Printmaking is an artistic process that creates original prints through various matrices such as metal, wood, and polymer. The document describes artworks that explore dynamic themes such as resurrection and cubism through vibrant colors and forms. Techniques include contrasting colors and brushstrokes that create an abstract visual experience without a central focus.

1. Electives
MANOJ CHAUHAN
1 7 S A 2 1 4

2. WHAT IS PRINT MAKING?
• Printmaking is the process of creating artworks by printing,
normally on paper. Printmaking normally covers only the process
of creating prints that have an element of originality, rather than
just being a photographic reproduction of a painting. Except in
the case of monotyping, the process is capable of producing
multiples of the same piece, which is called a print.
• Prints are created by transferring ink from a matrix or through a
prepared screen to a sheet of paper or other material. Common
types of matrices include: metal plates, usually copper or zinc, or
polymer plates for engraving or etching; stone, aluminum, or
polymer for lithography; blocks of wood for woodcuts and wood
engravings; and linoleum for linocuts.

3. GLORIOUS MESS
• Destruction of natural
appearance; and
construction through
continuous opposition of
pure means—dynamic
rhythm.
• These atomized bands of
stuttering chromatic pulses,
interrupted by light gray,
create paths across the
canvas

4. • The main theme, which is
an oval form intersected by
an irregular rectangle, is
perceived like the center
surrounded by the vortex of
colors and forms.
• It is a combination of
several themes namely
Resurrection, the Judgment
Day, the Flood and the
Garden of Eden. Such
combination is expressed as
a symbiosis of painting.
JAZZY DELIGHT

5. PINK BLUNDER
• Reimagines the human form
through a mechanized and
monochromatic lens in
keeping with Cubism.
• The monochromatic
naturalistic and realistic
forms create a beautiful
composition of undulated
surfaces.

6. WHITE POLES
• The network of thin, agitated
lines indicates a graphic,
two-dimensional sensibility,
while the floating, vibrantly
hued forms suggest various
spatial depths.
• The mass of swirling colors
and lines in the center
convincingly interpretes as
the figure of a lance-bearing.

7. • To intensify colour and
simplify form—led to short,
square vertical
brushstrokes, lengthened
and continued as flat
patches of colour. There is
no focus—even a denial of
all compositional
arrangement.
• Forms in bright red and
orange contrast with light
blue and darkest blue-green
shapes outlined in dark
yellow.
PEEPING MASK