film
Scott becomes infatuated with his coworker Natalie. He grows jealous watching her flirt with another coworker, Glenn. At work, Scott is reprimanded by his boss for not being productive. Later, Scott notices Natalie has plans for dinner with Glenn. Alone at home, Scott tears down photos of Natalie on his wall but keeps one. He begins stalking and breaking into Natalie's home, stealing a lock of her hair and intruding while she sleeps.
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Script 6
This 3-sentence summary provides the key details from the production script:
The script documents various shots of a character named Natalie sleeping at home, including close-ups of another character, Scott, stroking her hair and cutting a lock of it without her knowledge. Shots also show Scott going through Natalie's drawers and possessions while she sleeps, and stroking her hair as her eyes open at the end.
Scene 2 part 2
This production script outlines various shots for a scene, including a medium shot of Scott talking, a wide shot of Angela walking off, medium shots of Scott putting his face in his hands and unlocking a drawer, a close-up of photos of Natalie inside the drawer that Scott runs his fingers down, and a point-of-view shot of someone walking past and closing the drawer. The script ends with a line of dialogue saying a task will be completed by Monday.
Production script scene 1.
This production script outlines various shots for a scene set in an office, including a wide shot of the office, a medium shot of a head popping up from a desk, a medium shot of Natalie and Glenn flirting, and a close-up of fists clenching. It also includes shots of Scott picking up papers from a desk and walking to the photocopier, as well as background office noises and dialogue between Natalie, Glenn, and natural sounds.
Script 2
This document is a production script that outlines various shots including medium shots of Natalie, Scott, and Glenn talking and interacting. It shows Glenn walking in and hugging Natalie while Scott gestures awkwardly. Close-up shots focus on Natalie and Glenn's mouths as they talk. The script ends with a wide shot of Scott storming out with a medium shot of Glenn remaining.
Script for film
Scott becomes infatuated with his coworker Natalie. He grows jealous watching her flirt with another coworker, Glenn. At work, Scott is reprimanded by his boss for not being productive. Later, Scott notices Natalie has plans for dinner with Glenn. Alone at home, Scott tears down photos of Natalie on his wall but keeps one. He begins stalking and breaking into Natalie's home, stealing a lock of her hair and intruding while she sleeps.
Script 5
The production script documents a conversation between Natalie and Jenny as they walk out of the office. It consists of a series of shots alternating between medium shots of Natalie and Jenny talking. Natalie is tired from her day at work but still plans to meet Glenn for dinner, though Jenny finds Glenn annoying. Natalie asks Jenny's opinion of Scott, whom Jenny dismissively calls a "freak", but Natalie defends him as genuinely nice and says he always has her back. Jenny jokes that Natalie will need to carry pepper spray.
Img 20151110 0001
This document provides a scriptwriting assessment for a student. It outlines key strengths and areas for development. For strengths, it notes the student's ability to craft complex characters and an engaging narrative with deep themes. It praises their skill in using subtext to develop character psychology. For development, it recommends expanding character details and motivations. It suggests finding ways to better convey the passage of time in the story and give more context around plot points through action and description. Overall, the student shows promise but would benefit from refining certain technical skills.
Img 20151110 0002
This document provides feedback on a script written by a student. It outlines strengths of the script related to narrative, character, and format. Areas for improvement are also noted regarding making the narrative less simplistic, developing the character more fully, and structuring the format in a more engaging way. Suggestions are given such as adding more complexity to the story and character, and reworking scenes to enhance the overall experience for the audience.
Script for film
Scott becomes obsessed and infatuated with his coworker Natalie. On Friday evening, after most others have left for the day, Scott confronts Natalie alone in the office with a knife. Natalie realizes the danger and tries to escape, but Scott manages to pull her from the elevator. The document then ends on a cliffhanger.
The cave scene
The document summarizes aspects of mise-en-scene in a cave scene from a film. It discusses the practical lighting used, including flares, to create shadowy areas that make the cave setting more believable. It notes that the hikers wear typical hiking gear to indicate they have been in the cave, while the "crawlers" have special costumes and makeup to look more unusual. Props mentioned include skulls, bones, and a camera used as a light source along with flares. The only location shown is the cave setting.
Misenscene the descent hospital
The document analyzes the mise-en-scene, lighting, costumes, locations, props, and sounds used in the film sequence "The Descent." It describes how the lighting creates a warm feeling for the birthday cake scene, but takes on a greenish glow in the hospital scenes. It notes that Sarah remains in her hospital gown throughout and the locations transition from pitch black to a hospital bed to the corridor. Sounds include the life support machine, lights shutting off as Sarah runs through the corridor, and clear dialogue.
Working title independent
Working Title is a British film production company owned by Universal Remote. If Universal Remote does not want to produce a film, they will pass it to Working Title along with funding. Working Title is owned and funded by Tim Bevan and Sarah Radclyffe. Universal Remote allows Working Title to produce films like Les Miserables that Universal Remote does not want to make, and provides funding, in exchange for a percentage of profits and advertising for Universal. Working Title produces smaller, British films while Universal focuses on larger Hollywood productions.
Ao1b Cinematography
This document analyzes cinematography techniques used in the film The Descent. It describes several shots from the film clip: a wide shot that starts blurred and slowly gains focus on a character waking up, achieved using a rack focus camera move. It also describes a mid shot focused on the character waking up in a hospital bed, a trombone shot used to show her expression as darkness approaches, and wide shots to make her feel lonely and show her running from the darkness. It notes a scene using a 360 degree camera move to show life continuing normally around two comforting characters.
Unit 11 script
1) A family moves into a new house and strange events begin occurring, like cabinets opening by themselves. Scratches appear on the mother and an invisible force attacks her.
2) A priest is called to bless the house. The daughter claims someone is in her room at night.
3) In the daughter's room, no one is found but the daughter's eyes turn completely black, suggesting the presence in the house has possessed her.
Unit 11 script redo 2
A family moves into a new house but soon strange events start occurring. Debbie and Peter's daughter Beth seems to be the focus of the paranormal activity. Scratches appear on Debbie and items in the house move on their own. Debbie is attacked by an invisible force. They decide to leave the house for their safety but in the middle of the night, Beth claims someone is in her room. When they investigate, they find no one but Beth's eyes are now completely black.
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Celador is an independent British entertainment company founded in 1983 by Paul Smith and Jasper Carrott. It produced successful films such as Slumdog Millionaire and television shows such as Who Wants To Be A Millionaire. The company operates with a small staff and collaborates with other independent studios to pool resources and make profits. Though smaller than major studios like Sony, Celador finds success through strategic partnerships and reinvesting profits into new projects.
Final draft with feedback
1) Alex King, a student, is approached by a stranger who offers him a pill, telling him it will be the best day of his life. Alex takes the pill.
2) At school, the effects of the pill start to take hold of Alex. He has strange conversations and behaviors, and eventually collapses in the hallway.
3) Alex wakes up in the hospital, recovering from the negative effects of the unknown pill. The document ends with his heart monitor flatlining as an ambulance arrives.
Production scripts
This production script outlines the scenes and shots for a short film about a student, Alex King, who takes a pill from a dealer outside of his school. The summary includes:
1) The film will begin with an establishing shot of Alex King's school before cutting to mid-shots and close-ups of the dealer approaching King and handing him a pill.
2) Following shots will show King putting the pill in his pocket and taking it inside the school.
3) The story will then cut between King going to class, his classmates noticing his strange behavior, and flashes to King in the hospital with the dealer continuing to confront him.
Audience table
This document analyzes the target audiences for the horror film "The Descent". It identifies young women who enjoy horror and drama as the primary audience. Additional audiences include fans of extreme sports, action, and adventure genres due to intense scenes of survival in the cave setting. Secondary audiences consist of fans of the film's cast, director, and graphic gore content. Finally, the film aims to attract audiences who prefer films featuring women protagonists.
Descent clip 2
The document analyzes shots from the film The Descent, which depicts a car accident involving a family. Shots 1-3 establish the family's happiness as they drive through the woods. Shots 4-7 show the husband becoming distracted and worried. Shot 8 cuts to the moment of impact, as the husband crashes into a pole due to not paying attention. Shots 9-11 depict the gruesome aftermath, though CGI is used to show poles impaling the characters. Shot 12 provides an establishing crane shot of the wreckage. The analysis discusses how editing pace and CGI were used to depict the horror of the accident while obscuring technical details.
The descent analysis clip 4
1) The lighting in the film is used to set the grim tone, with flashlights and darkness representing the cave setting. Scenes focus on characters with darkness in the background.
2) The location of a hospital is used to represent the cave setting through dark and narrow corridors, though early shots obscure the location.
3) Props like a birthday cake with the daughter's name are used to provide context about past events.
The Descants camera movements
The document describes 10 scenes from a movie depicting a woman waking up in the hospital. The first few scenes show her in the hospital bed confused from a first person perspective. She then gets out of bed and the heart monitor comes into focus. She explores the empty hospital corridors but lights begin turning off, frightening her. She runs away as the lights turn off behind her. She runs into a nurse and cries. The final scene zooms out to show the corridor full of people as the movie title appears.
Mise en-scene clip 3
The lighting at the start of the scene is dark with an orange glow around the girl and cake to signify her birthday wish is coming true, but something unknown has happened. The lighting then turns green, implying something dark is about to occur. The scene starts in a room for Sarah's daughter's birthday, then cuts to a hospital, suggesting something bad has transpired. Props include the birthday cake representing her wish and heart monitor in the hospital showing she's alive but something is wrong.
Celador films.2
Celador is an independent British film production company founded in 1983 that produces movies and television programs. Some of their most well-known works include the TV game show "Who Wants to Be a Millionaire" and films like "Slumdog Millionaire" and "The Descent." As a small company, Celador relies on contracting freelance staff and selling distribution rights to fund their projects on a case-by-case basis. While Celador competes with major studios like Warner Bros., Sony, and Universal, it has found success producing British films but only makes bigger budget movies through partnerships with larger companies.
Celador
Celador was founded in 1983 by Jasper Carrott and Paul Smith CBE as a small British film production company. Celador is known for producing successful low-budget films like The Descent and Slumdog Millionaire. While Celador's profits are large due to its low budgets compared to competitors like Sony Pictures, larger competitors overall make more money due to their higher budgets. Celador is now run by Danielle Lux after buying back control of the company from Complete Communications, who had acquired Celador after its success with Slumdog Millionaire.
Img 20160627 0002
Trent and Jenna are in the kitchen discussing starting a fire in the fireplace. Trent teases Jenna, calling her by a nickname she doesn't like. Their friends Bree and Nolan enter and ask if Jenna is okay, sensing tension between her and Trent. Jenna insists she saw something scary outside the window, but the others don't believe her.
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Script 5
The production script documents a conversation between Natalie and Jenny as they walk out of the office. It consists of a series of shots alternating between medium shots of Natalie and Jenny talking. Natalie is tired from her day at work but still plans to meet Glenn for dinner, though Jenny finds Glenn annoying. Natalie asks Jenny's opinion of Scott, whom Jenny dismissively calls a "freak", but Natalie defends him as genuinely nice and says he always has her back. Jenny jokes that Natalie will need to carry pepper spray.
Img 20151110 0001
This document provides a scriptwriting assessment for a student. It outlines key strengths and areas for development. For strengths, it notes the student's ability to craft complex characters and an engaging narrative with deep themes. It praises their skill in using subtext to develop character psychology. For development, it recommends expanding character details and motivations. It suggests finding ways to better convey the passage of time in the story and give more context around plot points through action and description. Overall, the student shows promise but would benefit from refining certain technical skills.
Img 20151110 0002
This document provides feedback on a script written by a student. It outlines strengths of the script related to narrative, character, and format. Areas for improvement are also noted regarding making the narrative less simplistic, developing the character more fully, and structuring the format in a more engaging way. Suggestions are given such as adding more complexity to the story and character, and reworking scenes to enhance the overall experience for the audience.
Script for film
Scott becomes obsessed and infatuated with his coworker Natalie. On Friday evening, after most others have left for the day, Scott confronts Natalie alone in the office with a knife. Natalie realizes the danger and tries to escape, but Scott manages to pull her from the elevator. The document then ends on a cliffhanger.
The cave scene
The document summarizes aspects of mise-en-scene in a cave scene from a film. It discusses the practical lighting used, including flares, to create shadowy areas that make the cave setting more believable. It notes that the hikers wear typical hiking gear to indicate they have been in the cave, while the "crawlers" have special costumes and makeup to look more unusual. Props mentioned include skulls, bones, and a camera used as a light source along with flares. The only location shown is the cave setting.
Misenscene the descent hospital
The document analyzes the mise-en-scene, lighting, costumes, locations, props, and sounds used in the film sequence "The Descent." It describes how the lighting creates a warm feeling for the birthday cake scene, but takes on a greenish glow in the hospital scenes. It notes that Sarah remains in her hospital gown throughout and the locations transition from pitch black to a hospital bed to the corridor. Sounds include the life support machine, lights shutting off as Sarah runs through the corridor, and clear dialogue.
Working title independent
Working Title is a British film production company owned by Universal Remote. If Universal Remote does not want to produce a film, they will pass it to Working Title along with funding. Working Title is owned and funded by Tim Bevan and Sarah Radclyffe. Universal Remote allows Working Title to produce films like Les Miserables that Universal Remote does not want to make, and provides funding, in exchange for a percentage of profits and advertising for Universal. Working Title produces smaller, British films while Universal focuses on larger Hollywood productions.
Ao1b Cinematography
This document analyzes cinematography techniques used in the film The Descent. It describes several shots from the film clip: a wide shot that starts blurred and slowly gains focus on a character waking up, achieved using a rack focus camera move. It also describes a mid shot focused on the character waking up in a hospital bed, a trombone shot used to show her expression as darkness approaches, and wide shots to make her feel lonely and show her running from the darkness. It notes a scene using a 360 degree camera move to show life continuing normally around two comforting characters.
Unit 11 script
1) A family moves into a new house and strange events begin occurring, like cabinets opening by themselves. Scratches appear on the mother and an invisible force attacks her.
2) A priest is called to bless the house. The daughter claims someone is in her room at night.
3) In the daughter's room, no one is found but the daughter's eyes turn completely black, suggesting the presence in the house has possessed her.
Unit 11 script redo 2
A family moves into a new house but soon strange events start occurring. Debbie and Peter's daughter Beth seems to be the focus of the paranormal activity. Scratches appear on Debbie and items in the house move on their own. Debbie is attacked by an invisible force. They decide to leave the house for their safety but in the middle of the night, Beth claims someone is in her room. When they investigate, they find no one but Beth's eyes are now completely black.
Celador films
Celador is an independent British entertainment company founded in 1983 by Paul Smith and Jasper Carrott. It produced successful films such as Slumdog Millionaire and television shows such as Who Wants To Be A Millionaire. The company operates with a small staff and collaborates with other independent studios to pool resources and make profits. Though smaller than major studios like Sony, Celador finds success through strategic partnerships and reinvesting profits into new projects.
Final draft with feedback
1) Alex King, a student, is approached by a stranger who offers him a pill, telling him it will be the best day of his life. Alex takes the pill.
2) At school, the effects of the pill start to take hold of Alex. He has strange conversations and behaviors, and eventually collapses in the hallway.
3) Alex wakes up in the hospital, recovering from the negative effects of the unknown pill. The document ends with his heart monitor flatlining as an ambulance arrives.
Production scripts
This production script outlines the scenes and shots for a short film about a student, Alex King, who takes a pill from a dealer outside of his school. The summary includes:
1) The film will begin with an establishing shot of Alex King's school before cutting to mid-shots and close-ups of the dealer approaching King and handing him a pill.
2) Following shots will show King putting the pill in his pocket and taking it inside the school.
3) The story will then cut between King going to class, his classmates noticing his strange behavior, and flashes to King in the hospital with the dealer continuing to confront him.
Audience table
This document analyzes the target audiences for the horror film "The Descent". It identifies young women who enjoy horror and drama as the primary audience. Additional audiences include fans of extreme sports, action, and adventure genres due to intense scenes of survival in the cave setting. Secondary audiences consist of fans of the film's cast, director, and graphic gore content. Finally, the film aims to attract audiences who prefer films featuring women protagonists.
Descent clip 2
The document analyzes shots from the film The Descent, which depicts a car accident involving a family. Shots 1-3 establish the family's happiness as they drive through the woods. Shots 4-7 show the husband becoming distracted and worried. Shot 8 cuts to the moment of impact, as the husband crashes into a pole due to not paying attention. Shots 9-11 depict the gruesome aftermath, though CGI is used to show poles impaling the characters. Shot 12 provides an establishing crane shot of the wreckage. The analysis discusses how editing pace and CGI were used to depict the horror of the accident while obscuring technical details.
The descent analysis clip 4
1) The lighting in the film is used to set the grim tone, with flashlights and darkness representing the cave setting. Scenes focus on characters with darkness in the background.
2) The location of a hospital is used to represent the cave setting through dark and narrow corridors, though early shots obscure the location.
3) Props like a birthday cake with the daughter's name are used to provide context about past events.
The Descants camera movements
The document describes 10 scenes from a movie depicting a woman waking up in the hospital. The first few scenes show her in the hospital bed confused from a first person perspective. She then gets out of bed and the heart monitor comes into focus. She explores the empty hospital corridors but lights begin turning off, frightening her. She runs away as the lights turn off behind her. She runs into a nurse and cries. The final scene zooms out to show the corridor full of people as the movie title appears.
Mise en-scene clip 3
The lighting at the start of the scene is dark with an orange glow around the girl and cake to signify her birthday wish is coming true, but something unknown has happened. The lighting then turns green, implying something dark is about to occur. The scene starts in a room for Sarah's daughter's birthday, then cuts to a hospital, suggesting something bad has transpired. Props include the birthday cake representing her wish and heart monitor in the hospital showing she's alive but something is wrong.
Celador films.2
Celador is an independent British film production company founded in 1983 that produces movies and television programs. Some of their most well-known works include the TV game show "Who Wants to Be a Millionaire" and films like "Slumdog Millionaire" and "The Descent." As a small company, Celador relies on contracting freelance staff and selling distribution rights to fund their projects on a case-by-case basis. While Celador competes with major studios like Warner Bros., Sony, and Universal, it has found success producing British films but only makes bigger budget movies through partnerships with larger companies.
Celador
Celador was founded in 1983 by Jasper Carrott and Paul Smith CBE as a small British film production company. Celador is known for producing successful low-budget films like The Descent and Slumdog Millionaire. While Celador's profits are large due to its low budgets compared to competitors like Sony Pictures, larger competitors overall make more money due to their higher budgets. Celador is now run by Danielle Lux after buying back control of the company from Complete Communications, who had acquired Celador after its success with Slumdog Millionaire.
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Trent and Jenna are in the kitchen discussing starting a fire in the fireplace. Trent teases Jenna, calling her by a nickname she doesn't like. Their friends Bree and Nolan enter and ask if Jenna is okay, sensing tension between her and Trent. Jenna insists she saw something scary outside the window, but the others don't believe her.
Img 20160627 0002
Jenna is in the bathroom and Bree asks to come in. Jenna says it's okay and the door is open. Bree asks if everything is okay because Jenna seems upset. Jenna says there is something freaky about this place and she is worried Nolan will think she is ungrateful. Nolan then asks if anyone is in the bathroom and Bree tells him to go away.
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Bree and Treni are lost in the wilderness while on a road trip. Their car doors open and close as they get out to look around. Treni insists he knows where they are going but Bree is skeptical and thinks they are lost without cell service or road signs to guide them. They debate whether to turn left or right at an upcoming intersection with no clues as to the right direction.
Scene one
The group arrives at a remote cabin in the woods for a weekend getaway. Jenna feels uneasy about their surroundings and claims to see something watching them from outside. The others dismiss her concerns. A fight erupts between Jenna and her boyfriend Trent. Later, Jenna hears noises outside and believes something is out there, but the others don't take her seriously. Trent leaves angrily into the dark woods, but doesn't return, concerning the group about what may have happened to him in the remote location.
Scene one
The group gets lost on their way to a remote cabin in the wilderness. Upon arriving, Jenna feels uneasy and claims to see something watching them, but the others dismiss her concerns. Later at the cabin, Jenna sees something looking in the window and becomes frightened, but Trent and the others don't believe her and think she may be hallucinating due to her medication. Jenna storms off, upset that no one believes her.
Scene one
1) Jenna, Trent, Bree, and Nolan drive to a remote cabin in the woods for a weekend getaway. Jenna feels uneasy about their surroundings.
2) After arriving, Trent scares Jenna as a prank. She tells Bree she has a bad feeling about the isolated cabin.
3) While washing dishes, Jenna sees something looking at her through the window and screams. Trent and the others don't see anything, but Jenna insists she saw a figure outside.
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Part 2eodeh
This photo shows Juno and Paul looking doubtful and hiding an affair, as evidenced by Juno avoiding eye contact with Paul and Sarah's presence. Juno also appears conniving while Paul looks like he may have been blackmailed by Juno. The photo was deliberately included in the film to later reveal their affair.
U9opkl;:.
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Friday 13th presentation
The document provides details on a proposed radio drama series titled "Friday 13th" that will be based on the film franchise. It will tell the story of Jason Voorhees and his mother through flashbacks. Jason will terrorize a group of teenagers stranded in the woods. The document outlines the plot, genres, character profiles with proposed actors, broadcast details, target audience and distribution plans. It aims to air weekly on BBC Radio 4 at 7:30pm and last approximately 45 minutes per episode.
The decent
Sarah struggles with grief after losing her husband and daughter. Juno leads the group but betrays many, making her disliked. Holly breaks rules and defies stereotypes as a strong, independent woman. Sam plays a minor role as the kind, friendly glue holding the group together. Rebecca embraces girl power and protects her friends at all costs. Beth provides humor, love and protection for her best friend Sarah as the educated member of their circle.
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The document proposes adapting the 2003 film Texas Chainsaw Massacre into a 5-part television series. Key points include:
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4 voice
The document proposes adapting the 2003 film Texas Chainsaw Massacre into a 5-part television series. Key points include:
- The series will be from the killer's perspective and include flashbacks to his childhood of being tormented.
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- The genres will be thriller and horror with elements of suspense.
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- The target audience will be 15-25 year olds interested in horror genres.
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L'indice de performance des ports à conteneurs de l'année 2023
Une évaluation comparable de la performance basée sur le temps d'escale des navires
L'objectif de l'ICPP est d'identifier les domaines d'amélioration qui peuvent en fin de compte bénéficier à toutes les parties concernées, des compagnies maritimes aux gouvernements nationaux en passant par les consommateurs. Il est conçu pour servir de point de référence aux principaux acteurs de l'économie mondiale, notamment les autorités et les opérateurs portuaires, les gouvernements nationaux, les organisations supranationales, les agences de développement, les divers intérêts maritimes et d'autres acteurs publics et privés du commerce, de la logistique et des services de la chaîne d'approvisionnement.
Le développement de l'ICPP repose sur le temps total passé par les porte-conteneurs dans les ports, de la manière expliquée dans les sections suivantes du rapport, et comme dans les itérations précédentes de l'ICPP. Cette quatrième itération utilise des données pour l'année civile complète 2023. Elle poursuit le changement introduit l'année dernière en n'incluant que les ports qui ont eu un minimum de 24 escales valides au cours de la période de 12 mois de l'étude. Le nombre de ports inclus dans l'ICPP 2023 est de 405.
Comme dans les éditions précédentes de l'ICPP, la production du classement fait appel à deux approches méthodologiques différentes : une approche administrative, ou technique, une méthodologie pragmatique reflétant les connaissances et le jugement des experts ; et une approche statistique, utilisant l'analyse factorielle (AF), ou plus précisément la factorisation matricielle. L'utilisation de ces deux approches vise à garantir que le classement des performances des ports à conteneurs reflète le plus fidèlement possible les performances réelles des ports, tout en étant statistiquement robuste.
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- 1. PRODUCTION SCRIPT Working Title : Infatuated Date: AUDIOVIDEO C/U of Scott stirring a tea. W/S of Natalie walking in. M/S of Natalie opening the fridge and grabbing her food. C/U of Scott looking over his shoulder. M/S of Natalie sitting down at the table. C/U of Natalie’s lips. M/S of Scott turning around. M/S of Natalie W/S of Scott sitting down with Natalie. M/S Scott gesturing awkwardly. “I’m so parched. You wouldn’t believe that day I’m having”. (Chuckles) Oh… Is it really that bad? “It is that goddame printer. Are we really that cheap we cannot invest in a modern one.” “ Erm…I will put it forward to Angela.. For you if you like?