Radio analysis
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1) The document describes different radio stations and their target audiences. Heart radio targets a young audience interested in current pop music and news. ForestFM targets an older/middle-aged audience interested in older classic songs and different genres. Radio 2 has a mainstream audience of teens to elderly with a mix of current and familiar music. 2) The second section describes the film review show Kermode and Mayo, which discusses newly released films in depth through interviews and commentary. This targets an niche audience of film fans interested in behind-the-scenes details rather than a mass audience. 3) The target audiences differ between conventional commercial radio appealing to broad masses, and more specialized shows with narrower, intellectual focus on specific subjects like
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Radio station notes
This document summarizes the content of three radio stations. The first, Heart Radio, plays current pop hit songs and includes short clips of the top songs of the week. The second, ForestFM, plays older classic songs from artists like Frank Sinatra and includes no advertisements. The target audience is older. The third, BBC Radio 2, plays songs by Earth, Wind & Fire and the host Paul O'Grady discusses the band. It also targets a middle-aged audience. The document then summarizes a talk radio program that discusses Brexit, traffic, viewer letters, film reviews and the box office. Listeners can engage with the show online if they miss the live broadcast.
pieces.word
The document provides summaries of two music gigs attended by the author - the album launch of UK band Hurts and an performance by newcomers Ramona. It also briefly discusses upcoming music releases and performances by Toro Y Moi, Rumer, Spanish band Fuel Fandango, and details a new song by Justice being used in an Adidas commercial.
Med332 the origins of hip hop
lecture slides. features video clips from the following documentaries:
The Hip Hop Years Parts 1 & 2
Beef
Once Upon A Time In New York
Document 3 (1).pdf
Article about music and art - In this article the writer has told about the intelligent legends of history of world to about 1990s to 2022 or beyond
Combined media powerpoint
Crunk emerged in the early 1990s as a subgenre of hip hop music originating in the Southern United States. It combines hip hop music with electronic dance music and is characterized by up-tempo beats. Popular Crunk artists include Lil Jon & The Eastside Boyz and Ying Yang Twins. Deathcore is an extreme metal genre that combines the heavy riffs and vocals of death metal with the growling vocals and breakdowns of metalcore. It originated in the mid-1990s and bands in the genre like Suicide Silence have faced criticism from fans of other metal subgenres. Roots reggae developed in the 1970s and deals with everyday life and spirituality through artists like Bob Marley, Peter Tosh
Genres and Subgenres
Crunk is a subgenre of hip hop that emerged in the early 1990s, known for its up-tempo beats combining hip hop and electronic dance music. Key artists include Lil Jon & The Eastside Boyz, Ying Yang Twins, and Lil Scrappy. Deathcore is an extreme metal fusion genre combining the characteristics of death metal and metalcore, including death metal riffs and blast beats. It originated in the mid-1990s and bands like Suicide Silence from Riverside, California helped popularize the genre. Roots reggae originated in Jamaica in the 1970s and deals with everyday lives and spiritual themes, becoming popular in Europe. Artists include Bob Marley, Peter Tosh, and The A
Combined presentation
Crunk is a subgenre of hip hop that emerged in the 1990s and gained mainstream success in the 2000s. It combines hip hop and electronic dance music and is often up-tempo with southern influences. Key artists include Lil Jon & The Eastside Boyz and Ying Yang Twins. Deathcore is an extreme metal fusion genre that combines characteristics of death metal and metalcore, including death metal riffs and blast beats. It originated in the mid-1990s and has been criticized by some metal fans. Suicide Silence is a prominent American deathcore band formed in 2002 in Riverside, California.
Rap music and the rise of hip hop
Run-DMC and Afrika Bambaataa were early pioneers of hip hop music in the Bronx in the 1970s-1980s. They helped establish hip hop music and culture through innovations like DJing, breakdancing, graffiti art, and blending musical styles. Record labels like Sugar Hill Records and Def Jam Recordings were also important in the early development and commercial success of hip hop. Pioneers like Russell Simmons through Def Jam helped bring hip hop from the Bronx to mainstream audiences through signing influential artists.
Recommended
Radio station notes
This document summarizes the content of three radio stations. The first, Heart Radio, plays current pop hit songs and includes short clips of the top songs of the week. The second, ForestFM, plays older classic songs from artists like Frank Sinatra and includes no advertisements. The target audience is older. The third, BBC Radio 2, plays songs by Earth, Wind & Fire and the host Paul O'Grady discusses the band. It also targets a middle-aged audience. The document then summarizes a talk radio program that discusses Brexit, traffic, viewer letters, film reviews and the box office. Listeners can engage with the show online if they miss the live broadcast.
pieces.word
The document provides summaries of two music gigs attended by the author - the album launch of UK band Hurts and an performance by newcomers Ramona. It also briefly discusses upcoming music releases and performances by Toro Y Moi, Rumer, Spanish band Fuel Fandango, and details a new song by Justice being used in an Adidas commercial.
Med332 the origins of hip hop
lecture slides. features video clips from the following documentaries:
The Hip Hop Years Parts 1 & 2
Beef
Once Upon A Time In New York
Document 3 (1).pdf
Article about music and art - In this article the writer has told about the intelligent legends of history of world to about 1990s to 2022 or beyond
Combined media powerpoint
Crunk emerged in the early 1990s as a subgenre of hip hop music originating in the Southern United States. It combines hip hop music with electronic dance music and is characterized by up-tempo beats. Popular Crunk artists include Lil Jon & The Eastside Boyz and Ying Yang Twins. Deathcore is an extreme metal genre that combines the heavy riffs and vocals of death metal with the growling vocals and breakdowns of metalcore. It originated in the mid-1990s and bands in the genre like Suicide Silence have faced criticism from fans of other metal subgenres. Roots reggae developed in the 1970s and deals with everyday life and spirituality through artists like Bob Marley, Peter Tosh
Genres and Subgenres
Crunk is a subgenre of hip hop that emerged in the early 1990s, known for its up-tempo beats combining hip hop and electronic dance music. Key artists include Lil Jon & The Eastside Boyz, Ying Yang Twins, and Lil Scrappy. Deathcore is an extreme metal fusion genre combining the characteristics of death metal and metalcore, including death metal riffs and blast beats. It originated in the mid-1990s and bands like Suicide Silence from Riverside, California helped popularize the genre. Roots reggae originated in Jamaica in the 1970s and deals with everyday lives and spiritual themes, becoming popular in Europe. Artists include Bob Marley, Peter Tosh, and The A
Combined presentation
Crunk is a subgenre of hip hop that emerged in the 1990s and gained mainstream success in the 2000s. It combines hip hop and electronic dance music and is often up-tempo with southern influences. Key artists include Lil Jon & The Eastside Boyz and Ying Yang Twins. Deathcore is an extreme metal fusion genre that combines characteristics of death metal and metalcore, including death metal riffs and blast beats. It originated in the mid-1990s and has been criticized by some metal fans. Suicide Silence is a prominent American deathcore band formed in 2002 in Riverside, California.
Rap music and the rise of hip hop
Run-DMC and Afrika Bambaataa were early pioneers of hip hop music in the Bronx in the 1970s-1980s. They helped establish hip hop music and culture through innovations like DJing, breakdancing, graffiti art, and blending musical styles. Record labels like Sugar Hill Records and Def Jam Recordings were also important in the early development and commercial success of hip hop. Pioneers like Russell Simmons through Def Jam helped bring hip hop from the Bronx to mainstream audiences through signing influential artists.
Crossing Musics Borders I Hate World MusicThe New York.docx
Crossing Music's Borders: 'I Hate World Music'
The New York Times, October 3, 1999
By David Byrne
I hate world music. That's probably one of the perverse reasons I have been asked to write about it.
The term is a catchall that commonly refers to non-Western music of any and all sorts, popular
music, traditional music and even classical music. It's a marketing as well as a pseudomusical term
— and a name for a bin in the record store signifying stuff that doesn't belong anywhere else in the
store. What's in that bin ranges from the most blatantly commercial music produced by a country,
like Hindi film music (the singer Asha Bhosle being the best well known example), to the ultra-
sophisticated, super-cosmopolitan art-pop of Brazil (Caetano Veloso, Tom Zé, Carlinhos Brown); from
the somewhat bizarre and surreal concept of a former Bulgarian state-run folkloric choir being
arranged by classically trained, Soviet-era composers (Le Mystère des Voix Bulgares) to Norteño
songs from Texas and northern Mexico glorifying the exploits of drug dealers (Los Tigres del Norte).
Albums by Selena, Ricky Martin and Los Del Rio (the Macarena kings), artists who sell millions of
records in the United States alone, are racked next to field recordings of Thai hill tribes. Equating
apples and oranges indeed.
So, from a purely democratic standpoint, one in which all music is equal, regardless of sales and
slickness of production, this is a musical utopia.
So Why Am I Complaining?
In my experience, the use of the term world music is a way of dismissing artists or their music as
irrelevant to one's own life. It's a way of relegating this "thing" into the realm of something exotic
and therefore cute, weird but safe, because exotica is beautiful but irrelevant; they are, by
definition, not like us. Maybe that's why I hate the term. It groups everything and anything that
isn't "us" into "them." This grouping is a convenient way of not seeing a band or artist as a creative
individual, albeit from a culture somewhat different from that seen on American television. It's a
label for anything at all that is not sung in English or anything that doesn't fit into the Anglo-
Western pop universe this year. (So Ricky Martin is allowed out of the world music ghetto — for a
while, anyway. Next year, who knows? If he makes a plena record, he might have to go back to the
salsa bins and the Latin mom and pop record stores.) It's a none too subtle way of reasserting the
hegemony of Western pop culture. It ghettoizes most of the world's music. A bold and audacious
move, White Man!
There is some terrific music being made all over the world. In fact, there is more music, in sheer
quantity, currently defined as world music, than any other kind. Not just kinds of music, but volume
of recordings as well. When we talk about world music we find ourselves talking about 99 percent of
the music on this planet. It would be strange to imagine, as many multinat.
Music genres
This document provides an overview of various music genres including pop, rock, and heavy metal. It discusses the typical traits of each genre as well as some common subgenres. For pop, it describes the mass appeal and catchy structure, then examines Britpop, J-Pop/K-Pop, and modern western pop. For rock, it outlines the origins in rock n' roll and diversification into subgenres like glam rock, alternative rock, prog rock, and British invasion. Finally, it analyzes heavy metal as branching from rock with heavier sounds, then explores subgenres such as thrash metal, death/black metal, stoner metal, gothic metal, power metal, and nu-metal. Across
Tupac presentation
This document discusses the origins and evolution of rap and hip hop culture. It begins by defining hip hop as an urban youth culture associated with rap music and African American fashion from inner cities. Rap is described as a genre of music from the 1980s-90s where rhyming lyrics are chanted to music. The document then breaks down elements of hip hop culture including music, art/aesthetics, dance. It provides details on key figures like Tupac Shakur and their influence on hip hop. The influence of regional styles like West Coast and East Coast rap is also summarized.
Vinyl Flashbacks-Barcamp Akld
Vinyl Flashbacks - Peter McLennan talks on LP cover art, and how Steve Jobs almost killed it off with iTunes Music Store, thnaks to the minimalist thumbnail.
C:\fakepath\grunge
The document summarizes the grunge music movement that originated in Seattle in the early 1990s. It profiles prominent grunge bands like Nirvana, Pearl Jam, and Soundgarden and discusses how their lyrics resonated with disaffected youth. It also explores how grunge culture spread nationally in the 1990s as these bands achieved mainstream success but declined after the deaths of Kurt Cobain and other factors. The movement gave voice to a generation and brought alternative music further into the spotlight.
Grunge
The document summarizes the grunge music movement that originated in Seattle in the early 1990s. It profiles prominent grunge bands like Nirvana, Pearl Jam, and Soundgarden and discusses how their lyrics resonated with disaffected youth. It also explores the cultural factors that contributed to the rise of grunge music, such as a reaction against excessive commercialism and materialism. While grunge became commercially successful for a time, the movement declined after the deaths of key figures like Kurt Cobain and changes in popular music tastes in the mid-1990s.
Presentacion jamaica
Though small in size, Jamaican culture has had a significant global influence through the development and spread of musical genres like reggae, ska, mento, rocksteady, dub, dancehall and ragga. Reggae in particular influenced the development of punk rock and American rap music, sharing African roots. Internationally renowned reggae artist Bob Marley was Jamaican. Famous Jamaican artists include Bunny Wailer, Peter Tosh, Jimmy Cliff, Dennis Brown, and Shaggy. Traditional Jamaican foods include bammy, bulla, and bun. Popular dances include Myal Maroon, Kumina, Revival and Rastafari. Picturesque Jamaican parishes to visit include Portland, St
Soul music hanan
This document provides an overview of the history and conventions of the soul music genre. It discusses the origins of soul in the 1950s blending gospel and rhythm and blues. Key regions and their styles are identified like Motown's Detroit soul with its hand clapping and Memphis soul's melancholy sound. Notable soul artists are profiled like Smokey Robinson & The Miracles, The Supremes, and Stevie Wonder. The target audience and conventions like catchy rhythms and choreography are summarized. Examples of modern soul artists and music videos in different styles are also briefly outlined.
Grime genre
Grime music emerged in East London in the early 2000s from genres like UK garage, dancehall, and hip hop. It combines futuristic electronic elements with dark, guttural bass lines. The document provides track listings from the soundtracks of the 2006 film Kidulthood and the 2009 film Shank, showing the grime artists and songs featured. It explains that grime music is often used in drama films rated 15-18 to portray youth culture, as the genre is associated with older teens.
Grime genre
Grime music emerged in East London in the early 2000s as a development of UK garage, dancehall, and hip hop. It combines futuristic electronic elements with dark, guttural bass lines. The lyrics often portray urban youth culture. Films frequently use grime music in drama scenes to portray older teen characters and youth culture through its uptempo beats.
3 bands you don´t know
1) The document discusses three bands that the author believes readers may not be familiar with: Led Zeppelin, Woodstock, and Exit 40.
2) It provides background on Led Zeppelin's aversion to media coverage but discusses one of their performances that was recorded by the BBC.
3) It describes how Woodstock promoted peace and brought rock music fans together over three days, changing perceptions of the genre.
Transition to Rock & Doo Wop
This document summarizes the transition from pop music to rock music in the early 1950s. It notes that 1951 was a turning point when more European Americans started listening to African American music like rhythm and blues (R&B). It describes the popular music styles of the time, including pop ballads and novelty songs as well as jump blues, doo wop, and gospel-influenced singers. It highlights how Bill Haley's country band covering "Rocket 88" in 1951 helped introduce R&B to white audiences and broader popularity.
WEEKEND- SOUL BEATS
The T band is a popular Omani cover band that plays retro soulful and psychedelic beats from the 1970s and 1980s. They are all employed in other careers but come together to play music they love from artists like Eric Clapton and Pink Floyd. Though not professionally trained, their passion for this style of music and practice has led to their success. They believe modern popular music lacks the soul and emotion of older music.
WEEKEND- SOUL BEATS
The T band is a popular Omani cover band that plays retro soulful and psychedelic beats from the 1970s and 1980s. They are all employed in other careers but come together to play music they love from artists like Eric Clapton and Pink Floyd. Though not professionally trained, their passion for this style of music and practice has led to their success. They believe modern popular music lacks the soul and emotion of older music.
APM Chapter 14
“Smells Like Teen Spirit”: Hip-Hop, Alternative Music, and the Entertainment Business—through Alternate Currents
Nostalgia isn
Nostalgia wasn't always a concept - it was invented in the late 17th century to describe homesickness felt by Swiss mercenaries. While people may feel nostalgic for the music of their youth from genres like rock and pop, today's youth are unlikely to feel the same way about current genres like hip hop, metal, and punk rock. As music trends have changed over time, each generation's parents have disapproved of the new styles, though these songs later become nostalgic listens for aging populations. Nostalgia can provide comfort by slowing the passage of time, but it also brings bittersweet memories of lost loves and periods from the past that cannot be regained.
Mingling Cultures- SEA week
The document summarizes musical trends from the 1960s through the 1990s. It discusses the origins of rock music and influential rock bands of the 1960s like The Doors and Jimi Hendrix. It then focuses on reggae artist Bob Marley in the 1970s in Jamaica and rock musician Charly Garcia in Argentina. For the 1980s, it mentions the murder of John Lennon and the rise of MTV. Grunge and alternative rock dominated the early 1990s led by Nirvana, while pop punk like Green Day also emerged.
01. fact file for the beatles improvements
The Beatles were a highly influential rock band formed in the 1960s in Liverpool, England. They were comprised of John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They gained popularity playing small gigs until they were signed to EMI records in 1962. They went on to revolutionize the music industry by writing their own songs and inspiring countless other bands. The Beatles also had a significant impact on popular culture through their constantly evolving styles and trends they set with their music and fashion. They were the first band to perform large stadium concerts.
TransAction Magazine - Autumn issue 1997 - VIEW IN FULL-SCREEN MODE
During the late 90s, I published TransAction Magazine, about music in NYC (home base), London and Hollywood, CA.
In This Issue:
* Supergrass
* MANSUN
* Suede
* No Doubt
* Radiohead
* Teenage Fanclub
* Travis
* Bigmouth
* Perfect
* Geneva
* World Party
* Messyheads
* LES Stitches
* The Heartdrops
* Embrace
* Better Than Ezra
* Subcircus
* Elvez
* Rumblecat
* Pat McGuire Band
* Coyote Shivers
* The Kowalskis
* 3 Colors Red
* Longshore Drift
* The Cardigans
* PAINT
* SYLK 130
* BIGMOUTH
* 13th Floor
* Sugar Ray
* The Lightning Seeds
* The Turbo A.C.'s
* flip-SIDE
* Thin Lizard Dawn
Analysis of range of album packaging
The document provides information about the album cover design for Outkast's 1996 album "ATLiens". It discusses how the creative director wanted the cover to look like a comic book rather than a typical rap album headshot. The cover features Outkast members Andre 3000 and Big Boi as heroes ready to fight surrounding aliens. The cover uses various colors like blue, green, and red to represent the album's more laidback sound compared to their previous work and emotions explored in the music.
Casting details
The document casts the roles of Eryn, Eryn's Mum, Robber #1, and Robber #2. Sophie Rowley aged 15 is cast as Eryn because she is the right age and mature enough to understand the plot. Christine Waddington aged 49 is cast as Eryn's Mum as she has the correct look and availability. Ellen Waddington aged 15 is cast as Robber #1 due to her petite size and past reliability. Holly Waddington also aged 15 is cast as Robber #2 due to her enthusiasm, similar appearance to Ellen as twins, and shared availability.
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Crossing Musics Borders I Hate World MusicThe New York.docx
Crossing Music's Borders: 'I Hate World Music'
The New York Times, October 3, 1999
By David Byrne
I hate world music. That's probably one of the perverse reasons I have been asked to write about it.
The term is a catchall that commonly refers to non-Western music of any and all sorts, popular
music, traditional music and even classical music. It's a marketing as well as a pseudomusical term
— and a name for a bin in the record store signifying stuff that doesn't belong anywhere else in the
store. What's in that bin ranges from the most blatantly commercial music produced by a country,
like Hindi film music (the singer Asha Bhosle being the best well known example), to the ultra-
sophisticated, super-cosmopolitan art-pop of Brazil (Caetano Veloso, Tom Zé, Carlinhos Brown); from
the somewhat bizarre and surreal concept of a former Bulgarian state-run folkloric choir being
arranged by classically trained, Soviet-era composers (Le Mystère des Voix Bulgares) to Norteño
songs from Texas and northern Mexico glorifying the exploits of drug dealers (Los Tigres del Norte).
Albums by Selena, Ricky Martin and Los Del Rio (the Macarena kings), artists who sell millions of
records in the United States alone, are racked next to field recordings of Thai hill tribes. Equating
apples and oranges indeed.
So, from a purely democratic standpoint, one in which all music is equal, regardless of sales and
slickness of production, this is a musical utopia.
So Why Am I Complaining?
In my experience, the use of the term world music is a way of dismissing artists or their music as
irrelevant to one's own life. It's a way of relegating this "thing" into the realm of something exotic
and therefore cute, weird but safe, because exotica is beautiful but irrelevant; they are, by
definition, not like us. Maybe that's why I hate the term. It groups everything and anything that
isn't "us" into "them." This grouping is a convenient way of not seeing a band or artist as a creative
individual, albeit from a culture somewhat different from that seen on American television. It's a
label for anything at all that is not sung in English or anything that doesn't fit into the Anglo-
Western pop universe this year. (So Ricky Martin is allowed out of the world music ghetto — for a
while, anyway. Next year, who knows? If he makes a plena record, he might have to go back to the
salsa bins and the Latin mom and pop record stores.) It's a none too subtle way of reasserting the
hegemony of Western pop culture. It ghettoizes most of the world's music. A bold and audacious
move, White Man!
There is some terrific music being made all over the world. In fact, there is more music, in sheer
quantity, currently defined as world music, than any other kind. Not just kinds of music, but volume
of recordings as well. When we talk about world music we find ourselves talking about 99 percent of
the music on this planet. It would be strange to imagine, as many multinat.
Music genres
This document provides an overview of various music genres including pop, rock, and heavy metal. It discusses the typical traits of each genre as well as some common subgenres. For pop, it describes the mass appeal and catchy structure, then examines Britpop, J-Pop/K-Pop, and modern western pop. For rock, it outlines the origins in rock n' roll and diversification into subgenres like glam rock, alternative rock, prog rock, and British invasion. Finally, it analyzes heavy metal as branching from rock with heavier sounds, then explores subgenres such as thrash metal, death/black metal, stoner metal, gothic metal, power metal, and nu-metal. Across
Tupac presentation
This document discusses the origins and evolution of rap and hip hop culture. It begins by defining hip hop as an urban youth culture associated with rap music and African American fashion from inner cities. Rap is described as a genre of music from the 1980s-90s where rhyming lyrics are chanted to music. The document then breaks down elements of hip hop culture including music, art/aesthetics, dance. It provides details on key figures like Tupac Shakur and their influence on hip hop. The influence of regional styles like West Coast and East Coast rap is also summarized.
Vinyl Flashbacks-Barcamp Akld
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C:\fakepath\grunge
The document summarizes the grunge music movement that originated in Seattle in the early 1990s. It profiles prominent grunge bands like Nirvana, Pearl Jam, and Soundgarden and discusses how their lyrics resonated with disaffected youth. It also explores how grunge culture spread nationally in the 1990s as these bands achieved mainstream success but declined after the deaths of Kurt Cobain and other factors. The movement gave voice to a generation and brought alternative music further into the spotlight.
Grunge
The document summarizes the grunge music movement that originated in Seattle in the early 1990s. It profiles prominent grunge bands like Nirvana, Pearl Jam, and Soundgarden and discusses how their lyrics resonated with disaffected youth. It also explores the cultural factors that contributed to the rise of grunge music, such as a reaction against excessive commercialism and materialism. While grunge became commercially successful for a time, the movement declined after the deaths of key figures like Kurt Cobain and changes in popular music tastes in the mid-1990s.
Presentacion jamaica
Though small in size, Jamaican culture has had a significant global influence through the development and spread of musical genres like reggae, ska, mento, rocksteady, dub, dancehall and ragga. Reggae in particular influenced the development of punk rock and American rap music, sharing African roots. Internationally renowned reggae artist Bob Marley was Jamaican. Famous Jamaican artists include Bunny Wailer, Peter Tosh, Jimmy Cliff, Dennis Brown, and Shaggy. Traditional Jamaican foods include bammy, bulla, and bun. Popular dances include Myal Maroon, Kumina, Revival and Rastafari. Picturesque Jamaican parishes to visit include Portland, St
Soul music hanan
This document provides an overview of the history and conventions of the soul music genre. It discusses the origins of soul in the 1950s blending gospel and rhythm and blues. Key regions and their styles are identified like Motown's Detroit soul with its hand clapping and Memphis soul's melancholy sound. Notable soul artists are profiled like Smokey Robinson & The Miracles, The Supremes, and Stevie Wonder. The target audience and conventions like catchy rhythms and choreography are summarized. Examples of modern soul artists and music videos in different styles are also briefly outlined.
Grime genre
Grime music emerged in East London in the early 2000s from genres like UK garage, dancehall, and hip hop. It combines futuristic electronic elements with dark, guttural bass lines. The document provides track listings from the soundtracks of the 2006 film Kidulthood and the 2009 film Shank, showing the grime artists and songs featured. It explains that grime music is often used in drama films rated 15-18 to portray youth culture, as the genre is associated with older teens.
Grime genre
Grime music emerged in East London in the early 2000s as a development of UK garage, dancehall, and hip hop. It combines futuristic electronic elements with dark, guttural bass lines. The lyrics often portray urban youth culture. Films frequently use grime music in drama scenes to portray older teen characters and youth culture through its uptempo beats.
3 bands you don´t know
1) The document discusses three bands that the author believes readers may not be familiar with: Led Zeppelin, Woodstock, and Exit 40.
2) It provides background on Led Zeppelin's aversion to media coverage but discusses one of their performances that was recorded by the BBC.
3) It describes how Woodstock promoted peace and brought rock music fans together over three days, changing perceptions of the genre.
Transition to Rock & Doo Wop
This document summarizes the transition from pop music to rock music in the early 1950s. It notes that 1951 was a turning point when more European Americans started listening to African American music like rhythm and blues (R&B). It describes the popular music styles of the time, including pop ballads and novelty songs as well as jump blues, doo wop, and gospel-influenced singers. It highlights how Bill Haley's country band covering "Rocket 88" in 1951 helped introduce R&B to white audiences and broader popularity.
WEEKEND- SOUL BEATS
The T band is a popular Omani cover band that plays retro soulful and psychedelic beats from the 1970s and 1980s. They are all employed in other careers but come together to play music they love from artists like Eric Clapton and Pink Floyd. Though not professionally trained, their passion for this style of music and practice has led to their success. They believe modern popular music lacks the soul and emotion of older music.
WEEKEND- SOUL BEATS
The T band is a popular Omani cover band that plays retro soulful and psychedelic beats from the 1970s and 1980s. They are all employed in other careers but come together to play music they love from artists like Eric Clapton and Pink Floyd. Though not professionally trained, their passion for this style of music and practice has led to their success. They believe modern popular music lacks the soul and emotion of older music.
APM Chapter 14
“Smells Like Teen Spirit”: Hip-Hop, Alternative Music, and the Entertainment Business—through Alternate Currents
Nostalgia isn
Nostalgia wasn't always a concept - it was invented in the late 17th century to describe homesickness felt by Swiss mercenaries. While people may feel nostalgic for the music of their youth from genres like rock and pop, today's youth are unlikely to feel the same way about current genres like hip hop, metal, and punk rock. As music trends have changed over time, each generation's parents have disapproved of the new styles, though these songs later become nostalgic listens for aging populations. Nostalgia can provide comfort by slowing the passage of time, but it also brings bittersweet memories of lost loves and periods from the past that cannot be regained.
Mingling Cultures- SEA week
The document summarizes musical trends from the 1960s through the 1990s. It discusses the origins of rock music and influential rock bands of the 1960s like The Doors and Jimi Hendrix. It then focuses on reggae artist Bob Marley in the 1970s in Jamaica and rock musician Charly Garcia in Argentina. For the 1980s, it mentions the murder of John Lennon and the rise of MTV. Grunge and alternative rock dominated the early 1990s led by Nirvana, while pop punk like Green Day also emerged.
01. fact file for the beatles improvements
The Beatles were a highly influential rock band formed in the 1960s in Liverpool, England. They were comprised of John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They gained popularity playing small gigs until they were signed to EMI records in 1962. They went on to revolutionize the music industry by writing their own songs and inspiring countless other bands. The Beatles also had a significant impact on popular culture through their constantly evolving styles and trends they set with their music and fashion. They were the first band to perform large stadium concerts.
TransAction Magazine - Autumn issue 1997 - VIEW IN FULL-SCREEN MODE
During the late 90s, I published TransAction Magazine, about music in NYC (home base), London and Hollywood, CA.
In This Issue:
* Supergrass
* MANSUN
* Suede
* No Doubt
* Radiohead
* Teenage Fanclub
* Travis
* Bigmouth
* Perfect
* Geneva
* World Party
* Messyheads
* LES Stitches
* The Heartdrops
* Embrace
* Better Than Ezra
* Subcircus
* Elvez
* Rumblecat
* Pat McGuire Band
* Coyote Shivers
* The Kowalskis
* 3 Colors Red
* Longshore Drift
* The Cardigans
* PAINT
* SYLK 130
* BIGMOUTH
* 13th Floor
* Sugar Ray
* The Lightning Seeds
* The Turbo A.C.'s
* flip-SIDE
* Thin Lizard Dawn
Analysis of range of album packaging
The document provides information about the album cover design for Outkast's 1996 album "ATLiens". It discusses how the creative director wanted the cover to look like a comic book rather than a typical rap album headshot. The cover features Outkast members Andre 3000 and Big Boi as heroes ready to fight surrounding aliens. The cover uses various colors like blue, green, and red to represent the album's more laidback sound compared to their previous work and emotions explored in the music.
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Casting details
The document casts the roles of Eryn, Eryn's Mum, Robber #1, and Robber #2. Sophie Rowley aged 15 is cast as Eryn because she is the right age and mature enough to understand the plot. Christine Waddington aged 49 is cast as Eryn's Mum as she has the correct look and availability. Ellen Waddington aged 15 is cast as Robber #1 due to her petite size and past reliability. Holly Waddington also aged 15 is cast as Robber #2 due to her enthusiasm, similar appearance to Ellen as twins, and shared availability.
Evaluation
The document provides an analysis of a short film created for a competition. It summarizes that the film successfully blends the thriller and comedy genres to engage audiences with suspense and humor over a short yet developed plot. While some aspects like dialogue could be improved, overall the film effectively uses techniques like varied shots, smooth transitions between scenes, and sound effects to create quality and flow. The creator believes the film meets the brief of the competition well and would stand out from other submissions.
Editing evidence log
The document describes the steps taken to edit a film project in Adobe Premiere Pro. It outlines how the filmmaker imported clips in numerical order based on the shooting script, added titles and adjustment layers, experimented with transitions, edited audio levels, cropped frames, and ultimately exported the finished film. Techniques used included setting clip sorting, adding effects like fades and tones, trimming clips, pasting duplicated audio, and using track keyframes to balance sound levels.
Josie (2)
Yes, youths in the UK are part of today's consumer culture. With social media, businesses can target and encourage youths to buy into products and lifestyles through digital advertising to fit in with peers. There is a link between how youths express identity and modern consumerism, as prominent figures like Kylie Jenner and musicians promote consumer products that youths then copy and use to express themselves. However, consumer culture has not fully disintegrated class hostility and segregation, as class privilege still advantages some. While consumerism allows for more freedom in expressing gender identity, some youths may adopt trends without belief, risking confusion. Representation of ethnicities has improved but not reached full equality, as political
Legal report guide
The document discusses copyright and permissions for various elements of a film project. It notes that the filmmaker will copyright their own filmed footage so anyone wishing to use it in the future must ask permission. All actors have given permission to be in the film and parents have signed consent forms for those under 18. The filmmaker's studio title logo does not need copyright since it is their own work. Additional video footage found on Pexels can be used freely as the website is copyright free. Sound effects from Freesfx can also be used without permission as they are copyright free. Sound effects and musical scores from Freesfx.co.uk and Bensound.com can be used freely as long as Bensound is credited
Conscious script draft 1
Eryn Miller, 15, has been experiencing vivid dreams of burglars breaking into her home at night. On the night before her 16th birthday, she dreams of two burglars entering her room and stealing a ring from her windowsill. When she wakes up on her birthday, her mother brings her breakfast in bed with presents. Eryn remains confused about the dream, until she opens one of the presents to find the same ring from her dream inside the box. This suggests that Eryn's vivid dreams may have been more than just dreams.
Editing evidence log
The document describes the steps taken to edit a film project in Adobe Premiere Pro. It outlines how the filmmaker imported clips in numerical order based on the shooting script, added title screens and adjustment layers to manipulate lighting and tone. Transitions like dissolves and dips to black were experimented with, and sound effects, music and credits were layered in using keyframes to control volume. The final steps were tightening shots, balancing audio, and adding end credits before export.
04. rushes log
The document is a rushes log created by editor Josie Waddington for the production "Conscious". It lists 58 video files shot for the production, providing the file name, duration of each shot, and notes on any editing needed such as cutting, darkening, or speeding up clips. It also lists where each video file is stored on the editor's computer.
Evidence pp
The document describes photos from the filming of a project. The first photo shows setting up camera equipment correctly using a shooting script. The second photo shows using pre-production materials like a script and shot list to ensure coherence. The third photo depicts safely cleaning up a water spill on set to prevent slips and follow the risk assessment. The fourth photo shows communicating with an actor on set to achieve the best shot before moving to the next scene.
Recce
This document provides safety information for filming scenes in different areas of a house, including keeping walkways clear and floors free of clutter in the bedroom, ensuring the hallway remains unblocked and advising crew to wear slip-resistant shoes due to a slippery wooden floor, and notifying crew about weather conditions and appropriate clothing for outdoor scenes in the front garden and driveway.
Recce
This document provides safety information for filming scenes in different areas of a house. It notes that the bedroom will have a clear floor and safe walkways, the hallway must remain clear and crew should wear sturdy shoes due to slippery wooden floors, and outdoor scenes may require weather-appropriate clothing as crews could be outside for long periods. Crew are advised to avoid doorways and stairs inside and be aware of weather conditions.
Conscious script draft 2
Eryn is a 16-year-old girl who struggles with vivid dreams and insomnia. In her latest dream, she witnesses robbers breaking into her house and stealing a ring. When she wakes up on her birthday, her mother gives her a present containing the same ring she saw in her dream. Unsure if it was just a dream or something more, the story leaves Eryn perplexed about what is real and what is a product of her dreams.
Max payne
This document provides an analysis of the style, narrative structure, genre, and target audience of the video game script "Max Payne". The script uses descriptive language to fully immerse gamers in the plot. It employs a typical story structure to keep gamers engaged in the narrative as they play. The genre is action and police drama, featuring stereotypical police characters and settings. The target audience is likely male gamers who identify with or wish to emulate the masculine characters and themes of crime-solving and violence.
Risk assessment
This document identifies potential hazards for a film shoot and outlines steps to address them. It notes trip, spill, and temperature hazards that could injure cast and crew. To mitigate risks, areas will be well-lit with no cables left out, walkways kept clear, and cast and crew wearing sensible shoes. All liquids will be bottled, food and drink restricted to the kitchen, and reminders given. Heating will be checked and warm clothing required for outdoor shoots scheduled during best weather.
Risk assessment
This document outlines three potential hazards - trip hazards, spill hazards, and temperature hazards - that could affect the cast and crew of a production. For each hazard, it identifies who may be harmed and how, what is already being done to control the risk, and any additional actions needed by deadlines. Trip hazards will be addressed by ensuring good lighting, clear walkways, and proper footwear. Spill hazards will be controlled by using bottles for liquids and restricting food and drink. Temperature hazards will be managed by advising crew to dress warmly, checking heating, and scheduling outdoor scenes for best weather.
Date of lesson
This document contains a production schedule for filming and editing a short film. It includes details of filming locations, cast and crew needed, props and costumes required, and equipment needed for each day of production and post-production. Filming will take place from February 18th to 22nd at a house in Ringwood. Post-production such as uploading footage, adding sound effects and music, and editing the four scenes will occur from February 26th to March 22nd. The filmmaker will be working alone as director and editor.
Casting details
The document provides casting details for a short film, assigning roles to four actresses. Sophie Rowley, age 15, will play Eryn due to being the right age and local. Christine Waddington, age 49, will play Eryn's mother as she has the right look and teaching schedule. Ellen Waddington, age 15, will play Robber #1 due to her petite size and past reliable work. Holly Waddington, Ellen's twin sister, will play Robber #2 for her enthusiasm, similar appearance, and ability to interact well with Ellen due to being twins.
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Radio analysis
- 1. Heart CheapThrills – Sia(popmusic). Feel ItStill – Portugal The Man (popmusic,currentlypopularinthe charts). StephenMulhernandEmmaWallistalkingabout:HappyMother’sDay,a storyabout Kate Middleton’schildhood. Phone inshoutout tosomeone’smum. Human – Rag’n’Bone Man (popmusic,well known). Young targetaudience wholistentocurrentmusic, interestedincurrentnews. ForestFM To Love Somebody – Bee Gees(popmusicfrom1960s). K&B kitcheninstallationsadvert(local business). DorsetWindowsadvert(local business). GuardianHands Care advert(local care home). Fabulous45s ensemble(tracksatleast45 yearsold). HoldMe Tight – JohnnyNash(1974 Reggae Pop). Young GiftedandBlack – Bob & Marcia (1970 R&B soul). Older/middleagedtargetaudience,more appreciative of oldermore classicsongsanddifferent genres,householdadvertsmayapplytothemmore, havingtheirownhome astheyare older. Radio2 ChisEvans breakfastshowadvert. Michael Ball Show,chattingabouthisday. TrafficNews. Radio2 jingle. InterviewwithCalumScott(Britain’sGotTalentsemi-final contestant) aboutalbumrelease. Mainstreamaudience withbroadertarget,teentoelderly,traffic,recognizablejingle,currentsongs (potentiallybranddeal fromthe BBC) buteasylisteningtoapplytomore people. Kermode andMayo’sfilmreview ChattingaboutnewlyreleasedfilmGringo, chattier,informal,focusedonthe subjectmatter. Readingoutemailssentinaboutthe filmanddiscussingthem, funnystoriesandopinionsinthe plot, cinematography,enjoyment.Commentingonthe general feedback,online comments,andsocial issues.Sectionsof the filmplayed.ActorDavidOyelowo(maincharacter) explainsplotandtalks aboutthe filmingof the movie.Genre of dramatic-comedycommentedonandbackground discussionsabouthowtheywentaboutfilming. Didyou do yourownstunts? What was the character like before youbroughtyourowntwisttoit? What do youthinkthe public’sreactionwill be toyourrole? Was it unusual workingalongside Joel andNash(brothers) onthe film? How didyoudeal withbeinginjectedwithamicrochip?Wasthe painreal?
- 2. Is itcoincidence thatthe majorityof the highprofile filmsyouhave actedinhave beendirectedby women? Has a momentbeenreachedonthe frontline intermsof woman’srights? Me Too movement,BlackPanther,WonderWoman,A Wrinkle InTime,StarWars. Future projects,lesmiserable. Thistarget audience differstothatof conventional,commercial radioasitispurelyfocusedonone subjecte.gnotdesignedtoappeal toa mass audience,butaniche one.The conversationisof a higherintellectualvalue asthe presentersare interestedandmostlikelyeducatedinthe film industry yetthe tone isrelaxedandinformal,asif itwasa conversationthe listenerhappenedtobe involvedin. WithspecialguestDavidOyelowothe presentersare able todelve intothe behindthe scenesaspectsof the filmwhichwill be interestingtothose whoare fansof the actor and the productionprocess.These people will formthe targetaudienceratherthanthe mainstream, casual listenersthattune intothe commercial stationsintheireverydaylives,simplyforbackgroundnoise.