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The CR-PLAY experience. Introducing CR-PLAY project at PGC Helsinki 2015
The document discusses creating a new technology for games through receiving EU funding. It describes forming a consortium of game developers and researchers, writing a compelling proposal, submitting it to the EU for funding, and signing a contract if approved. It then discusses how to ensure the project's success through expertise, motivation, organization, and an unspecified "secret magic recipe". The overall project aims to develop a new technology for games, though its specific focus is not detailed.
The CR-PLAY experience. Introducing CR-PLAY project at PGC Helsinki 2015
- 1. How to createa new technology for games (and survive the experience) Ivan Orvieto - Testaluna
- 2. 2/21 Ivan Orvieto –Executive Producer in Testaluna/Miniclip Italia Who am I?
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- 4. 4/21 + The idea behindCR-PLAY
- 5. 5/21 The idea behindCR-PLAY
- 6. 6/21 Game Dev + Researchers + EU Support = Theidea behind CR-PLAY New Tech forGames
- 7. 7/21 What next? EU support Applyfor EU funding
- 8. 8/21 Create a strongconsortium + EU support
- 9. 9/21 Write a compellingproposal + EU support
- 10. 10/21 Submit & crossyour fingers + EU support
- 11. 11/21 Sign the contract + EUsupport
- 12. 12/21 (have a party) + EUsupport
- 13. 13/21 How to makeit work?
- 14. 14/21 Game Dev + Researchers + EU Support = NewTech for games How to make it work?
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- 16. 16/21 What is theproject about? In a nutshell
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- 20. 20/21 Thanks Any questions? orvieto@testaluna.it @PennyWise71 ARE YOUSURE WE SHOULD TAKE PICTURES HERE?!?!!?
Editor's Notes
- #14 We have a Finnish partner
- #15 a big multi-national EU project with diverse type of partners to develop new kind of technology for game development
- #16 Expertise: Computer graphics, Computer vision, Software development, Game design and development, HCI, Usability Motivation: pushing hard to obtain a total that is bigger than the sum of single elements Organisation: planning and management
- #20 Reconstruction tool restituisce Point cloud, superpixel, depth map e fitting planes. Questo è l'input della parte di rendering (che usa le n camere) Dire che lo scopo è quello di dare l’illusione del 3D in cui la camera virtuale è libera di muoversi (to a certain extent) anche dove le camere di acquisizione non esistono.