Remixable Media Week1 2011
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This course aims to teach students principles and techniques of remix culture, provide theoretical context, and give practical experience creating remix works from concept to distribution. The course outline includes exploring seven versions of history, using samples as influence, re-editing or mashing up works, modifying works, remaking works, and creating sequels to works.
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Remixable Media slides - Week1 - 2012
This document outlines a course that aims to teach students principles and techniques of remix culture through lectures, labs, and assignments. The course will cover the history of remixing and have students create 7 remix works of different types, from sampling to re-editing to re-making original works, to gain practical experience and awareness of remixing's relation to other forms of innovation.
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Remixable Media Week 4 Seminar
The document provides an overview of topics related to media production including today's tools for video production, preparing video workshops and proposals, user experience principles, architecture and design patterns for applications, databases, user interfaces, file formats, and web apps. It also includes lessons about ensuring access to content and being cross-platform, as well as tips for video production such as using wind-shielded microphones and varying shots, and guidelines for effective proposals following Guy Kawasaki's 10/20/30 rule.
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Recommended
Remixable Media slides - Week1 - 2012
This document outlines a course that aims to teach students principles and techniques of remix culture through lectures, labs, and assignments. The course will cover the history of remixing and have students create 7 remix works of different types, from sampling to re-editing to re-making original works, to gain practical experience and awareness of remixing's relation to other forms of innovation.
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The document discusses the potential for audiences to engage with film content in new interactive ways across multiple platforms. It notes perspectives from the film industry, technology experts, and artists about embracing new formats like "re-mixable films", "massively multiplayer movies", and "user-generated content" that allow audiences to modify and reuse narrative elements. The document also describes a company called MOD Films that aims to develop new story formats and online services that empower audiences to locate, re-license and reuse film content in interactive and social ways.
Remixable Media Week 4 Seminar
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3) Pro HD, consumer, and RED camera data workflows.
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Remixable Media Week1 2011
- 8. Seven versions of history