Schubert Songs, Pt. II
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This document provides summaries of 10 songs composed by Franz Schubert, as described in John Reed's book "The Schubert Song Companion". The summaries characterize the mood, sentiment, and musical qualities conveyed in each song. They highlight Schubert's ability to effectively set the tone and meaning of the poems to music through melodies, harmonies, and the interplay between voice and piano. The songs cover a range of emotions from sweetness and cheer to sadness, devotion, and despair.
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![Die Taubenpost
[The Pigeon Post ] D957 [G] (1828)
‘The song dances along, all
sweetness and good humour:
it reflects the sheer goodness
and happiness that lie at the
centre of his art. The song
serves as a kind of epigraph
on his own life and art.’ §](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Schubert Songs, Pt. II
- 1. Schuber t’s S t y l e o f S o n g ( P a r t I I )
- 2. Die Taubenpost [The Pigeon Post ] D957 [G] (1828) ‘The song dances along, all sweetness and good humour: it reflects the sheer goodness and happiness that lie at the centre of his art. The song serves as a kind of epigraph on his own life and art.’ §
- 3. Lied eines Schiffers an die Dioskuren [Sailor’s Song to the Twin-Stars ] D360 [Ab] (1822) ‘A combination of hymnlike simplicity and subtlety, [it expresses] serenity and security: an effective mood-piece.’ §
- 4. An die Musik [To Music ] D547 [D] (1817) ‘ T h e s o n g ’ s g r e a t n e s s i s inseparable from its s i m p l i c i t y. T h e broad sweep of the melody, the tone of devotion, and the strength of the bass line form a dialogue between voice and piano which is in itself an image of t h a t “ t o u c h o f heavenly harmony” of which the poem s p e a k s . ’ §
- 5. S o L a ß t M i c h S c h e i n e n [ S o I t W o u l d S e e m ] D 8 7 7 [ B ] ( 1 8 2 6 ) ‘With its sensuously rich harmonies and moving inner parts i t e x p r e s s e s a s o p h i s t i c a t e d s a d n e s s . ’ §
- 6. Du Bist die Ruh [You are My Rest ] D776 [Eb] (1823) ‘In its purity of s e n t i m e n t a n d perfection of form the song is an e x p r e s s i o n o f d e v o t i o n . ’ §
- 7. Sei mir Gegrüßt [I Greet You ] D741 [Bb] (1822) ‘An idealised serenade, it expresses a mood of selfless devotion with sweetness and nobility.’ §
- 8. Der Einsame [In Solitude ] D800 [G] (1825) ‘Expresses s a t i s f a c t i o n i n a m o o d o f c h e e r f u l i n t r o s p e c t i o n . ’ §
- 9. Lob der Tränen [Laud the Tears ] D711 [D] (1818) ‘The song’s Viennese lilt catches the mood of the poem, with its sentimental mixture of sweetness and tears.’ §
- 10. Wer nie sein Brot mit Tränen ass [Who Never Ate His Bread with Tears ] D480 [a] (1822) ‘The mood expresses a kind of abnegation, echoing despair and defiance.’ §
- 11. § All quotations from John Reed, The Schubert Song Companion (1997), Palgrave, New York.