Production roles in x factor
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A creative director oversees all creative aspects of production and ensures sets, hosts, and creative guidelines are ready. A camera operator uses technical equipment like cameras, cranes, and mountings to capture footage. An audience warm up act like a comedian gets the crowd excited before the main show. A music supervisor ensures background music and contestant songs are cleared to avoid copyright issues. A talent researcher scouts new artists through websites and live performances to find and develop talent for the show.
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Production roles in x factor
The creative director would be responsible for overseeing all creative aspects of the production and ensuring all sets and hosts are ready. Multiple camera men would be needed to capture different angles during X Factor performances. Audience warm up acts like comedians would get the crowd excited before the show. The music supervisor ensures any songs used are cleared to avoid copyright issues. A talent researcher would scout for new artists through websites and gigs. The production designer is responsible for the overall visual style of the show including the stage, host attire, and sets.
Patrick Romine Resume-7 linkedin
This document is a resume for Patrick Romine, who has over 30 years of experience as a construction coordinator and production manager for films and television shows in Vancouver, BC. It lists his contact information and over 50 film and TV titles he has worked on in a construction or management role, along with the production designers and managers for each project. His experience includes features, pilots, TV series, commercials and more for studios like ABC, Disney and networks like CBS.
2b
This document provides descriptions of various job roles across different departments in film production including management, technical, creative, financial, research, editorial, organizational, administrative, and post-production. It gives examples of common day-to-day duties and responsibilities for roles like location manager, boom operator, makeup artist, production accountant, location scout, sound editor, stunt coordinator, and runner. Biographies are also provided for experienced sound designer Glenn Freemantle, famous makeup artist Michael Westmore, and legendary stunt driver and coordinator William "Bill" Hickman.
Creative media jobs presentation
A music publisher is responsible for managing the publishing rights of songs, including developing new songs, producing sheet music, and promoting songs to earn money through licensing and usage. A choreographer works with dancers to develop and stage dance performances. A costume designer designs the costumes that characters will wear in shows or films.
Institution task
The role of an executive producer is to supervise the producer and ensure the music video is completed on time and on budget. They are also responsible for agreeing to artistic and technical standards. A music producer has many roles including being the creative director for an entire album, coaching musicians, and managing budgets and scheduling during recording. During pre-production, the artist refines songs and creates demos to ensure everything will run smoothly in the recording phase. Some large, successful music video production companies include Epic Records and Universal Music Group.
Scene 1.2 - Jobs in the Creative and Media Industry
A music publisher is responsible for managing the publishing rights of songs, including developing new songs, producing printed music, and promoting songs to earn money through licensing and other uses.
Various roles in the music industry include singers who perform music to entertain audiences, tour managers who organize concert tours, DJs who play songs on the radio, choreographers who develop dance ideas, dancers who use movement to interpret ideas, and music teachers who educate students in dance.
Other roles include set designers who design stages, costume designers who create costumes, photographers who capture images, drama teachers who teach acting, film producers who coordinate filmmaking, graphic designers who convey information visually, animators who design animated images, and textile designers who create
2a
The passage describes Glenn Freemantle, an experienced British sound editor and designer who has worked on over 70 films in a career spanning 30 years. Freemantle is known for his passion for creative sound design and for building a dedicated team to produce world-class soundtracks for major directors and blockbuster films
Recommended
Production roles in x factor
The creative director would be responsible for overseeing all creative aspects of the production and ensuring all sets and hosts are ready. Multiple camera men would be needed to capture different angles during X Factor performances. Audience warm up acts like comedians would get the crowd excited before the show. The music supervisor ensures any songs used are cleared to avoid copyright issues. A talent researcher would scout for new artists through websites and gigs. The production designer is responsible for the overall visual style of the show including the stage, host attire, and sets.
Patrick Romine Resume-7 linkedin
This document is a resume for Patrick Romine, who has over 30 years of experience as a construction coordinator and production manager for films and television shows in Vancouver, BC. It lists his contact information and over 50 film and TV titles he has worked on in a construction or management role, along with the production designers and managers for each project. His experience includes features, pilots, TV series, commercials and more for studios like ABC, Disney and networks like CBS.
2b
This document provides descriptions of various job roles across different departments in film production including management, technical, creative, financial, research, editorial, organizational, administrative, and post-production. It gives examples of common day-to-day duties and responsibilities for roles like location manager, boom operator, makeup artist, production accountant, location scout, sound editor, stunt coordinator, and runner. Biographies are also provided for experienced sound designer Glenn Freemantle, famous makeup artist Michael Westmore, and legendary stunt driver and coordinator William "Bill" Hickman.
Creative media jobs presentation
A music publisher is responsible for managing the publishing rights of songs, including developing new songs, producing sheet music, and promoting songs to earn money through licensing and usage. A choreographer works with dancers to develop and stage dance performances. A costume designer designs the costumes that characters will wear in shows or films.
Institution task
The role of an executive producer is to supervise the producer and ensure the music video is completed on time and on budget. They are also responsible for agreeing to artistic and technical standards. A music producer has many roles including being the creative director for an entire album, coaching musicians, and managing budgets and scheduling during recording. During pre-production, the artist refines songs and creates demos to ensure everything will run smoothly in the recording phase. Some large, successful music video production companies include Epic Records and Universal Music Group.
Scene 1.2 - Jobs in the Creative and Media Industry
A music publisher is responsible for managing the publishing rights of songs, including developing new songs, producing printed music, and promoting songs to earn money through licensing and other uses.
Various roles in the music industry include singers who perform music to entertain audiences, tour managers who organize concert tours, DJs who play songs on the radio, choreographers who develop dance ideas, dancers who use movement to interpret ideas, and music teachers who educate students in dance.
Other roles include set designers who design stages, costume designers who create costumes, photographers who capture images, drama teachers who teach acting, film producers who coordinate filmmaking, graphic designers who convey information visually, animators who design animated images, and textile designers who create
2a
The passage describes Glenn Freemantle, an experienced British sound editor and designer who has worked on over 70 films in a career spanning 30 years. Freemantle is known for his passion for creative sound design and for building a dedicated team to produce world-class soundtracks for major directors and blockbuster films
Director x
Director X is known for directing high-budget music videos for popular artists like Drake, Rihanna, and Justin Bieber. He is particularly known for using distinctive letterbox formatting where the black bars open and close vertically or horizontally. This trademark style can be seen in his video for "Hotline Bling" by Drake. Director X gets many of his ideas from drawing and enjoys incorporating special effects into his videos to make them more interesting. He has also begun directing commercials and films, winning an award for his most recent feature film "Across the Line."
Sound operator
A sound operator is responsible for operating the sound during rehearsals and performances of a production. They work closely with the director, lighting operator, and other crew to ensure sounds are played at the correct moments and cues. A sound operator edits sound files, keeps cues, and follows the script to coordinate sound with other elements of the production. Their salary averages $50,000 and it is important they perform their role correctly as the sound is often cues for performers and other crew.
R Horvath_Resume
Rachel Horvath has over 7 years of experience producing a wide variety of video content and live events for brands such as T-Mobile, Tresemme, Clear, AXE, Dove, and Walmart. Her roles have included producing the Soundcheck Music Series, securing artist interviews for Walmart Moviecenter, and creating branded video and commercial content. She has managed productions with crews of up to 100 people. Her experience ranges from music performances and red carpet events to product activations, photography shoots, and branded videos.
Jeremy Barton's resume
Jeremy Barton is seeking a position that allows him to advance his skills and knowledge of sound engineering, design, and education. He has 14 years of experience in these fields, including work producing music, designing sound for events, and teaching sound concepts to children. He is proficient in many audio software programs and has experience with spatial audio systems.
Jobs in the media
The document provides brief descriptions of various jobs in the media industry, including director, producer, sound engineer, cinematographer, camera operator, costume designer, casting agent, screenwriter, radio host, game designer, and advertiser. It outlines some of the key responsibilities and skills required for each role.
Role chart. media
The document outlines the roles and responsibilities that each member of a film production crew will take on. Liv will be the script writer and technical director, handling sound recording and equipment. Hannah will serve as both editor and director, using editing software to assemble the final film. Ibzie will be the cinematographer and producer, operating cameras and lighting to set the aesthetic style and managing the project. Alex will take on costume design, casting, and lighting, designing costumes, selecting actors, and planning lighting cues.
Gc1
The document describes several job roles in theatre production:
Stage Manager coordinates all aspects of a production from rehearsals through performances to ensure successful delivery. Their duties include managing schedules, props, costumes, budgets and communicating between departments.
Sound Designers and Composers create sound effects and music to fit the production concept as directed. Sound Operators operate sound equipment during rehearsals and performances, cueing effects at the proper moments.
Lighting Operators operate lights during rehearsals and performances, programming cues to create desired emotions according to the director's vision.
Front of House Managers oversee ticket sales and audience experience to maintain the production's public image and quality service.
Props
PHM Pitch Deck
PorterHouse Media is a full-service production company that creates unique audiovisual content for brands and media companies. Led by DJ Steve Porter, PorterHouse is known for viral remix videos that sync existing media with original music. They have worked with major brands and produced content that has received significant online and media attention, garnering tens of millions of views. PorterHouse offers various production services including promotional videos, custom music, and live DJ performances to help clients extend the reach of their media assets.
Research of Job Roles in the Production Arts Industry
The document summarizes several job roles in the production arts industry, including stage manager, sound designer, sound operator, lighting designer, lighting operator, deputy stage manager, assistant stage manager, costume master/mistress, props master/mistress, and front of house manager. It provides brief descriptions of the key responsibilities for each role, such as coordinating all aspects of a performance for a stage manager, designing sound elements for a production for a sound designer, and managing customer service staff and the audience experience for a front of house manager.
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The documentary titled "The Gig Experience" focuses on live music from the perspective of artists and bands through the process of the public attending concerts, from buying tickets online to queuing at venues. The group contacted managers of local bands playing in Manchester and Liverpool to film their concerts, successfully filming Tyler Hilton, Imagine Dragons, and Alex Clare. Over 100 hours were spent creating the finished documentary product.
Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as their assistant. Other roles covered include sound designer and operator, lighting designer and operator, costume mistress, props mistress, and front of house manager. Each role has specific tasks such as designing elements, operating equipment, or overseeing departments and ensuring smooth performances. The stage manager sits at the top of the hierarchy and coordinates communication between all roles.
Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as deputies. Other roles covered are sound and lighting designers, who design audio and visual elements, and their operators who implement them. Front of house, costume, and props managers are also summarized as supporting roles that ensure the smooth running of performances.
Institution of music videos
The document discusses the production, distribution, and exhibition of music videos. It describes the roles of executive producers, music producers, directors, and record labels in the production process. Preproduction considerations include budgeting, storyboarding, casting, locations, and wardrobe. Distribution methods include online platforms like iTunes, YouTube, VEVO, and music channels. Music videos can also be viewed at festivals but some face censorship on certain platforms due to explicit content.
Music Video Director
A music video director is responsible for creatively translating the music video's storyboard into shots and images on screen. They oversee camera work, editing, lighting, cinematography, and production design. The director must develop a personal vision for how to convey the emotions and tone of the music through the video. They work closely with actors, the producer, and editing team to bring their vision to life within budget and scheduling constraints. Music video directing requires an understanding of all aspects of production and experience in other roles before becoming a director.
Production roles
The document describes several production roles in radio advertising:
The creative product manages the production of radio advertisements, jingles, and shows, often operating sound boards to record talent separately. Copywriters write scripts for advertisements to attract and engage audiences to promote products. Voiceover artists audition to read scripts fluently and with emotion. Sound engineers manage sound, music, and effects technically in recording studios, requiring music and equipment expertise.
Production research
The document discusses several key roles in film production including the director, cinematographer, editor, production designer, and sound designer. It provides details on the responsibilities and important duties of each role. The director leads the creative vision and oversees the entire filmmaking process. The cinematographer works with the director of photography to achieve the desired visual style. The production designer conceptualizes the film's overall aesthetic look. The sound designer is responsible for all audio elements in the film. Professional examples are given for each role.
Music Industry Background
There are multiple stages involved in making a music video including research, production, and post-production. Research involves learning about the target audience and verifying details. Production is the filming process where the research is applied. Post-production includes editing footage and adding finishing touches. Necessary staff can include a director, producer, actors/actresses, script writer, and cameraman depending on the size of the project. Music videos are made to promote and advertise songs/artists as well as create an image and brand which can help sell music and bring in revenue.
Gc1 job roles
The stage manager coordinates all aspects of a production to ensure its successful delivery. They manage rehearsals, actors, technicians and more from rehearsal through performance, dealing with any issues.
The sound designer is responsible for all audio elements of a production. This includes editing sounds, finding sound effects, and understanding sound programs like QLAB. They must adapt their role to each specific production.
The front of house manager oversees the audience experience and front of house facilities like bars and ticket sales. They are the first impression of the venue and must ensure a smooth performance.
The deputy/assistant stage manager assists the stage manager and director. They prompt actors, cue crew, and fill in for the stage manager
How Are Music Videos Made
There are three main stages to making a music video: pre-production, production, and post-production. In pre-production, the artist and director come up with an idea and storyboard for the video. During production, the planned scenes are filmed. In post-production, the footage is edited together and promoted on social media. Music videos promote the artist's music and label. They are usually funded by the artist's record label, with more popular artists receiving higher budgets, though some cost-effective videos can still find success.
Gc1 job roles in the production roles
The document describes the roles and responsibilities of various positions within the production of a musical. It begins by explaining there is a hierarchy and then lists the roles of Stage Manager, Assistant Stage Manager, Deputy Stage Manager, Sound Designer, Sound Operator, Front of House Manager, Lighting Designer, and Lighting Operator. For each role it provides details of their responsibilities and how they interact with other roles to ensure smooth execution of the production.
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Director x
Director X is known for directing high-budget music videos for popular artists like Drake, Rihanna, and Justin Bieber. He is particularly known for using distinctive letterbox formatting where the black bars open and close vertically or horizontally. This trademark style can be seen in his video for "Hotline Bling" by Drake. Director X gets many of his ideas from drawing and enjoys incorporating special effects into his videos to make them more interesting. He has also begun directing commercials and films, winning an award for his most recent feature film "Across the Line."
Sound operator
A sound operator is responsible for operating the sound during rehearsals and performances of a production. They work closely with the director, lighting operator, and other crew to ensure sounds are played at the correct moments and cues. A sound operator edits sound files, keeps cues, and follows the script to coordinate sound with other elements of the production. Their salary averages $50,000 and it is important they perform their role correctly as the sound is often cues for performers and other crew.
R Horvath_Resume
Rachel Horvath has over 7 years of experience producing a wide variety of video content and live events for brands such as T-Mobile, Tresemme, Clear, AXE, Dove, and Walmart. Her roles have included producing the Soundcheck Music Series, securing artist interviews for Walmart Moviecenter, and creating branded video and commercial content. She has managed productions with crews of up to 100 people. Her experience ranges from music performances and red carpet events to product activations, photography shoots, and branded videos.
Jeremy Barton's resume
Jeremy Barton is seeking a position that allows him to advance his skills and knowledge of sound engineering, design, and education. He has 14 years of experience in these fields, including work producing music, designing sound for events, and teaching sound concepts to children. He is proficient in many audio software programs and has experience with spatial audio systems.
Jobs in the media
The document provides brief descriptions of various jobs in the media industry, including director, producer, sound engineer, cinematographer, camera operator, costume designer, casting agent, screenwriter, radio host, game designer, and advertiser. It outlines some of the key responsibilities and skills required for each role.
Role chart. media
The document outlines the roles and responsibilities that each member of a film production crew will take on. Liv will be the script writer and technical director, handling sound recording and equipment. Hannah will serve as both editor and director, using editing software to assemble the final film. Ibzie will be the cinematographer and producer, operating cameras and lighting to set the aesthetic style and managing the project. Alex will take on costume design, casting, and lighting, designing costumes, selecting actors, and planning lighting cues.
Gc1
The document describes several job roles in theatre production:
Stage Manager coordinates all aspects of a production from rehearsals through performances to ensure successful delivery. Their duties include managing schedules, props, costumes, budgets and communicating between departments.
Sound Designers and Composers create sound effects and music to fit the production concept as directed. Sound Operators operate sound equipment during rehearsals and performances, cueing effects at the proper moments.
Lighting Operators operate lights during rehearsals and performances, programming cues to create desired emotions according to the director's vision.
Front of House Managers oversee ticket sales and audience experience to maintain the production's public image and quality service.
Props
PHM Pitch Deck
PorterHouse Media is a full-service production company that creates unique audiovisual content for brands and media companies. Led by DJ Steve Porter, PorterHouse is known for viral remix videos that sync existing media with original music. They have worked with major brands and produced content that has received significant online and media attention, garnering tens of millions of views. PorterHouse offers various production services including promotional videos, custom music, and live DJ performances to help clients extend the reach of their media assets.
Research of Job Roles in the Production Arts Industry
The document summarizes several job roles in the production arts industry, including stage manager, sound designer, sound operator, lighting designer, lighting operator, deputy stage manager, assistant stage manager, costume master/mistress, props master/mistress, and front of house manager. It provides brief descriptions of the key responsibilities for each role, such as coordinating all aspects of a performance for a stage manager, designing sound elements for a production for a sound designer, and managing customer service staff and the audience experience for a front of house manager.
Evaluation - A2 Media Studies
The documentary titled "The Gig Experience" focuses on live music from the perspective of artists and bands through the process of the public attending concerts, from buying tickets online to queuing at venues. The group contacted managers of local bands playing in Manchester and Liverpool to film their concerts, successfully filming Tyler Hilton, Imagine Dragons, and Alex Clare. Over 100 hours were spent creating the finished documentary product.
Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as their assistant. Other roles covered include sound designer and operator, lighting designer and operator, costume mistress, props mistress, and front of house manager. Each role has specific tasks such as designing elements, operating equipment, or overseeing departments and ensuring smooth performances. The stage manager sits at the top of the hierarchy and coordinates communication between all roles.
Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as deputies. Other roles covered are sound and lighting designers, who design audio and visual elements, and their operators who implement them. Front of house, costume, and props managers are also summarized as supporting roles that ensure the smooth running of performances.
Institution of music videos
The document discusses the production, distribution, and exhibition of music videos. It describes the roles of executive producers, music producers, directors, and record labels in the production process. Preproduction considerations include budgeting, storyboarding, casting, locations, and wardrobe. Distribution methods include online platforms like iTunes, YouTube, VEVO, and music channels. Music videos can also be viewed at festivals but some face censorship on certain platforms due to explicit content.
Music Video Director
A music video director is responsible for creatively translating the music video's storyboard into shots and images on screen. They oversee camera work, editing, lighting, cinematography, and production design. The director must develop a personal vision for how to convey the emotions and tone of the music through the video. They work closely with actors, the producer, and editing team to bring their vision to life within budget and scheduling constraints. Music video directing requires an understanding of all aspects of production and experience in other roles before becoming a director.
Production roles
The document describes several production roles in radio advertising:
The creative product manages the production of radio advertisements, jingles, and shows, often operating sound boards to record talent separately. Copywriters write scripts for advertisements to attract and engage audiences to promote products. Voiceover artists audition to read scripts fluently and with emotion. Sound engineers manage sound, music, and effects technically in recording studios, requiring music and equipment expertise.
Production research
The document discusses several key roles in film production including the director, cinematographer, editor, production designer, and sound designer. It provides details on the responsibilities and important duties of each role. The director leads the creative vision and oversees the entire filmmaking process. The cinematographer works with the director of photography to achieve the desired visual style. The production designer conceptualizes the film's overall aesthetic look. The sound designer is responsible for all audio elements in the film. Professional examples are given for each role.
Music Industry Background
There are multiple stages involved in making a music video including research, production, and post-production. Research involves learning about the target audience and verifying details. Production is the filming process where the research is applied. Post-production includes editing footage and adding finishing touches. Necessary staff can include a director, producer, actors/actresses, script writer, and cameraman depending on the size of the project. Music videos are made to promote and advertise songs/artists as well as create an image and brand which can help sell music and bring in revenue.
Gc1 job roles
The stage manager coordinates all aspects of a production to ensure its successful delivery. They manage rehearsals, actors, technicians and more from rehearsal through performance, dealing with any issues.
The sound designer is responsible for all audio elements of a production. This includes editing sounds, finding sound effects, and understanding sound programs like QLAB. They must adapt their role to each specific production.
The front of house manager oversees the audience experience and front of house facilities like bars and ticket sales. They are the first impression of the venue and must ensure a smooth performance.
The deputy/assistant stage manager assists the stage manager and director. They prompt actors, cue crew, and fill in for the stage manager
How Are Music Videos Made
There are three main stages to making a music video: pre-production, production, and post-production. In pre-production, the artist and director come up with an idea and storyboard for the video. During production, the planned scenes are filmed. In post-production, the footage is edited together and promoted on social media. Music videos promote the artist's music and label. They are usually funded by the artist's record label, with more popular artists receiving higher budgets, though some cost-effective videos can still find success.
Gc1 job roles in the production roles
The document describes the roles and responsibilities of various positions within the production of a musical. It begins by explaining there is a hierarchy and then lists the roles of Stage Manager, Assistant Stage Manager, Deputy Stage Manager, Sound Designer, Sound Operator, Front of House Manager, Lighting Designer, and Lighting Operator. For each role it provides details of their responsibilities and how they interact with other roles to ensure smooth execution of the production.
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Research of Job Roles in the Production Arts Industry
Research of Job Roles in the Production Arts Industry
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UP
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
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Production roles in x factor
- 1. Production Roles in X factor BY WILLIAM
- 2. Creative director A creative director is a position often found within lots of different media production. They would have the responsibtly for leading teams and developing creative guidelines and directing. In X factor the creative director would be making sure that all set is done and ready. They would also have to make sure that the host are ready.
- 3. Camera man A camera man would be responsible for operating a variety of technical equipment including single and multiple portable, remote – control and electronic cameras, cranes and mobile mountings.
- 4. Audience Warm Up An audience warm up is an act that would get the crowd ready for the main act. Most warm up acts would be a comedian that would haven an act before the show to get people happy and in the mood. X factors has had multiple warm up acts like Alan Carr, Jonathan ross or Ian Royce.
- 5. Music Supervisor A music supervisor is a person who combines music and visual media. In X factor their music supervisor is Meryl Ginsberg. What this person would do in X factor would be different from another show they would make sure there is background music but also make sure the songs performed by contests are cleared. If songs are not cleared this would be copyright and could costs the show a lot of money.
- 6. Talent Researcher A talent researchers role is a very similar to an A&R (Artists and repertoire) role is to find and develop new artists. They would be able to do this in a variety of ways. They would scout through lots of different website (sound cloud, youtube..etc) and gigs checking lots of different artists. I found an assistant talent research called sunny Govenden that worked on X Factor.
- 7. Dubbing Mixer The dubbing mixer would make sure all sound elements (vocals, instrumentation, background music and sound effects. Etc) all come together at the right moment to build the tension or to bring out the feels of the show when an underdog gets all 4 ‘Yes’s.
- 8. Event Manager This person would need to make sure audition, stage of boot camp and live show are carefully planned by an event manager, making sure everything run smoothly before and after the credits.
- 9. Grip Grips are trained lighting and rigging technicians. Their main responsibility is to work closely with the electrical department to put in the non – electrical components of lighting set- ups required for a shot.
- 10. Production designer The production designer is responsible for creating the visuals for X Factor for example the main stage the hosts makeup and clothes. The production designer would have a lot on their plate to make sure that everything looks perfect.