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Building a character
The document provides notes on building characters for film. It discusses showing a character's desires and how they overcome obstacles, which can create empathy for the audience. Traits like humility and honesty can make a character more likable. As the film progresses, the character's decisions and sacrifices help reveal their personality. An opposing character can help distinguish the protagonist from the antagonist. The document also notes using a limited point of view to follow the story through the protagonist's eyes.
Untitled document (4)
The document outlines a website content plan for a short film. It will have 4 pages: a home page with the film's postcard and information about the film/crew, a screenings page listing festivals where the film can be viewed, an on set page with behind the scenes photos and clips, and a contact page with social media links and a questions form. The home page aims to generate interest in the film and production company through its visuals and details about awards, cast, and crew.
location
Izzy visited potential locations for her short film to ensure they fit the genre and allowed her to shoot as intended. She describes Shaima's room as ideal with a desk, bed, and decor fitting for a young girl. Izzy likes how the desk is positioned for filming and feels the flowers represent innocence. Izzy's room seems too mature, while Dala's room has too much bright color, which does not match Izzy's vision for a darker film. Shaima's room is chosen as the location.
script
Emily is texting a boy named Liam while listening to music in her room. Liam asks to Skype and Emily gets ready by brushing her hair and putting on makeup. During their Skype call, Liam pressures Emily to show herself topless, taking screenshots without her consent. He then blackmails Emily, threatening to send the screenshots to her friends on Facebook if she does not do as he says. Emily refuses but Liam continues threatening and pressuring her.
Script
Emily is texting a boy named Liam while listening to music in her room. Liam asks to Skype and Emily gets ready by brushing her hair and putting on makeup. During their Skype call, Liam pressures Emily to show herself topless, taking screenshots without her consent. He then blackmails Emily, threatening to send the screenshots to her friends on Facebook if she does not do as he says. Emily refuses but Liam continues threatening and counting down, pressuring her to remove her clothes.
Script
Emily is texting a boy named Liam while listening to music in her room. They begin skyping and Liam pressures Emily to show herself topless, taking screenshots without her consent. He then blackmails Emily, threatening to send the screenshots to her friends and mother if she does not do as he says. Emily refuses and pleads with Liam to stop harassing her.
Genre
This document discusses the key elements that define the teenage drama genre in film, including setting, themes, iconography, narrative, audience, characters, and style. It analyzes examples of typical teenage drama films and notes that the chosen genre is teenage drama. It outlines the specific elements that will be incorporated into a teenage drama film, such as a narrative about an online deception and mental health themes.
Understanding my audience
This document discusses understanding and targeting audiences for media projects. It explains that researching the target audience is important to know who would be interested. The primary target audience is the main group being targeted, while the secondary audience may not have direct interest but could be persuaded. Different ways to classify audiences are discussed, including demographics using measurable traits and psychographics using personal beliefs. The document also covers the uses and gratifications theory about why audiences engage with media, such as for escapism, identity, surveillance, or relationships. An example audience profile is given targeting female teenagers interested in makeup, fashion, travel, and money, who would find entertainment, information, and identity from a short film about a rich girl's lifestyle.
Recommended
Building a character
The document provides notes on building characters for film. It discusses showing a character's desires and how they overcome obstacles, which can create empathy for the audience. Traits like humility and honesty can make a character more likable. As the film progresses, the character's decisions and sacrifices help reveal their personality. An opposing character can help distinguish the protagonist from the antagonist. The document also notes using a limited point of view to follow the story through the protagonist's eyes.
Untitled document (4)
The document outlines a website content plan for a short film. It will have 4 pages: a home page with the film's postcard and information about the film/crew, a screenings page listing festivals where the film can be viewed, an on set page with behind the scenes photos and clips, and a contact page with social media links and a questions form. The home page aims to generate interest in the film and production company through its visuals and details about awards, cast, and crew.
location
Izzy visited potential locations for her short film to ensure they fit the genre and allowed her to shoot as intended. She describes Shaima's room as ideal with a desk, bed, and decor fitting for a young girl. Izzy likes how the desk is positioned for filming and feels the flowers represent innocence. Izzy's room seems too mature, while Dala's room has too much bright color, which does not match Izzy's vision for a darker film. Shaima's room is chosen as the location.
script
Emily is texting a boy named Liam while listening to music in her room. Liam asks to Skype and Emily gets ready by brushing her hair and putting on makeup. During their Skype call, Liam pressures Emily to show herself topless, taking screenshots without her consent. He then blackmails Emily, threatening to send the screenshots to her friends on Facebook if she does not do as he says. Emily refuses but Liam continues threatening and pressuring her.
Script
Emily is texting a boy named Liam while listening to music in her room. Liam asks to Skype and Emily gets ready by brushing her hair and putting on makeup. During their Skype call, Liam pressures Emily to show herself topless, taking screenshots without her consent. He then blackmails Emily, threatening to send the screenshots to her friends on Facebook if she does not do as he says. Emily refuses but Liam continues threatening and counting down, pressuring her to remove her clothes.
Script
Emily is texting a boy named Liam while listening to music in her room. They begin skyping and Liam pressures Emily to show herself topless, taking screenshots without her consent. He then blackmails Emily, threatening to send the screenshots to her friends and mother if she does not do as he says. Emily refuses and pleads with Liam to stop harassing her.
Genre
This document discusses the key elements that define the teenage drama genre in film, including setting, themes, iconography, narrative, audience, characters, and style. It analyzes examples of typical teenage drama films and notes that the chosen genre is teenage drama. It outlines the specific elements that will be incorporated into a teenage drama film, such as a narrative about an online deception and mental health themes.
Understanding my audience
This document discusses understanding and targeting audiences for media projects. It explains that researching the target audience is important to know who would be interested. The primary target audience is the main group being targeted, while the secondary audience may not have direct interest but could be persuaded. Different ways to classify audiences are discussed, including demographics using measurable traits and psychographics using personal beliefs. The document also covers the uses and gratifications theory about why audiences engage with media, such as for escapism, identity, surveillance, or relationships. An example audience profile is given targeting female teenagers interested in makeup, fashion, travel, and money, who would find entertainment, information, and identity from a short film about a rich girl's lifestyle.
Typography
This document discusses typography in film titles and its importance. It explains that typography represents the overall branding of a film and helps audiences identify the genre and narrative. Serif fonts have small strokes on letters and present as more classic, while sans serif fonts are considered more modern. Film titles typically use uppercase, bold sans serif fonts to stand out. The document then provides examples of typography from teenage drama films and outlines the author's plan to use a unique, stylized font and vibrant colors for their short film title that hints at the narrative and engages audiences.
conventions of short film
Short films are typically defined as original motion pictures that are 40 minutes or less. They allow filmmakers to gain experience and showcase their skills with lower production costs than normal films. Short films usually have only a few main characters to introduce in the limited time and focus on conveying a clear message or theme. Some conventions of short films include having 2-3 main characters, focusing on one significant theme or technique, keeping a low budget with few locations, telling a relatable story with a plot twist, and targeting a niche audience.
distribution
The document discusses promotional strategies for short films. It recommends using film festivals to raise awareness and attract talent scouts, as short films have small budgets. It also emphasizes using social media like Facebook, Twitter and Instagram to encourage viral sharing and promote to target audiences. Online streaming platforms like YouTube, Vimeo and DailyMotion allow anyone to post videos for free access. The successful short film "Bagman" utilized festivals, social media promotion and streaming on Vimeo to gain attention and opportunities.
institution distribution
Short films typically have small budgets, so they rely on film festivals and social media to promote themselves. Film festivals raise awareness of filmmakers and their work, increasing chances of awards and attracting investors. Social media allows for free promotion on platforms like Facebook, Twitter, and Instagram, encouraging audiences to share posts virally. Online streaming sites like YouTube, Vimeo, and DailyMotion publicly share short films, while specialized sites like ShortFilmOfTheWeek.com promote weekly submissions. The short film "Bagman" successfully used festivals, social media promotion on Facebook, and streaming on Vimeo and ShortFilmOfTheWeek.com to gain attention and opportunities, including a funded feature film based on the original short.
typography
Typo graphy refers to the style and appearance of print, including font, color scheme, and size. Serif fonts have small strokes on letter ends and present as more classic, while sans serif fonts are considered more modern. Typography represents the overall branding of a media product and helps audiences identify genre and hints at the narrative. Film titles typically use uppercase and bold typography to stand out, while body text uses sans serif for readability. The filmmaker plans to use a unique, stylized font for the title that hints at the narrative, with vibrant colors and layering to make the title eye-catching, and a sans serif font for body text in a consistent color scheme across media platforms to
typography
Typo graphy refers to the style and appearance of print, including font, color scheme, and size. Serif fonts have small strokes on letter ends and present as more classic, while sans serif fonts are considered more modern. Typography represents the overall branding of a media product and helps audiences identify genre and hints at the narrative. Film titles typically use uppercase and bold typography to stand out, while body text uses sans serif for readability. The filmmaker plans to use a unique, stylized font for the title that hints at the narrative, with vibrant colors and layering to make the title eye-catching, and a sans serif font for body text in a consistent color scheme across media platforms to
Narrative
Narrative theory examines how stories are structured and told. Tzvetan Todorov proposed that most narratives follow a five-stage structure: equilibrium, disruption, recognition of disruption, attempted repair, return to equilibrium. Roland Barthes identified five codes that are present in texts: hermeneutic code, proairetic code, semantic code, symbolic code, and cultural code. Syd Field suggested that films can be divided into three dramatic acts: the setup (Act 1), the confrontation (Act 2), and the resolution (Act 3). Major plot points occur between acts to change the direction of the story.
Cross media campaign
The Cross Media Campaign for The Conjuring was very effective. It used continuity across different marketing materials like the poster and trailer to promote the film. Both used the same font for the title and tagline. The teaser trailer was released on YouTube, allowing it to be shared and gauge audience reaction. The poster featured a creepy isolated woman to intrigue audiences and challenge conventions. As the film's producers had success with similar genres previously, audiences were familiar and loyal. In contrast, while short films and features both use promotional material like posters, short films have fewer opportunities to market due to lower budgets and briefer narratives.
Two & two
This short film "Two & Two" directed by Babak Anvari depicts a classroom where a young student refuses to agree with his teacher's claim that 2 + 2 = 5. When he stands up to the teacher, armed guards enter and shoot guns, implying severe consequences for dissent. The film ends with the boy reluctantly changing his answer in his book to match the teacher, highlighting how power and authority can manipulate people into accepting false ideas.
two & two
This short film titled "Two & Two" was written, directed, and produced by Babak Anvari. It takes place in a run-down classroom of a boys' school and focuses on a smart boy who is asked by his teacher what 2 + 2 equals. When the boy refuses to say that 2 + 2 = 5 as the teacher demands, armed guards enter and shoot guns to intimidate the boy into obeying. In the end, the boy writes 2 + 2 = 4 in his book, crossing out the 5, leaving viewers to consider the message about being manipulated to accept wrong ideas.
Conventions of a short film
Short films are typically defined as original motion pictures that are 40 minutes or less. They allow filmmakers to gain experience and showcase their skills with lower production costs than normal films. Short films usually have only a few main characters to introduce in the limited time and focus on conveying a clear message or theme. Some conventions of short films include having 2-3 main characters, focusing on one significant theme or technique, keeping a low budget with few locations, telling a story with an everyday situation and plot twist, and targeting a niche audience.
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Typography
This document discusses typography in film titles and its importance. It explains that typography represents the overall branding of a film and helps audiences identify the genre and narrative. Serif fonts have small strokes on letters and present as more classic, while sans serif fonts are considered more modern. Film titles typically use uppercase, bold sans serif fonts to stand out. The document then provides examples of typography from teenage drama films and outlines the author's plan to use a unique, stylized font and vibrant colors for their short film title that hints at the narrative and engages audiences.
conventions of short film
Short films are typically defined as original motion pictures that are 40 minutes or less. They allow filmmakers to gain experience and showcase their skills with lower production costs than normal films. Short films usually have only a few main characters to introduce in the limited time and focus on conveying a clear message or theme. Some conventions of short films include having 2-3 main characters, focusing on one significant theme or technique, keeping a low budget with few locations, telling a relatable story with a plot twist, and targeting a niche audience.
distribution
The document discusses promotional strategies for short films. It recommends using film festivals to raise awareness and attract talent scouts, as short films have small budgets. It also emphasizes using social media like Facebook, Twitter and Instagram to encourage viral sharing and promote to target audiences. Online streaming platforms like YouTube, Vimeo and DailyMotion allow anyone to post videos for free access. The successful short film "Bagman" utilized festivals, social media promotion and streaming on Vimeo to gain attention and opportunities.
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Short films typically have small budgets, so they rely on film festivals and social media to promote themselves. Film festivals raise awareness of filmmakers and their work, increasing chances of awards and attracting investors. Social media allows for free promotion on platforms like Facebook, Twitter, and Instagram, encouraging audiences to share posts virally. Online streaming sites like YouTube, Vimeo, and DailyMotion publicly share short films, while specialized sites like ShortFilmOfTheWeek.com promote weekly submissions. The short film "Bagman" successfully used festivals, social media promotion on Facebook, and streaming on Vimeo and ShortFilmOfTheWeek.com to gain attention and opportunities, including a funded feature film based on the original short.
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Typo graphy refers to the style and appearance of print, including font, color scheme, and size. Serif fonts have small strokes on letter ends and present as more classic, while sans serif fonts are considered more modern. Typography represents the overall branding of a media product and helps audiences identify genre and hints at the narrative. Film titles typically use uppercase and bold typography to stand out, while body text uses sans serif for readability. The filmmaker plans to use a unique, stylized font for the title that hints at the narrative, with vibrant colors and layering to make the title eye-catching, and a sans serif font for body text in a consistent color scheme across media platforms to
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Typo graphy refers to the style and appearance of print, including font, color scheme, and size. Serif fonts have small strokes on letter ends and present as more classic, while sans serif fonts are considered more modern. Typography represents the overall branding of a media product and helps audiences identify genre and hints at the narrative. Film titles typically use uppercase and bold typography to stand out, while body text uses sans serif for readability. The filmmaker plans to use a unique, stylized font for the title that hints at the narrative, with vibrant colors and layering to make the title eye-catching, and a sans serif font for body text in a consistent color scheme across media platforms to
Narrative
Narrative theory examines how stories are structured and told. Tzvetan Todorov proposed that most narratives follow a five-stage structure: equilibrium, disruption, recognition of disruption, attempted repair, return to equilibrium. Roland Barthes identified five codes that are present in texts: hermeneutic code, proairetic code, semantic code, symbolic code, and cultural code. Syd Field suggested that films can be divided into three dramatic acts: the setup (Act 1), the confrontation (Act 2), and the resolution (Act 3). Major plot points occur between acts to change the direction of the story.
Cross media campaign
The Cross Media Campaign for The Conjuring was very effective. It used continuity across different marketing materials like the poster and trailer to promote the film. Both used the same font for the title and tagline. The teaser trailer was released on YouTube, allowing it to be shared and gauge audience reaction. The poster featured a creepy isolated woman to intrigue audiences and challenge conventions. As the film's producers had success with similar genres previously, audiences were familiar and loyal. In contrast, while short films and features both use promotional material like posters, short films have fewer opportunities to market due to lower budgets and briefer narratives.
Two & two
This short film "Two & Two" directed by Babak Anvari depicts a classroom where a young student refuses to agree with his teacher's claim that 2 + 2 = 5. When he stands up to the teacher, armed guards enter and shoot guns, implying severe consequences for dissent. The film ends with the boy reluctantly changing his answer in his book to match the teacher, highlighting how power and authority can manipulate people into accepting false ideas.
two & two
This short film titled "Two & Two" was written, directed, and produced by Babak Anvari. It takes place in a run-down classroom of a boys' school and focuses on a smart boy who is asked by his teacher what 2 + 2 equals. When the boy refuses to say that 2 + 2 = 5 as the teacher demands, armed guards enter and shoot guns to intimidate the boy into obeying. In the end, the boy writes 2 + 2 = 4 in his book, crossing out the 5, leaving viewers to consider the message about being manipulated to accept wrong ideas.
Conventions of a short film
Short films are typically defined as original motion pictures that are 40 minutes or less. They allow filmmakers to gain experience and showcase their skills with lower production costs than normal films. Short films usually have only a few main characters to introduce in the limited time and focus on conveying a clear message or theme. Some conventions of short films include having 2-3 main characters, focusing on one significant theme or technique, keeping a low budget with few locations, telling a story with an everyday situation and plot twist, and targeting a niche audience.
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