Revealing Hidden Heritage through Digital Cultural Asset Mapping
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Presentation for the 22nd International Conference on Cultural Heritage and New Technologies; Vienna 09/11/17
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Revealing Hidden Heritage through Digital Cultural Asset Mapping
- 4. Alison McCandlish @crenellatedarts Theoretical basis • ‘working on the edge’ with communities (Sarkissian, Hurford and Wenman, 2010) • ideas through play and creativity (Gauntlett and Holzwarth, 2006) • everyone can engage with creative idea generation and is to some degree creative (DeBono, 2012)
- 7. Alison McCandlish @crenellatedarts Renfrewshire- Data and conclusions to date http://arcg.is/eHGqC Tinyurl.com/paisleymap Category Paisley urban area Renfrewshire Community 78 170 Fashion, design and applied arts 5 7 Film, broadcast and digital 21 40 History, heritage and architecture 190 338 Literature and Spoken Word 17 28 Music 42 46 Sports, leisure and open spaces 50 115 Theatre and dance 6 9 Visual Arts 8 12 Events and Festivals 124 184 541 949 What ”counts” as a cultural asset? (Edensor and Millington, 2012)
- 8. Alison McCandlish @crenellatedarts Digital storytelling + mapping combined • Lynch (1960)- PENDL • Anti-cartesian (Nold, 2009) • YouTube archives intangible heritage (Pietrobruno, 2013) • Camera phones telling the story of place (Hjorth and Pink, 2014) What ”counts” as a cultural asset? (Edensor and Millington, 2012)
- 9. Alison McCandlish @crenellatedarts Solving hidden cultural heritage problems Unseen Unknown Undervalued Untold See Know Value Tell Exhibit, open up, explore, document, interpret Map, research, write about, experience Understand, promote, celebrate, explain, respect Commemorate, learn from, share, mark, record
- 11. Alison McCandlish @crenellatedarts References (1 of 4) • DCMS (2017) UK City of Culture 2021 Guidance for Bidding Cities [Online]. Available: https://www.gov.uk/government/uploads/system/uploads/attachment_data/file/ 582972/UKCITYOFCULTURE2021guidance.pdf. • DeBono, E. (2012) How to Have Creative Ideas: 62 Exercises to Develop the Mind. Random House. • Edensor, T. and Millington, S. (2012) Blackpool Illuminations: revaluing local cultural production, situated creativity and working-class values. International Journal of Cultural Policy. (April 2015), pp.1–17.
- 12. Alison McCandlish @crenellatedarts References (2 of 4) • Gauntlett, D. and Holzwarth, P. (2006) Creative and visual methods for exploring identities. Visual Studies. [Online] Vol.21 (1), pp.82–91. Available: http://www.informaworld.com/openurl?genre=article&doi=10.1080/1472586060 0613261&magic=crossref%7C%7CD404A21C5BB053405B1A640AFFD44AE3%5Cn http://dx.doi.org/10.1080/14725860600613261.. • Hjorth, L. and Pink, S. (2014) New visualities and the digital wayfarer: Reconceptualizing camera phone photography and locative media. Mobile Media & Communication. [Online] Vol.2, pp.40–57. Available: http://mmc.sagepub.com/content/2/1/40.short. • Lynch, K. (1960) Lynch, Kevin. In: LeGates, R. T. and Stout, F. (eds.). The City Reader. [Online]. pp.98–102. Available: http://www.laboratoriorapu.it/LPU_sito/download/Materiali_Papers/02b_08.03. 26_Lynch-anthology.pdf.
- 13. Alison McCandlish @crenellatedarts References (3 of 4) • Nold, C. (2009) Emotional cartography: Technologies of the Self [Online]. Available: http://emotionalcartography.net. • Pietrobruno, S. (2013) YouTube and the social archiving of intangible heritage. New Media & Society. [Online] Vol.15 (8), pp.1259–1276. Available: http://nms.sagepub.com/content/15/8/1259.abstract. • Renfrewshire Council (2014) Paisley Town Centre Asset Strategy & Action Plan.