This document appears to be lyrics for a song. It discusses a romantic relationship between two people, with themes of intimacy, passion, mistakes, and enduring love. The lyrics describe dancing together closely and wanting to hold each other, with references to keeping physical intimacy private. It emphasizes the love and commitment between the two people, suggesting their relationship will last for a long time.
National Geographic Traveler - Park City: Going For The High LifePeter Crosby
National Geographic Traveler - Jan 1999
Going For The High Life: Utah's Park City, a former silver-mining town, shoots for the gold as Olympics host and winter hot spot…
National Geographic Traveler - Park City: Going For The High LifePeter Crosby
National Geographic Traveler - Jan 1999
Going For The High Life: Utah's Park City, a former silver-mining town, shoots for the gold as Olympics host and winter hot spot…
Smart TV Buyer Insights Survey 2024 by 91mobiles.pdf91mobiles
91mobiles recently conducted a Smart TV Buyer Insights Survey in which we asked over 3,000 respondents about the TV they own, aspects they look at on a new TV, and their TV buying preferences.
The Art of the Pitch: WordPress Relationships and SalesLaura Byrne
Clients don’t know what they don’t know. What web solutions are right for them? How does WordPress come into the picture? How do you make sure you understand scope and timeline? What do you do if sometime changes?
All these questions and more will be explored as we talk about matching clients’ needs with what your agency offers without pulling teeth or pulling your hair out. Practical tips, and strategies for successful relationship building that leads to closing the deal.
Epistemic Interaction - tuning interfaces to provide information for AI supportAlan Dix
Paper presented at SYNERGY workshop at AVI 2024, Genoa, Italy. 3rd June 2024
https://alandix.com/academic/papers/synergy2024-epistemic/
As machine learning integrates deeper into human-computer interactions, the concept of epistemic interaction emerges, aiming to refine these interactions to enhance system adaptability. This approach encourages minor, intentional adjustments in user behaviour to enrich the data available for system learning. This paper introduces epistemic interaction within the context of human-system communication, illustrating how deliberate interaction design can improve system understanding and adaptation. Through concrete examples, we demonstrate the potential of epistemic interaction to significantly advance human-computer interaction by leveraging intuitive human communication strategies to inform system design and functionality, offering a novel pathway for enriching user-system engagements.
Builder.ai Founder Sachin Dev Duggal's Strategic Approach to Create an Innova...Ramesh Iyer
In today's fast-changing business world, Companies that adapt and embrace new ideas often need help to keep up with the competition. However, fostering a culture of innovation takes much work. It takes vision, leadership and willingness to take risks in the right proportion. Sachin Dev Duggal, co-founder of Builder.ai, has perfected the art of this balance, creating a company culture where creativity and growth are nurtured at each stage.
Essentials of Automations: Optimizing FME Workflows with ParametersSafe Software
Are you looking to streamline your workflows and boost your projects’ efficiency? Do you find yourself searching for ways to add flexibility and control over your FME workflows? If so, you’re in the right place.
Join us for an insightful dive into the world of FME parameters, a critical element in optimizing workflow efficiency. This webinar marks the beginning of our three-part “Essentials of Automation” series. This first webinar is designed to equip you with the knowledge and skills to utilize parameters effectively: enhancing the flexibility, maintainability, and user control of your FME projects.
Here’s what you’ll gain:
- Essentials of FME Parameters: Understand the pivotal role of parameters, including Reader/Writer, Transformer, User, and FME Flow categories. Discover how they are the key to unlocking automation and optimization within your workflows.
- Practical Applications in FME Form: Delve into key user parameter types including choice, connections, and file URLs. Allow users to control how a workflow runs, making your workflows more reusable. Learn to import values and deliver the best user experience for your workflows while enhancing accuracy.
- Optimization Strategies in FME Flow: Explore the creation and strategic deployment of parameters in FME Flow, including the use of deployment and geometry parameters, to maximize workflow efficiency.
- Pro Tips for Success: Gain insights on parameterizing connections and leveraging new features like Conditional Visibility for clarity and simplicity.
We’ll wrap up with a glimpse into future webinars, followed by a Q&A session to address your specific questions surrounding this topic.
Don’t miss this opportunity to elevate your FME expertise and drive your projects to new heights of efficiency.
LF Energy Webinar: Electrical Grid Modelling and Simulation Through PowSyBl -...DanBrown980551
Do you want to learn how to model and simulate an electrical network from scratch in under an hour?
Then welcome to this PowSyBl workshop, hosted by Rte, the French Transmission System Operator (TSO)!
During the webinar, you will discover the PowSyBl ecosystem as well as handle and study an electrical network through an interactive Python notebook.
PowSyBl is an open source project hosted by LF Energy, which offers a comprehensive set of features for electrical grid modelling and simulation. Among other advanced features, PowSyBl provides:
- A fully editable and extendable library for grid component modelling;
- Visualization tools to display your network;
- Grid simulation tools, such as power flows, security analyses (with or without remedial actions) and sensitivity analyses;
The framework is mostly written in Java, with a Python binding so that Python developers can access PowSyBl functionalities as well.
What you will learn during the webinar:
- For beginners: discover PowSyBl's functionalities through a quick general presentation and the notebook, without needing any expert coding skills;
- For advanced developers: master the skills to efficiently apply PowSyBl functionalities to your real-world scenarios.
Accelerate your Kubernetes clusters with Varnish CachingThijs Feryn
A presentation about the usage and availability of Varnish on Kubernetes. This talk explores the capabilities of Varnish caching and shows how to use the Varnish Helm chart to deploy it to Kubernetes.
This presentation was delivered at K8SUG Singapore. See https://feryn.eu/presentations/accelerate-your-kubernetes-clusters-with-varnish-caching-k8sug-singapore-28-2024 for more details.
1. k r,tuc- O€ rn trrrfifirt
a^d, edblh
Don't be sure that I'm comin' home l'm not here for the conversation
But that's alright
While I'm sure that all your thoughts are entirely pure
There s a part of me, that hopes that, all the weight you carry on your shoulder
Can slide off, with you t-shirt, and thoqe ch-airls you hold around your neck
.RrbUU f?oliCug
Ld*'t qtlL-.-4 r I
rdl tt/ld^
6ar a# t
Your imperfect but a worthy djsgression,
l'm ready for another ouick session
I tqyg Voq, and you love me, so let's --- in the kitchen try and keep it clean
So sorry, for my mistakes, try to make it up to you by the end of the day
-_------_ l'll try and hit that spot, just try and be yotcos you know
I lnlerrqltrrp, I
l.rr."u'}"il. I
You gotta, keep in timel watch your breath, try and keep your face off the floor,
iba.n€t cxlqa,,i
;n, 844'e?|/Gl -
This is a two way dance and ljust wanna hold you some more X2
;r^ ,atl,I' n l}r;
clrlhi.- I
a'
And when we're old and grey we'll say
@utcts
.........
--- me they were at it tike rabbirs I Stglt ln ,iil[*5r*"
-C}.ryi'*
__ true
your just to good to be I COSlUne
t
but cton't get the wrong idea I I i
lI
I love you oh so much I do, but show it in my own way
I
I t
I
ll*:i:::
We'll say ohohohoh X2 .- o
--,--
I
I
You gotta, keep in time, watch your breath, try and keep your face off the floor,
This is a two way dance and ljust wanna hold you some more X4
l(;,r
_E,
o - hnd-fl"t1
r - f,rltitr
o- ijrr+
2. STORYBOARD SHEET
Type of Dialogue - Sound - Came.a Movement Timing
Shot
Clrre
rin
Clotc u? at eutta.r, (+c^,
urP, ptttt, Z^oor,n 6ui/ .-,
foc'at
f ,^14
Type of Dialogue - Sound - Camera Movement Timing
Shot
O( e-l"t, ZaaH 6q1
.abt,l-U hcJ.
7-oort
Type of Dialogue - Sound - Camera Movement Timing
*lcrr '.4": Shot
(.^l) Clrt* up q k,f, zc,o,u
,
O.,tl
Type of Dialogue - Sound - Camera Movement Timing
Shot
Type of Dialogue - Sound - Camera Movement Timing
Shot
Cbre
df
3. Shot Type of
No.
Timing
e Shot
B$ #
( YF tu
tfirV
'$&
's
Edit
Shot Type of Dialogue -
J*4 dhe ol* ffg,
Sound - Camera Movement Timing
No.
? ,i^ U* frot*t ltl
d
Edit
Shot
No. -Camera Movement Timing
;)
-ffi
,
.r."--,."
^
Edit
Shot i',i'
rl-
Dialogue - Sound - Camera Movement Timing
No. rb
,
; l'i
,i;
,ty
0
Edir
Shot Type of Dialogue
No.
- Sound - Camera Move Timing
Shot
,,,4
lo -*"+
Edit
4. t'
STORYBOARD SHEET
Shot Type of Dialogue - Sound - Camera Movement Timing
No. lhot.
nAr 'rulr$L h#u*
lt ,l*h
Edir
Shot Type of Dialogue - Sound - Camera Movement Timing
k
No. Shot
rt
,t&h
Edit
Shot /^.-
(.--*-l'
.li Type of Dialogue - Sound - Camera Movement Timing
No.
r;}r I
s,'d
Shot
$.
t,
------*
Edit
;:lJ, sj
Shot Type of Dialogue - Sound - Camera Movement Timing
No. Shot .
-6d diufi"l
l( 'ra-
"OtL
J.1
!'
3r!,r 5'. #
Edit
Shot Type of Timing
Tfr;;;"ffi"
No. Shot
t5
Edit
5. Shot Type of Dialogue - Timing
No. Shot
l6
*/
Edit I
Shot Type of Timing
No. Shot
tl
Edit
:;;;r-- ..1:,.--*p?a
Vfi* I ( &fft,
Shot Type of Dialogue-Sound-CameraMo%ment / Timing
kt
No. Shot
ts
i.
t,t
( .1
l'r
Y,
Edit
r//r ,^
i't
Shot / | '.
I
Type of Dialogue - Sound - Camera Movement Timing
No rl I
Shot
t, " K.af r^ ti{c"
itf --
Edit
SidI ,
W
Shot Type of Dialogue - Sound - Camera Movement Timing
No. Shot
la Lo,., " n/o+ch oar b rrrttA .-
$,1 Le^d naYurt L/ '{4{rr
olrstq alg J I
Edit
6. Shot Type of Dialogue - Sound - Camera Movement Timing
No. Shot
R*yu.)e fult*r,nq rnbbrl ftls .nt€c.
2t $hol J ,}
) "n
(U * f {c*e oP
tlte" f'loqc
Edit
LSric {ic *tP
Shot Type of Dialogue - Sound - Camera Movement Timing
No. Shot
Sh"t C*^r (*w)
'?-L
"f #a rf
'"f
"1h,, i o. lwo
11 danc5
Edit &rd - -- soAQ r-t6rc-'
Shot Type of Dialogue - Sound - Camera Movement Timing
No.
Z>
Shot
s7d "f frruf w tonq
fa,bt,il EaH o{l
'lr,,o l,rr,'t
'-
Edit lo,.l. ,.fe,,f{
=
&,trc[f, 5€tJtOn
Shot Type of Dialogue - Sound - Camera Movement Timing
No.
SfA y
Shot
a,ld,enrrl'
Ll. f*r13., I-Etbbtt fL1nf i "*
S r!r
QCfOt f S cr-ecrt
@g r'-
' I
Edit Lor. got-t
(o* f--i:
Shot Type of Dialogue - Sound - Camera Movement Timing
No.
L'
Shot
t
forersoT* ?eruow
'
sl""t qs
' AnJ Jou lorre y<e.-
Edit
7. STORYBOARD SHEET
Shot Type of Dialogue Sound
- - Camera Movement Timing
No. Shot
.fl.* l?rr *, vp .,.^;,
3
23
3arilg'- #c+,
"5o (o{'s ** rr i{. rn the
Edit
krtCren*-
Shot' Type of Dialogue - Sound - Camera Movement Timing
No. Shot
t, J
Edit
Shot Type of Dialogue - Sound Camera Movement
,b$i{ - Timing
No. Shot
It l-lrah
)o fut"1
"Y , fo'
{@1 J,
^5,. Ptts{-altay J l-lio y* {6,J r-rcrr<<
t t- uo 'to qt>J t *-,1 t+<.
{, er1d. k +"J-dL"nTJ
Edir
- hgU* cor.4?o.*rnq - J
BVI/ 5
Shot Type of Dialogue Sound
No.
- - Camera Movement Timing
*3
Shot
a, Lov DVD LHe-r Aut&" +o
aYvle Ywe.{in^.
shd J
" l'l c.na{. k,I fxat
Edit
-t*'p
,-{pe*)"1uu
*Y a.^d_ |
@ qo*o
Shot Type of Dialogue Sound Camera Movement
No.
- - Timing
lo
Shot
oy sU, rabb c krclw
ia<rlh,no, ovet Cn {tae
,J shot
)or,a t -
Cr{k
Edit " Cot u4a-t knor.,'-
J
8. STORYBOARD SIIEET
Shot Type of Dialogu Timing
No. Shot
,l
*r-&
i h' ry
lru, 0x
hfi
Edit
ffi
Shot Dialogue - Sound - Camera Movement Tirning
.i
No.
// #-
3L ltTt trL
Edit
Shot Type of Dialogue - Sound - Camera Movement Timing
No. Shot
d/.** fi,*r,s, ,L., / lr^,, j'n"u' ftt
33 af
/t
V/alrch Lror,r b.€al,h--
J
Edir
Shot Type of Dialogue - Sound - Camera Movement Timing
No. Shot
5l*/ fio^ 4;h,nJ lt* tfB
la r
rar
L*l .
' {r, ln,
"lon. f,u
Edit
JV^r,/ /l* CXn,
,
Shot Type of Dialogue - Sound - Camera Movement Timing
rt
No. Shot q'.fl
" s,'
dxx:-
o@ *,t*rat/o
J 'f/,, t, 6L luro ,*iJ J*d
to
Edit