Preserving Our Digital Heritage

             Gregory Colati, University of Connecticut
                                     October 22, 2012
http://www.flickr.com/photos/duncan/55101610
01/
The Dilemma of Modern Media, 1996
   BEFORE YouTube, Facebook, and Smartphones




Paul Conway, Preservation in the Digital World
http://www.clir.org/pubs/reports/conway2
Dilemma of Modern Media, 1912




Flickr image from the National Film and Sound Archive Australia
Cultural Armageddon, 1990s
Cultural Armageddon, 2000s
Cultural Armageddon, 2012
Source: University of Southern California
Credit: Todd Lindeman and Brian Vastag/ The
Washington Post




http://www.washingtonpost.com/wp-
dyn/content/graphic/2011/02/11/GR2011021100614.html
An Obsolete Documentary Form?
Preserving Digital Collections
Preserving digital collections is the same as preserving
   physical collections, except where it is different



       Respect the principles of the profession
        Embrace the potential of technology
Five Equations of the Cultural Record


        Content     = Data
         Analog     = Non-existent
    Unconnecte      = Invisible
                d
       Reusable     = Valuable
    Visualization   = Storytelling
Cyberinfrastructure and the Cultural Record
“Digital cultural heritage resources are a fundamental
              dataset for the humanities…

  … combined with computer networks and software
 tools, now shape the way that scholars discover and
          make sense of the human record…

  … [and] the way their findings are communicated to
    students, colleagues, and the general public”

"The Report of the American Council of Learned Societies Commission on Cyberinfrastructure for
the Humanities and Social Sciences." American Council of Learned Societies (2006).
Counters of Bits and Tellers of Stories

“When it was made simple, counted in bits, Information
was found to be everywhere”
      -James Gleick, The Information: A History, A Theory, A Flood (2011)



“It is not just about the data, it is about the story”
      -Arianna Huffington (2012)
MAGI
C/CSD
  S

             CTDA



    Other
   Partner
      s
Join Us!
Greg Colati
Sr. Director, Archives, Special Collections and Digital Curation
University of Connecticut
gregory.colati@uconn.edu

Preserving Our Digital Heritage

  • 1.
    Preserving Our DigitalHeritage Gregory Colati, University of Connecticut October 22, 2012
  • 3.
  • 4.
    The Dilemma ofModern Media, 1996  BEFORE YouTube, Facebook, and Smartphones Paul Conway, Preservation in the Digital World http://www.clir.org/pubs/reports/conway2
  • 5.
    Dilemma of ModernMedia, 1912 Flickr image from the National Film and Sound Archive Australia
  • 6.
  • 7.
  • 8.
    Cultural Armageddon, 2012 Source:University of Southern California Credit: Todd Lindeman and Brian Vastag/ The Washington Post http://www.washingtonpost.com/wp- dyn/content/graphic/2011/02/11/GR2011021100614.html
  • 9.
  • 10.
    Preserving Digital Collections Preservingdigital collections is the same as preserving physical collections, except where it is different Respect the principles of the profession Embrace the potential of technology
  • 11.
    Five Equations ofthe Cultural Record Content = Data Analog = Non-existent Unconnecte = Invisible d Reusable = Valuable Visualization = Storytelling
  • 12.
    Cyberinfrastructure and theCultural Record “Digital cultural heritage resources are a fundamental dataset for the humanities… … combined with computer networks and software tools, now shape the way that scholars discover and make sense of the human record… … [and] the way their findings are communicated to students, colleagues, and the general public” "The Report of the American Council of Learned Societies Commission on Cyberinfrastructure for the Humanities and Social Sciences." American Council of Learned Societies (2006).
  • 13.
    Counters of Bitsand Tellers of Stories “When it was made simple, counted in bits, Information was found to be everywhere” -James Gleick, The Information: A History, A Theory, A Flood (2011) “It is not just about the data, it is about the story” -Arianna Huffington (2012)
  • 14.
    MAGI C/CSD S CTDA Other Partner s
  • 15.
  • 16.
    Greg Colati Sr. Director,Archives, Special Collections and Digital Curation University of Connecticut gregory.colati@uconn.edu